Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. This first volume of Mome features the following: John Pham's (Epoxy) 221 Sycamore Ave., Paul Hornschemeier (Mother Come Home and Forlorn Funnies) contributes a six-part graphic novella titled Life with Mr. Dangerous, Anders Nilsen's The Beast is a full-color, 12-page absurdist monologue by a single character on the push-and-pull of art and politics, Jeffrey Brown contributes an autobiographical piece, David Heatley contributes the first of a series of fictional stories revolving around a cast of characters in a town called a Overpeck (also the name of the strip) that follows a bizarre dream logic, Andrice Arp adapts a Japanese fairy tale called Jewels of the Sea, Kurt Wolfgang examines death, Gabrielle Bell examines the existentialism of the dot-com boom, Jonathan Bennett dances with the Ventures, and Sophie Crumb (Belly Button Comix) delivers a piece of comics biography. With cartoons by Martin Cendreda.

Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. This first volume of Mome features the following: John Pham's (Epoxy) 221 Sycamore Ave., Paul Hornschemeier (Mother Come Home and Forlorn Funnies) contributes a six-part graphic novella titled Life with Mr. Dangerous, Anders Nilsen's The Beast is a full-color, 12-page absurdist monologue by a single character on the push-and-pull of art and politics, Jeffrey Brown contributes an autobiographical piece, David Heatley contributes the first of a series of fictional stories revolving around a cast of characters in a town called a Overpeck (also the name of the strip) that follows a bizarre dream logic, Andrice Arp adapts a Japanese fairy tale called Jewels of the Sea, Kurt Wolfgang examines death, Gabrielle Bell examines the existentialism of the dot-com boom, Jonathan Bennett dances with the Ventures, and Sophie Crumb (Belly Button Comix) delivers a piece of comics biography. With cartoons by Martin Cendreda.

Softcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. A quarterly anthology of literary comics. Contributors include Eleanor Davis, Ray Fenwick, Paul Hornschemeier, Sophie Crumb, Jonathan Bennett, Tom Kaczynski, others.

Softcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. A quarterly anthology of literary comics. Contributors include Eleanor Davis, Ray Fenwick, Paul Hornschemeier, Sophie Crumb, Jonathan Bennett, Tom Kaczynski, others.

Softcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. A quarterly anthology of literary comics. This volume premieres the first chapter of "At Loose Ends" by Lewis Trondheim, an autobiographical diary comic that portrays Trondheim at a crossroads: after reaching the height of commercial success in middle age, how does he stay true to himself as an artist and not become a hack? Plus all-new work from Russ Manning, Jonathan Bennett and R. Kikuo Johnson, as well as Tim Hensley, Jeffrey Brown, David Heatley, Paul Hornschemeier, Anders Nilsen, Sophie Crumb, Martin Cendreda and Gabrielle Bell.

Softcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. A quarterly anthology of literary comics. This volume premieres the first chapter of "At Loose Ends" by Lewis Trondheim, an autobiographical diary comic that portrays Trondheim at a crossroads: after reaching the height of commercial success in middle age, how does he stay true to himself as an artist and not become a hack? Plus all-new work from Russ Manning, Jonathan Bennett and R. Kikuo Johnson, as well as Tim Hensley, Jeffrey Brown, David Heatley, Paul Hornschemeier, Anders Nilsen, Sophie Crumb, Martin Cendreda and Gabrielle Bell.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 304 pages. illustrated throughout in color. Light edgewear to dust jacket with two small closed tears. Clean, tight copy. This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. And with close to 200 color images, The Moment of Caravaggio is as richly illustrated as it is closely argued. The result is an electrifying new perspective on a crucial episode in the history of European painting. Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.

Hardcover. New York, John Day, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover. Non-Paginated. Illustrated with black & white photographs. Dust jacket shows standard wear. Clean, tight copy.

Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In the first fully illustrated work of his illustrious career, David Thomson re-examines a series of moments - which readers will experience in beautifully reproduced imagery - from seventy-two carefully selected films across a hundred-year time span. His moments range from a set of Eadward Muybridge's pioneering photographs to sequences in films from the classic - Citizen Kane , Sunset Boulevard and The Red Shoes - to the unexpected - The Piano Teacher , Burn After Reading - immersing the reader via a groundbreaking marriage of imagery and the author's accompanying narrative. David Thomson's evocative, unflinching prose and profound understanding of what makes film and art form identify him as one of the great film writers of our time, making it likely that Moments that Made the Movies will be widely viewed as an important classic on the subject of international cinema. Clean copy.

