Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Tales exploring the supernatural featuring featuring Issues 12-18 from December 1952 to June 1953 of the ACG classic Forbidden Worlds. This third volume has been meticulously compiled from the original source material and painstakingly digitally restored.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Tales exploring the supernatural featuring featuring Issues 12-18 from December 1952 to June 1953 of the ACG classic Forbidden Worlds. This third volume has been meticulously compiled from the original source material and painstakingly digitally restored.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 4. 288 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. UK, PS Artbooks, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Collects July/August 1951 to March/April 1952, issues 1-5.

Hardcover. US, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Volume 5. 288 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. US, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Volume 7. 288 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. US, PS Artbooks, 1st, 2015, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to cover.

Hardcover. Los Angeles, Bunker Hill Publishing Inc, 1st, 2006-11-13, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. In the 80 images throughout this book, Haas has forced Nature to do his bidding. Still, Haas's trees are portraits of Los Angeles in all its complexity and quirkiness, and his views of individual trees reveal much about their surroundings and the humans with whom they share their habitat.

Hardcover. Los Angeles, Bunker Hill Publishing Inc, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. In the 80 images throughout this book, Haas has forced Nature to do his bidding. Still, Haas's trees are portraits of Los Angeles in all its complexity and quirkiness, and his views of individual trees reveal much about their surroundings and the humans with whom they share their habitat.

Hardcover. London, Philip Wilson Publishers, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, color and other plates, chronology, catalogue, bibliography, index. Approx. size 11" by 9". Small tape repair to verso of rear panel otherwise excellent condition. Ford Madox Brown had already pioneered a style of painting which came to be known as Pre-Raphaelite before the Pre-Raphaelite Brotherhood was founded in 1848. His beautifully observed landscapes anticipated the open-air effects of the Impressionists. His art was anti-academic, rejecting easy solutions, prettiness, and conventional Victorian formulae. He depicted children without sentimentality and poor people without condescension. This major monograph provides a general introduction to Brown's art based on new research; all of his important paintings are included, and each one is illustrated and described.

Softcover. Rochester, NY, Austen Press, 1st trade, 1994, Book: Very Good, Dust Jacket: None, 139 pages. Softcover with paper wrappers. SIGNED AND INSCRIBED BY AUTHOR, with drawing. Black and white comics throughout. Tight copy.

Hardcover. Jefferson NC, McFarland & Co., 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering. Part 1: A Korean Childhood in Japan, 1930-1944; Part 2: Growing Up in Korea, 1944- 1951. No Dust jacket issued.

Softcover. New York , NBM, 1st US, 1991, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color by Marvano. Clean, bright copy.

Hardcover. NY, Oxford University Press, 2nd pr., 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 197 pages. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann G?ring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries --and our reactions to them-- reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Clean copy.

Softcover. Liverpool Univeristy Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, pages. In 1916 Thomas Wallis founded a new practice, Wallis, Gilbert & Partner, primarily to collaborate with an American company in the design of factories to be constructed of reinforced concrete. Designing factories was not then popular among architects and many manufacturers regarded the employment of an architect a wanton extravagance. Wallis's move could be seen as a reckless gamble, but his and his partners' subsequent achievements suggest that his choice had been well considered; some of the best known inter-war industrial building - Firestone, Hoover, The Gramophone Company, Glaxo Laboratories - were their work. In Form and Fancy, Dr Skinner looks first at the biographical background of Wallis, at the history and organisation of the partnership he founded, and at the many factors that contributed to its reputation in the inter-war years. She then offers a perspective on architectural thought and activity in that period, and of the attitudes and influences on factory design. Designs by the partnership for over one hundred factories and factory buildings have been discovered and at the core of the book is a third chapter which analyses and assesses them. Dr Skinner concludes with an evaluation of the design philosophy of Wallis, Gilbert & Partners, the aim of which was to contribute to the successful pursuit of business by the companies that commissioned them.

Hardcover. Canberra/London, Australian Institute of Aboriginal Studies/Gerald Duckworth and Co., 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover in a lightly worn dust jacket. 486 pages with illustrations in b&w and color. From Papers presented to a symposium at the 1974 meeting of the Australian Institute of Aboriginal Studies. A look at the art works of Aboriginal Australia from the past & present, as seen in the context of the art of prehistoric Europe. An attempt at an ethnographic juxtaposition of prehistoric art. Clean copy.

