Hardcover. NY, Simon & Schuster , 2nd pr., 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, Illustrated wth 12 b/w cartoons by George Price. A wry and witty history of the American motion picture by a giant of the industry. Postcard of Brown Derby Restaurant laid-in.

Softcover. London/Rome, John Libbey, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, clean and tight copy of volume 5. 775 pages, illustrated with b&w charts. Rubbing to wraps with crease on the front. Otherwise clean.

Hardcover. Secaucus, N.J., Chartwell Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, color illustrations. Clean, tight copy. Discusses the main collecting areas, provides expert advice on how to avoid expensive mistakes, how to care for old toys, and how to spot the works of the masters.

Hardcover. Philadelphia, PA, David McKay, 1st, 1900, Book: Good, Dust Jacket: None, 359 pages. Hardcover. B/w illustrations/engravings throughout. Gilt title and decoration on spine and front cover. Edges dyed. covers bound in forest green fabric. Some fraying to top and bottom of spine, as well as other age wear to covers. Still intact, binding still tight but gutter split at back page, page still attached. In good condition for its age.

Hardcover. NY, William Lewer, 1st, 1838, Book: Very Good, Dust Jacket: None, Hardcover, bound in 3/4 leather with marbled boards, black calf spine labels with gilt lettering, 396 pages, American Edition noted on title page; its London parent, "The Metropolitan: A monthly journal of literature, science, and the fine arts" was a London monthly journal established by Thomas Campbell in 1831 and continued, under various editors, until 1850. Clean bright copy.

Hardcover. New York, Aperture, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, 220 pages, 155 b&w photographs by Casasola. Edited by Pablo Ortiz Monasterio, essay by Pete Hamill. Agustin Victor Casasola photographed everyone of consequence in Mexico at the time of the revolution, from Francisco (Pancho) Villa, Emiliano Zapata and the exiled Russian leader Leon Trotsky to artists Diego Rivera and Frida Kahlo. For this splendid collection of Casasola's work, the noted American author Pete Hamill has written a rich essay on the photographer and the Mexico he pictured so well.

Softcover. New York, Monacelli Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 183 pages, illustrated in color and b&w.Since 1988, New York-based architect Michael Bell has created a series of projects and essays that explore architectural and urban design for California, New York, and Texas -- the three most populous regions of the United States and, coincidentally, the three states in which he has lived and practiced. The first monograph on the architect, Michael Bell: Space Replaces Us; Essays and Projects on the City, includes both design work and writings.Bell has organized and designed two important installations, both of which include his work: "Endspace: Michael Bell and Hans Hofmann," at the University Art Museum, Berkeley, and "16 Houses: Owning a House in the City," at DiverseWorks in Houston, which featured his seminal Glass House @ 2 Degrees. Other projects included are an urban renewal scheme for a huge site in Far Rockaway, New York, and a series of residential projects, including the Ghent House, a modernist glass house currently under construction in upstate New York. Complementing the design projects are three major essays: "Having Heard Mathematics: The Topologies of Boxing," "Eyes in the Heat: RSE," and "New York City."

Softcover. Cincinnati OH, Contemporary Art Center, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 102 pages, b&w and color illustrations. Very light edge wear, else a clean, tight copy. Publication documenting renowned post-modern architect Michael Graves and the summer pavilion for the Cincinnati Symphony Orchestra. Written by architecture historian and critic Jayne Merkel, the book begins with a history of other outdoor music structures and the decision to build on the river site. Merkel discusses Graves' development as a leader of the post-modern movement and draws upon his sources in ancient amphitheaters, as well as his other structures in Portland, Louisville, and San Juan Capistrano. The book also includes an in-depth interview with Graves and a chapter on the "state of the art" acoustics and the collaboration between architect Graves and artist Ted Schmidt which resulted in the unique cut-out sculptures adorning the roof line of Riverbend.

NY, Holt Rinehart Winston , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Color illustrations by Michael Hague. 162 pages, in a bright, price-clipped dust jacket.

Hardcover. NY, Holt Rinehart Winston , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Michael Hague. 162 pages, in a bright, unclipped dust jacket. A collection of tales including "The Snow Queen," "The Little Mermaid," "The Little Match girl," "Thumbelina," "The Elfin Hill," "Little Ida's Flower," "The Ugly Duckling," "The Wild Swans," and "The Emperor's New Clothes."