Hardcover. New York, Scholastic Books, 1st, 2006, Book: Very Good, Dust Jacket: None, 6 double-page color pop-ups, engineered by Reinhart, text by Yorinks, art by Sendak. Like new condition, no dust jacket issued. While looking for his mother in a haunted house, a little boy plays pranks on the monster inhabitants.

Hardcover. New York, Scholastic Books, 1st, 2006, Book: Very Good, Dust Jacket: None, 6 double-page color pop-ups, engineered by Reinhart, text by Yorinks, art by Sendak. Like new condition, no dust jacket issued.

Hardcover. New York, Scholastic Books, 1st, 2006, Book: Very Good, Dust Jacket: None, 6 double-page color pop-ups, engineered by Reinhart, text by Yorinks, art by Sendak. Like new condition, no dust jacket issued. While looking for his mother in a haunted house, a little boy plays pranks on the monster inhabitants.

Hardcover. NY, Aperture, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. In a convergence of brilliant color and compelling visual narrative, this new collection of photographs by Pascal Maitre reveals an Africa unfamiliar to most Westerners. He portrays a wide range of experience in sub-Saharan Africa: in Niger's desert, soldiers juggle goats and machine guns; within the forest, a rosary dangles from the chest of a warrior in a Bassorian initiation ceremony. In this startlingly beautiful land, ornamented by the marks of human struggle and worship, contradictions are plentiful.Rich in detail and elegant composition, Maitre's photographs immerse us in an Africa beyond the familiar media depictions. He shows an Africa living with the contradictions of tradition and modernization, of ritual headdresses and plastic flip-flops, of tribal wars and machine guns, of ancestral deities and nonbelievers. A lively preface by Cameroon-born author Calixthe Beyala.

Softcover. Site Santa Fe, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 75 pages. Color and b&w illustrations. Mona Hatoum is recognized as one of the most significant figures in contemporary art. Her work addresses political conflict, the physical body, and feminist issues in a surrealistic style and with a minimalist aesthetic. This thought-provoking artist uses diverse methods and works in various media, including installation, video, sculpture, and performance art. Clean copy.

Hardcover. New York, Charles Scribner's Sons, 1st, 1904, Book: Very Good, Dust Jacket: None, Nonpaginated. Hardcover. Covers bound in blue cloth with gilt title on spine and cover with decoration and pastedown art. Beautiful b/w illustrations throughout by Seton. Bump to top corner of cover, small scrape to cover label otherwise clean, very good. The aim of this well-illustrated work is to picture the life of a Grizzly Bear with the added glamour of a remarkable Bear personality (from the Preface). Presented in 16 chapters, Seton considered this work as an historical novel of Bear life.

Hardcover. Chicago, The University of Chicago Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages, color and b&w illustrations. This volume, a detailed survey of the political uses of cartography between 1400 and 1700 in Italy, France, England, Poland, Austria, and Spain, answers these questions: When did monarchs and ministers begin to perceive that maps could be useful in government? For what purposes were maps commissioned? How aCCU1rate and useful were they? How did cartographic knowledge strengthen the hand of government? The chapters offer new insights into the development of cartography and its role in European history. Light fading to areas of dj, no marking.

Hardcover. NY, Frederick A. Praeger, 1st US, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. 208 indexed illustrations. Several full color reproductions. Translated from the French by Thomas Walton. 255 pages. "Elgar has made use of valuable information from Mondrian's contemporaries in his account of this dedicated artist.The plates show all the phases through which Mondrian's art passed, from the traditional landscapes and still lifes of his early years, through the more personal and more abstract works conceived in series, to the eventual emergence of his fully mature style." Three color plates/postcards of his art laid / paster on inside covers. Small name on front fy leaf. Otherwise clean.

