Hardcover. Paris, Hachette, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 48 pages illustrated in color. FRENCH LANGUAGE, graphic novel. Clean copy.

Hardcover. Homewood, Illinois, Richard D. Irwin, Inc., 1st, 1961, Book: Very Good, Dust Jacket: Good, 545 pages. Reprints of 18 articles approaching marketing issues from a mathematical viewpoint. Dark blue cloth covers, light blue spine, black & gilt titles, illustrated dust jacket with mylar protective covering, numerous b&w diagrams, charts and graphs. Dust jacket discolored at edges and spine, chipping to edges, small half-inch chunk from bottom front right corner, though dust jacket still very neat with mylar covering, clean boards, pages crisp and unmarked; a very neat, tight copy.

Hardcover. Middletown, Connecticut, Wesleyan University Press, reprint, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Biography and critical analysis of American painter and portraitist Mather Brown. 297 pages illustrated with 9 full-color plates and 160 other black/white reproductions of paintings. Book is in near fine condition, very slight bumping at the ends of the spine. Dust jacket shows some rubbing and edge wear.

Hardcover. New York, Clarion, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 167 Pages. Hardcover with dust jacket. SIGNED BY CUSHMAN on title page. Dust jacket illust. by Trina Schart Hyman. Dust jacket spine faded, otherwise, clean, tight copy with minor wear to cover boards.

Softcover. New York, E. P. Dutton, Reprint, 1978, Book: Very Good, Dust Jacket: None, 199 pages. Softcover. Black & white illustrations throughout. Covers in very good condition with light toning to rear cover. Clean, unmarked copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 289 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Klein surveys the history of Matisse's portraits and their sitters, with attention to the details of the financial transaction or other agreement that caused the painting to be made. An analysis of Matisse's self-portraits is also provided. Klein works chronologically, detailing the artist's developing style, but remains attached to his biography as well, with many quotes about Matisse or his works from contemporary sources. This volume is well illustrated with b&w and color plates.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. 228 pages. Long perceived as a side pursuit to his celebrated painting career, Henri Matisse's sculpture receives an overdue critical examination in this book. Beginning in 1906, soon after the artist acquired his first African sculpture, Matisse found inspiration in erotic and ethnographic photography, which had become inexpensively mass-produced thanks to advances in halftone technology. Working with these two radically different depictions of the body--one hand carved, the other mechanically made--was a foundational method for Matisse and crucial to the development of his pre-World War I abstraction. Far from a simple narrative of the artist "discovering" Africa, the highly original readings of Matisse's Sculpture plot new coordinates of study for early 20th-century primitivism. It examines the larger constructs of thought at the time, with a penetrating analysis of anthropology, popular erotica, and the visual culture of French colonialism. In addition, the book repositions Matisse's sculptural practice, particularly in regard to its investigations of race and sexuality, as a cornerstone of his prolific career.

Hardcover. London, Royal Academy of Arts, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 214 pages illustrated in color. "Matisse's relationship with the textiles that surrounded him from his earliest days is revealed here for the first time - the authors examine the ways in which Matisse used what he called his 'working library' of textiles to furnish, order and compose some of the twentieth century's most pioneering works of art". Exhibition catalog for a show at Le Cateau-Cambresis, France; London and New York, October 2004 to September 2005. Clean copy.

Hardcover. NY, Abrams, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. The story of Pierre Matisse, his father, Henri Matisse, his gallery in NY and the European artists he introduced to America. 415 pages. Color, black & white illust. Dj price clipped.

Hardcover. NY, Abrams, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. The story of Pierre Matisse, his father, Henri Matisse, his gallery in NY and the European artists he introduced to America. 415 pages. Color, black & white illust. Dj price clipped.

