Softcover. New York , Guggenheim Museum, 1st, 2008, Book: Very Good, Dust Jacket: None, First edition, first printing. Softcover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Jeff Wall. Essays by Jennifer Blessing and Katrin Blum. Includes an exhibition checklist and list of illustrations. 60 pages with 18 four-color illustrations and 19 black-and-white illustrations. 12 x 10 inches. Published on the occasion of an exhibition at Deutsche Guggenheim, Berlin.

Hardcover. Somerville MA, Templar, 1st US, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover. Clean, unmarked copy in excellent condition. Winner of the New York Times Best Illustrated Children's Book Award. Glorious artwork, on each and every page.

Hardcover. NY, Abbeville Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover. 168 pages. Profusely illustrated with color plates including many gatefolds. In a bright, unclipped dust jacket.

Hardcover. Portsmouth, NH, Portsmouth Marine Society, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. Minor sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.

Softcover. Baltimore, John Hopkins University Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in illustrated wrappers, 304 pages. Illustrated with B&W engravings. Jens Jensen was one of America's greatest landscape designers and conservationists. Using native plants and "fitting" designs, he advocated that our gardens, parks, roads, playgrounds, and cities should be harmonious with nature and its ecological processes-a belief that was to become a major theme of modern American landscape design. In Jens Jensen: Maker of Natural Parks and Gardens, Robert E. Grese draws on Jensen's writings and plans, interviews with people who knew him, and analyses of his projects to present a clear picture of Jensen's efforts to enhance and preserve "native" landscapes.

Hardcover. NY, Alfred A. Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 430 pages. The titanic choreographer, creator of memorable ballets, master of Broadway musicals, legendary show doctor and director, now revealed in his own words--the closest we will get to a memoir/autobiography--from his voluminous letters, journals, notes, diaries, never before published. Robbins was famous for reinventing the Broadway musical, creating a vernacular American ballet, pushing the art form to new boundaries where it had never gone before, integrating dance seamlessly with character, story and music, and as Associate Artistic Director, Ballet Master, and Co-Artistic Director, with George Balanchine, shaping the New York City Ballet with daring and brio for more than five decades through his often startling choreography in ballet's classical idiom. He was known as the king of Broadway, the most sought-after director-choreographer and show doctor who gave shape to On the Town (1944), Call Me Madam (1950), The King and I (1951), Wonderful Town (1953), Peter Pan (1954), The Pajama Game (1954), Silk Stockings (1955), West Side Story (1957), Gypsy (1959), A Funny Thing Happened on the Way to the Forum (1962), Funny Girl (1964), Fiddler on the Roof (1964), and many other classic musicals, winning four Tony Awards, two Oscars, and an Emmy. He shocked and betrayed those he loved and worked with by naming names to the House Un-American Activities Committee. ("I betrayed my manhood, my Jewishness, my parents, my sister," he wrote in a diary. "I can't undo it.") Clean, bright copy.

Hardcover. NY, Literary Guild/Doubleday Doran & Co., reprint, 1938, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with black stamping, 281 pages. Endpapers and b&w illustrations by Thomas Fogarty. The boyhood adventures of Jerry Foster set in rural Wisconsin in the 1800s. Clean copy.

Hardcover. NY, St. Martin's Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This copy has been signed on the half title page, with an inkstamped monkey. A Nick Magaracz detective story by the author (AKA Irene Fleming) of the Mother Lavinia Grey series and and 'Girl on the Run'. Clean, like new.

Softcover. Copenhagen, Court Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in b&w.

Softcover. Copenhagen, Court Gallery, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in b&w and color. Clean copy.

NY, Macmillan, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Bruce Degen. The scarce first printing (all numbers starting with 1 present) of the first Jesse Bear book. Also Carlstrom's first book. Minor edgewear in a bright, unclipped dust jacket.

Hardcover. NY, Thomas Crowell, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated in color and b&w. Jessie Willcox Smith (1863-1935), was one of the most prominent female illustrators in the United States during the Golden Age of American illustration. She illustrated stories and articles for clients such as Century, Collier's Weekly, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. Four appendices give detailed listings of the appearance of Smith's illustrations in books, magazine covers, posters, etc. Bibliography. Notes. Index. With a lightly worn dust jacket that's been price-clipped. Previous owner's inscription on front fly lead, otherwise clean.

Softcover. London, V&A Museum, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 252 pages, b&w photographs throughout. Rubbing, light edge wear to wrappers. Previous price sticker on back cover. Else a clean, tight copy.