Hardcover. Austin, TX, University of Texas Press, 1st, 1985, Book: Very Good, Dust Jacket: None, 164 pages. Hardcover. B/w illustrations throughout. Covers and spine slightly yellowed from age. Very clean inside. From the back cover: "The years 1839-1920 were a period of the most intense creative ferment in early photography. For the eight decades Great Britain, birthplace of the challenging new medium, led the world in photographic innovations and established most standards of photographic artistry and application. (This book) describes the extraordinary breadth of photography during this dynamic era."

hardcover. Salt Lake City, Gibbs-Smith, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Essay by Daniel Okvent. A collection of the magazine's ground-breaking cover art. 1930-1950. Many by artists like Leger, Ben Shahn, Diego Riveria & others, all in color. 142 pages.

Hardcover. New York, Dutton Children's Book, 3rd pr., 1992, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Trina Schart Hyman. Clean, tight copy with minor wear to covers.

Hardcover. New York, Dutton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY ALEXANDER half title-page. Color illustrations by Trina Schart Hyman. Small tear to front dust jacket cover but otherwise lovely, new-looking, clean condition. States First Edition but number line starts with 2.

Hardcover. New York, Watson Guptill, 1st Ed., 1946, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in 3 colors. 300 b&w illustrations, 24 in color. Profiles famous illustrators of the 1940s and includes their photo, examples of their work, a step-by-step demonstration of their working methods, and text written from interviews. Artists are: Constantin Alajalov, Boris Artzybasheff, John Atherton, Ernest Hamlin Baker, Walter Biggs, V. Bobri, Harrison Cady, Fred Cooper, Mario Cooper, Dean Cornwell, Gregory D'Alessio, Floyd Davis, Stevan Dohanos, Albert Dorne, Harvey Dunn, Carl Erickson, John Gannam, Glenn Grohe, George Giusti, Stuart Hay, Peter Helck, Earl Oliver Hurst, Walter Klett, Robert Lawson, Ervine Metzl, Wallace Morgan, William Oberhardt, Henry C. Pitz, George Price, Ray Prohaska, Robert Riggs, Leslie Ragan, Norman Rockwell, Martha Sawyers, Howard Scott, Amos Sewell, Donald Teague, Aldren A. Watson, Denys Wortman, and N. C. Wyeth. Top of spine has cloth frayed, rear edge of spine, previous owner's signature on front fly leaf otherwise clean.

Hardcover. New York, Daily Racing Form Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Oblong hardcover, 185 pages, illustrated throughout with cartoons and INSCRIBED BY AUTHOR on title page. Minor corner bump and edge wear, otherwise, very clean and tight copy.

Hardcover. Chicago, The Disabled Veterans of the World War, reprint, 1939, Book: Very Good, Dust Jacket: None, Two volumes complete, 496 pages total. INSCRIBED BY MACKEY on title page. Matching hardcover volumes in blue striped moire cloth boards with silvered title and ornament on front; silvered ornament on spine. No dust jackets, as issued. Both books are crisp and clean and almost as new, with barely any wear at all. Interior pages are in fine condition, with page after page of photos and maps documenting the First World War and its aftermath. Produced by the Disabled Veterans of the World War, Department of Rehabilitation. Folio. The two volumes are numbers sequentially. Volume 2 concludes with a Pronouncing Dictionary of War Names and a bibliography. Very heavy-- about 12 pounds; will require substantial additional postage if shipped outside the U.S.

Hardcover. NY, Delacorte, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. It's 9:00 A.M. in an unnamed Midwestern city. Bank Arbaugh and Mack Steiner have just come off a typical night shift--patrolling the city, scaring off prostitutes, shaking up the usual suspects. Sitting in Denny's, waiting for bacon and eggs, they get a call over the radio: A teenage girl is missing. With a glance, the two cops--best friends since childhood, as close as brothers-- know their lives have shifted off balance, because seven years before, Bank's own daughter went missing and has not been found to this day. Two parallel stories: two girls from opposite sides of town, seven years separating them. As evidence mounts, one case begins to illuminate the other, until finally, the inevitable conclusion is revealed. Craig Holden takes us on a harrowing journey into the night, and exposes not only the heart of a tattered American city, but also of two men whose lives are intertwined in loss, envy, and love.

Hardcover. New York, Simon and Schuster, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages of black & white political cartoons that originally appeared in the Denver Post. Pat Oliphant has won the Pulitzer Prize and the prestigious Reuben Award of the National Cartoonists' Society. He was one of the most widely circulated political cartoonists in the United States. 1973. Clean, bright copy. Unclipped dust jacket.