Hardcover. NY, Abrams, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. The story of Pierre Matisse, his father, Henri Matisse, his gallery in NY and the European artists he introduced to America. 415 pages. Color, black & white illust. Dj price clipped.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages. Throughout his long career, Henri Matisse (1869-1954) continually expanded the boundaries of his art. By repeating images in pairs, trios, and series, he conducted an ongoing dialogue with his earlier works in order to, as he put it, "push further and deeper into true painting." In this fresh approach to a much-studied artist, prominent scholars from the United States and Europe examine more than sixty works in concise chapters that focus on this aspect of Matisse's working process. From early pairs such as Young Sailor I and II (1907-8) through a series of late studio scenes from Venice (1946-48), Matisse is shown revisiting a given theme with the aim of devising innovative, often radical, solutions to such problems as how to portray light, handle paint, select colors, and manipulate perspective.New technical studies of the early paired works and photographs documenting the evolution of his later paintings help to elucidate Matisse's complex evolution. In numerous excerpts from letters and interviews, he is revealed as an artist who regularly questioned himself and his methods, a man of powerful intellect who regarded each new painting as an adventure. A significant addition to art historical literature, Matisse: In Search of True Painting is a revelatory study of a seminal figure in 20th-century modernism.

Hardcover. Chicago, University of Chicago Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. The livre d'artiste, or "artist's book," is among the most prized in rare book collections. Henri Matisse (1869-1954) was one of the greatest artists to work in this genre, and he created his most important during a period of intense personal and physical suffering. Brimming with powerful themes and imagery, these works are crucial to understanding Matisse's oeuvre. With deftness and sensitivity, Louise Rogers Lalaurie reintroduces us to Matisse by considering how in each volume, Matisse constructed an intriguing dialogue between word and image. Examining this page-by-page interplay, translating key sequences, and discussing the books' distinct themes and production histories, Lalaurie offers the thoughtful analysis these works deserve. Together Matisse's artist books reveal his deep engagement with questions of beauty and truth; his faith; his perspectives on aging, loss, and inspiration; and his relationship to his critics, the French art establishment, and the women in his life. In addition, Lalaurie illuminates Matisse's often misunderstood political affinities--though Matisse was vilified in his time for choosing to live in the collaborationist Vichy zone, his wartime books reveal a body of work that stands as a deeply personal statement of resistance. Still in publisher's shrinkwrap.

Hardcover. Ithaca NY, Cornell University, 1st, 1986, Hardcover, 523 pages. Flam, who translated Matisse's writings in Matisse on Art (Phaidon, 1973), presents a thorough and scholarly examination of the artist's life and stylistic development. Each painting is given a complete analysis, revealing Matisse's encounters with the prevailing styles and theories of art to arrive at work distinctly his own. Glimpses of his personal life combined with discussions of his paintings show the inner turmoil with which he struggled to find a style that would satisfy both his instinct and his intellect. Flam provides new documentary material, corrects earlier misconceptions, and redates several paintings. Heavily illustrated, often with fine color reproductions, this volume is an excellent successor to Alfred Barr's Matisse .

Hardcover. Berkeley CA, University of California Press, 2nd pr., 1962, Book: Very Good, Dust Jacket: None, Hardcover, blue-gray cloth, gilt lettering on spine. 761 pages, charts/diagrams, map; Contents: Introduction: the distinctive features of matrilineal descent groups / David M. Schneider -- pt. I. Nine matrilineal kinship systems -- pt. II. Variation in matrilineal systems / Kathleen Gough -- pt. III. Matrilineal descent in cross-cultural perspective / David F. Aberle. Subjects: Matrilineal kinship. Matricentric families Traditional societies Social anthropology. Social history. Clean copy.

Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.

Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.

Hardcover. New York, Guggenheim Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Flexible cloth covers, 164 pages. Exhibition catalog for a show that ran October 28, 2006 through January 12, 2007. Features text by Nancy Spector, Mark Taylor, Christian Scheidemann, and Nat Trotman. Includes numerous color and black and white illustrations.

