Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black and white fantasy cartoon sketches, many scatological. 11" high X 8" wide, 443 pages. Clean, still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black & white illustrations throughout on every page. 11" high X 8" wide, 439 pages. Clean, still in publisher's shrinkwrap.

Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black and white fantasy cartoon sketches, many scatological. 11" high X 8" wide, 439 pages. Clean, still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black and white fantasy cartoon sketches, many scatological. 11" high X 8" wide, 443 pages. Clean, still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black & white illustrations throughout on every page. 11" high X 8" wide, 448 pages. The perfect tribute to the world's favorite dirty old man. It spans the years 1982 to 1989, a period when the artist was comfortably ensconced in rural California, raising his young daughter Sophie, who appears throughout this volume. But Crumb was still Crumb, declaring in one drawing, above a lovingly rendered tree, "As I get older I get more twisted, convoluted, depraved, cynical, embittered, self-centered, jaded, debauched, ruthless, greedy, conceited, set-in-my-ways, long-winded, absent-minded, prejudiced, closed-minded, misanthropic, nervous..." To prove this self-flagellating analysis he fills the pages with his signature perversions (in country settings), scathing social commentary, cruel self-portraits, experimental cubism... and some lovely sylvan landscape. His mastery of the Rapidograph pen is at its zenith here in his 40s, Clean, still in publisher's shrinkwrap.

Softcover. NY, Ballantine Books, 1st, 1970, Book: Very Good, Dust Jacket: None, Large format softcover, 64 pages of b&w comic art by Crumb. Introduction by Paul Krassner. Some tanning to edges of wrappers. Otherwise clean.

Softcover. Cambridge MA, Boatner Norton Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, Illustrated with black & white examples of works by Robert Crumb - 4 pages in full color.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcase. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. NY, Norton, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, in slim decorated slipcase. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations.

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcasse. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. New York, Hudson Hills Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 188 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor edgewear. Black & white illustrations throughout.

Hardcover. London, Arthur Baker, 1st, 1952, Book: Very Good, Dust Jacket: Poor, Hardcover in a poor, worn dust jacket with a large chunk gone from front panel. Book is bright and clean, 180 pages. Illustrated with color and b&w plates by John Leech. A biography of the novelist who wrote of country sports like hunting in a comical way.

Hardcover. NY, Alfred A. Knopf, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. Winner of both the National Book Award and the Pulitzer Prize for Fiction in 1982. INSCRIBED BY UPDIKE on the front fly leaf: " for Dee- Merry Christmas and Happy New Year from Harry Angstrom and his friend John Updike". Stated First Edition of Updike's most famous book of the four-part Harry Angstrom saga. Clean.

Hardcover. Lexington KY, Eclipse Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Patrick Smithwick has written an unusually moving memoir about growing up in the hell-bent-for-leather world of Thoroughbred racing as the son of Hall of Fame steeplechase jockey A.P. "Paddy" Smithwick. Racing My Father is the story of a son working alongside his father throughout summer mornings, and then hopping in a "hot car," windows up, heater blasting - so his father can sweat off a few more pounds - and driving his father to the track where the races will be held in the afternoon. Paddy Smithwick was a natural. He was a charismatic figure. He was the greatest steeplechase rider in America in the 1950s and '60s, winning all the big races, leading the country in raes won four times, dominating the sport with his style, ability, heart, and gentlemanly demeanor. Patrick Smithwick is also a natural. As a jockey, he won steeplechase races. As a writer, he's won awards. There are hints of the innocence of Huck Finn as Smithwick starts off his account of serving his apprenticeship with his father. The innocence ends when his father is paralyzed in a bad fall. Yet, the youthful Smithwick helps his father work his way back into racing, and the father-son, trainer-rider team ends up in the winner's circle at Saratoga Springs. Smithwick has recreated his own Yoknapatawpha County - with its gritty backsides and polished clubhouses, its knotty characters and sleek racehorses. Clean copy.