Hardcover. New York, Simon and Schuster, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages of black & white political cartoons that originally appeared in the Denver Post. Pat Oliphant has won the Pulitzer Prize and the prestigious Reuben Award of the National Cartoonists' Society. He was one of the most widely circulated political cartoonists in the United States. 1973. Clean, bright copy. Unclipped dust jacket.

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 109 pages. Hardcover with dust jacket. SIGNED BY ILLUSTRATOR ON TITLE PAGE. Vibrant color illustrations throughout. small dent on front cover bottom, otherwise tight copy. This retrospective volume is not intended to illustrate a particular story, but to display the full range of her abilities, and it is arranged according to the seasons she celebrates in her art. There are fifty of her hand-colored woodcuts in full color and an equal number in black and white. The book is large format because that is the way she works and that's what does her work justice. The text, written by her friend Lilias Hart, discusses not only her work, but also what life is like in the rigorous reaches of Northern Vermont.

Hardcover. Boston, David R. Godine, 2nd Ed., 2004, Book: Very Good, Dust Jacket: Very Good, 109 pages. Hardcover with dust jacket. Vibrant color illustrations throughout. This retrospective volume is not intended to illustrate a particular story, but to display the full range of her abilities, and it is arranged according to the seasons she celebrates in her art. There are fifty of her hand-colored woodcuts in full color and an equal number in black and white. The book is large format because that is the way she works and that's what does her work justice. The text, written by her friend Lilias Hart, discusses not only her work, but also what life is like in the rigorous reaches of Northern Vermont.

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 109 pages. Hardcover with dust jacket. Vibrant color illustrations throughout. This retrospective volume is not intended to illustrate a particular story, but to display the full range of her abilities, and it is arranged according to the seasons she celebrates in her art. There are fifty of her hand-colored woodcuts in full color and an equal number in black and white. The book is large format because that is the way she works and that's what does her work justice. The text, written by her friend Lilias Hart, discusses not only her work, but also what life is like in the rigorous reaches of Northern Vermont.

Hardcover. Boston, David R. Godine, 2nd Ed., 2004, Book: Very Good, Dust Jacket: Very Good, 109 pages. Hardcover with dust jacket. Vibrant color illustrations throughout. This retrospective volume is not intended to illustrate a particular story, but to display the full range of her abilities, and it is arranged according to the seasons she celebrates in her art. There are fifty of her hand-colored woodcuts in full color and an equal number in black and white. The book is large format because that is the way she works and that's what does her work justice. The text, written by her friend Lilias Hart, discusses not only her work, but also what life is like in the rigorous reaches of Northern Vermont.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Good, Hardcover, A captivating, spirited account of the intense relationship among four artists whose strong personalities, passionate feelings, and aesthetic ideals drew them together, pulled them apart, and profoundly influenced the very shape of twentieth-century art. Rear of dj has a crimp at top and a short trar at spine edge.

Hardcover. NY, Harper & Row, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 310 pages. The former New York Giant quarterback's journey during the 1962 season. Clean copy.

Hardcover. NY, Doubleday Doran & Co., 1st, 1931, Book: Good, Dust Jacket: None, Hardcover, unpaginated. Foreword by Robert Benchley. Green boards with b&w pictorial, black cloth spine with green stamped title, profusely illustrated with b&w New Yorker cartoons. Spine cloth separated and loose from binding but very repairable. lLght rubbing and edgewear to boards, previous owner's signature front endpaper, pages crisp and unmarked.

Hardcover. London, Phaidon Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover. Gilt titles on spine and cover. Like new in publisher's shrink-wrap. No dust jacket issued. Examines the life and work of possibly the most celebrated religious painter of the Italian Early Renaissance, Fra Giovanni da Fiesole, known as Fra Angelico. From the delicate altarpieces to the serene frescos in the monastery of San Marco in Florence, this book discusses the context of the time and places in which his works were created.

Hardcover. New York, Pantheon, 1st, 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover. Limited to 1,200. 137 plates, 80 pages of commentary & description, minor chipping to dust jacket .

Hardcover. NY, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An exquisitely illustrated volume that emphasizes the importance of drawing in Fragonard's creative process One of the most forward-looking artists in 18th-century France, Jean-Honore Fragonard (1732-1806) is considered the preeminent draftsman of his time. This fresh assessment of the artist focuses on the role of drawing in his creative process and showcases Fragonard's mastery and experimentation with drawing in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. Unlike many old master painters, Fragonard explored the potential of drawings as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. Still in publisher's shrink wrap.

