Softcover. Dallas, Society of Friends of the Mexican Culture, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 116 pages. Published to accompany exhibit September, 1991 through June 1992. Light shelf wear, clean.

Hardcover. NY, St. Martin's Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 511 pages, b&w illustrations. When Hitler unleashed a fierce barrage of weapons on the defiant capital of England, London's resilient citizens were undaunted. With colorful detail and rich insight, historian Maureen Waller takes readers through London in the last year of war. She reveals the magnificence of human spirit that carried a besieged people through agonizing travails and the long, giddy transformation the metropolis made as it passed through battle, to celebration, and back to life as usual. Clean copy.

Hardcover. New York, Hill and Wang , 1st, 1966, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover. Extensive b&w drawings by Paul Hogarth throughout. Gilt titles on spine. Clean, tight copy.

Hardcover. NY, Hill and Wang, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 144 pages. B&w drawings throughout by Paul Hogarth. Small ownership stamp to front fly leaf, otherwise clean.

Hardcover. Loa Angeles, J. Paul Getty Museum, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff-- artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists' international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations.

Hardcover. Cambridge MA, MIT Press , 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 311 pages, b&w illustrations. In the 1930s and 1940s, English fashion houses, spurred by economic and wartime crises, put London on the map as a major fashion city. In this book, Michelle Jones examines the creation of a London-based couture industry during these years, exploring how designer collaboration and the construction of specific networks and narratives supported and shaped the English fashion economy. Haute couture-the practice of creative made-to-measure womenswear-was widely regarded as inherently French. Jones shows how an English version emerged during a period of economic turbulence, when a group of designers banded together in a collective effort to shift power within the international fashion system. Clean, bright copy.

Hardcover. London, Omnibus Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 176 pages. While many books, films and documentaries claim to have captured the phenomenon that was Swinging London, just one magazine was present in the capital during the 1960s to illustrate this extraordinary moment as it unraveled. London Life emerged in October 1965 and, over the next fifteen months, would document the capital's action at its absolute zenith. With imagery from the likes of David Bailey, Duffy and Terence Donovan, designs from Peter Blake, David Hockney, Gerald Scarfe and fledgling artist Ian Dury plus words and opinions from those riding high on the city`s cutting-edge, London Life remains the coolest document from the capital's most exciting period. Still in publisher's shrinkwrap.

Softcover. Burlington, VT, Lund Humphries , 1st, 2008, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. A very clean, unmarked copy. Color illustrations throughout. London Transport Posters celebrates a century of outstanding graphic design commissioned by the Underground, London Transport, and its present-day successor, Transport for London. Drawing on newly researched sources in the archives of the London Transport Museum and Transport for London, the book discusses and illustrates the different styles and themes emerging from the posters over the last hundred years. It includes examples of over 250 posters from all periods and will be an invaluable reference book and visual resource for all those with an interest in 20th-century design.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1971, Hardcover in a bright dust jacket, 378 pages. From dust jacket notes: "For most Americans, the Second World War started on December 7, 1941, and much of the fighting took place in strange, faraway places. For the British, the war started on September 3, 1939, and much of the action took place in the skies over England. In the spring of 1940, after months of uneasy calm, Germany invaded the Lowlands and conquered France within a few days, leaving England without her only meaningful ally on the Continent. A year would pass before the Soviet Union was drawn into the war, and eighteen months before the Japanese attacked Pearl Harbor. The United Kingdom, with a land area about the size of Wyoming, was alone, all alone, with only the Straits of Dover separating the island from Hitler's war machine. For six years Mollie Panter-Downes covered the war for The New Yorker magazine from her native England. Even at the height of the air war over London, when 'all that is best in the good life of civilized effort appears to be slowly and painfully keeling over,' she continued to file her fortnightly reports in an understated but dramatic fashion that reflected the fortitude of her fellow countrymen: 'The announcements of the first air-raid deaths are beginning to appear in the obituary columns of the morning papers. No mention is made of the cause of death, but the conventional phrase "very suddenly" is always used.' William Shawn, editor of The New Yorker, has assembled Miss Panter-Downes' 'Letter from London' columns into a consecutive, on-the-spot chronicle of the war in England."

Hardcover. Scarsdale NY, Bradbury Press, 2nd pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. Color illustrations by Paul Goble. Two young Sioux join in a raiding party to capture horses from some neighboring Crows. Front endpapers with stamp inside front cover, otherwise clean.

Hardcover. NY, Arco Publishing, 1st US, 1964, Book: Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket, 174 pages, color frontis., b&w photos. Quest to capture an adult tiger shark, written by the son of Arthur Conan Doyle. Dust jacket rice-clipped.

