Hardcover. NY, Grosset & Dunlap, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 118 pages, illustrated in color and b&w. Erotic illustrations from the pulps with a chart in the back identifying the artists. Mild musty smell, clean copy.

Softcover. NY, Dell, 1st pbk., 1947, Book: Very Good, Dust Jacket: None, Paperback, Dell #181. No marking, minor wear to covers, map on rear cover. Laminate peeling in rear. Pages light toning. Cover art by Gerald Gregg.

Hardcover. NY, Crown Publishers, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, good-humored fun by some of the world's foremost cartoonists at work in the mid-20th century, including Charles Addams, Ed Arno, Johnny Hart, Tony Munzlinger, Charles Schulz and George Price. Cartoons that originally appeared in publications such as The Saturday Evening Post, Punch, and Look are here given full pages. 9 x 12", 140 pages.

Hardcover. NY, Crown, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 120 pages.

Hardcover. NY, Doubleday, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 510 pages. Bibliography, Index. Numerous b&w photographs, drawings, and maps throughout text. A portrayal of the history, geography, architecture, and people of fourteen ancient cities at their height, among them Thebes, Jerusalem, Babylon, Athens, Carthage, and Rome. Clean copy.

Softcover. San Francisco, Pomegranate, Revised Ed., 2001, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Many cans of tuna have been opened and emptied since the collection's first mostly black-and-white edition, in 1981; the revised edition adds more color art as well as coverage of classics including The Cat in the Hat, Bill the Cat, and pets penned by B. Kliban and Edward Gorey. The volume covers cartoon depictions of the cat dating back to 1100 B.C., though the bulk of the images date to the 20th century. Brief essays about printing, literature, contemporary society, and other historical facts are interspersed with the goods selections from the comics themselves. Editor Whyte is a publisher who founded the Cartoon Art Museum in San Francisco.

Softcover. San Francisco, Pomegranate, Revised Ed., 2001, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Many cans of tuna have been opened and emptied since the collection's first mostly black-and-white edition, in 1981; the revised edition adds more color art as well as coverage of classics including The Cat in the Hat, Bill the Cat, and pets penned by B. Kliban and Edward Gorey. The volume covers cartoon depictions of the cat dating back to 1100 B.C., though the bulk of the images date to the 20th century. Brief essays about printing, literature, contemporary society, and other historical facts are interspersed with the goods selections from the comics themselves. Editor Whyte is a publisher who founded the Cartoon Art Museum in San Francisco.

Hardcover. NY, Harmony Books, 1wt, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. full blue cloth, silver lettering on spine. Illustrated with B&W and color photographs and reproductions. A visual tour of the great country English houses through the ages. Clean copy.

Hardcover. New York, Farrar, Straus and Giroux, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, 278 pages, very clean and tight copy.The Great Fire was the winner of the 2003 National Book Award for Fiction. More than twenty years after the classic The Transit of Venus, Shirley Hazzard returns to fiction with a novel that in the words of Ann Patchett "is brilliant and dazzling..."The Great Fire is an extraordinary love story set in the immediate aftermath of the great conflagration of the Second World War. In war-torn Asia and stricken Europe, men and women, still young but veterans of harsh experience, must reinvent their lives and expectations, and learn, from their past, to dream again. Some will fulfill their destinies, others will falter. At the center of the story, a brave and brilliant soldier finds that survival and worldly achievement are not enough. His counterpart, a young girl living in occupied Japan and tending her dying brother, falls in love, and in the process discovers herself.

Softcover. New York , Bounty Books, 1st, 1976, Book: Very Good, Dust Jacket: None, 120 pages, large format softcover. Features all the famous animated characters from the golden age of animation. Clean, tight copy.