Softcover. NY, Guggenheim Museum, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, color illustrated wraps, unpaginated, richly illustrated in mostly color. Published on the occasion of the exhibition Matthew Barney: The Cremaster Cycle. Never opened, still in original shrink wrap. First published in February 2002, concludes Matthew Barney's CREMASTER cycle that consists of five films. He began working on the cycle in 1994. The individual parts, however, were not produced in chronological order. Each of the five films is accompanied by a publication; this volume was uniquely designed as an artist's book by Matthew Barney and contains a multitude of photographs and film stills from Cremaster 3.

Hardcover. NY, Guggenheim Museum, 1st, 2002, Book: Very Good, Hardcover First Edition SIGNED on title page by Matthew Barney. With essays by Nancy Spector and Neville Wakefield. Text in English. Published on the occasion of the exhibitions in Cologne, Paris and New York, 2002 - 2003. Cremaster Cycle is the definitive guide for 'The Cremaster Cycle', the Matthew Barney's epic five-part film series. The book is filled with hundreds of Barney's fantastical images which use the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five 'Cremaster' films, while Neville Wakefield's 'Cremaster Glossary' illuminates the films most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films, the book features related sculptures, photographs, drawings and storyboards. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published. 530 pages. 32,2x23,5x6,2 cm Hardcover with plastic dust jacket with green and black cover title . Clean, as new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Atheneum, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Matthew Wheelock, Jerusha's great-great grandfather, creates an enduring legacy for his descendants as he clears his fields and uses the stones to create a marvelous stone wall. Gorgeous watercolor art by Ted Lewin.

Hardcover. Munich, Williams College Museum of Art/Prestel, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 812 pages. Blue cloth slip case, 2193 illustrations including 100 color plates. Book still in shrink wrap, in excellent condition. If you think that Maurice Prendergast (1858-1924) only produced decorative park and beach scenes rendered in an abstract style, these two new volumes will set the record straight. Thanks in large part to the generosity of the Eugenie Prendergast Foundation, Mathews has produced a splendid exhibition catalog that surveys the career of the American Impressionist. She also labored for over six years as part of a team of art historians to create a monumental, ten-pound, slip-cased tome that documents the total artistic output of the two Prendergast brothers, Maurice and Charles, A Catalogue Raisonne. A good balance has been struck between the books. The exhibition catalog, of interest to both lay people and scholars, offers a chronological discussion of Maurice's ever-evolving style along with selected works represented by 130 glorious color plates. In contrast, the comprehensive catalogue raisonne , with its highly detailed essays by eight art historians, features 2200 illustrations, 100 of which are in color. All works discussed are represented by an image and catalog entry and range from the sketchbooks, monotypes, and applied graphics of Maurice to the carved and painted panels and sculpture of Charles (1863-1948). A Herculean achievement, the catalogue raisonne will long serve as a cornerstone in the arena of American art history reference.

College Park MD, University of Maryland, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover exhibition catalog, 173 pages, illustrated in b&w, several color plates. INSCRIBED TO JOHN WILMERDING, art historian and author, from his library. Bright, clean copy in very good dust jacket.

Hardcover. MD, University of Maryland Art Gallery, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in near fine condition with dust jacket in very good condition (minor nicks to front upper edge and spine). 173 pp., 120 illustrations (33 in color), bibliographical references. Exhibition September 1-October 6, 1976, and at four subsequent venues.

Hardcover. New York, George Braziller, 1st, 1987, Book: Near Fine, Dust Jacket: None, Hardcover, 44 pages of watercolors. Beautiful large sketchbook illustrating the works of the great Maurice Prendegrast. In association with the Metropolitan Museum of Art in New York where the Lehman Prendegrast collection resides. As new in original slipcase. Half white cloth binding over black leatherette boards. This sketchbook, kept primarily between 1895 and 1897, is an exquisite example of the working technique of a great American artist. In it, Prendergast experiments with pattern, shadow, and foliage, using the beautiful Boston Public Garden as his studio. The 88 pages of watercolors, pen and ink, and pencil drawings focus on the colorfully dressed women and children in the park, with glimpses of Victorian Boston outside. The sketchbook reproduced here in facsimile and handsomely boxed recalls his years of study in Paris, yet foreshadows his bold mature style.