Hardcover. Princeton University Press;, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Rackstraw Downes paints down-to-earth, often gritty features of today's American environment in an unflinching and highly realistic style. This book is the first to provide a multifaceted picture of his work, its intellectual foundations, and its place in the history of art--from both outside commentators and Downes himself. Beautifully illustrated, with copious examples from thirty years of the artist's work, the book makes eminently clear why Downes is widely regarded as a "painter's painter." It showcases many of the artist's panoramic pictures--painted with a strong sense of place and a miniaturist's sense of scale. The images, which depict industrial parks, construction sites, housing projects, refineries, razor wire, and landfills, stimulate fresh thoughts about these supposedly unattractive sights. Bathed in the light of a precise time, the paintings resonate with a strikingly evocative quality.

Softcover. NY, Bryan Davis Publishing, 1st, 1931, Book: Good, Dust Jacket: None, Softcover magazine format, 52 pages, b&w illustrations, vintage ads throughout. Articles include: Circuits to Obtain Detection and Delayed AVC, Ionization in Vacuum Tubes, A Giant Tube for Radio Transmisson, others. Light soiling to wraps, otherwise clean.

Softcover. NY, Bryan Davis Publishing, 1st, 1931, Book: Very Good, Dust Jacket: None, Softcover magazine format, 56 pages, b&w illustrations, vintage ads throughout. Articles include: Hyper-Sensitive Detection Systems, Television Turns to Projection, Synchronization of Westinghouse Radio Stations, others. Dust soiling to wraps, otherwise clean.

Hardcover. London, Allison & Busby Limited, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY MARSTON on the title page. Yorkshire 1855. Colonel Aubrey Tarleton is a man respected by his neighbors in the small Yorkshire village of South Otterington - as much for his heroic feats in the army as for his social position. So the community is left stunned when Tarleton, deliberately, walks into the path of a speeding train. He is crushed to death on the track, but it is not his broken limbs that attract the attention of the train driver; rather, it is the note pinned to his chest, fluttering in the breeze: 'Whoever finds me, notify Superintendent Tallis of the Detective Department at Scotland Yard'. The famous Railway Detective, Inspector Robert Colbeck, finds his superior officer in great distress when he arrives at the Yard the following morning. Tallis is clutching a letter from his now-deceased friend. In it, Tarleton makes it clear that he no longer wishes to live if he has to do so without his beloved wife, who has disappeared. Clean copy.

Hardcover. Boston, Houghton Mifflin, Book Club Ed., 1948, Book: Good, Dust Jacket: None, Hardcover, green cloth with black and gilt stamping. 1066 pages. A number-one bestseller when it was first published in 1948, this powerful novel is a compelling vision of nineteenth-century America with timeless resonance. Throughout a single day in 1892, John Shawnessy recalls the great moments of his life -- from the battles of the Civil War to the politics of the Gilded Age, from the love affairs of his youth in Indiana to his homecoming as schoolteacher, husband, and father. This panoramic epic of the nineteenth century in Raintree County--particularly of the Civil War and its effects -- was produced after six years of research, writing, and revision. It continues to command attention and respect as a stylistically unique work of considerable force. Gutter crack at title page, sound, clean copy.

Hardcover. Paris, Arthaud, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages of French text followed by full color photographs of the people and culture of the Rajasthan region of India. Light edge wear to dust jacket. Clean, tight copy.

Hardcover. New York, State University of New York, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages, illustrated throughout. Dust jacket edge wear and fade, minor rub, otherwise, very clean and tight copy.Here at long last is the study of the life and paintings of Ralph Earl, the colorful eighteenth-century American artist whose pictures hang in the great galleries but about whom relatively little has appeared in print. A pioneer landscapist in a day when portraiture was the vogue, a Tory in Revolutionary New England, he nevertheless captured the stance and spirit of the new nation in the first decades after the Revolution. He portrayed the merchants and civic leaders of the time, often with their families, in their homes, orchards, business establishments--and the result is a record of post-Revolutionary American dress, design, and decoration as well as face and figure. Professor Goodrich has tracked down and assembled forty-one of Earl's paintings for this book, providing the first opportunity of viewing the artist's work as a body. The pictures range from a youthful re-creation of the Battle of Concord, through portraits done in England (whence he fled during the Revolution and which enabled him to absorb the techniques of the great eighteenth-century English portraitists), to his invaluable paintings of General von Steuben, Mrs. Alexander Hamilton, and other figures in the young United States.