Hardcover. NY, Holt Rinehart Winston , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Michael Hague. 162 pages, in a bright, price-clipped dust jacket. A collection of tales including "The Snow Queen," "The Little Mermaid," "The Little Match girl," "Thumbelina," "The Elfin Hill," "Little Ida's Flower," "The Ugly Duckling," "The Wild Swans," and "The Emperor's New Clothes."

Hardcover. New York , Holt Rinehart and Winston, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 162 pages illustrated in color by Michael Hague. INSCRIBED BY HAGUE WITH AN INK SKETCH OF A FAIRY SITTING ON A TOADSTOOL on the title page. Minor wear to dust jacket, yellowing a bit at edges.

Hardcover. NY, Holt Rinehart Winston, 1st , 1981, Book: Very Good, Dust Jacket: Very Good, 162 pages. Hardcover with dust jacket. Color illust. by Hague. Clean, tight copy.

Softcover. Italy, Charta, 1st, 2009, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 64 pages, color photos. Michael Itkoff has traveled the world since 2002 taking portraits of everyday people in the street. In the photographs gathered here, a makeshift backdrop is held behind subjects in London, Sydney, Hanoi, Bangkok and New York, allowing the larger urban scene to fill out the frame. Born in 1981 in Philadelphia, Itkoff is a Founding Editor of Daylight magazine.

Softcover. Frankfurt, Michael Laub, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Illustrated with black & white photographs. Minor wear to covers. Clean, tight copy.

Hardcover. Milan, Silvana Editoriale, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Iraqi-American artist Michael Rakowitz's (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artifacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stonecarvers of Afghanistan, with Rakowitz's casts of players and objects revealing the legacy of colonization, modernism and globalism. The artist's life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square's Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here. Text in English and Italian. Short closed tear to dj corner. otherwise like new. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Whitney Museum of American Art/Steidl, 1st, 2002, Book: Very Good, Dust Jacket: None, Flexible boards, 264 pages. B/w and color illustrations throughout. Published to accompany exhibition at Whitney Museum of American Art in New York. Super clean. By repeatedly re-photographing her images, transferring them from video to film and back again, and manipulating them digitally, Michal Rovner creates photographic and video imagery that abstract familiar subjects like houses, animals, and people into ambiguous and iconic forms. Working with representation but against the traditions of narrative and documentary purpose, her artworks imply a tentative universe, one that is paradoxically peaceful and unsettled, vivid and shrouded, and completely counter-factual. If the changing nature of art has resulted in a general blurring of boundaries--between painting and photography, reality and memory, presence and absence--Rovner mines this haziness, refuses to respect borders, and exists completely in The Space Between.

Softcover. Hanover NH, Dartmouth College, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 24 pages illustrated with color and b&w photos. An overview of recent projects, both small scale and large architectural commissions. Clean, bright copy.

Softcover. US, Damiani, 1st, 2014, Book: Very Good, Dust Jacket: None, 110 pages, softcover. Like new in publisher's shrink-wrap. Absence of Subject and Two Crowns of the Egg are Somoroff's most intriguing books of photography. In this edition of Two Crowns, the still life art work is as stunning as the female nudes. Of note, the rare combinations of objects (such. books of literature, high polished knives, exquisite dishes) and life matter (such pomegranates, honey, eggs, human skulls) set one's imagination in fire. These strange image compositions are as odd as the pairing of words by Postmodern poet Giannina Braschi who writes love poems to objects, animals, beings. The scholarly introduction by art historian Donald Kuspit is respectable but a bit dry. Regardless the imagery and poetry tower over any essay that one could write about them.

Hardcover. NY, Free Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. No artist looms so large in Western consciousness and culture as Michelangelo Buonarroti, the most celebrated sculptor of all time. And no place on earth provides a stone so capable of simulating the warmth and vitality of human flesh and incarnating the genius of a Michelangelo as the statuario of Carrara, the storied marble mecca at Tuscany's northwest corner. It was there, where shadowy Etruscans and Roman slaves once toiled, that Michelangelo risked his life in dozens of harrowing expeditions to secure the precious stone for his Pieta, Moses, and other masterpieces. Many books have recounted Michelangelo's achievements in Florence and Rome. Michelangelo's Mountain goes beyond all of them, revealing his escapades and ordeals in the spectacular landscape that was the third pole of his tumultuous career and the third wellspring of his art. Eric Scigliano brings this haunting place and eternally fascinating artist to life in a sweeping tale peopled by popes and poets, mad dukes and mythic monsters, scheming courtiers and rough-hewn quarrymen. In showing how the artist, land, and stone transformed one another, Scigliano brings fresh insight to Michelangelo's most cherished works and illuminates his struggles with the princes and potentates of Carrara, Rome, and Medici Florence, who raised intrigue to a high art.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 438 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, St. Martin's Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages in a bright, unclipped dust jacket. Author's 1st book.