Softcover. Oklahoma City, Oklahoma Museum of Art, 1st, 1981, Book: Good, Dust Jacket: None, Softcover, 21 pages plus 44 b&w and color plates. Rubbing, creases to wrappers. Slightly wrinkled near spine. Previous price sticker on back cover. Else a clean, tight copy.

Softcover. Williamstown, MA, Prestel & Williams College Museum of Art, 1st, 1990, Book: Near Fine, Dust Jacket: None, Exhibition catalog. 193 pages, illustrated throughout numerous illustrations in b&w and 139 plates in full color. Pictorial stiff wrappers. Minor edgewear to covers, else like new.

Hardcover. US, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 224 pages. Like new in publisher's shrink-wrap. The preeminent children's book artist of the twentieth century, Maurice Sendak and his sixty-year career are celebrated in this full-color catalog of more than two hundred images being exhibited at the Society of Illustrators in New York City from June 11-August 17, 2013. Accompanied by twelve essays by such noted scholars and historians as Leonard S. Marcus, Iona Opie, Steven Heller, and Paul O. Zelinsky, Maurice Sendak: A Celebration of the Artist and His Work showcases the collection of Justin G. Schiller and Dennis M. V. David, prominent authorities on Sendak's artwork, and is a deeply personal and thoughtful tribute to a seminal artist whose singular vision has captured the imaginations of countless children and grown-ups throughout the world.

Hardcover. Damiani, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages. Italian photographer Maurizio Galimberti works exclusively in Polariod. His mosaics of square, white-bordered frames have captured personalities including Andres Serrano, Wim Wenders, Monica Bellucci and Sting, among many others, piece by piece. When he doesn't scratch designs onto the developing pictures with a stick or even a toothbrush, preemptively disrupting any sense that his work directly reflects the real, he takes hundreds of shots of the same subject and eventually assembles up to 140 in a single finished grid. His patrons have included Conde Nast, Rizzoli and Time, and, in advertising, Cartier, Rolex, Nokia, Fiat and Veuve Cliquot. This personal portfolio of the city of New York is full of clean-edged skyscrapers and bridges, limitless streets, multicolored signs, vivid people and limpid skies. Galimberti's Big Apple is thoroughly deconstructed and reconstructed, and the resulting unreal city corresponds perfectly with the soul of New York.

Hardcover. Germany , Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 156 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs throughout. In the early 1970s, the workers at a steel smelting factory east of Havana wrote to Fidel Castro describing their housing needs. Out of this exchange a new city called Alamar was born, conceived by the same workers who would build it and live there. Today it is abandoned; Mauro D'Agati's photographs examine its eccentric spaces.

Softcover. NY, Pantheon, reprints, 1986/1991, Book: Very Good, Dust Jacket: None, Two matching softcover books, illustrated in b&w by Spiegelman, 159, 136 pages. Pulitzer Prize winner. Light shelf wear, clean copies.

Hardcover. New York , Pantheon, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages, b&w illustrations by Spiegelman. The second installment of the Pulitzer Prize-winning graphic novel acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal) and "the first masterpiece in comic book history" (The New Yorker).A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.

Hardcover. NY, Pantheon Books, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 394 pages. Collects responses to Spiegelman's monumental work that confirm its unique and terrain-shifting status. The writers approach Maus from a wide range of viewpoints and traditions, inspired by the material's complexity across four decades, from 1985 to 2018. The book is organized into three loosely chronological sections-- "Contexts," "Problems of Representation," and "Legacy"--and offers for the first time translations of important French, Hebrew, and German essays on Maus. The book includes work from twenty-one leading critics, authors, and academics--including Philip Pullman, Robert Storr, Ruth Franklin, and Adam Gopnik--on the radical achievement and innovation of Maus, more than forty years since the original publication. Remainder dot on bottom edge otherwise clean, bright copy.