Softcover. Paris, Dragon's Dream, 1st English transl., 1973, Book: Very Good, Dust Jacket: None, Softcover, brilliant color illustrations throughout. Superb very fine detailed art, in this Science Fiction & Dark Fantasy, Sword & Sorcery, graphic novel masterpiece, with incredible color pictures. Measures 8.5" x 11". One of the great French Comic Artists, with some of his strips appearing in Pilotte magazine; He became best know in North America for his work in the pages of Heavy Metal magazine. Clean, sharp copy.

Hardcover. NY, Norton, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages, 410 b&w duotone plates seected from the 145,000 photographs made between 1935 and 1943 by a team of now-famous photographers employed by the Farm Security Administration, whose ranks included Arthur Rothstein, Ben Shahn, Dorothea Lange, and Walker Evans. The agency's mission went well beyond photographing dispossessed rural people, and this book is proof. It includes 410 remarkable images made in large citiesas well as dozens of small towns and villages throughout the U.S. and Puerto Rico. Large format in a bright, unclipped dust jacket.

NY, Norton, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages, 410 b&w duotone plates seected from the 145,000 photographs made between 1935 and 1943 by a team of now-famous photographers employed by the Farm Security Administration, whose ranks included Arthur Rothstein, Ben Shahn, Dorothea Lange, and Walker Evans. The agency's mission went well beyond photographing dispossessed rural people, and this book is proof. It includes 410 remarkable images made in large citiesas well as dozens of small towns and villages throughout the U.S. and Puerto Rico. Large format in a bright, unclipped dust jacket.

Hardcover. New York, Harcourt Brace Jovanovich, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Price-clipped dust jacket. Previous owner's name on front fly leaf. Light soil to top pages, abrasion on title page. Black and white pictures throughout, some color.

Hardcover. London, Gollancz, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages. Green cloth, gilt. Very good pictorial dust jacket in mylar. SIGNED BY AUTHOR. 2nd in the 'Mammoth' series of books. It is sixteen thousand years before the birth of Christ. And every human alive wakes to the calls of mammoths. Separated from his family, the young bull Longtusk begins a lonely odyssey that will take him into the heart of a new, alien culture. Captured and trained by The Lost - pale predators sweeping up from the South - Longtusk faces a bleak future.

Hardcover. Chicago, University of Chicago Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages. Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form. Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness.

Hardcover. Baton Rouge, Louisiana State University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 175 pages, b&w illustrations. Vermont-native Twitchell sets out from his current home in Florida on the inauguration day of America's first black president to find the "real" South and to try to understand the truth about his illustrious ancestor. He travels in an RV from Georgia's Okefenokee Swamp across Alabama and Mississippi to Coushatta, Louisiana. As he drives through the heart of Dixie, Twitchell sorts through the prejudices he learned from his northern rearing. In searching for the culture he had held at arm's length for so long, he tours small-town southern life -- in campgrounds, cotton gins, churches, country fairs, and squirrel dog kennels -- and uncovers some fundamental truths along the way. Notably, he discovers that prejudices of race, class, and ideology are not limited by geography. As one man from Georgia mockingly summed up North versus South stereotypes, "Y'all are rude and we're stupid." Unexpectedly, Twitchell also uncovers facts about his great-grandfather and sheds new light on his family's past. An enlightening, humorous, and refreshingly honest search, Look Away, Dixieland reveals some of the differences and similarities that ultimately define us as a nation. Clean copy.

Hardcover. NY, Holiday House, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Look! An elephant eats. Look! Giraffes drink. Look! A warthog digs. A gorilla hides, wild dogs listen, zebras run, monkeys sit, hippos splash, and a rhino naps. Each line of text is illustrated by a two-page spread with a beautiful painting of an animal Ted Lewin has seen on his journeys to Africa. At the end of the story, a boy reads, plays, and dreams, surrounded by toy animals that represent each of the real ones. Clean copy.

Hardcover. New York, Thames and Hudson, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages with 52 color and 102 b&w plates. A unique portrait of the artist by an scholar, who draws on his personal experience of Bacon. A survey of his artistic development precedes critical studies of selected aspects of the artist and his work. Previously unpublished extracts of the author's conversations with Bacon are reproduced and followed by a brief account of Bacon's life.

Softcover. Middlebury VT, Middlebury College Museum of Art, 1st, 2002, Book: Good, Dust Jacket: None, 112 pages. Softcover. Extensive b&w photography throughout. Some creasing to front cover. Some foxing to back page, otherwise clean, tight copy.