Hardcover. NY, St. Martin's Press , 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages in a bright, unclipped dust jacket. Author's 1st book.

Softcover. Taos NM, Michael McCormick Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, color and b&w plates. Essay by Frank Waters. Clean copy.

Hardcover. NY, Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 196 pages. Black & white illustrations. Dust jacket with Anniversary gold sticker on it. Introduction by Maurice Sendak. Presents several adventures of Mickey Mouse, Minnie Mouse, and Pluto illustrated with drawings from animated films made in the Disney Studios during the 1930"s.

Hardcover. Bedford, MA, Applewood Books, reprint, September 1992, Book: Very Good, Dust Jacket: Very Good, Unpaginated, color illustrations and paper cut-outs throughout. A very clean, tight copy. An exciting story of the new horse, Tanglefoot, that Mickey and Minnie buy. They accept a bet that he can beat Farmer Goat's horse. Collector's Edition of the scarce 1934 edition.

Hardcover. NY, Taschen, reprint, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 190 pages. A smaller edition of the book published in 2019. Rewind back to the midcentury, before the age of Instagram and Snapchat, where people were using 35mm cameras loaded with color film to document both monumental and mundane moments in their lives. They took pictures of their loved ones, their vacations, their celebrations. They memorialized the births of babies; a child in a cowboy outfit; a new color television set; sightseeing in National Parks; fishing trips; lazing on the beach; weddings; office parties; family reunions; holding hands, kissing and dancing. Imagining these lives and the possible stories that lie behind the images is what makes The Anonymous Project such a compelling journey into our past. Clean copy.

Hardcover. Swan Isle Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. Spanish filmmaker Luis Bunuel (1900-83), known for his surrealist themes and unflinching social criticism, was an artist defined by intellectual ambition and controversy. An exile who produced some of his most famous work in Mexico and France during Franco's dictatorship, he left a complicated imprint on the creative landscape of the twentieth century and on generations of younger filmmakers--including his Mexican friend Claudio Isaac. Drawn from Isaac's personal papers, Midday with Bunuel: Memories and Sketches, 1973-1983 is an intimate and unconventional portrait of this cinematic icon--and memoir of Isaac's own artistic development.The text includes sketches, vignettes, and anecdotes from Isaac's notebooks, revealing his perspective first as a precocious boy and then as a young man. Isaac reflects on Bunuel's presence among a community of exiles, artists, actors, writers, and intellectuals in Mexico City. These are at once touching, perceptive, and critical glimpses into Bunuel's roles as husband and father, friend and colleague, surrealist, philosopher, and iconoclast during his last years. Throughout, Isaac's words reveal his deep admiration and affection for an older friend full of contradictions. Intimate photographs from the Isaac family archive complement the writing, and Bryan Thomas Scoular's careful translation makes this text available for the first time in English.

Softcover. Surrey UK, FAB Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 352 pages, b/w illustrations. The essential subterranean tract of 2005, Midnight Mavericks is a rollicking tour through the hearts and minds of today's most uncompromising artists from the lower depths of entertainment culture. Profiled are controversial underground icons, angry stand-up comedians, exploitation filmmakers, hardcore crime novelists and controversial cartoonists, including Abel Ferrara, John Waters, Andrew WK, Chris D, Mike Diana, Lydia Lunch and Jim Goad. Includes Sounds from the Underground, a bonus 70minute CD of interview excerpts and songs from the musicians featured in the book.

Hardcover. NY, Back Stage Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. Foreword by Frank Rich. Henderson (curator of the White Barn Theater Museum in Westport, Connecticut, she's lectured and written extensively on theater), using the substantial archive of his writings, has assembled a suitable tribute to one of America's most influential creators of theater design. The book proceeds chronologically through Mielziner's life and long career, richly supplemented with photos and high quality color reproductions of the designer's watercolor and pencil drawings, and excerpts from his writings. He designed the original sets for A Streetcar Named Desire, Death of a Salesman, and Carousel and operas such as Don Giovanni. NOTE: While this book is bright and clean, it has a light musty odor.

