Softcover. NY, The Drawing Centre, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 94 pages. B&w illustrations throughout. Penone's sculptures, installations, and drawings are distinguished by his emphasis on process and his use of natural materials, such as clay, stone, metal, and wood. Exhibition catalog. Clean copy.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1952, Book: Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering, 326 pages, b&w plates. The story of the sculptor who carved the faces of America's heroic dead on granite mountains, most prominently, Mount Rushmore. Previous owner's name on front fly leaf, otherwise clean. Mild shelf-wear.

Hardcover. Suffolk, UK, Antique Collectors Club, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 300 pages, hardcover. This is the story of David Sassoon, the British fashion designer whose name has been synonymous with British glamour for the last 50 years through the label Bellville Sassoon. Heavily illustrated on every page in color and b&w.

Hardcover. NY, Abrams, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 330 pages. A visually captivating history of the evolution of Glamour magazine and the brands legendary decades at the forefront of female empowerment in an incredible photographic volume For more than 80 years, Glamour has been the preeminent women's empowerment brand in America. But until now, no one has told the extraordinary story of its origins, the famous names who helped shape the magazine into the global powerhouse it is today, and Glamour's many historic firsts. Glamour was the first American fashion magazine to feature a Black cover star, the first to present Gloria Steinem's writing, and the first to feature groundbreaking reporting on reproductive rights. In a gripping journey, follow the group of women editors and journalists who spearheaded the magazine as World War II transformed the female landscape with over 7.5 million working women suddenly in the US workforce in 1940 and repositioned the title from charting Hollywood glamour to the magazine for the girl with a job.

Softcover. London, P&D Colnaghi & Co. Ltd, University of Clasgow Press, 1st, 1973, Book: Very Good, Dust Jacket: None, Nonpaginated. Softcover. Color and b/w illustrations throughout. Just a little age wear to the wrapper, otherwise very good. A touch of age-yellowing to edges and pages, doesn't affect text or illustrations.

Hardcover. New York, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 223 pages. 357 illustrations, including 93 plates in full color. Catalogue Raisonne of Galle's work including list of exhibitions of his glass. Gray cloth, gilt lettering to spine. Gray dust jacket in mylar cover, color slightly sunfaded around edges. Cosmetic paper-split between front board and endpaper, not affecting binding, Very nice clean copy.

Hardcover. New York , El Leon Literary Arts, 1st Bilingual, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover. Preface By Julia Alvarez. 95 pages, illustrated throughout in b&w. Beautiful, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Books of Wonder, reprint, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. A rousing tale of suspense, magic, and adventure, Glinda of Oz is the fourteenth and final Oz book by L. Frank Baum. It's a grand conclusion to his chronicles of America's favorite fairyland. This deluxe gift edition features all twelve of Oz artist John R. Neill's beautiful color plates, along with his nearly one hundred black-and-white pictures,

Hardcover. Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's shrink-wrap. 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships. Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades

Hardcover. US, Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover with dust jacket, 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships.Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades.

Hardcover. New York, Simon Schuster, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover with color plates. SIGNED BY L'ENGLE on title page. The birth of Jesus was a Glorious Impossible. Like love, it cannot be explained, it can only be rejoiced in. And that is what master storyteller Madeleine L'Engle does in this written narrative, inspired by Giotto's glorious frescoes from the Scrovegni Chapel in Padua. With a simple clarity that illuminates the life of Christ, Madeleine L'Engle gives eloquent voice to the miracle of God's love.

Hardcover. Toronto, McClelland & Stewart, 1st, 1923, Book: Good, Dust Jacket: None, Hardcover, 430 pages, with illustrations throughout. Gilt titles and decorated cover on blue cloth. Minor corner and spine edge wear, cracked binding at front and rear end paper. Yellowing on pages 104 and 105, otherwise, clean and tight overall. A book about the sea battles of the War of 1812 by a noted Canadian naval historian.

Hardcover. New York, Richard Jackson Book/Antheneum Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, SIGNED BY AUTHOR ON TITLE PAGE. Covers and dust jacket completely illustrated in color, acetate protective covering to dust jacket, lovely full page color illustrations by Schwartz. Very slight rubbing to acetate covering, otherwise dust jacket, covers and pages crisp and unmarked, spine stiff and tight; a beautiful book in superb condition.

Softcover. London, Christie's, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 280 pages, color photographs throughout. Light edge wear, rubbing to wrappers. Bottom right cover corners slightly bent. Else a clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.

Hardcover. NY, Harry N. Abrams, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with light tanning to spine edge. Book is bound in textured brown boards with a gnome holding a lantern embossed in gilt on front. 212 pages, all in color, hundreds of illustrations, maps, and diagrams. First published in 1976 in the Netherlands titled Leven en werken van de Kabouter. Small inscription on front fly leaf otherwise a clean, tight copy.