Softcover. Chicago, Illinois, Mongerson Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 100 page catalog from October 1981 exhibition at The Mongerson Gallery. Numerous black and white prints and photographs. Brief artist biographies. Textured cover features color artwork and exhibits some wear, particularly along binding edge. Interior in near fine condition.

Softcover. New Haven CT, HRAF Press, 2nd Ed., 1957, Book: Very Good, Dust Jacket: None, Softcover, blue wrappers, 359 pages, map, charts, errata slip tipped-in.

Softcover. Chicago, Terra Museum of American Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 159 pages, with 72 illustrations, 52 in color. Light edge wear to wrappers, else a very clean, tight copy. These monotypes are presented by Cecily Langdale in this book which was published in 1984. It contains a brief Biography of the artist that describes his influences, travels and contacts, and a general discussion about Monotypes which summarises their chronology, style and technique. These two essays are illustrated by 28 b/w figures. The monotypes are then presented, in colour, with commentaries on each by Langdale that integrate factual information and artistic significance. Addenda include a further 3 monotypes by the artist and there is a Bibliography of relevant publications. Prendergast executed his last monotypes in 1901-02, probably because of his increased interest on the complexities of oil painting techniques that he continued to explore for the remainder of his life. For anyone unfamiliar with monotypes, the information provided by Langdale is extremely useful to enable a full appreciation of the works presented in this book. The artist used oil paint in the preparation of his monotypes and may have used a spoon to transfer the images onto the Japanese tissue support.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Spine slightly cocked. Else a clean, tight copy.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Previous price sticker on back cover. Else a clean, tight copy.

Softcover. Edinburgh, Luath Press Ltd, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Color and b&w illustrations. In 1923 Charles and Margaret Mackintosh escaped Britain for France.Monsieur Mackintosh is the only book available on Mackintosh's years in France. With reproductions of 40 of his French paintings alongside photographs of the actual locations today, and images from the period 1923-1927, this is a comprehensive and pictorial account. Written in close collaboration with experts from Glasgow University, the National Gallery of Modern Art and the Glasgow School of Art, and edited by Professor Pamela Robertson, author and leading expert on Mackintosh, Monsieur Mackintosh includes new research and is written with the French and English translations side-by-side. Published to coincide with and accompany a major exhibition of Mackintosh's work in France Monsieur Mackintosh contains more than 250 images reproduced in full colour throughout.

Hardcover. NY, Doubleday, Page & Co., 1st, 1903, Book: Very Good, Dust Jacket: None, Hardcover, 246 pages, b&w plates by Karl Anderson. Rough-cut pages. Light edge wear to covers, small stain on rear. Front hinge starting to crack. Else a very clean, tight copy.

Hardcover. France, Arthaud, Book: Very Good, Dust Jacket: Very Good, Hardcover, 267 pages, with map laid-in. Minor dust jacket edge wear. Minor yellowing along dust jacket back cover edge. Otherwise, in very clean condition. With 169 helogravure illustrations. Protective clear dust jacket cover.

Hardcover. London, Dennis Dobson, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 76 pages, hardcover. Illustrated in color by Ronald Searle. Very good condition. Dust jacket lightly age tanned on spine, around edges of front and back. Light soiling to small part of dust jacket front, looks cleanable.

Hardcover. NY, Delacorte, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Thirteen year old Rocky has her life changed by the remarkable artist who comes to a small Kansas town to design a war memorial.

Softcover. Newport RI, Newport: Monumenta , 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog. 96 pages, b&w plates. Features 54 large-scale sculptures by David Smith, Barnett Newman, Christo, Karen Appel, Barbara Hepworth, others. Section of Newport photographs and statement by Aaron Siskind. 11 x 11". Mild soil to wrappers, scarce.

Hardcover. NY, St. Martins, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover. Very good in a bright, unclipped dust jacket. Some very minor wear to dust jacket, otherwise like new.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover with pictorial boards. No dj issued. In the second volume of Tove Jansson's humorous yet melancholic Moomin comic strip, we get four new stories about jealousy, competition, child rearing, and self-reinvention. The Moomins try to hibernate in the fashion of their ancestors but insomnia places them smack-dab into a winter carnival with the winter-sports-loving Mr. Brisk. The fickle and eternally lovestruck Mymble and Snorkmaiden find themselves in competition over a thrilling new man. Moominmamma meets her new neighbor, the Fillyjonk, causing her to hire the depressed and secretive Misabel as her new maid. Mymble's mother arrives on the Moomin family's doorstep with her seventeen new children. Finally, a prophet arrives on the scene declaring that the happy Moomins are in fact not happy at all and need to get back to nature and be free. Moomin, of course, becomes more and more miserable the freer he gets.