Softcover. Berlin, Gestalten Verlag, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Like new in publishers shrink-wrap. This monograph features Jaybo's font designs, logos, record covers and examples of his work as the Art Director of the lifestyle magazine Style and the Family Tunes.

Softcover. Berlin, Gestalten Verlag, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Like new in publishers shrink-wrap. This monograph features Jaybo's font designs, logos, record covers and examples of his work as the Art Director of the lifestyle magazine Style and the Family Tunes.

Softcover. London, The Hogarth Press Ltd, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. A mystery featuring Sir Henry Merrivale and a pricless bronze lamp from Egypt. First published in 1949. Clean, like new.

Hardcover. Hudson Hills, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages, color illustrations. Loring Coleman's voice as a storyteller is full of his humor and sense of wonder as he tells us about his life and then gives us the tales behind the beauty and mystery of over 50 of his paintings, most of which are reflections of a disappearing life in New England. He begins by describing the moment when his eyesight failed, and he learned that after seven decades as an artist, he might never paint again. His creation of this book became his response. With spirited memories of the intriguing characters who affected his life, Loring describes his upbringing in the tough Chicago of the 1930s, his discovery of idyllic rivers in Concord, Massachusetts, and his adventures as a motorcyclist and young student of great art teachers. He tells of marrying his wife Katinka the day before Pearl Harbor, entering the military, and quickly finding himself commanding the U.S. Army's largest World War II art department. He then traces his energetic years as a teacher, traveling art historian, and lover of Bavaria and Austria. In the context of his rich personal life, Loring shows us his paintings, as he reveals the many amusing, exasperating, and provocative experiences surrounding the artistic choices he made as he became one of New England's most revered artists. Clean copy. DUE TO WEIGHT, DOMECTIC SHIPPING ONLY.

Hardcover. NY, Henry Holt, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unclipped. The moving story of the life of the woman behind A Raisin in the Sun, the most widely anthologized, read, and performed play of the American stage. Written when she was just twenty-eight, Lorraine Hansberry's landmark A Raisin in the Sun is listed by the National Theatre as one of the hundred most significant works of the twentieth century. Hansberry was the first Black woman to have a play performed on Broadway, and the first Black and youngest American playwright to win a New York Critics' Circle Award. Charles J. Shields's authoritative biography of one of the twentieth century's most admired playwrights examines the parts of Lorraine Hansberry's life that have escaped public knowledge: the influence of her upper-class background, her fight for peace and nuclear disarmament, the reason why she embraced Communism during the Cold War, and her dependence on her white husband-her best friend, critic, and promoter. Many of the identity issues about class, sexuality, and race that she struggled with are relevant and urgent today. This dramatic telling of a passionate life-a very American life through self-reinvention-uses previously unpublished interviews with close friends in politics and theater, privately held correspondence, and deep research to reconcile old mysteries and raise new questions about a life not fully described until now.

Hardcover. NY, Alfred A. Knopf, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 354 pages. Color and b&w illustrations. From one of Britain's most respected and acclaimed art historians, art critic of The Guardian--the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo. Clean copy.

Hardcover. New York, Knopf, 1st us, 2012, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Small red dot remainder mark on bottom edge, otherwise, clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout.

Hardcover. Central Point OR, Hellgate Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages, b&w illustrations. Lost Black Sheep tells two amazing stories. The first chronicles the wartime exploits of Marine Corps Ace Chris Magee, former member of the famous Black Sheep Squadron, his improbable postwar odyssey, and the surprising developments of his later years. The second describes the author's personal quest to find a man who seemed to have dropped off the face of the earth and the startling revelations that follow when he finds him. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1996, Book: Very Good, Dust Jacket: None, Hardcover, red cloth, 32 pages illustrated in a color cartoon style by David Goldin. INSCRIBED BY GOLDIN with a sketch of the cat and himself. In this ironic tale of beauty and the beholder, an anxious owner creates a flattering portrait of his missing cat, while the pet's rescuer takes an opposing view. As the owner races around town hanging "Lost Cat" posters, exclamation points of sweat shooting off his brow, he remarks that his affectionate pet "Loves to eat./ Shares your seat./ Snuggles tight around your feet." He doesn't know the cat has taken up residence at-where else?-"Le Cafe Chat Perdu," whose proprietor is at wits' end. "Swiped my dinner./ Knocked me flat./ Someone please/ COME GET THIS CAT!" . Funny stuff. Clean copy, no dust jacket.

