Hardcover. New York, Doubleday & Company, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, 249 pages. Hardcover with dust jacket. Black and white pictures throughout. Clean, tight copy.
Hardcover. New York, Doubleday and Co., reprint, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover. Photographs and text by Edward Steichen. Includes a biographical outline. Illustrated end pages. 249 black and white plates. Measures 11.5x10 inches. Edward Steichen (1879-1973) was the most frequently featured photographer in Alfred Stieglitz' groundbreaking magazine Camera Work during its run from 1903 to 1917. Later he worked for Conde Nast magazines Vogue and Vanity Fair. After World War II he became the Director of the Department of Photography at New York's Museum of Modern Art. Note: This book is the First edition, second printing (The book was originally published in 1963 with duotone and color plates, this second printing is in black and white only). In a very good dust jacket.
Hardcover. NY, Henry Holt, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An up close and personal portrait of a legendary filmmaker, theater director, and comedian, drawing on candid conversations with his closest friends in show business and the arts-from Dustin Hoffman and Meryl Streep to Natalie Portman and Lorne Michaels. The work of Mike Nichols pervades American cultural consciousness-from The Graduate and Who's Afraid of Virginia Woolf? to Angels in America, The Birdcage, Working Girl, and Primary Colors, not to mention his string of hit plays, including Barefoot in the Park and The Odd Couple. If that weren't enough, he was also one half of the timelessly funny duo Nichols & May, as well as a founding member of the original improv troupe. Over a career that spanned half a century, Mike Nichols changed Hollywood, Broadway, and comedy forever. Most fans, however, know very little of the person behind it all. Since he never wrote his memoirs, and seldom appeared on television, they have very little sense of his searching intellect or his devastating wit. They don't know that Nichols, the great American director, was born Mikail Igor Peschkowsky, in Berlin, and came to this country, speaking no English, to escape the Nazis. They don't know that Nichols was at one time a solitary psychology student, or that a childhood illness caused permanent, life-altering side effects. They don't know that he withdrew into a debilitating depression before he "finally got it right," in his words, by marrying Diane Sawyer. Remainder dot to bottom edge otherwise clean.
Softcover. Utica NY, Munson-Williams-Proctor Institute, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Illustrated in b&w and color. Published on the occasion of the multi-venue exhibition held from 1994-1996 featuring masterworks on paper by Copley, Kensett, Audubon, Blakelock, Bluemner, Storrs, Cadmus, Pollock, and many others. Clean copy.
Softcover. NY, Life Publishing, 1926, Book: Good, Dust Jacket: None, Softcover, 36 pages plus cover. Color cover by Garrett Price: A Quick Pick-Up. Magazine was once folded so a crease throughout. 3 color ads plus b/w cartoons by Al Frueh, Art Young, John Held, others.
Hardcover. Hartford, F. A. Brown, 2nd, 1856, Book: Very Good, Dust Jacket: None, 267 pages of main text plus Appendix and 12 pages of Press reviews. Black & white illustrations. Light foxing throughout. Light wear to cloth covers with fading to spine. Clean, tight copy.
Hardcover. Hartford CT, F.A. Brown, 1st, 1856, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth, covers embossed with floral designs in blind-stamp. Gilt medallion front cover, gilt lettering and Hale Monument on spine, 230 pages, errata page at conclusion. Gutter crack at page 60, but not bad, binding solid. Eight b&w plates with tissue guards. Previous owner's signature (dated 1856) on blank pelim page. A biography of the soldier in the Continental Army and member of Knowlton's Rangers, the first organized intelligence service organization of the United States of America. Hale spied on the British, and was captured and executed during a mission in New York City. His service earned him the title of state hero of Connecticut.
Hardcover. Edinburgh, John Ballantyne and Co., Rebound first edition, 1809, Book: Good, Dust Jacket: None, 281 pages. Hardcover. B/w frontispiece portrait of author. Agewear throughout. Rebound with brown boards, Navy blue quarter cloth, title paste down on spine. Binding good. Spine straight. Edward Herbert, 1st Baron Herbert of Cherbury was an English soldier, diplomat, historian, poet and religious philosopher of the Kingdom of England.
Hardcover. Philadelphia, J.B. Lippincott Company, 1st US, 1908, Book: Very Good, Dust Jacket: None, Two hardcover volumes. Rebound in three-quarter red morocco gilt and cloth, with raised bands along spine. Top edges gilt. Many black & white illustrations with tissue guards. Light rubbing to spine edges at hinges. Rubbed, chipping at cover corners. Clean, tight copies. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Stewart, Tabori, & Chang, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. B&w and 2-color drawings by Blechman. Clean, tight copy with only minor wear to dust jacket.