Hardcover. New York , Henry Holt and Co., 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. Signed with a sketch by McCarty. A young boy sees a plane overhead and imagines himself in it, traveling all the way to the moon. What does he see on his way? With characteristically spare prose, Caldecott Honor winner Peter McCarty invites readers along for an imaginary trip from the earth to the moon and back again, visiting trains, planes, and boats along the way. McCarty's luminous illustrations make the boy's fantasy into a dreamlike journey that ends in his mother's arms-a perfect way to end the day.

Hardcover. NY, Simon & Schuster , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. When Bear and Little Bird see a kangaroo for the very first time they can't believe their eyes. They must be dreaming! Bear and Little Bird know they could wake themselves up with a pinch, but first they decide to have some fun. Bear eats all the honey he was saving for winter, and Little Bird eats all his birdseed. Then they have a mess party. Soon it looks like their dream is going to turn into a nightmare! And what about that kangaroo? The lovable Moonbear returns in an imaginative story that will have readers laughing out loud. Color art by Asch. Clean copy.

Hardcover. Bloomington IN, Indiana University Press, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 138 pages. the complete run of lithographic posters done to promote the South Shore Railroad in the early 20th century by artists such as Will Bradley, Maxfield Parrish, Ethel Reed, J. C. Leyendecker, Edward Penfield etc. Color illustrations.

NY, St. Martins, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, black & white illustrations. 442 pages. The story of the popular Rocky and Bullwinkle show. The legendary Jay Ward and Bill Scott produced the gleeful wonder and cumulative joy that transcended the crude drawings and occasionally muddy sound. Jay Ward was the magnificent visionary, the outrageous showman, while Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind. With exclusive interviews, original scripts, artwork, story notes, letters and memos, Keith Scott has written the definitive history of Jay Ward Productions.

Softcover. New York, Dell Publishing, 1st, 1952, Book: Very Good, Dust Jacket: None, 223 pages. Paperback. Dell Book #427. Minor wear to paper wrappers. Creasing to covers and spine. Cover art by Rudoloh Belarski. Pencil numbers on front fly leaf.

Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages. This is the sequel to caricaturist Drew Friedman's collection of portraits of famous comics creators.Spanning the birth of the industry to its first few decades, this book has approximately 100 full-color portraits of the legends of American comic books-publishers, editors, and artists. Its subjects are popular and obscure, men and women, and it includes several pioneering artists of color. Full-color illustrations throughout.

Hardcover. NY, Knopf, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 897 pages. John Updike's fiftieth book and fifth collection of assorted prose, most of it first published in The New Yorker, brings together eight years' worth of essays, criticism, addresses, introductions, humorous feuilletons, and - in a concluding section, 'Personal Matters' - paragraphs on himself and his work. Herman Melville, Edith Wharton, Sinclair Lewis, Dawn Powell, Henry Green, John Cheever, Vladimir Nabokov, and W. M. Spackman are among the authors extensively treated, along with such more general literary matters as the nature of evil, the philosophical content of novels, and the wreck of the Titanic. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2008-, Book: Very Good, Dust Jacket: None, Hardcover, Clean, unmarked copy in excellent condition.

Softcover. NY, Rizzoli, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Color plates throughout. All photographs have been made in NYC from the same apartment window which gives a large view on Central Park and on the street. Ruth Orkin gathers photographs around the Sheep Meadow area of Central Park in New York, and includes shots of parades, rallies, and the Manhattan skyline. Clean, bright copy.

Hardcover. New York, George Braziller, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages. This catalog, featuring 130 b&w illustrations and 40 color plates cover almost all of Graves major paintings. This is a very nice and clean copy. Dust jacket in good shape and binding tight. Scarce in hardcover.