Hardcover. New York, Tim Duggan Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages, b&w illustrations. The first great portrait photographer, a pioneering balloonist, the first person to take an aerial photograph, and the prime mover behind the first airmail service, Nadar was one of the original celebrity artist-entrepreneurs. A kind of 19th-century Andy Warhol, he knew everyone worth knowing and photographed them all, conferring on posterity psychologically compelling portraits of Manet, Sarah Bernhardt, Delacroix, Daumier and countless others--a priceless panorama of Parisian celebrity. Born Gaspard-Felix Tournachon, he adopted the pseudonym Nadar as a young bohemian, when he was a budding writer and cartoonist. Later he affixed the name Nadar to the facade of his opulent photographic studio in giant script, the illuminated letters ten feet tall, the whole sign fifty feet long, a garish red beacon on the boulevard. Nadar became known to all of Europe and even across the Atlantic when he launched "The Giant," a gas balloon the size of a twelve-story building, the largest of its time. With his daring exploits aboard his humongous balloon (including a catastrophic crash that made headlines around the world), he gave his friend Jules Verne the model for one of his most dynamic heroes.

Hardcover. NY, Oxford University Press, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped ($4.00) dust jacket, full yellow cloth, black titling. INSCRIBED BY EBERHART and dated on the front fly leaf.

Hardcover. Colorado Springs, Chariot Victor, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated in color by Greg Dearth.

Hardcover. Switzerland, Edita S. A. Lausanne, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, large folio in a bright dust jacket. 278 pages, color and b&w illustrations, many tipped-in color plates. Essay on Gothic tapestry by Pierre Verlet; essay on classical tapestry by Michel Florisoone; contemporary tapestry by Adolf Hoffmeister. An essay titled "The Weaver's Art" is by Francois Tabard. Lacks slipcase. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

New York, Atheneum, 1st, 1974, Book: Good, Dust Jacket: Good, Hardcover, 131 pages. Black & white illustrations by Trina Schart Hyman. Cover has edgewear. Dust jacket is protected by a mylar cover. Ex-library with usual markings and stamping.

Softcover. NY, Metropolitan Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 238 pages. Illustrated profusely in b&w and 16 plates in color. An exhibition sponsored by the government of the Republic of Greece and the Musee du Louvre. Metalwork, bronze, clay, marble: all manner of objects 4th millennium B.C. to 4th century B.C.

Hardcover. Boston, Houghton Mifflin Company, 1st, 1949, Book: Very Good, Dust Jacket: Good, 211 pages. Hardcover. Not ex-library. Black and white illustrations by Paul Brown. Front and rear endpapers illustrated in red. Part of the Clara Ingram Judson "They Came From" series. Green cloth covers with title in black on front cover and spine. Dust jacket with chipping and some tape repaired tears along edges - Jacket now protected with clear plastic cover. Book listed on rear inside flap is "The Lost Violin". A few rough page edges from closed pages being opened by original owner. Clean, unmarked pages.

Hardcover. Boston, Benjamin B. Mussey and Company, Second Edition, 1853, Book: Very Good, Dust Jacket: None, 364 pages. Hardcover. Two volumes in one, revised edition to the original published work by the author of "May Martin or The Money Diggers;" "Locke Amsden or The Schoolmaster." Green cloth boards with embossed decoration to cover & gilt titles to spine. Scuffed edges to boards, frayed edge to spine. Moderate foxing throughout. Otherwise clean, tight copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Illustrated from black and white photographs, maps. An interesting history of Greenbelt, Maryland including the origins of Greenbelt, the ideology of its founders, and their struggle to create a cooperative planned community in the United States. Built in the 1930s on worn-out tobacco land between Baltimore and Washington, D.C., the planned community of Greenbelt, Maryland, was designed to provide homes for low-income families as well as jobs for its builders. In keeping with the spirit of the New Deal, the physical design of the town contributed to cooperation among its residents, and the government further encouraged cooperation by helping residents form business cooperatives and social organizations.Part of the *Creating the North American Landscape* series. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a bright. lightly worn dust jacket. 240 pages illustrated in color. A full-color survey of the architectural firm of Greene & Greene that almost single-handedly defined the Arts & Crafts aesthetic in America in the first decades of the 20th century. An in-depth tour of 25 magnificent homes examines the creative evolution of their style as well as surveying their greatest works. Light tape repair to spine of dust jacket.