Softcover. Fleischmanns NY, Purple Mountain Press Ltd, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 320 pages illustrated in b&w. INSCRIBED on half-title page by Bellico and by Barbara Bartley on the title page. During the latter 19th century, inland waterways were a primary means of commercial and public transportation in the northeast. Captain Theodore D Bartley owned 3 Lake Champlain (NY-VT) canal boats and kept a daily descriptive journal of his life over 30 years. His routes included the Canadian Waterways north of the St Lawrence River along the Rideau Canal; the Northern Waterway from Quebec Province to New York Harbor; the Western Route via the Erie Canal from Troy NY to Lake Erie. He and his canal boat family witnessed many landmark historical events, as well as ordinary life alongside the canals. His original diaries of 1500 pages were transcribed by Bartley, Barbara B., great-grand-daughter-in-law of Theodore.
Hardcover. Boston, James R. Osgood, 2nd pr., 1883, Book: Very Good, Dust Jacket: None, Hardcover, 624 pages, brown cloth with embossed black and gilt decoration on the front cover and spine. 300 b&w drawings. Second Issue with no tailpiece on p. 441 and "The St. Charles Hotel" on p. 443. Covers with light edgewear, discoloration/stain to rear cover. Rear hinge partially cracked. Previous owner's signature on front fly leaf. Interior is bright and clean. Attractive copy.
Hardcover. Jackson [Miss.], University Press of Mississippi, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 284 pages, b&w illustrations. Minor edgewear to dust jacket else a clean, tight copy.
Hardcover. NY, Atheneum, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 224 pages. Color and b&w photos. A memoir by the wife of Toni Harthoorn, one of the best-known vets and animal scientists in Africa. Clean copy.
Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.
Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.
Hardcover. New York, St. Martin's Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 296 pages. SIGNED BY BOTH AUTHORS ON TITLE PAGE. Clean, tight copy.
Hardcover. Kansas City, MO, Tell-Well Press, 1st, 1948, Book: Very Good, Dust Jacket: Good, Nonpaginated. Hardcover. Decorated endpapers. Vivid color illustrations throughout. Dust jacket unclipped, has some age wear, still intact and wrapped in protective brodart. Cover boards decorated with same image as dust jacket. Covers have a little soil a top and age wear. Clean inside and in great shape for its age.
Softcover. Seattle, Fantagraphics Books, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 200 pages. Like a Velvet Glove... collects all 10 chapters of the serialized story Eightball. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters, including a pair of sadistic cops who carve a strange symbol into the heel of Clay's foot; a horny over-the-hill suburban woman whose sexual encounter with a mysterious water creature produced a grotesquely misshapen, but no less horny, mutant daughter; a dog with no orifices whatsoever (it has to be fed by injection); two ominous victims of extremely bad hair implants; a charismatic Manson-like cult leader who plans to kidnap a famous advice columnist and many more! This edition has a brand new cover, new title and end pages-plus: Clowes being the perfectionist that he is, there are tweaked and re-drawn panels that really make this a transcendent piece of storytelling art!
Hardcover. London, Atlantic Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY ORFORD and dated 2009 on title page. When a beautiful young woman is found murdered on Cape Town's Seapoint promenade, journalist and part-time police profiler Dr Clare Hart is drawn into the web of a brutal serial killer. As more bodies are discovered, Clare is forced to re-visit memories of the brutal rape of her twin sister and the gang ties that bind Cape Town's crime rings. Is her investigation into human trafficking linked to the murders or is the killer just playing a sick game with her? Like Clockwork is a dark and compelling crime story which exposes the underbelly of porn and prostitution in today's South Africa.
Softcover. Johannesburg, Jonathan Ball, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. SIGNED BY ORFORD and dated 2009 on half-title page. When a beautiful young woman is found murdered on Cape Town's Seapoint promenade, journalist and part-time police profiler Dr Clare Hart is drawn into the web of a brutal serial killer. As more bodies are discovered, Clare is forced to re-visit memories of the brutal rape of her twin sister and the gang ties that bind Cape Town's crime rings. Is her investigation into human trafficking linked to the murders or is the killer just playing a sick game with her? Like Clockwork is a dark and compelling crime story which exposes the underbelly of porn and prostitution in today's South Africa.