Softcover. New York, George Braziller, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Softcover, 174 pages. This catalog, featuring 130 b&w illustrations and 40 color plates cover almost all of Graves major paintings. This is a very nice and clean copy.

Hardcover. New York, Harper & Brothers, 1st, 1960, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. "An I Can Read Book". Color illustrations by Bernard Wiseman. Lists 17 titles on back cover - starting with "Little Bear" and ends with "David and the Giant". Some minor foxing to preliminary pages. No dust jacket.

Hardcover. NY, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Morris Lapidus, the famous mid-century architect, outraged the architectural profession and riled critics with an architecture that was popularly embraced. His Miami Beach resort hotels - the Fontainebleau, the Eden Roc, and the Bal Harbour Sheraton - are synonymous with the glamour of Miami Beach in the 50s. Lapidus hotels are infamous as the stomping grounds of the Rat Pack and their fellow movie stars. Yet, during his life he was never published in architectural magazines and was discredited by the architectural profession - before undergoing a renaissance as a prophet of postmodernism. This book establishes the importance of his work and offers private insights into a man who once said why be exotic in private?

Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.

Hardcover. US, Andrews McMeel Publishing, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 323 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, otherwise a clean, tight copy.

Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 389 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. The commander of a Georgia regiment through much of the Civil War mused later in his memoirs that the heaviest burden fell not upon the man at the front, but upon the woman who waited and prayed for victory: "While the men were carried away with the drunkenness of the war, she dwelt in the stillness of her desolate home." Sallie Brock Putnam spoke for Southern womanhood. She was a native of Madison County, Virginia, and seems to have come from a family of good social standing. The book contains an unexpectedly full history of the Civil War; the author exhibits a strong grasp of strategy and tactics. But at its heart is an incisive eyewitness account of life in a capital that was swollen to four times its normal population by the exigencies of war. Brock's descriptions of Jefferson Davis' inauguration and the Richmond Bread Riot of 1863 are dramatic, but no more so than her accounts of nameless refugees, race relations, opportunistic merchants and blockade runners. Confederate prisons and family matters. In contrast to other female Southern writers of the period, she was more sober and factual, less gossipy and speculative. She wrote with shrewdness and maturity, and with a remarkable lack of self-pity and exaggeration. Yet the reader cannot miss her courage, sacrifice and suffering. Sallie Brock Putnam died in 1911.

Softcover. New York, ACA Galleries , 1st, 1972, Book: Good, Dust Jacket: None, 70 pages. Softcover. Extensive color and b&w illustrations throughout by Moses Soyer. Some wear to spine and soil to back cover, otherwise clean, tight copy.

Hardcover. Boston, Houghton Mifflin, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON HALF TITLE PAGE. An author and artist who has continually stripped away the mystique of architectural structures that have long fascinated modern people, David Macaulay here reveals the methods and materials used to design and construct a mosque in late-sixteenth- century Turkey. Clean, tight copy with minor rubbing to edges.

Softcover. Boston, Beacon Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, illustrated wraps, 616 pages. Clean, bright copy. Sojourner Nadine Jane Johnson, also known as Mosquito, is an African-American truck driver. Set in a south Texas border town, Mosquito is the story of her accidental and yet growing involvement in "the new underground railroad," a sanctuary movement for Mexican immigrants. Mosquito's journey begins when she discovers Maria, a stowaway who nearly gives birth in the back of the truck; Maria will eventually name her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective - one of the most original and appealing characters in all of Jones's fiction. We also meet Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood, where Mosquito pays her a memorable visit. As her understanding of the immigrants' need to forge new lives and identities deepens, so too does Mosquito's romance with Ray, a gentle revolutionary, philosopher, and, perhaps, a priest.

Hardcover. Albany NY, State University of New York Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and tanned dust jacket, 208 pages with index. This book attempts to throw new light on that early labor movement, mainly by answering the questions that modern critics have raised concerning its authenticity, but the major concern of the volume is with the labor leaders' views regarding American society. If these were uncommon labor leaders, they were also uncommon Jacksonians. At a time when the mass of Americans seemed to be engaged in a frenzied contest for material gain, and increasingly optimistic about their chances, the labor leaders stood apart both from the pursuit of the main chance and from its moralistic critics. Name on front fly leaf otherwise clean.