Softcover. New York, Dell Publishing, 1st, 1946, Book: Very Good, Dust Jacket: None, 240 pages. Paperback. Dell Book #111. Minor wear to paper wrappers. Creasing to covers and spine. Map on rear cover. Small ink notation on first page. Cover art by Gerald Gregg.

Hardcover. NY, Harper & Brothers, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with yellow lettering. No dust jacket. 161 pages illustrated with 72 striking black-and-white photogravures by Berenice Abbott. Having spent most of the 1920s in Paris photographing such famous literati as James Joyce, Jean Cocteau and Andre Gide, Abbott returned to New York with the intention "to do in Manhattan what Atget did in Paris. " Throughout the 30s she captured New York "with a straightforward style that nodded toward 19th-century classicism while signaling a new sort of stripped-down modernism" (Roth, 100). Included here are her images of such artists as Isamu Noguchi, Edward Hopper, John Sloan and William Auerbach-Levy, each in their studios, along with numerous glimpses into the buildings, people and life of Greenwich Village. Text by Henry W. Lanier, editor, writer and son of renowned southern poet Sydney Lanier. Bright, clean copy.

Layton UT, Gibbs Smith, 1st, 2019, Book: Very Good, Dust Jacket: None, Oblong hardcover with pictorial boards. 176 pages. A curated vintage ephemera tour of Las Vegas through the first half of the twentieth century as it blossomed out of the desert sands into an entertainment mecca. The story of early to mid-twentieth-century Las Vegas in its gilded age as told through a fun and diverse collection of old photos, picture postcards, matchbooks, ads, and other vintage ephemera. Featured are classic glimpses of Fremont Street and the world-renowned Las Vegas Strip, landmarks such as the Sands and Riviera hotel casinos, and the cream of Hollywood glitterati, including Frank, Sammy, Dino, and the Rat Pack. Author Peter Moruzzi's sharp, witty, and sometimes irreverent commentary accompanies the visual treats and provides a unique historical take on the evolution of this desert playground.

Hardcover. Damiani, 1st, 2015, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap, 156 pages. Outside the Studio is photographer Greg Gorman's tenth monograph. This book takes Gorman (born 1949) outside the reaches of his studio portrait and figure-study work, for which he is best known, and onto the streets of Southeast Asia-uncharted territory for the artist. Traveling initially on behalf of Epson, giving symposiums on fine art digital printing throughout Singapore, Malaysia, China and India, Gorman got a firsthand look at these very different cultures at the very beginning of the digital revolution. The transition from analogue to digital cameras was another new experience for Gorman, who had shot film for more than 30 years. For Gorman, being in the studio with the likes of Marlon Brando or Robert De Niro was second nature, but being thrust in front of strangers in China, Kuala Lampur, India, Thailand, Cambodia and Vietnam was a new adventure.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Hardcover. Mineola NY, Calla/Dover Books, reprint, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, gilt-decorated green cloth. This Calla Edition of fairy tales by the Brothers Grimm is drawn from the mammoth collection first published in 1909 and illustrated by Arthur Rackham. His 40 full-color plates, plus innumerable black-and-white spot elements, get sensitive treatment in a design that retains the best features of the original, including the ornate gilt stamping on the cover.

Hardcover. Esslinger, Reprint, 2004, Book: Very Good, Dust Jacket: None, 198 pages. Hardcover. Beautiful color illustrations throughout. Decorated color illustrated front cover board. Red quarter cloth. Attached red ribbon bookmark. In beautiful condition. Binding tight. Spine straight. Pages clean and bright.

Hardcover. Woodstock, VT, Countryman Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, SIGNED BY JACKSON ON HALF-TITLE PAGE. Black boards with cloth spine, color illustrated dust jacket. Slight rubbing to dust jacket, spine stiff and tight, crisp pages; a very clean, tight copy in great condition. Grootka, retired from the Detroit Police Department, returns as a mentor to Fang Mulheisen, and the two lives become dangerously entwined in a thirty-year-old unsolved case of rape and murder.