Hardcover. NY, Holt Rinehart Winston, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black & white illustrations by Faith Jaques. Library Edition. Story of Victorian England set in a family shop in the back streets of Manchester, England. Pressured by his father to leave school for a career he doesn't want, a nineteenth-century boy runs away and gains a new perspective on his future. Clean copy.
Softcover. Kitchen Sink Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. The most popular of Capp's hundreds of distinctive characters was the Shmoo. This lovable little creature loved mankind so much that it would sacrifice itself and turn into a ham steak, a gallon of milk or a dozen eggs: whatever its owner desired. Its whiskers made nice toothpicks and its eyes could be recycled as buttons. Most important, a Shmoo could reproduce faster than a rabbit. Thus, if you had one Shmoo, you were set. You didn't need to work at all. Thus did the apparent book for mankind become its curse and the powers that be decreed that all Shmoos must be exterminated. Capp's insightful morality tale was so popular that it spawned an unprecedented merchandising bonanza. Two introductions, by David Schreiner and by science fiction writer Harlan Ellison, are illustrated with various Shmoo toys manufactured. The large back cover photograph shows a selection of Shmoo merchandise in color from the Denis Kitchen collection. Also featured in this volume: Flying Sausages (parody of "Flying Saucers," a term first coined a few months earlier; Fearless Fosdick, Nightmare Alice, Salomey, Adam Lazonga, Moonbeam McSwine, Cousin Weak-Eyes and Marryin' Sam. See also our Shmoo Facts Sheet for some amazing statistics about this character's popularity.
Softcover. Kitchen Sink Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. The most popular of Capp's hundreds of distinctive characters was the Shmoo. This lovable little creature loved mankind so much that it would sacrifice itself and turn into a ham steak, a gallon of milk or a dozen eggs: whatever its owner desired. Its whiskers made nice toothpicks and its eyes could be recycled as buttons. Most important, a Shmoo could reproduce faster than a rabbit. Thus, if you had one Shmoo, you were set. You didn't need to work at all. Thus did the apparent book for mankind become its curse and the powers that be decreed that all Shmoos must be exterminated. Capp's insightful morality tale was so popular that it spawned an unprecedented merchandising bonanza. Two introductions, by David Schreiner and by science fiction writer Harlan Ellison, are illustrated with various Shmoo toys manufactured. The large back cover photograph shows a selection of Shmoo merchandise in color from the Denis Kitchen collection. Also featured in this volume: Flying Sausages (parody of "Flying Saucers," a term first coined a few months earlier; Fearless Fosdick, Nightmare Alice, Salomey, Adam Lazonga, Moonbeam McSwine, Cousin Weak-Eyes and Marryin' Sam.
Softcover. Ft. Worth, Morgan & Morgan/ Amon Carter Museum, 1st, 1973, Book: Very Good, Dust Jacket: None, Unpaginated, 44 b&w images by the photographer, foreword by Ansel Adams. Softcover, clean, tight copy.
Hardcover. Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. For five years, noted Paris-based portrait photographer Lillian Birnbaum documented a group of girls during their transition from childhood to young womanhood, examining their initial, innocent awakenings to their own feminine allure. This is a state that is particularly difficult to capture, according to essayist Doris van Drathen, for Birnbaum's photographs present that delicate space between the unconscious and the conscious; the passage from a world of dreams, chaos and fantasy into a world more and more contained by the forces of reality. A moment at the threshold between 'no longer' and 'not yet' in the life of a girl, just prior to her realizing that her feminine seductiveness will one day actually curb her freedom as an independent individual and she will begin to mirror her womanhood in how others view her.
Softcover. Provincetown MA, Cape Cod Museum of Art/Providencetown Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 59 pages, exhibition catalog illustrated in color. Essays by Robert Henry, April Kingsley, Myra Harrison and Claire Sprague. Lillian Orlowsky painter, teacher, curator, critic and mentor (Born 1914 in New York City, died August 7, 2007 in Provincetown) I was fortunate to have taken part in one of the most important periods of art in this century. The 1930's through the 1950's saw a cultural upheaval where diverse concepts in painting went from one extreme to another: from realism to abstraction. In the forefront were the WPA (Works Projects Administration - Art Project) and in some measure the Provincetown Art Association. They promoted cultural awareness of the different pictorial concepts which were the beginning of the changing scene of plastic expression.