Softcover. NY, Pantheon, reprint, 1986, Book: Very Good, Dust Jacket: None, Two softcover volumes in a cardboard slipcase. Vol. 1: My Father Bleeds History, Vol. 2: And Here My Trouble Began. Slipcase has some light rubbing, books are clean and bright. A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.

Hardcover. New Haven CT, Yale University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 398 pages. From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself.Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music-classical, popular, and jazz-and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.Leer menos

Hardcover. Seattle, Fantagraphics , 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 214 pages. Perverted, Insane, Degenerate, Brilliant. Artist Drew Friedman pays tribute to the great underground comix creators from Z (Zap) to A (Arcade).With the publication of R. Crumb's debut issue of Zap in 1968, the Underground Comix revolution exploded, creating a major paradigm shift and blowing the lid off the traditional comic book. Maverix and Lunatix features 101 full page portraits (and more) by a cartooning icon in his own right, Drew Friedman, spotlighting the essential artists, writers, and editors who defined one of the great art and countercultural movements of the 20th century. Featuring R. Crumb, Gilbert Shelton, S. Clay Wilson, Melinda Gebbie, Art Spiegelman, Vaughn Bode, Trina Robbins, Bill Griffith, Jay Lynch, Sharon Rudahl, Larry Gonick, Rick Veitch, Joyce Farmer, Justin Green, "Grass" Green, George DiCaprio, Diane Noomin, Harvey Pekar, Robert Williams, Howard Cruse, Dan O'Neill, Spain Rodriguez, Shary Flenniken, Richard Corben, and so many others... all of whom helped to reinvent an entire artistic medium and became icons of underground comix.Featuring a foreword by Marc Maron (WTF with Marc Maron) and an afterword by historian Patrick Rosenkranz (Rebel Visions: The Underground Comix Revolution 1963-1975), each portrait in Maverix and Lunatix is also accompanied by a short biography of its subject by Friedman, making the book both a gorgeous art book and a valuable historical resource.

Hardcover. Edition Stemmle, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies. Working in Germany, at first providing images for postcards, Baur expanded his efforts to encompass landscape, portrait, and architectural images. In each of these genres, his work reflects the cool, objective approach of the Bauhaus style combined with the artist's elegant handling of light and perspective. In photos of stairways and colonnades, factories, and everyday objects, Baur was able to eliminate the extraneous and offer the essential nature of his subject. The book covers a period of vast changes in the world and in the life of the artist, but throughout there is a consistency of vision. An essay by William Ewing, director of the Mus e de l'Elys e (which specializes in photography), gives a brief description of the life and career of Baur with enthusiasm and warmth, while Edelmann-Pomplitz writes movingly about her experience as his student. In a letter to her, Baur expresses his credo most eloquently: "it is with light alone that we create images." This lovely work is a fine example of excellent printing and composition in harmony with content.

Softcover. Munich, Germany, Saint Louis Art Museum, 1st, 1984, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog, 482 pages, many illustrations, over 100 in color. Extensive survey of paintings, drawings, watercolors and prints. Includes biography, bibliography and the index of names and paintings. Published on the occasion of the exhibition from the Haus der Kunst, Munich February 25-April 23, 1984 which moved on to St. Louis and Los Angeles. Clean. bright copy.

Hardcover. London/NY, Prestel/DelMonico Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Richly illustrated and filled with detailed information about one of the leading artists of the 20th century, this is the first book to explore in depth the Saint Louis Art Museum's outstanding holdings of paintings by Max Beckmann-the largest collection of its kind in the world. One of the greatest German painters of the 20th century, Max Beckmann came to America in the mid-1940s and settled in St. Louis. There he met the retailer and collector Morton D. May. By the time May died, in 1983, he had amassed a comprehensive collection of Beckmann's oeuvre, most of which he bequeathed to the Saint Louis Art Museum (SLAM). The stunning breadth and power of Beckmann's work are explored in this volume, which examines all thirty-nine paintings in SLAM's collection. Featuring some of Beckmann's most celebrated images, this book offers fascinating insights into Beckmann's life and art-in particular his underappreciated early work and previously unexplored aspects of his final years in the United States.