Hardcover. NY, Rizzoli, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This special volume presents a visual timeline of Ralph Lauren's remarkable history as a lifestyle innovator. Lauren's unparalleled ability to seamlessly blend fashion and the home is illustrated with the groundbreaking designs and innovative use of materials that have distinguished the home collection since its inception in 1983: menswear-inspired Oxford Cloth bedding that required the creation of special looms and took two years to refine; the sleek RL-CF1 chair, crafted of carbon fiber and inspired by Lauren's McLaren F1 racecar; and an appreciation for a timeworn, weathered aesthetic, as exemplified in the iconic Writer's Chair with its hand-burnished leather and rich patina. Historic achievements such as the opening of his first New York City flagship on Madison Avenue - which invited guests to experience the complete World of Ralph Lauren in a residential environment - and his renowned restaurants that offer the epitome of gracious hospitality, demonstrate the magnitude of Ralph Lauren's influence on the worlds of lifestyle design and hospitality. The timeline is complete with quotes from distinguished members of the design world and prominent figures of our culture including Oprah Winfrey, Hillary Rodham Clinton, and architecture critic Paul Goldberger. Ralph Lauren's signature ability to create transportive environments begins with his private homes that inspire his iconic lifestyle collections. Ralph Lauren: A Way of Living offers an in-depth look at all the places Lauren calls home, from a sprawling ranch in Colorado and an island retreat in Jamaica, to a Fifth Avenue penthouse overlooking Manhattan's Central Park, a seaside home in Montauk and a country estate in Bedford. Lauren's homes are deeply personal expressions of his vision for living; captivating imagery is complemented by essays and descriptions written in his own words that intimately express the meaning of home and share inspiration and anecdotes for each residence. The photos of Lauren's captivating homes are followed by a celebration of Ralph Lauren Home's lifestyle collections - cinematic worlds that are brought to life with iconic imagery showcasing Lauren's pioneering lifestyle approach and all-encompassing home collection. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Rizzoli, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages. Large volume, 15.25 x 11.75" in a slipcase. Color drawings of fashion on endpapers, color and b&w photographs throughout of Ralph Lauren and his world. Foreword by Audrey Hepburn. Clean copy. Due to size and weight this volume is domestic shopping only.

Hardcover. London/NY, Bloomsbury, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, decorated orange boards with silver stamping; in clean, crisp dust jacket with just a touch of shelfwear. Cartoonist and British national treasure Ralph Steadman's unique take on a variety of extinct birds. Ralph documents them all in this series of remarkable paintings, featuring unique interpretations of well-known birds such as the Great Auk, Passenger Pigeon and Dodo, along with less familiar members of the feathersome firmament. Text by Ceri Levy. DOMESTIC SHIPPING ONLY.

Softcover. NY, Whitney Museum of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers. 160 pages, 150 illustrations (50 in color), bibliography/exhibition list. A very colorful, well documented catalogue of this twentieth-century painter, best known for his "Overseas Highway" and his stark, solid colored industrial images from the 1930s.