Hardcover. NY, Workman Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Pictorial boards, 150 pages illustrated in color. Design is all around you. And whether you realize it or not, you are already a designer. In Go, renowned graphic designer Chip Kidd explains not just the elements of design, including form, line, color, scale, typography, and more, but most important, how to use those elements in creative ways. Like putting the word "go" on a stop sign, Go is all about shaking things up.Kidd writes about scale: When a picture looks good small, don't stop there--see how it looks when it's really small. Or really big. He explains the difference between vertical lines and horizontal lines. The effect of cropping a picture to make it beautiful--or, cropping it even more to make it mysterious and compelling. How different colors signify different moods. The art of typography, including serifs and sans serifs, kerning and leading. The book ends with ten hands-on design projects for kids. Clean copy.

Hardcover. UK, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. God in the Age of Science? is a critical examination of strategies for the philosophical defence of religious belief. The main options may be presented as the end nodes of a decision tree for religious believers. The faithful can interpret a creedal statement (e.g. "God exists") either as a truth claim, or otherwise. If it is a truth claim, they can either be warranted to endorse it without evidence, or not. Finally, if evidence is needed, should its evidential support be assessed by the same logical criteria that we use in evaluating evidence in science, or not? Each of these options has been defended by prominent analytic philosophers of religion. In part I Herman Philipse assesses these options and argues that the most promising for believers who want to be justified in accepting their creed in our scientific age is the Bayesian cumulative case strategy developed by Richard Swinburne. Parts II and III are devoted to an in-depth analysis of this case for theism. Using a "strategy of subsidiary arguments," Philipse concludes (1) that theism cannot be stated meaningfully; (2) that if theism were meaningful, it would have no predictive power concerning existing evidence, so that Bayesian arguments cannot get started; and (3) that if the Bayesian cumulative case strategy did work, one should conclude that atheism is more probable than theism. Philipse provides a careful, rigorous, and original critique of theism in the world today. Clean copy.

Hardcover. Cambridge, MD, Tidewater Publishers, 2nd pr., 1977, Book: Very Good, Dust Jacket: Good, 295 pages. Hardcover. B/w illustrations throughout. Light green cloth cover boards, gilt title on spine. Decorated endpapers. Dust jacket unclipped, has a touch of agewear (see images). Pages clean. Binding tight. Spine straight. By word, painting adn sketch, Mr. Tawes recalls with Bay salt and spice that tiny postage stamp of America he christens "the Creek Country."

Hardcover. Dunlop Art Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 169 pages. Illustrated in color and b&w. Text in English and French. Clean, bright copy.

Hardcover. Dublin, Dolmen Editions, First Edition, 1977, Book: Very Good, Dust Jacket: None, 78 pages. Hardcover. Limited to 650 copies. Black cloth boards with white printed decoration & white titles to spine. Ink paintings by Louis le Brocquy in black & white throughout. Previous owner's bookplate to front endpaper. Clean, unmarked, tight copy. No dust jacket.

Hardcover. Shelton CT, The Greenwich Workshop Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages. Illustrated with 69 full color reproductions of the art of Mort Kunstler, some double page. First edition, first printing - stated and with full number line. America's premier Civil War artist, Mort Kunstler, is joined by the nation's leading Civil War historian, Dr. James I. Robertson, Jr., in this extraordinary visual history of the Civil War's dramatic first two years. A companion history to the motion picture of the same name, Gods and Generals is based on the best-selling Jeff Shaara novel, and surveys a crucial period in the War Between the States through incomparable art-work and a matchless narrative. Clean copy.

Hardcover. New York, Harry Abrams, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 216 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED ON TITLE PAGE. Clean, tight copy.

Hardcover. US, Picture Book Studio, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, Illustrated throughout with 114 posters in color. Light shelf-wear and scratching to dust jacket. Faint foxing to top edge and end papers, else a clean, tight copy.

Hardcover. NY, Contemporary Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 398 pages. From its inauspicious beginnings through its improbable Super Bowl victories and its ultimate demise, the American Football League had a colorful and sometimes bizarre ten-year history that will not soon be forgotten. Going Long takes you back to that thrilling decade with the men who made the AFL--and who made it great. In this unique oral history, 170 voices come together to tell the unbelievable story of that maverick league, a rollicking tale of eight teams that refused to die.In 1959, the NFL had just a dozen teams, with only two located west of the Mississippi River. For forty years, it had enjoyed total dominance over the gridiron, tackling rival franchises and knocking them out of the game. But a revolution was coming to American football, and it all began with a man named Lamar Hunt, the Texas millionaire who desperately wanted a league of his own. With a team of enthusiastic investors, Hunt fired what he later called "the first cannon shot in what turned out to be the pro football war." It was a war that would rage on for ten rough-and-tumble years.Flavored with wild (and often ribald) anecdotes, inside stories, personal interviews, and never-before-told material, Going Long brings the incredible story of the upstart AFL to life through the words of the players, coaches, owners, and others who lived it--including Joe Namath, Mike Ditka, Bubba Smith, Roger Staubach, Pat Summerall, Curt Gowdy, and many others. Hearkening back to a simpler time in sports, this behind-the-scenes true story reveals the origins of the modern game we know today and how it all began with a fight to the death for professional football supremacy.