Hardcover. US, Fantagraphics Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 79 pages. Hardcover with no dust jacket. A graphic novel of the German artist's life, b&w art by author. Clean, tight copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 79 pages. Hardcover with no dust jacket. A graphic novel of the German artist's life, b&w art by author. Clean, tight copy.

Softcover. New York, Harper & Row, 1st, 1965, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, A collection of b&w cartoons by Lou Myers. Clean copy.

Hardcover. Boston, James R. Osgood, reprint, 1884, Book: Good, Dust Jacket: None, Hardcover, 439 pages. Mustard cloth with gilt and black decoration. Hinges cracked, spine cocked, shelfworn. Illustrated with a b&w frontispiece, text sketches throughout, no artist credit. Howard presents the story of a young girl living in the village of Plouvenec who works packing sardines. She falls in love with an artist while supplementing her income by modeling for artists in an artist colony.

NY, Hyperion, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Like-new in colorful dust jacket. When the new owners of the bed and breakfast arrive, they soon realize they're not the only ones who are interested in the place. The guests start arriving, one by one, and soon they're all trying to solve the mystery of who's behind the haunting.

Softcover. DFID, 1st, 1999, Book: Good, Dust Jacket: None, 338 pages, with illustrations and charts, spiral bound. Minor corner and edge wear and fade, previous owner's inscription on rear fly leaf, otherwise, unmarked and bright copy.

Softcover. Belmont, CA, Wadsworth Thompson, 1st, 2003 , Book: Near Fine, Dust Jacket: None, 378 pages. Softcover. Color and b/w illustrations throughout. Wrapper excellent, like new. Pages clean and unmarked. Binding tight. Looks nearly new and barely used. designed for both beginning and advances drawing classes, this best seller explores all topics, media, and techniques that guide students in mastering basic skills and using those skills creatively and expressively.

Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.

Hardcover. NY, Oxford University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 229 pages, b&w illustrations. The searing accounts of Aleksandr Solzhenitsyn, Evgeniia Ginsberg and Varlam Shalamov opened the world's eyes to the terrors of the Soviet Gulag. But not until now has there been a memoir of life inside the camps written from the perspective of an actual employee of the Secret police. In this riveting memoir, superbly translated by Deborah Kaple, Fyodor Mochulsky describes being sent to work as a boss at the forced labor camp of Pechorlag in the frozen tundra north of the Arctic Circle. Only twenty-two years old, he had but a vague idea of the true nature of the Gulag. What he discovered was a world of unimaginable suffering and death, a world where men were starved, beaten, worked to death, or simply executed. Mochulsky details the horrific conditions in the camps and the challenges facing all those involved, from prisoners to guards. He depicts the power struggles within the camps between the secret police and the communist party, between the political prisoners (most of whom had been arrested for the generic crime of "counterrevolutionary activities") and the criminal convicts. And because Mochulsky writes of what he witnessed with the detachment of the engineer that he was, readers can easily understand how a system that destroyed millions of lives could be run by ordinary Soviet citizens who believed they were advancing the cause of socialism. Clean copy.

Hardcover. London/New York, J.M. Dent/E.P. Dutton, 1st Revised Ed., 1909, Book: Very Good, Dust Jacket: None, Hardcover, 291 pages, 12 color plates plus b&w drawings by Arthur Rackham. Red cloth covers with ornate gilt decoration to front and spine. A revision of Rackham's 1899 Ed. New color plates. Excellent condition. Previous owner's signature on front end paper. Clean, bright copy.

Hardcover. London, Gibbings and Co., 2nd Ed., 1896, Book: Very Good, Dust Jacket: None, 341 pages. Hardcover with blue cloth covers with black and gilt design. An ex-library but aside from spine stickers and bookplate, a remarkably clean, tight copy. Doesn't appear to be a circulating copy. Tales of hunting throughout the world, but mostly in America, from snipe shooting to wolf coursing. Includes several fishing chapters; salmon in Japan, black and striped bass, grey mullet, brook trout and muskies, with a final chapter on artificial stocking of lakes and rivers.

