Hardcover. East Yorkshire, UK, PS Artbooks Ltd., 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, unmarked copy. Color illustrations throughout. Tight copy. A collection of Journey Into Fear comic books from 1951 to 1952. Issues 1 through 7.

Hardcover. East Yorkshire, UK, PS Artbooks Ltd., 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, unmarked copy. Color illustrations throughout. Tight copy. A collection of This Magazine Is Haunted comic books from 1952 to 1953. Issues 8 through 14.

Hardcover. NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 336 pages illustrated in color. This authoritative yet accessible study begins with an overview of the aesthetics, meanings, functions, and techniques of Mesoamerican architecture, and then proceeds to survey the historical development of the builder's art in each of the region's cultural areas. As readers travel from the Maya heartland of Guatemala and the Yucatan to the Aztec stronghold of the Valley of Mexico, and all the way to the northern hinterlands of Mesoamerica, they will gain an appreciation of both the unity and the diversity of the region's architecture. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York , Phaidon, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 286 pages, original rust colored cloth with gilt design. 270 illustrations, many in color including fold-out plates. Tipped-in color frontispiece, endpaper maps and charts in rear. Clear acetate dust jacket in very good condition. Slipcase is worn and cracked.

Hardcover. Oxford, Oxford University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 193 pages, 8 color and 100 b&w plates. Examines the approach of the Pre-Raphaelite Brotherhood and their associates to the natural world. It is the first serious examination of the consequences of the Pre-Raphaelite creed of 'exact truth to nature', which led to the ever increasing importance of natural detail in Pre-Raphaelite school of landscape painting. Following a discussion of the developing interest in the precise depiction of nature by the Pre-Raphaelites from 1848 to 1851, chapters on individual artists, many hitherto almost forgotten, trace the history of the Pre-Raphaelite landscape in the 1850s and 1860s and its relation to earlier and later art in England and abroad. Much new light is cast on Ruskin's central role as theorist, patron, and critic of mid Victorian art.

Hardcover. NY, Scholastic, reprint, 2000, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with art by Barry Moser. Book Club Edition, clean, bright copy.

Softcover. Milano, Arte Contemporanea, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog of the Italian sculptor's work. Limited to 777 copies. Text in English and Italian with an essay by Enrico Gariboldi and a poem by Pier Carlo Bontempi. Includes numerous color illustrations. Clean copy.

Hardcover. Ciudad de Mexico, Frente de Afirmacio?n Hispanista, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages, 23 overhead transparencies in an envelope laid in. Text in English and Spanish. Translated by Henry Hinds. Introduction by Fredo Arias De La Canal. Color plates throughout,

Hardcover. London, Macmillan, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover in worn dust jacket, 383 pages. fold-out map, bibliographical notes. A seminal study of the infiltration of European influence into West Africa (1860s-90s) from Senegal to Cameroon, the tension between French and English leading to partition.. Light pencil marking throughout. Name on front fly leaf.

Hardcover. Twin Palms, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated, black cloth in pictorial dust jacket (with pink belly band dj present and intact). Lavishly illustrated in duotone photographs of female nudes. During the 1920s. a time when the United States was, from all appearances, open to artistic experimentation, a Bay Area photographer named Albert Arthur Allen unwittingly took on the Goliath of nudity and politics. An obscure figure who operated outside the margins of the fine art community, Allen was known to a small coterie of clients who bought boudoir studies, pictures of comely young voluptuaries. (In Europe these photographic etudes were an acknowledged integral part of the academic tradition.) A homespun aesthetician who had a marked propensity for self-invention, Allen produced photographic protfolios that were initially inspired by the naturist movement. Today his images, which are typically perceived as high camp, are more familiar than his name.

Hardcover. New York, Guggenheim Museum, 1st, 1998, Book: Very Good, Dust Jacket: None, 544 pages, illustrated in color and b&w. Essays by various scholars on over 100 artists working in France, bibliography. Illustrated boards. In publisher's shrinkwrap.

Hardcover. London/ New York , Merrell, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, illustrated throughout in color. Minor bumping to corners, else a clean, tight copy.

Hardcover. London, Merrell Holberton, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, color illustrated. Exhibition catalog. Forewords by Lisa G. Corrin and Elizabeth Glassman. Published on the occasion of the exhibition from the Wiliamstown College Museum of Art, Williamstown MA July 5-September 10, 2009. Checklist of Italian Works. Chronology and Index. Like new in publisher's shrink-wrap.

Hardcover. NY, Charles Scribner's Sons, 1st US, 1889, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages, plus 8 pages of publisher's advertisments. Illustrated by C.S. Reinhart, Green cloth covers with dark green and gilt decoration and spine gilt lettering. Dated previous owner's inscription front end paper. Light edgewear to spine, otherwise, very clean and tight copy.