Softcover. Cape Cod Museum of Art/Providencetown Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 59 pages, exhibition catalog illustrated in color. Essays by Robert Henry, April Kingsley, Myra Harrison and Claire Sprague. Lillian Orlowsky painter, teacher, curator, critic and mentor (Born 1914 in New York City, died August 7, 2007 in Provincetown) I was fortunate to have taken part in one of the most important periods of art in this century. The 1930's through the 1950's saw a cultural upheaval where diverse concepts in painting went from one extreme to another: from realism to abstraction. In the forefront were the WPA (Works Projects Administration - Art Project) and in some measure the Provincetown Art Association. They promoted cultural awareness of the different pictorial concepts which were the beginning of the changing scene of plastic expression.
Hardcover. Baton Rouge, Louisiana State University, 1st Ed., 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a short closed tears. B&w photos, 297 pages. The first comprehensive intellectual biography of the Georgia writer, Lillian Smith, based on an extensive collection of autobiographical writings and correspondence, as well as on Smith's published books and articles. Smith is best known as an early critic of racial segregation and as a civil rights worker.
Hardcover. Oakland, CA, WIM, 1st, 1981, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 85 pages. b&w and color illustrations throughout. The first complete survey of Nicholson's paintings and life, with a catalog of her currently known works. Blue cloth, gilt lettering to spine and front cover. Yellow pictorial dust jacket with fading to spine edge, small closed tear to back cover and light edge wear. A very nice, clean and well preserved copy.
NY, William Morrow, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 364 pages, b&w photos. Novelist Peter Feibleman first met world-famous playwright Lillian Hellman when he was ten and she was thirty-five-years old, and out of that first encounter there grew romantic friendship that was to blossom into a love affair--one that ended only with her death. Drawing on many of her letters, private journals, and conversations recorded by them both specifically for this memoir, and on her later published and unpublished works, as well as on his own diaries, Feibleman brings to life one of the most glittering, fascinating, and complex women of our time. LILLY is replete with anecdotes about Miss Hellman's celebrated friends, including Dashiell Hammett, with whom she shared her life for many years; Dorothy Parker; Elizabeth Taylor, who made a triumphant stage appearance in 'The Little Foxes'; Mike Nichols; Elaine May; Leonard Bernstein; and her Martha's Vineyard neighbors--Jules Feiffer, Barbara and John Hersey, Ann and Art Buchwald, Rose and William Styron, and many, many others. Her animosities are depicted as well, including her lengthy and virulent feud with Mary McCarthy. What emerges is an intensely personal portrait, unique and fully realized, of an immensely talented writer, her ways of loving, and her world.
Hardcover. Flagstaff, Arizona, Northland Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages. Dark brown cloth cover with gilt lettering to spine, color illustrated dust jacket, numerous color and b&w plates of Russell's oils, drawings, watercolors, bronzes and illustrated letters. Light wear to dust jacket; overall a tight, clean copy.
Hardcover. NY, Horizon Press, 1st Ed., 1953, Book: Very Good, Dust Jacket: Good, Hardcover, 327 pages. Bound in black cloth with gold titling on the cover and spine. Illustrated with B&W political cartoons from the era throughout from Harper's Weekly, Frank Leslie's Illustrated Newspaper, Vanity Fair, Punch, etc. The illustrations are reproduced side-by-side with historical background and commentary by the author. Includes artwork by Thomas Nast, Matt Morgan, Frank Bellew, Louis Maurer, Sir John Tenniel, Currier and Ives, etc. Previous owner's name on front fly leaf. Dust jacket with light soil, chipping.
Hardcover. Athens, Ga., Hill Street Press, LLC, 1st, January 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 155 pages. B&w illustrations throughout. Light spotting to top edge. Rubbing and light soiling to dust jacket. Else a nice, clean copy.
Hardcover. Springfield MA, The Linweave Association, 1st, 1934, Book: Good, Dust Jacket: None, Hardcover, light peach boards with a maroon cloth spine. A promotional piece for a paper company. Literary contributions by Dunsany, Masefield, Morley, Aiken and others. Color illustrations by T.M. Cleland, C.B. Falls, William Aylward, Richard Floethe, others. Boards with light soil, interior clean, bright.
Softcover. US, Andrews McMeel Publishing, 1st, 2009-08-18, Book: Very Good, Dust Jacket: None, Softcover, 221 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition.
London, John Murray, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 229 pages illustrated in b&w by Victor Ambrus. The early (1914-34) and very readable Kenya memoirs of an administration official. Seaton presents his own particular vision of East Africa as it was from 1913 to 1926, the unsophisticated Africa with its peoples and wild life, before the golden age came to an end. Previous owner's name on front fly leaf, otherwise clean.