Softcover. London, Hard Case Crime, 1st thus, 2008, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Joe DeVito. Life isn't always cheap south of the border--some lives are worth a million dollars. That's what the Mexican kidnapping cartel was demanding for Carl Ledbetter's wife. So Carl reached out to the one person he knew with a chance in hell of saving her, a deadly man whose own life he'd saved in the sands of Iraq. It was time to call in some favors. Because some situations call for negotiation, but some...call for gun work. Like new.

Softcover. London, Hard Case Crime, 1st thus, 2008, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Joe DeVito. Life isn't always cheap south of the border--some lives are worth a million dollars. That's what the Mexican kidnapping cartel was demanding for Carl Ledbetter's wife. So Carl reached out to the one person he knew with a chance in hell of saving her, a deadly man whose own life he'd saved in the sands of Iraq. It was time to call in some favors. Because some situations call for negotiation, but some...call for gun work. Like new.

Hardcover. San Diego, Harcourt Brace Jovanovich, 1st thus, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a award sticker. An illustrated edition of the classic poem, in which a British soldier recalls his experiences in the army in India and pays homage to the courage of the Indian water carrier Gunga Din. Lovely watercolor art by Robert Andrew Parker. Clean copy.

Hardcover. New York , Harry N. Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. "Christian M. Nebehay, a leading Klimt scholar who knew the artist personally in the last year of his life, places Klimt in the context of the society which he both shocked and delighted. The best of his abundant sketches and the finished paintings which they precede are brought together for the first time, juxtaposed to alllow direct comparison" With 370 illustrations including 135 plates in full color.

Hardcover. Syracuse NY, Syracuse University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 186 pages, 116 illustrations. "The first serious study of the totality of Stickley's accomplishments, especially his architecture", and as a central figure in the American Arts and Crafts Movement as founder of The Craftsman and of the Stickley Workshops. Bibliographical references, pages 169-181. Clean copy.

Hardcover. NY, Harper & Row , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 383 pages. Illustrated with black & white plates. A vivid picture of French art and society in the revolutionary years of the mid-nineteenth century. Previous owners name at top of front endpaper. Clean, tight copy. Dust jacket spine faded.

Hardcover. NY, James Graham & Sons, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Color plates throughout. Color pictorial dust jacket. Blue cloth boards with silver lettering along spine. B&w frontispiece. clean, tight copy. A monograph on the work of Gu Pene Du Bois, an American painter known for his depiction of American culture in the early 1900s, with this book discussing his murals and portrait paintings, among other work.

Hardcover. US, powerHouse Books, 1st, 2007-11-01, Book: Very Good, Dust Jacket: None, Light edgewear to illustrated boards, else a clean, tight copy. After attending a first Hair Wars show at the Apollo Theatre in Harlem in 2004, photographer David Yellen and fashion writer Johanna Lenander decided to document, through portraits and interviews, the creative power of the most acclaimed Fantasy Hair stylists nationally. 'Hair Wars,' the first photography book to document this phenomenal art form, presents a series of 74 four-color photographs that were taken in several Hair Wars shows around the country between 2004 and 2006. 102 pages, 75 color plates.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Light edgewear to illustrated boards, else a clean, tight copy. After attending a first Hair Wars show at the Apollo Theatre in Harlem in 2004, photographer David Yellen and fashion writer Johanna Lenander decided to document, through portraits and interviews, the creative power of the most acclaimed Fantasy Hair stylists nationally. 'Hair Wars,' the first photography book to document this phenomenal art form, presents a series of 74 four-color photographs that were taken in several Hair Wars shows around the country between 2004 and 2006. 102 pages, 75 color plates.

Softcover. Berkleley, CA, Berkeley, CA, 1st wraps, 1989, Book: Very Good, Dust Jacket: None, 119 pages. Clean, tight copy. Color, black & white illustrations by Gahan Wilson. French fold flaps. Paperback.

Softcover. NY, Brooklyn Museum : exclusively distributed by H. N. Abrams, 1st, 1978, Book: Good, Dust Jacket: None, 176 pages, illustrated throughout in color and b&w. Previous owner's blind stamp on front end paper. Light edgewear, rubbing and creasing to wrappers, else a clean, tight copy.