Softcover. Greensboro NC, Weatherspoon Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Text by Nancy Doll, George Dimock, Tom Beck, Verna Posever Curtis and Patricia J. Fanning. Includes photographs by Lewis Hind, F. Holland Day, Gertrude Dasebier, Clarence H. White, Alfred Stieglitz, Edward Steichen and Edward Weston. 64 pages, paper with stiff cover. Black and white reproductions. 12" x 9 ". Clean, very good.

Softcover. NJ, Montclair Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. 85 illustrations (41 color). Checklist of 54 exhibits, including 34 works by Bierstadt (28 paintings and oil sketches, 3 sketchbooks, 1 chromolithograph, and 2 stereographs). Foreword by Patterson Sims; Introduction, "The Return of History: America Rediscovers Albert Bierstadt" by Linda S. Ferber; "The Story of the 'Plainfield Bierstadts': Shifting Perspectives, Changing Times" by Diane P. Fischer; "Autumn in the Sierras: A Remote Location Revealed" by John Zielenski; "A Cherokee Artist Looks at The Landing of Columbus at San Salvador" by Kay Walkingstick; chronology; bibliography.

Softcover. NJ, Montclair Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. 85 illustrations (41 color). Checklist of 54 exhibits, including 34 works by Bierstadt (28 paintings and oil sketches, 3 sketchbooks, 1 chromolithograph, and 2 stereographs). Foreword by Patterson Sims; Introduction, "The Return of History: America Rediscovers Albert Bierstadt" by Linda S. Ferber; "The Story of the 'Plainfield Bierstadts': Shifting Perspectives, Changing Times" by Diane P. Fischer; "Autumn in the Sierras: A Remote Location Revealed" by John Zielenski; "A Cherokee Artist Looks at The Landing of Columbus at San Salvador" by Kay Walkingstick; chronology; bibliography.

Softcover. New York, N.Y., Hirschl & Adler Galleries, 1st, 1990, Book: Very Good, Dust Jacket: None, 67 pages, illustrated throughout in color and b&w. Light rubbing to edges of spine, minor sun-fade to rear cover. Clean, tight copy. This is the catalog for an unusual exhibition of rare original plasters, most of which were used by foundries to cast in bronze, held at Hirschl & Adler Galleries in New York from March 3 through April 14, 1990. Plasters "frequently represent the last stage of the artist's involvement in the fabrication of a work. . . . plasters have singular qualities: they have a warmth, a beauty, and an approachability, even vulnerability, not often found in the harder media of stone and bronze."

Hardcover. NY, Crown, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 384 pages, b&w photos throughout. Over 2000 photos and other trivial knowledge. From 1946 to 1983, nostalgia covered year by year with commentary. Milton Berle (Mr. TV), Sid Caesar, Imogene Coca, Ed Sullivan, Lucille Ball, Jackie Gleason, Bob Hope, Martin and Lewis and all the others. Clean copy.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, in a lightly worn dust jacket. Non-paginated. Black & white cartoons by W. Miller, mostly from The New Yorker. Clean, tight copy.

Hardcover. Boston, James R. Osgood, 1st, 1882, Book: Good, Dust Jacket: None, Hardcover, 411 pages, illustrated with 192 line drawings. Original green cloth stamped in black and gilt. Cover design is bright, spine a little less so, with a touch of cardboard showing through cloth at bottom edge and corner. Front hinge partially cracked. Back cover with several small white spots. "Ladies Library Association #246" in ink on front fly leaf, contents page a little frayed on fore-edge. Interior pages clean, very good. This is the First Edition, second state. Copyright page states Franklin Press, corrected text on pages 124, 263 and 362.

Hardcover. Philadelphia, Edward Stern, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Illustrated cover boards. Author wrote "The Roosevelt Bears", 7 color plates by C. Twelvetrees. An adventure told in verse about a little boy, Prince Domino. He and his siamese cat, who is very smart indeed, travel to far-off lands where they are helped by a little black and a little Japanese boy (the depictions of whom are slightly stereotypical). Moderate wear to front and rear cover. Loose binding. Light soil. Rear hinge torn half way up from bottom.

Hardcover. New York , Knopf, 1st, 1925, Book: Good, Dust Jacket: None, Hardcover, decorated boards, yellow cloth spine with green lettering. Preface by Carl Van Vechten, color frontispiece, b&w caricatures throughout by the artist: Stravinsky, Picasso, Willa Cather, Jack Dempsey, Mary Pickford, Ed Wynn, Babe Ruth ,Will Rogers, Eugene O'Neill, Paul Whiteman, Lillian Gish, Fanny Brice, many more famous personalities of the day. Some light foxing to some pages. Good plus. Clean.