Hardcover. Saint Louis, Saint Louis Art Museum/Prestel-Verlag, 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, 482 pages. Hardcover with dust jacket. illustrated throughout with 297 plates in full color and black & white. Light wear. Clean, tight copy.

Hardcover. New York, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, No dj, as issued. 197 pages with 184 color illus. and several bw archival photos. Presenting work from every stage of the versatile artist's career, this book is the first to focus solely on Max Beckmann's still lifes. Featuring nearly eighty paintings and watercolors, this volume covers a half-century of the artist's forays into the genre. With several essays. Published to coincide with the exhibition held at the Kunsthalle, Hamburg, from September 2014 to January 2015. Bottom corners bumped otherwise like new.

Hardcover. Berlin, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. 352 pages, 200 color plates. Paintings, drawings, and sculpture from every stage of the artist's career are included in the exhibition catalogue. Like new in publisher's shrink-wrap.

Softcover. NY, Random House, 1st US, 1986, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. Color throughout. Max Headroom, as you may remember, is the hipper alter ego of Edison Carter (Matt Frewer) and his adventures in the future. Carter is a top notch tv reporter, the lovely Theora Ward, the controller, is played by the lovely Amanda Pays. The show gives you a dark smoky view of the future - and this book, the starting movie of the series, replicates that look It has the script from the movie, as well as action shots. Clean, bright copy.

Hardcover. Australia, T & G Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 296 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Max Pam is one of Australia's most important contemporary photographers. His success is based on a body of provocative and compellingly intimate images of people from all over the world. This substantial publication with notes gives an emotional, sometimes lyrical, provocative, always intimate portrait of the artist as much as the people and places he has witnessed.

Hardcover. San Diego, Thunder Bay Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color. INSCRIBED BY THE AUTHORS on the half-title page. Maxfield Parrish has long been considered one of the greatest American illustrators of the 20th century. In the early 1920s, when his works Garden of Allah and Daybreak were reproduced as art prints, he quickly became one of the best known artists in America with his art images appearing on posters, calendars, magazine covers, and book illustrations. His unmistakable paintings, characterized by "Parrish Blue" water and skies, luminescent rocks and hills, and exquisite young women in flowing classical robes, are infused with a romantic Eden-like quality so entrancing that reproductions are as enthusiastically received today as the prints were when they first appeared. A wonderful selection of his work with brilliant reproductions. Clean copy.

Hardcover. Edison NJ, The Wellfleet Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, large oblong volume, 448 pages illustrated in color. First printing of arguably the finest work in print on the life and work of Maxfield Parrish. SIGNED on the title page by both Cutlers, founders of the National Musem of American Illustration. Maxfield Parrish's images achieved remarkable popularity and critical acclaim when they appeared on the covers of countless periodicals and books making him the most celebrated illustrator of the first half of the 20th century as well as incredibly famous and immensely wealthy. Clean copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Chartwell Books, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 448 pages, color illustrations throughout. Originally published as a hardcover in 2004. Errata slip laid in. Color illustrated wraps.

Hardcover. CA, Pomegranate Art Books, 1st, 1994, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with moveable parts. Based on Maxfield Parrish's paintings. Clean, tight copy.

Softcover. Springfield MA, The George Walker Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. 11 sepia tone plates. Catalog lists and describes 125 works in the exhibition by Parrish. Chronology. Introduction by Donald Reichert, essay extracted from an article by Coy L. Ludwig which appeared in the Art Journal, Winter 1965-66. Published to accompany the exhibition held in Springfield, MA , January 23-March 20.

Softcover. Springfield, MA, The George Walter Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Exhibition catalog. 38 pages including bibliography and chronology. Six sepia plates. Beige stiff wrappers. Light wear to edges and covers, else a very nice, clean copy.