Paperback. np, Book: Good, Dust Jacket: None, Unpaginated. Delicate softcover in green wraps, with white spine. 9.5" x 15". Cover is faded with some rubbing. 18 prints on rice paper from the urns at the Mieu Temple in Vietnam. No date or publisher.

Hardcover. New York, McGraw-Hill , 1st, 1957, Book: Very Good, Dust Jacket: None, 547 pages. Hardcover. SIGNED BY AUTHOR 0N PRELIMINARY PAGE. Previous owners bookplate on inside front cover. Illustrated with 8 pages of black & white photographs. Related article laid-in. No dust jacket. Clean, tight copy.

Hardcover. New York , Holt Rinehart and Winston, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 445 pages, b&w illustrations by Rini Templeton. Dust jacket with light sun fading and chipping, small tear to upper edge of front cover, slight stain on spine, else a nice, tight copy.

Softcover. NY, Billboard Books, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 352 pages, b&w illustrations. Presents an in-depth exploration of the musician's controversial electric period and the impact it had on the jazz community, as drawn from firsthand recollections about his artistic and personal life. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 293 pages. Despite John Stuart Mill's widely respected contributions to philosophy and political economy, his work on political philosophy has received a much more mixed response. Some critics have even charged that Mill's liberalism was part of a political project to restrain, rather than foster, democracy. Redirecting attention to Mill as a political thinker, Nadia Urbinati argues that this claim misrepresents Mill's thinking. Although he did not elaborate a theory of democracy, Mill did devise new avenues of democratic participation in government that could absorb the transformation of politics engendered by the institution of representation. More generally, Urbinati assesses Mill's contribution to modern democratic theory by critiquing the dominant "two liberties" narrative that has shaped Mill scholarship over the last several decades. As Urbinati shows, neither Isaiah Berlin's theory of negative and positive freedom nor Quentin Skinner's theory of liberty as freedom from domination adequately captures Mill's notion of political theory. Drawing on Mill's often overlooked writings on ancient Greece, Urbinati shows that Mill saw the ideal representative government as a "polis of the moderns," a metamorphosis of the unique features of the Athenian polis: the deliberative character of its institutions and politics; the Socratic ethos; and the cooperative implications of political agonism and dissent. The ancient Greeks, Urbinati shows, and Athenians in particular, are the key to understanding Mill's contribution to modern democratic theory and the theory of political liberty.

Hardcover. New York , Rizzoli, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Full-color photo-illustrated paper over boards, backed in gilt-stamped cloth; clear plastic dust jacket with full-color illustrations on flaps; 4to; 112 pages, illustrated in full-color throughout. With contributions from Donna Karan, Calvin Klein, Etro, Todd Oldham, Carolina Herrera, John Galliano, Oscar de la Renta, Sonia Rykiel, Manolo Blahnik, Philip Treacy, and others. Clean, bright copy.

Hardcover. NY, Harry N. Abrams/Hood Museum of Art, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A beautiful and intimate treatment of the architecture of the early industrialization of New England. 108 pages of color plates. Essays by Noel Perrin & Kenneth Breisch. Clean copy.

Softcover. Seattle WA, University of Washington Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. A biography of the celebrated documentary photographer, Milton Rogovin, and catalogue that accompanied an exhibition at the Center for Creative Photography, Tucson, in 2006. Rogovin (1909-2011) was an optometrist in Buffalo, NY, who turned to photography as a means of expression when he was discredited -- and thereafter lost his business -- by the HUAC committee in 1952. For the rest of his life he documented the lives of the working class around the world. Photographs by Milton Rogovin; text by Melanie Anne Herzog; foreword by Douglas R. Nickel; afterword by Catherine Linder Spencer. 176 pages; 126 duo-toned b&w plates + 21 text illustrations; 9 x 11 inches. Bibliography.