Hardcover. NY, Nostalgia Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 128 pages, b&w art. This book presents Foster's original drawings in a new format that works well for the book, doing away with the original text in the margins for new expanded text enhanced by Max Trell. So it reads more like a illustrated book that a comic strip. To see Foster's draftsmanship in the inked form without color allows you to really appreciate the quality of his artistry. Another nice treat in the book are the special educational front endpapers, titled "Knightly Arms & Armor", drawn by Foster.

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Two years of the Sunday strips in color. Clean, unmarked copy with only minor wear to covers. The eleventh volume of Fantagraphics award-winning Prince Valiant series concludes our heroes' adventures in Cornwall, and marks the first appearance of Arvak the Red Stallion. At the Council of Kings, Prince Valiant stands alone in the decision to avoid a ruinous war. Val returns to Aleta, and the two are summoned to Camelot, where Queen Guinevere becomes jealous of Aleta's popularity. Meanwhile, Val leads a bloody campaign to secure the Eastern marches and learns the tragedies of war. As the book ends, Prince Valiant begins searching for Gawain. There may just be another adventure afoot. Bonus features include a gallery of Foster's rare and never-before-reprinted advertising art from the 1920s. Hal Foster's Prince Valiant is the most illustrious heroic saga ever written and drawn for the Sunday newspapers. In full, glorious, restored color, this is the finest reproduction of this enthralling, romantic adventure serial ever published. Full color illustrations throughout

Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Clean, unmarked copy in excellent condition. For 35 years, Hal Foster created epic adventure and romantic fantasy in his legendary Sunday strip, Prince Valiant. Realistic in its visual execution and noble in its subject, depicting a time in which the fabled warriors of history and legends fought together for the greater good, it remains one of the great masterpieces of the medium. In this second volume, Prince Valiant helps his father reclaim his throne in kingdom of Thule; fights alongside King Arthur; is made a knight of the Round Table; battles the Huns; sets off with Sir Gawain and Tristam of Arthurian legend fame; and is thrown off-course from Sicily; adventure follows him everywhere. Fantagraphics is proud to present these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were originally published 70 years ago. Foster's work, painterly and sweeping, is finally treated to the grand depiction it deserves.

Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. As this fourth volume begins, Prince Valiant, haunted by Aleta, seeks Merlin's wise counsel. This brief episode segues into one of Hal Foster's patented epics, "The Long Voyage to Thule," which ran for seven straight months and featured Valiant's return to his birthplace and reunion with his father. Of course, Foster's astonishingly detailed and evocative depictions of Val's homeland contribute greatly to this sprawling epic. After a series of shorter adventures including "The Seductress," "The Call of the Sea," and "The Jealous Cripple," Val finally decides he can stand it no more and sets out to find his long-lost love. Long-time fans know that his quest will eventually be successful, but Foster throws so many obstacles in the way of true love that the saga "The Winning of Aleta" would end up stretching a full year and a half, well into the next volume.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Hardcover, 112 pages. Fully half of this volume of Hal Foster's epic masterpiece -- again scanned from superb syndicate proofs -- is devoted to the remaining chapters of "The Winning of Aleta," a 20-month (!) epic in which Valiant obsessively pursues his bride to be. Not surprisingly this is followed by a sequence called "Matrimony," which ends with a newly wed queen adjusting to the luxurious, exciting court life at Camelot. But Val's marriage does not signal an end to his adventures. In "War in the Forest" Val is sent out to spy on encroaching Saxons -- unknowingly aided by Aleta, who, disguised as a small knight (and dubbed "Sir Puny") helps prevent disaster. But the 1946 strips end with Val and Aleta unable to return to Camelot and the displaced couple journeying to Thule. Half the strips in this volume also include the delightful "The Medieval Castle," Foster's chronicle of two young boys growing up during the time of the First Crusade -- but by the end of the 1945 strips this series has ended and the Valiant portion resumes its full-page glory.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World" a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King" during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.This volume will be rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies such as a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art. As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.

Hardcover. NY, Nostalgia Press/King Features, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Reproduces the Prince Valiant cimic strips beginning with "The Prophesy" of 1937, "The Ogra" (1937-38), "The Fairy Morgana" (1938), "Prince Arn" (1938), "In The Service Of King Arthur" (1938-39), "Knight Errant" (1939), "The Grand Victory' (1939-40).

Hardcover. NY, Nostalgia Press/King Features, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover.. Color panels throughout.