Hardcover. London, Routledge & Kegan Paul, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bight dust jacket, 210 pages. Explores the idea of socio-cognitive discontinuity and its problems, The authors, from the School of Humanities and Social Sciences at the University of Bath, were asked to participate in a series of experiments with children who claimed to be able to bend metal by paranormal means (i.e., fraud). The book investigates metal bending, parapsychology and the quantum theory, and more. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. In a lightly worn dust jacket with mild fading to spine.The image of the untamed American West persists as one of our country's most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. O'Sullivan. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West--most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, O'Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challenging terrain and lacking previous photographic examples on which to rely, O'Sullivan created a body of work that was without precedent in its visual and emotional complexities. The first major publication on O'Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. The image of the untamed American West persists as one of our country's most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. O'Sullivan. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West--most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, O'Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challenging terrain and lacking previous photographic examples on which to rely, O'Sullivan created a body of work that was without precedent in its visual and emotional complexities. The first major publication on O'Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production.

Hardcover. Milan, Charta/Deitch Projects, 1st, 2007-08-01, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 256 pages illustrated in color. Examines the development of early artistic notions rooted in self-fragmentation, a questioning of western rationality, and the refutation of capitalist ideals. With over a hundred works, this survey traces the link between Clemente's ink on paper works and conceptual photographs, heightened exponentially by the transferrence of both styles to canvas.

Hardcover. Milan, Charta/Deitch Projects, 1st, 2007-08-01, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 256 pages illustrated in color. Examines the development of early artistic notions rooted in self-fragmentation, a questioning of western rationality, and the refutation of capitalist ideals. With over a hundred works, this survey traces the link between Clemente's ink on paper works and conceptual photographs, heightened exponentially by the transferrence of both styles to canvas.

Hardcover. Bethlehem, Lehigh Univ. Press, 1st , 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. Black & white illustrations, 298 pages. This work presents Di Giorgio's codex of machine and fort drawings for the Duke of Urbino, his sketchbook of machines, and archeological sketches in the Uffizi.

Softcover. Rome, Bulzoni Editore, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 700 pages, Color plates in rear section. Very good condition. Card wraps. Appendices appear to have original text from letters in Italian. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. Bologna, Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, 204 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. Rocking Fornarina celebrates the past ten years of Fornarina's "street couture" shoewear and apparel through the photographs of Francesco Musati and Valentina Aimone, who together have developed the brand's identity into a sexy, sassy and artful visual style. Founded in 1947 by Gianfranco Fornari, and now led by his son Lino, Fornarina has galvanized the women's shoe and apparel industry with its fresh take on urban style, emphasizing strong color, bold contours, humor and mischievous, tongue-in-cheek glamour, in styles ranging from sandals and sabots to boots and pumps. Rocking Fornarina includes a selection of previously unpublished photos by Musati and Aimone (who have been photographing for the company for more than 20 years), and a style gallery with portraits of Fornarina's celebrity fans, such as Lindsay Lohan and Martina Stella.

Hardcover. Washington DC, Decatur House Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, blue-gray cloth with gilt lettering, 100 pages of text, plus 48 pages with 107 b&w illustrations. Includes the essay: The Problem of Francesco Traini; and two particular studies: A Madonna, and An Illuminated Inferno and Trecento painting in Pisa. Edited and with Introduction by Hayden B. J. Maginnis. Mild musty odor, otherwise a clean, bright copy.

hardcover. New Haven, CT, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 246 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. 194 color plates and 13 black and white illustrations. Tight copy.

Hardcover. New York , Crown, 1st US, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 354 pages, color & black and white plates. In a bright, unclipped dust jacket. Traces the development of the painter's art and the course of his life, discussing his earliest memories, Sinn Fein uprisings in Ireland, World War I, Paris of the surrealists, and England during World War II.

Hardcover. San Diego, Museum of Contemporary Art San Diego, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 79 pages, 56 illustrations 50 in color. Published on the occasion of the exhibition from January 17-March 28, 1999. A previously unpublished interview with Francis Bacon by the author from August 13, 1973. Includes acknowledgments, checklist, and chronology.

Softcover. Washington DC, Smithsonian Institution, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 187 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, else a clean, tight copy.

Softcover. New Haven, Yale University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, illustrated throughout in color and b&w. Light edgewear to wrappers and slight crease to spine, else a clean, tight copy. A study of an important painter of the mid eighteenth century, who was the teacher of Gainsborough and whose work included conversation pieces, history painting, book illustration and theatrical painting. Also includes the catalogue of the exhibition in 1987.