Hardcover. NY, Abrams, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 265 pages, two-color comics throughout. Comics artist Archie Bongiovanni explores queerness in this shockingly frank and funny adult graphic novel. Best friends Chris, Jo, Elise, and Alex work hard to keep themselves afloat. Their regular brunches hold them together even as the rest of their lives threaten to fall completely apart. In an effort to avoid being the oldest gays at the party (like they are at every other queer event in Minneapolis), the crew decides to put on a new party called Grind!, a queer gathering specifically for folks in or over their dirty-thirties. Clean copy.

Hardcover. New York, Alskog/Holt Rinehart Winston, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, 190 pages, b&w photographs by Gene Smith. Minor edgewear to dust jacket, otherwise very good. This is a seminal photography book by the wonderful documentary photographer W. Eugene Smith and his wife Aileen M. Smith, showing incredible bravery in which the Smith's risk their own life after W. Eugene Smith is physically beaten. Also, this is the first photography book to examine the toxic affect on human beings of toxics in the water system.

Hardcover. Liberty Street, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 196 pages. A stirring visual tribute to the Civil Rights Movement and the long and difficult battle for racial equality captures in more than 150 extraordinary photographs the leaders and events of the era, with portraits of Sidney Poitier, James Baldwin, Miles Davis, Martin Luther King, Jr., and many other activists, both famous and unknown, who took part in the struggle.

Hardcover. Atlanta, Nexus Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages. Glossy color illustrated boards, color illustrated end-papers, color and black-and-white illustrations from photographs throughout, accompanying 16 page facsimile journal laid in (no publishing info) with reproductions of polaroids of Burke's. 'Mine Fields' (a sequel to Bill Burke's justly famous I Want To Take Picture), is Burke's scrapbook of his life and his pursuit of the history and daily life of Cambodia. Part adventure story, part personal confession, part travelogue, and always fascinating, Burke's negotiation of the mine fields of divorce and war is a compelling collage of photographs, found objects, stories, and the contrast between glorious ancient temples and the horrors of war and genocide.

Hardcover. New York, Harper Design, 2nd printing, 2010-10-26, Book: Very Good, Dust Jacket: Very Good, 220 pages, hardcover illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Examines the minimalist movement in fashion while addressing its confluence with and divergence from similar currents in art, architecture, and design. Organized by decade, the text explores the evolving relationships and influences between fine art and the art of sartorial minimalism.

Hardcover. NY, Aperture, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Minor White was one of the twentieth century's most influential B&W art photographers. Rites & Passages, is a compilation of his writings and photographs, with a biographical essay by James Baker Hall. The book is well writen and edited, and is a significant insite into the thoughts and motivations of a great artist. With a generous number of stunning photographs, expertly printed on quality paper, it is a book worthy of any discriminating collection.

Hardcover. London, Jonathan Cape Ltd], 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 373 pages. 50 line and 24 halftone illustrations. In this text, the author argues that the celebrated archaeologist, Sir Arthur Evans, who at the turn of the century claimed to have discovered the labyrinth which housed the Minotaur, was in fact a fabulist. MacGillivray uses Evans's own papers as evidence for his exposee.

Hardcover. NY, Bantam Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY HART on the title page. Clean copy.

Hardcover. NY, Viking Press , 3rd pr., 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. The misadventures of the author, W. C. Fields, John Barrymore and John Decker in attempting to write the biography of the colorful Hollywood character, Sadakichi Hartmann. Clean copy.

Hardcover. Secaucus NJ, Chartwell Books, 1st US, 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn and chipped dust jacket. Catalogue of the posters by Gloria Picazo. 119 posters reproduced in full color. 269 pages. Thick 4to, beige boards. Inscription on front fly leaf, therwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, The Museum of Modern Art, 1st pbk., 1978, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 152 pages. 127 plates, 17 in color. Photographs by eighty-four artists, including such established figures as Paul Caponigro, Judy Dater, Lee Friedlander, Joel Meyerowitz, Helen Levitt, and Garry Winogrand, as well as various artists who were less known at the time such as Gary Beydler, Frank Gohlke, Robert Mapplethorpe, Richard Misrach, and Eve Sonneman. Clean copy.

Softcover. NY/Boston, MOMA/New York Graphic Society, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. Text by the brilliant curator John Szarkowski accompanies a wide ranging collection of B&W and Colour photographs by the articts such as Lee Friedlander, Helen Levitt, Garry Winogrand, Paul Caponegro, Danny Lyon, Bruce Davidson and numerous others. A tight, clean copy.