Hardcover. San Francisco, Chronicle Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 186 pages. A 21st century retelling of a 2500-year-old story: Artist and veteran Pixar animator Sanjay Patel lends a lush, whimsical illustration style and lighthearted voice to one of Hindu mythology's best-loved and most enduring tales. Teeming with powerful deities, love-struck monsters, flying monkey gods, magic weapons, demon armies, and divine love, Ramayana: Divine Loophole tells the story of Rama, a god-turned-prince, and his quest to rescue his wife Sita after she is kidnapped by a demon king. Clean copy

Hardcover. Philadelphia, PA, George W. Jacobs & Company, 1st Edition, 1924, Book: Very Good, Dust Jacket: Fair, 334 pages. Hardcover. Color frontispiece and b/w illustrations throughout. Previous owner's bookplate, stamp, and pencil markings on front endpapers. Some pages untrimmed. Blue leather cover boards, gilt title on spine and front cover boards with two color decoration. Boards are excellent. Dust jacket has agewear, but present. binding very good. Pages and edges have some tanning. Top edge dyed. Dr. Gordon brings an artist's eye as well as the knowledge of a historian to the beautiful city of London and her historic landmarks.

Softcover. Bogota COL, Galeria Alfred Wild, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 20 pages with color photos of the Colombian artist's wood sculptures. Clean copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover in a bright wraparound dust jacket. Ramona, written by Helen Hunt Jackson, is a timeless work of historical fiction that first captured hearts in 1884. Set against the rugged beauty of post-Mexican-American War California, this powerful novel weaves together romance, cultural heritage, and social justice in a narrative that resonates deeply with readers. We follow the life of a young woman of mixed Native American and European descent as she navigates the complexities of identity, love, and survival in a land fraught with change. Name on front fly leaf otherwise clean.

Hardcover. NY, W. W. Norton, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 635 pages. The definitive history of one of the most brutal campaigns of the war in the Pacific. "What Iris Chang did for our understanding of the Rape of Nanking, James M. Scott has now done for the Battle of Manila. Here is a sweeping tale of frenzied fighting and heartbreaking devastation, written by a meticulous historian who has unflinchingly probed the truth of this largely forgotten episode from the Pacific." Clean copy.

Hardcover. Flagstaff AZ, Northland Press, reprint, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket with a small chip to rear panel. B&w drawings by Remington. Reprinted from a series of articles published in The Century Magazine in 1888. During the early 1880s, both Remington the artist and Roosevelt the writer were trying their hands at ranching, Remington in Kansas and Roosevelt in Dakota territory. Their respective records of the experience as perhaps the most important to survive of ranching in that era. Contains specific material on the severe winter of 1886-87 which put an end to ranching for many. Clean copy.

New York, George Routledge, 1st , 1886, Book: Very Good, Dust Jacket: None, Hardcover, 216 pages, 172 B&W illustrations. An exceptionally bright, tight copy. Green beveled covers with gilt lettering, all edges gilt. Surprisingly scarce. First American Edition. A significant memoir, published in the year of Caldecott"s death.

Hardcover. NY, Knopf, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Non-pahinated. Hardcover with dust jacket. Color illustrations by Robert Andrew Parker. Illustrated end papers. Review slip laid-In. In the summer of 1940, a young English boy whose family is separated by the war has a dream that he saves his father's life. Poignant tale with outstanding watercolors by a Caldecott artist.

Hardcover. Philadelphia, PA, J. M. Stoddart & Co., 1st, 1878, Book: Good, Dust Jacket: None, 326 pages. Hardcover. Scarce, early Frost work. Decorated endpapers. B/w illustrations throughout. Back endpapers have a mended rip at gutter. Cover boards bound in orange. Covers have some age wear. Pages are age-yellowed with a touch of foxing in places. Does not affect text or illustrations. In very good shape for its age.

Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].

Hardcover. New York, Da Capo Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 257 pages with 126 black and white illustrations. Biographical notes. List of printers. Index of Prints. Frontispiece is an original lithograph created especially for this volume. "The only catalogue of Soyer's prints. Contains 126 separate prints - from his first etched self-portrait to his most recent experiments in advanced lithographic technique. Each print is fully described, and each is illustrated - full size wherever possible - on a separate page." Very good in a bright dust jacket.