Hardcover. Princeton NJ, Princeton University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 279 pages. Hardcover. Extensive color illustrations throughout. Includes extensive notes and appendices. Gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. NY, Dover Publications, reprint, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 48 pages illustrated in color by Gorey. A new approach to the ancient fables of Aesop features charming rhymes and winsome images by a beloved illustrator. Artist Edward Gorey sets the scenes for poet Ennis Rees's modern interpretation of Aesop's verses, which recount how animals with all-too-human failings receive their just desserts. Memorable renderings of familiar and lesser-known vignettes include the fable of the industrious ant, who prepares for the hardships of the coming winter, and the feckless grasshopper, whose laziness proves fatal. A mighty lion is amused at the notion of a tiny mouse coming to his rescue, a naive young crustacean admires the bright red shell of a boiled lobster, and a swarm of flies are undone by their attraction to a pool of spilled honey. These and other timeless tales provide humorous insights into the folly of greed and vanity and the rewards of virtuous behavior. Originally published in 1971 by Young Scott.
Hardcover. NY, Dover Publications, reprint, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 48 pages illustrated in color by Gorey. A new approach to the ancient fables of Aesop features charming rhymes and winsome images by a beloved illustrator. Artist Edward Gorey sets the scenes for poet Ennis Rees's modern interpretation of Aesop's verses, which recount how animals with all-too-human failings receive their just desserts. Memorable renderings of familiar and lesser-known vignettes include the fable of the industrious ant, who prepares for the hardships of the coming winter, and the feckless grasshopper, whose laziness proves fatal. A mighty lion is amused at the notion of a tiny mouse coming to his rescue, a naive young crustacean admires the bright red shell of a boiled lobster, and a swarm of flies are undone by their attraction to a pool of spilled honey. These and other timeless tales provide humorous insights into the folly of greed and vanity and the rewards of virtuous behavior. Originally published in 1971 by Young Scott.
Hardcover. NY, Artisan, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 145 pages. A master craftsman provides timeless wisdom from working with stone. Beautifully illustrated with color and black and white photographs from the work-field. In his highly anticipated second book, Vermonter Dan Snow once again proves that he is not just one of America's premier artisans, but also one of our most articulate voices on the natural world and our relationship to it. Snow's medium is stone: He is the nation's premier drystone wall builder. Schooled in this ancient craft, he painstakingly creates structures as breathtaking as sculpture with nothing but gravity as their glue. In Listening to Stone, Peter Mauss's tactile photographs of Snow's artistry are matched by the artisan's quietly compelling prose. Clean, bright copy.
Hardcover. New York, Farrar, Straus and Giroux, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 592 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Remainder mark on page block. Combining the personal correspondence of and interviews with Noguchi and those closest to him from artists, patrons, assistants and lovers Herrera has created an authoritative biography of one of the twentieth century's most important sculptors. She locates Noguchi in his friendships with such artists as Buckminster Fuller and Arshile Gorky, and in his affairs with women including Frida Kahlo and Anna Matta Clark.
Hardcover. San Francisco, Chronicle Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This book curates 125 unputdownable entries from a list of names that are as eclectic and intriguing as its contents, which include myriad reasons given by ancient Egyptians for missing work, Albert Einstein's demands of his estranged wife, F. Scott Fitzgerald's extensive conjugation of "to cocktail," and many more. Rarely intended for the public eye, these lists reveal hopes, priorities, and musings in a most engaging and entertaining way. Each transcript is accompanied by an artwork, most a captivating facsimile of the list itself. Clean copy.
Hardcover. NY, Dial Books, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Little Bear, whose family performs in the Papagini Circus, longs to take part, and one night, through a series of accidents, he becomes featured in a way he never imagined. Clean, bright copy.
Hardcover. New York, Harcourt, Brace and company, 9th, 1937, 149 pages. Hardcover with no dust jacket. Rear end paper dry and starting to separate. Previous owner's name and bookplate on front pages. Light corner bumps. Illustrations by Lynd Ward.
Hardcover. Chicago, Rand McNally, reprint, 1926, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers with color pictorial label, 72 pages. A book for children about what it takes to be a Boy Scout. Encourages younger children to do good deeds and help others. Uses the example of the grandfather, a veteran of the Civil War. Beautifully illustrated throughout in color and black and white. Art not credited. Appears to be a reprint of a book printed in 1916. Page 37 with a quarter-size scar to paper over text, several pages with mild creases, name on front fly leaf.