Hardcover. New York/Milano, Skira, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 224 pages, duotone photographs taken between 1904 and 1914 by a missionary working in China. In publisher's shrinkwrap. Leone Nani (1880-1935) lived in central China from 1904 to 1914. His missionary work took him to remote villages where he captured a world beyond the reach of other Westerners. Working in large format (mostly on glass plates he developed and printed himself in his mobile studio), Nani portrayed young couples, dignitaries, peasants and artisans. Equally gifted as an observer and reporter, he recorded everyday life scenes, religious ceremonies, architecture, and landscapes. 

Hardcover. Secaucus, New Jersey, Lyle Stuart Inc., 1st, 1988, Book: Near Fine, Dust Jacket: Very Good, Bright yellow boards with red spine, color illustrated dust jacket with acetate protective covering. A very neat, tight copy in great condition.

Hardcover. Marietta GA, Top Shelf, reprint, 2012, Book: Very Good, Dust Jacket: None, Illustrated boards, over 300 pages illustrated in color by Gebbie. Third printing of the single volume hardcover. Front top corner bumped, affecting first 20 pages with a small corner crease. Otherwise clean, very good. Adult content.

Hardcover. NY, HarperCollins , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 358 pages. A Baton Rouge matron flees to Jersey City to start life anew, only to find herself in a no-man's-land of rent strikes, hired thugs, and life-threatening potholes -- in this earthy comedy by Sharp. Clean copy.

Hardcover. NY, Prestel, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. This photographic homage to Los Angeles presents a timeless depiction of the great city. In his book New York Sleeps, Christopher Thomas traveled the empty streets of New York City shooting dreamy cityscapes with a large-format Polaroid camera. For this new book he focuses his lens on Los Angeles, capturing in duotone images of the iconic buildings and spaces in the city: the Chinese Theatre without tourists, the Griffith Observatory peacefully alone, the Hollywood Boulevard without celebrities or onlookers. Around the city's artdeco buildings and mid-century drive-ins, sidewalks, and parking lots are vacant. Shot in the early morning, with the sun's rays just hinting between buildings, or at dusk, when the light is inchoate and mournful, these pictures are a tender valentine to Los Angeles. Fans of New York Sleeps will be thrilled to encounter another sublime project by Thomas. And residents and lovers of Los Angeles will be awestruck at this new interpretation of the City of Angels.

Hardcover. NY, E.P. Dutton , 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice, unclipped dust jacket, 214 pages. "A journey into the heart of primitive Africa, yesterday and today" based on the author's research and his first-hand observations. Wellard describes living among the Dawadans, a small isolated tribe,who still live in a state of pre-history and to whom the wheel is unknown. He also examines the art of prehistoric Africa and in particular the rock art of the Acacus Mountains. The third section deals with the Garamantes, an empire that flourished for more than a thousand years,until they were conquered by Arab invaders in the 17th century. Illustrated with 24 photographs and five maps. Bibliographical notes, index. Clean.

Hardcover. New York , Hyperion Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Color Illustrated by Reg Cartwright. SIGNED BY LEWIS on title page.

Softcover. Boston, David R. Godine / Pocket Paragon, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations. Introduction and notes by Peter Moriarty. Lotte Jacobi was the fourth generation of her family to seize a camera to earn a living. She was drawn to artists and writers, musicians, poets and scientists. 95 pages.

Softcover. US, The Countryman Press, 1st, 1982, Book: Very Good, Dust Jacket: None, 47 pages, photos in b&w. Light sun-fade to spine, else a clean, tight copy. From publisher's jacket flap: "Berlin was a magic place for the arts in the twenties and early thirties, and no more so than in theater and dance. Fortunately for us, in the midst of this brilliant world, a young woman destined to become one of the best portrait photographers was just beginning her long illustrious career. Fourth generation photographer (her great grandfather had been taught by Daguerre), Lotte Jacobi photographed the brightest personalities of Berlin (and later New York), many of them her friends, in a direct and honest way that remains surprisingly fresh even today. In this book, along with Lotte's reminiscences of each, are revealing portraits of Peter Lorre, Lotte Lenya, Emil Jannings, Anna May Wong, Rene Clair, Lil Dagover, Claire Bauroff, Pauline Koner, Hanya Holme, and many others. Theater and Dance Photographs is a remarkable record of a remarkable time."

Softcover. NY, Metropolitan Museum of Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 262 pages, color and b&w illustrations. This is an excellent and scholarly book filled with incredible photos and descriptions of LCT's home, Laurelton Hall. The author has written a series of fine chapters that look at all aspects of this magnificent residence. What the fire at Laurelton destroyed, this book restores with words and photos.

Softcover. Shelburne VT, Shelburne Museum, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 60 pages illustrated in color. For whatever reason, a scarce exhibition catalog. Clean, bright copy.