Softcover. New Haven CT, Yale University Press, 1st pbk, 2022, Softcover, 483 pages. An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century. Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they--not merely the clergy--affected how worship was staged. Clean, bright copy.

Hardcover. London, V&A Publications, 1st, 2007, Book: Very Good, Dust Jacket: Good, 224 pages. Hardcover with dust jacket. Soiling and wear to dust jacket edges. Light yellowing to inside pages. Small tears to dust jacket rear. An otherwise tight copy. 97 color plates, 80 black and white illustrations. In 1947, Christian Dior?s ?New Look? was greeted with both shock and delight, making headlines around the world. Accompanying the exhibition opening at the Victoria and Albert Museum in September 2007, this lavish book focuses on Parisian and British couture between 1947 and 1957, the decade Dior hailed as fashion?s ?golden age.? The ?New Look? symbolized a new femininity. The full skirts and hourglass silhouettes were considered highly decadent, synonymous with luxury and prosperity, in marked contrast to the austerity of the WWII years. Nevertheless, the ?New Look? caught the public imagination and ushered in a period of remarkable creativity. The Golden Age of Couture features stunning gowns and exquisite tailoring from Dior as well as from such designers as Balenciaga, Balmain, and Givenchy, along with evocative photographs by the likes of Richard Avedon and Cecil Beaton.

Softcover. San Francisco, Chronicle Books, 1st, 1987, Book: Very Good, Dust Jacket: None, 121 pages, 175 b&w cartoons by Lorenz that ran in the 1980s. Illustrated wraps.

Hardcover. NY, Rizzoli, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, illustrated throughout in color and b&w. Light edgewear and tanning to dust jacket, else a clean, tight copy. Covers the rise of travel thanks to the development of roadways, railways, luxury ocean liners and trains, and eventually the airliner. Wonderfully illustrated with photos, travel posters, luggage tags, and more.

Hardcover. NY, powerHouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards with "bullet holes". 144 pages. Golden Age Western Comics lovingly reproduces in full-color, restored, complete scans of 20 of the best Western stories--plus a few pin-ups--created between the years 1948 and 1956. These lavishly illustrated stories of guts and glory, violence and valor, intrigue, romance, and betrayal, on the range and in lawless frontier towns, were created by some of the best artists and writers of the era. The action flies off the page in stories such as "The Tragedy at Massacre Pass," and "Breakout in rondo Prison," from the greatest earliest publishing houses, including: Fawcett, Charlton, Avon, Youthful, and more. Like new,

Hardcover. Brooklyn. NY, Powerhouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. Color comics throughout. Clean, tight copy.

Hardcover. St. Louis, MO, Illustrated Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. This book features incredible artworks from the Golden Age of illustration. 204 artists with 217 full page reproductions of original paintings, all photographed directly from the original art. Limited to 900 copies.

Hardcover. London, John Lane, The Bodley Head, 1st, 1915, Book: Very Good, Dust Jacket: Good, Hardcover. Scarce in dust jacket. 242 pages, 19 full-color plates. Red top edge. Chipping, tears, small pieces missing from dust jacket; in brodart. Some pages still uncut. Previous owner's signature on front fly leaf. Else a clean, tight copy.

Hardcover. London, Michael Joseph, 2nd pr., 1962, Book: Very Good, Dust Jacket: Very Good, 204 pages. Red cloth, gilt lettering to spine. Nice, bright dust jacket with minor wear to upper edges of spine, protected by clear brodart cover. A very nice, tight, clean copy.

Hardcover. Toronto, McClelland & Stewart Ltd, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering, 274 pages. B&w decorations by Lois Lenski. A nice selection of Canadian stories. Bookplate on inside front cover, otherwise a bright, clean copy.

Hardcover. NY, Holiday House, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, illustrated in color by Trina Schart Hyman. SIGNED BOOKPLATE BY HYMAN pasted on front fly leaf. Like new in a bright, unclipped dust jacket.

Hardcover. New York, Harper & Row, 1st, 1989, Book: Very Good, Dust Jacket: None, 124 pages. Hardcover with no dust jacket. Light soil to covers. Black and white illustrations by various artist. Tight copy.