Hardcover. NY, Nostalgia Press/King Features, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages. Contains reprints of material that originally appeared in the Sunday newspapers from May 5, 1946 to January 16, 1949. Color throughout.

Hardcover. London, Hodder & Stoughton, 1st, N.D., Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. White lightly soiled covers with blue and silver lettering. Light foxing on piliminary pages. Featuring stories and poems by the likes of J.M. Barrie, Algernon Blackwood, and Rudyard Kipling, & illustrations by Walt Disney Studio, Paul Bloomfield, A.P. Payne, Sylvia Salisbury, A.H. Watson, H.S. Foxwell, etc, this book was printed as part of a charitable drive for the Princess Elizabeth (now Queen Elizabeth II) of York Hospital For Children

Hardcover. NY, Schwartz & Wade, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED by illustrator Lane Smith. Bestselling Caldecott Honor artist Lane Smith and legendary author Florence Parry Heide have teamed up to create an unforgettable princess sure to charm and delight young readers. Princess Hyacinth has a problem: she floats. And so the king and queen have pebbles sewn into the tops of her socks, and force her to wear a crown encrusted with the heaviest jewels in the kingdom to keep her earthbound. But one day, Hyacinth comes across a balloon man and decides to take off all her princess clothes, grab a balloon, and float free. Hooray! Alas, when the balloon man lets go of the string . . . off she goes. Luckily, there is a kite and a boy named Boy to save her.

Hardcover. NY, Holt, Rinehart & Winston, 1st US, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, library edition, NOT EX-LIB. Stated First Edition.

Hardcover. Philadelphia , Penn Publishing, Reprint , 1922, Book: Very Good, Dust Jacket: None, 306 pages. Hardcover with no dust jacket. 9 color plates By George Wharton Edwards, first published with these Illustrations in 1916. This is a very bright and attractive copy. Illustrated cover label, gilt decorated blue cloth. previous owner's bookplate on front pastedown. Small bump on rear fore edge.

Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.

Hardcover. New York, Appleton and Co., reprint, 1896, Book: Very Good, Dust Jacket: None, Three separate hardcover volumes: Vol. 1 - 642 pages. Vol. 2 divided into two parts, 302 pages, 303-696 pages. All bound in half leather with matching marbled boards. Leather is chipped and cracked in places. Overall, a clean and tight set, small name label on front pastedowns. NOTE: THIS LARGE HEAVY SET UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Hardcover. New York, Hearst Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographs. "Celebrates the design of the book in the broadest possible meaning of the word, gathering together the most exciting examples of recent book and jacket design, it also includes work for CD booklets, publicity for industry and the arts, self-promotional and experimental work." Clean copy in a bright dust jacket.

Hardcover. New York , Hudson Hills Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 453 pages, cloth binding, dj, new copy still in publisher's shrinkwrap. 381 color & 107 b/w illustrations, 453 pages, 9x12. Published in conjunction with the exhibition Claes Oldenburg: Printed Stuff, held at the Madison Art Center, Madison, Wisconsin, Apr. 27-July 27, 1997, and at other places.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Internally clean, cloth spine has wear, chipping to top and bottom otherwise very good.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, slate blue boards with black cloth spine with gilt lettering, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Front hinge cracked, small stamped name to endpapers, otherwise clean.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Over 100 etchings, woodcuts, lithographs, and serigraphs by New Mexicans or relating to New Mexico, are accompanied by a review of the art over the past century. Clean copy.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. New York, Skira/Rizzoli, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages, 86 color, 252 b&w illustrations. A clean, bright copy in a similar dust jacket. Slipcased. The book delivers on its title, covering various printmaking techniques from the 15th century to the present. An excellent reference.

Hardcover. NY, Grossman Publishers, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, unclipped dust jacket. The personal memoirs of a participant in the Albany Georgia civil rights movement. 185 pages + photographic plates at end. No markings.

Hardcover. Detroit MI, Detroit Institute of Arts , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages. In coordination with an exhibition held at Yale, Detroit Institute of Arts and The High Museum in Atlanta during 1993-1994, similar to an earlier exhibition but focuses on the art the Manoogian's had in their home.

Hardcover. London, Thomas Nelson and Sons, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages in a bright dust jacket with minor edgewear. 267 B&W photos of artists, studios, art dealers, art educators; 101 color plates of artworks. This is a densely illustrated look at the early 1960s art scene in London, with visits to 81 painters and sculptors (including Henry Moore, Barbara Hepworth, Grahm Sutherland, Francis Bacon, R.B. Kitai, David Hockney, Bridget Riley). There are treks to art schools and places where art is sold. A large heavy volume which may require extra postage. Previous owner's inscription on front fly leaf otherwise clean.