Softcover. Washington, D.C., Smithsonian Institution Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover in very good condition. Catalog of exhibition at the Hirshorn Museum and Sculpture Garden in Washington D.C., Aug. 5-Oct. 3, 1982. 87 pages., illustrations., bibliography, index. Tight, clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 349 pages, 290 illustrations, including 77 plates in full color. Enormous volume. Folio. Fold-outs and tipped in plates. Text written on green heavy paper. Tan cloth with red titles to front and spine, minimal stain to front cover. Pictorial dust jacket with small closed tear to spine, slight sunfading to spine and light wear to covers. Page 169-172 incorrectly cut, therefore folded in. Overall a very nice, clean, tight copy.

Hardcover. NY, George Braziller , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 95 pages. Oblong format. 33 color plates of the artist's fresco in the Vatican. Other b&w illustrations. Recognizing the precocious talent of Raphael, then age twenty-six, Pope Julius II commissioned the artist in 1509 to paint four monumental murals and numerous smaller scenes that gave visual form to the enlightened world of the Renaissance. Guided by the leading scholars of his day, Raphael chose themes that glorified the four branches of learning required for a general education, particularly that of a pope: Theology, Poetry, Jurisprudence, and Philosophy. The painting of the latter, perhaps best known today as "The School of Athens," shows Plato and Aristotle striding through a vast, open hallway and flanked by scientists and philosophers of the ancient world; rediscovered in the Renaissance, they hold a convention where they discuss issues that will inspire a new age. Short inscription on front fly leaf, otherwise clean.

Hardcover. NY, Phaidon, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. This monograph explores the life and work of one of the most important artists in the history of the West, Raphael (1483-1520). Its scope covers Raphael's origins, his early influences, his important Urbino period and subsequently the extraordinary series of frescoes and portraits of his last phase in Rome. No dust jacket.

Hardcover. New York, New York University Press, 1st Edition, 1970, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover. 246 illustrations in black & white. 6 full page, full color illustrations. Red cloth covers with gilt titles to spine. Bright dust jacket with tears to edges. Clean, unmarked copy.

Hardcover. NY, Harcourt Brace and World, reprint, 1967, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, unclipped ($4.95) dust jacket. The dramatic color illustrations of Swiss artist Felix Hoffman make this book truly unique. Color pictorial boards matching image on DJ. Yellow cloth spine. Dust jacket with light soil, internal tape repairs. Clean copy.

Hardcover. NY, Holiday House, 2nd Ed., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 32 pages illustrated in color by Trina Schart Hyman. This retelling of a favorite fairy tale, illustrated by award-winning artist Trina Schart Hyman in an edition Publishers Weekly called "spellbinding," has been lovingly restored. Digital technology brings back the clarity and brightness of Hyman's original watercolor paintings to illuminate the terrifying woods, handsome prince, and Rapunzel's lustrous hair, as Hyman originally painted them. Originally published in 1982

Softcover. New York, Poster Auctions International, 1st, 2015, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Softcover. US, Poster Auctions International, 1st, 2015, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Softcover. New York , Poster Auctions International, 1st, 2016, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Hardcover. NY, Asia Society, 1st, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 121 pages, illustrated in b&w, some color. Dust with light edgewear, minor fade to spine. Previous owner's embossed stamp on front fly leaf. Errata pamphlet laid in.

Hardcover. NY, Abrams, 3rd Ed., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket, still in publisher's shrink wrap. Iconoclastic, generous, inventive, impulsive, sensitive, gregarious, prodigious: these are just some of the words to describe Robert Rauschenberg (1925-2008) and the art he made over his career. From the age of 38, when he received the grand prize at the Venice Biennale in 1964, Rauschenberg was a pivotal figure in the creative explosion of art following WWII. This revised edition of the classic biography of the artist adds a new chapter covering the significant moments in the final years of his life, and offers an in-depth look at his legacy and continued influence on the postmodern art world. It includes new photography and interviews with friends, colleagues, critics, and art historians.