Hardcover. New York, New Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 198 pages, b&w illustrations. Readers have long cherished the work of comic masters such as Will Eisner, Jules Feiffer, and Art Spiegelman, all of whom happen to be Jewish. Few, however, are probably aware that the Jewish role in creating the American comic art form is no less significant than the Jewish influence on Hollywood filmmaking. Filled with the most stunning examples of this vital artistic tradition, Jews and American Comics tells us how the "people of the book" became the people of the comic book.With three brief essays by Paul Buhle, the well-known historian of American Jewish life, Jews and American Comics offers readers a pictorial backstory tracing Jewish involvement in comic art from several little-known strips in Yiddish newspapers of the early twentieth century through the mid-century origins of the modern comic book and finally to contemporary comic art, which has at last found its place in museums, in private collections, and on the bookshelves of both critics and millions of avid readers.

Hardcover. New Haven CT, Yale University Art Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. "Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today." 48 b&w images by Friedlander.

Softcover. Berkeley CA, Celtic Book Company, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Color reproductions from the golden age of one of America's most popular comic strips.

Hardcover. NY, Harry N. Abrams, 1st US, 2024, Book: Very Good, Hardcover, 56 pages. In Jim Curious and the Jungle Journey, a young boy goes on an adventure in an old-fashioned diving suit. After waking up in bed (or is he really awake?), Jim walks through a mirror and into a shallow swamp that leads to a mysterious island. There, in the jungle, he encounters snakes, monkeys, and a giant turtle, as well as some creepy-crawly creatures, before discovering an ancient abandoned temple deep in the heart of the jungle. There are two pairs of 3-D glasses at the back of the book to add to your reading pleasure. Clean copy.

Hardcover. NY, Harry N. Abrams, 1st US, 2024, Book: Very Good, Hardcover, 56 pages. In Jim Curious and the Jungle Journey, a young boy goes on an adventure in an old-fashioned diving suit. After waking up in bed (or is he really awake?), Jim walks through a mirror and into a shallow swamp that leads to a mysterious island. There, in the jungle, he encounters snakes, monkeys, and a giant turtle, as well as some creepy-crawly creatures, before discovering an ancient abandoned temple deep in the heart of the jungle. There are two pairs of 3-D glasses at the back of the book to add to your reading pleasure. Clean copy.

Hardcover. NY, Whittlesey House/McGraw-Hill , 3rd pr., 1948, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn dust jacket with a chunk gone from front panel. Full green cloth, gilt lettering and decoration on spine. Illustrated with several pages of B&W photographs. 388 pages. SIGNED BY FARLEY in green ink on the front fly leaf. The 'unvarnished' facts about the man who put FDR in the White House, and built-up one of the most effective political party organizations in history. A revealing portrait of Franklin D. Roosevelt.

Softcover. Coral Gables FL, Herald Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 271 pages. B&w cartoons throughout by Morin. The Miami Herald's Jim Morin has created some of the best editorial cartoons in the business: Political cartoonists distill opinions about power and culture into art and commentary with the sharp points of their pens. How does an artist who has produced over the past 40 years some of the best cartoons among editorial cartoonists in the business generate the ideas for a relentless stream of sharp political and social commentary? During and after Election 2016, the remarkable artist's pen of Jim Morin produced a steady stream of Donald Trump cartoons that both delighted and infuriated followers, depending upon their side of the Donald Trump divide. This book of best cartoons by Jim Morin is both funny and poignant. It is a nostalgic journey through the last 40 years of the comedy and reality of our world. Clean copy.

Softcover. New York, Pantheon Graphic Library, reprint, 2003, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light edgewear to cover wrapper. Color comics throughout by Chris Ware. Clean, tight copy. This first book from Chicago author Chris Ware is a pleasantly-decorated view at a lonely and emotionally-impaired "everyman" (Jimmy Corrigan: The Smartest Kid on Earth), who is provided, at age 36, the opportunity to meet his father for the first time. An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.

Hardcover. NY, Hudson Hills Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The American son of great German Surrealist master Max Ernst, Jimmy Ernst (1920-1984) developed a distinct style, marrying abstract, crystalline form to sirituality, influenced by jazz and Native American culture. 166 pages, 44 b&w, 62 color plates. Considers the life and work of German-born American expressionist Jimmy Ernst (1920-1984). Brings together reproductions of his finest paintings, along with a tribute by Kurt Vonnegut, two revelatory interviews, poems by Louis Simpson, a selection of the artist's own writings, and a monographic essay by Donald Kuspit. Includes a chronology, exhibitions and collections histories, and a bibliography. Features an essay combining biography, art criticism, and psychological analysis, interviews, and more. Preface by Kurt Vonnegut. Clean copy.

Hardcover. Boston, Little Brown & Co., 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 47 pages. Hardcover with dust jacket. Color illusrations by Norm Chartier. Publisher's lending library stamp on front endpaper. Light soil to dust jacket.