Hardcover. NY, William Morrow & Company, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Author's fourth book. Basis for the movie by the same name starring Ben Affleck and Rosamund Pike. The Dorchester neighborhood is no place for the innocent, the young, the defenseless or the pure. This is a territory of broken families, bitter cops, whacked out ex-cons, and a mother who watches herself on the nightly news as her missing child floats further and further into the unkown. Boston private investigators, Patrick Kenzie and Angela Gennaro, don't want this case. But after pleas from the child's aunt, they embark upon an investigation and ultimately risk losing everything- their relationship, their sanity, and even their lives-to find this little-girl-lost. Capturing the voices that echo within blue collar Boston, Dennis Lehane is a master storyteller, who weaves together embittered people, tattered emotions, and brutal crime to create relentless, heart-pounding novels of suspense. Clean copy.

Hardcover. NY, Orchard Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY BOTH author and illustrator with a sketch by Ajhar. Can Edith the tooth fairy help Bernice the godmother of all fairies find her magical powers again, or is Bernice doomed to live out the rest of her fairy life wand-less? "If yours truly, Edith Molarnari, tooth fairy second class, hadn't seen it with my own two peepers, I wouldn't have believed it myself --- Bernice Sparklestein, once the best fairy godmother in the biz, having a bad wand day. A very bad wand day." Margie Palatini's heartwarmingly hilarious story about helping friends and finding your place in life along the way, and Brian Ajhar's beautifully fun illustrations will have both children and adults giggling out loud.

Hardcover. NY, Harper & Brothers, 1st US, 1928, Book: Very Good, Dust Jacket: None, Hardcover, quarter green cloth cover with patterned boards, 368 pages. A novel from Norway. Translated from the Norwegian by Edwin Bjorkman. Front dust jacket flap glued to inside front cover.Clean bright copy.

Softcover. NY, HarperCollins, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, publisher's uncorrected proof, color illustrated wrappers. SIGNED BY THE AUTHOR on title page. Like new. Richard Bausch "tells the heartwarming and riotously funny coming-of-age story of Walter Marshall, whose fumblings toward manhood coincide with cataclysmic change in the country."

Softcover. Cleveland OH, The Cleveland News Co., 1st, 1901, Book: Good, Dust Jacket: None, Softcover, illustrated wrappers, 96 pages. Lettering & Embellishments Conceived & Executed by W. J. Morgan & Co. Covers worn with light soil, spine paper worn. Still a solid copy. Name on rear cover. Amusing humor from the turn of the last century. Profusely and humorously illustrated with many in-text sketches. Ezra Freemont Kendall was an American actor-comedian, humorist, playwright and author who was known for his depiction of typical New England Yankees. During his time in vaudeville Kendall was said to have been among the highest paid monologist in America.

NY, Farrar & Rinehart, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black design, unpaginated. 224 original cartoons and drawings of George Price; including excerpts from Price's diary recounting his daily antics working for the New Yorker, Colliers and The Saturday Evening Post. Bump to bottom corner of front cover, otherwise clean, very good. No dust jacket.

Hardcover. NY, Harper & Row, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Illustrated in b&w by cartoonist James Stevenson. Dust jacket price-clipped otherwise very good.

Hardcover. NY, Four Winds Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated biography of England's Queen Elizabeth I, written for young readers. Art by Diane Stanley. Clean copy.

Softcover. Chicago, Good Taste Products, 2nd pr., 1993, Book: Very Good, Dust Jacket: None, 87 pages, softcover with color illustrated wrappers. B&w comic art by O'Connell. Attention cocktail crowd! Looking at Mitch O'Connell's illustrations is like appreciating a dry martini: clean, crisp, retro. And you can almost smell the hair spray from all those beehive hairdos in this book. Good Taste Gone Bad is a collection of the best O'Connell illustrations, designs and comics. Be hip. Buy this book.

Hardcover. Racine WI, Whitman Publishing, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, pictorial boards. Wonderful silhouette and full-color illustrations by artist Rhoda Chase of young boys and girls at play and visiting relatives. A short book about the two siblings, Bobby and Betty and some of their friends, relatives and daily activities. Light cover soil and wear to edges, otherwise clean.

Hardcover. NY, McGraw-Hill, 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages. Gold, red, green and black (old Lucky Strike colors) boards, no dust jacket. A history of cigarette smoking. Great photos of smoking in films, antique ads and packages, etc. Laid in are publicity photos of author and designer. Clean, bright copy.

Hardcover. NY, McGraw-Hill, 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages. Gold, red, green and black (old Lucky Strike colors) boards, no dust jacket. A history of cigarette smoking. Great photos of smoking in films, antique ads and packages, etc.

hardcover. NY, St. Martins, 1st , 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.