Softcover. New York, Grey Art Gallery and Study Center/NYU, 1st, 1979, Book: Very Good, Dust Jacket: None, 63 pages. Softcover. Illustrated with full color and black & white examples of works by Louis Comfort Tiffany. Light toning to edges. Gallery sheet with biographical information and list of other objects by Tiffany laid in. Clean, unmarked copy. Uncommon.

Softcover. Washington DC, Hirshhorn Museum and Sculpture Garden and Smithsonian Institution Press, 1st, 1978, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog. 108 pages, illustrated in color and b&w. Gray pictorial stiff wrappers. Minor wear to edges and spine, else like new.

Hardcover. NY, Abrams, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 263 pages. Louis Michel Eilshemius was a born poet-visionary. His paintings reveal a gift for lyrical expression, an ability to impart an unearthly, dreamlike quality to canvas, and an extraordinary originality. The abundant illustrations in this first comprehensive volume on the artist attest to the importance of his contribution to American art at the turn of the century. In his sensitive text, Paul J. Karlstrom illuminates the contradictions that provide the key to understanding Eilshemius's life and art. Thoroughly trained in the academic manner, Eilshemius later became known primarily as the painter of bizarre, 'primitive' nudes. His early paintings, landscapes influenced by the Barbizon school and Camille Corot, differ dramatically from his late works, which are naive and often disturbing fantasies. At his best, Eilshemius was a magician of the canvas, yet his unstable character and unrealistic ambitions prevented him from fully realizing his talent.

Hardcover. Watkins Glen, NY, Century House, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 192 pages illustrated in color and b&w. Purple leatherette, pictorial dust jacket. Like new. In shrinkwrap. Definitive biography of Louis Prang, Victorian color lithographer, artist, and art educator. Includes a checklist of Prang's chromolithographs, annotated bibliography, appendices, index. 16 full-page color plates, and countless illustrations.

Hardcover. New York, Rizzoli International Publications, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 352 pages. Hardcover. Extensive color photographs throughout. Silver gilt titles on spine. Reminder mark to bottom edge, otherwise clean, unmarked copy with only minor wear to dust jacket. This exceptional album features over two hundred images by the most important modern and contemporary photographers, including David Bailey, Henry Clarke, Patrick Demarchelier, Karl Lagerfeld, Annie Leibovitz, Helmut Newton, David Sims, Bert Stern, Juergen Teller, Mario Testino, and Bruce Weber. This book features images from iconic Vuitton advertising campaigns from the 20s through to the present, with magazine editorials from publications including Vogue, Harpers Bazaar, Interview, and others.

Hardcover. NY, St. Martins Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages. From the front dust jacket flap "Louise Dahl-Wolfe, one of the most celebrated photographers of the thirties, forties and fifties, was a uniquely American artist whose work had enormous ramifications for Horst, Avedon, Penn, and other great photographers who followed her. Working in the heydey of Harper's Bazaar with editor-in-chief Carmel Snow and renowned fashion editor Diana Vreeland, she came to fashion photography at a time when formal, sometimes stilted, European elegance was the norm and infused it with her fresh new vision - informal, intimate, and undeniably American". Preface by Frances McFadden.

Hardcover. New York, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor edgewear. Renowned as the world's leading female fashion photographer from the 1930s to the 1960s, Louise Dahl-Wolfe (1895-1989) was acclaimed for her fashion photographs, still lifes, and portraits.This book is the first comprehensive retrospective on this important photographer. In addition to her fashion images, the 200 photographs gathered here include Louise Dahl-Wolfe's experimental color work and black-and-white portraits of such luminaries as Mae West, Cecil Beaton, Josephine Baker, Christian Dior, Orson Welles, Isamu Noguchi, and others. In sum, they evoke a glamorous and unforgettable era.

NY, Robert Miller Gallary, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover in a color dust jacket, 48 pages, color plates. Clean copy.

Hardcover. New York, Assouline, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, color photographs. In publisher's shrinkwrap. A beautiful collection of the work of contemporary artist Louise Lawler, who, for the past twenty years, has photographed art as it is situated and displayed, whether in private homes, public buildings, or museums, galleries, and auction houses. From an exhibition of Degas's materpieces to an Andy Warhol installation, this book invites you to discover Lawler's unique vision of modern and contemporary art. Lawler is fascinated by what "happens" to the art object after it leaves the artist's studio - where it goes, how it's displayed, how it's valued, what it means. In a Lawler photograph taken in a private home, the furnishings and objects surrounding the art are given as much attention as the art; in a museum, the view out of a window next to the artwork; in an auction house, the label identifying the artwork. Her striking and provocative photographs show us how the environment that surrounds it affects our perception of art and how it in turn affects all aspects of that environment.