Softcover. NY, Guggenheim Museum, 1st, 1975`, Book: Good, Dust Jacket: None, 140 pages. Softcover. Exhibition catalog. Full color and black & white examples of works by Jiri Kolar. Foxing to cover edges, and to top edge. Clean, unmarked pages.

Hardcover. Boston/ New York , Bulfinch Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 533 pages, 431 works reproduced in color. Small remainder mark to bottom edge, otherwise a bright, clean copy in a similar dust jacket. The most comprehensive look at Miro's art available in book form. In honor of Miro's 100th birthday, 1993 has been designated Miro Year, which is being celebrated with great fanfare in Europe and the U.S. This book features full-color reproductions of the artist's work on canvas and paper, from his earliest sketch to his mature works of the 1980s.

Hardcover. Paris, Maeght Editeur, 1st Ltd. Ed., 1977, Book: Very Good, Dust Jacket: Very Good, 217 pages, #647 of 5000, off-white cloth covers with black lettering on spine. Color and b&w illustrations including 5 original lithographic plates and lithographic wrap-around dust jacket. Dust jacket with minor edgewear, acetate wrapper chipped, worn.

Hardcover. New York, Calla Editions, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Forty full-page color plates by French artist and illustrator O.D.V. Guillonnet. A reformatted reprint of a classic.

Hardcover. New York, Viking, reprint, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 55 pages. Color illustrations. A nice reprint of the classical picture book published in the early 1900s. Louis Maurice Boutet de Monvel (1851-1913) was a French academic painter trained at the prestigious Ecole des Beaux Arts. In the 1890's, he began illustrating children's books. His masterpiece was "Joan of Arc" published in 1896 to great acclaim. The French art world understood that Boutet de Monvel had a created a new style of book illustration for children. His intricate style of flat images with water color detailing influenced children's book illustration for the next fifty years. Clean copy.

Hardcover. New York, Viking, reprint, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 55 pages. Color illustrations. A nice reprint of the classical picture book published in the early 1900s. Louis Maurice Boutet de Monvel (1851-1913) was a French academic painter trained at the prestigious Ecole des Beaux Arts. In the 1890's, he began illustrating childrens books. His masterpiece was "Joan of Arc" published in 1896 to great acclaim. The French art world understood that Boutet de Monvel had a created a new style of book illustration for children. His intricate style of flat images with water color detailing influenced childrens book illustration for the next fifty years.

Hardcover. Suffolk UK, Antique Collectors' Club, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 103 pages. A monograph prepared by Carrington's husband to accompany the memorial exhibition of her work in 2005 at the Thackeray Gallery. Clean copy with a mild musty odor.

Hardcover. New York, Holt, Rinehart & Winston, 1st , 1973, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages. Two-color pictures by Trina Schart Hyman. Front endpaper bottom corner creased. Pictorial cover onlaid front and back on heavy paper covered boards.

Softcover. Albany NY, Opalka Gallery, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 62 pages in color. Exhibition catalog. Clean, bright copy.

Softcover. Montevideo, Impresora Gordon, 1st, 1999, Book: Good, Dust Jacket: None, Softcover, 272 pages, illustrated in color and b&w. Monograph on the Uruguayan artist who championed a modernist aesthetic in South American art. Color wrappers with light wear, interior clean. SPANISH TEXT.

Hardcover. NY, Simon & Schuster, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a stunning feat of meticulous reportage, Pulitzer Prize winner Richard Ben Cramer ultimately puts to rest the "Where have you gone, Joe DiMaggio?" question with iconoclastic bravura. In Cramer's evaluation, the hero America held onto so desperately for so long was really a creation of a nation's communal imagination. The Joe DiMaggio that America tried so hard to believe in was never really here at all. There was, of course, a Joe DiMaggio, and he had a splendid career in Yankee pinstripes--once hitting safely in an unimaginable 56 consecutive games--and a troubled marriage with Marilyn Monroe, each augmenting the other in our national mythology. But myths tend to be skin-deep, and Cramer's biography thrives in an internal geography well below the surface. The map he charts is of a cold, small, often nasty, uncaring, resentful, self-centered man, a man of public grace and private misery who broke friendships, shunned family, and chased money with the same focused energies he once harnessed to run down fly balls.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. The first published collection of the work of Joe Eula, oe of the 20th century's greatest fashion illustrators. Brings 200+ gorgeous b/w and full-color sketches and finished illustrations; sheds light on Eula's development as an artist, and his contributions to the worlds of fashion, design and arts and entertainment.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The first collection of the work of Joe Eula, the foremost illustrator of the late twentieth century, featuring more than 200 black-and-white and full-color sketches and illustrations, the majority of which have never been published before.

Hardcover. London, Titan Books , 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. In his own words, this is the life of Joe Simon, one of the most important figures in comics history, and half of the famous creative team Simon and Kirby. Joe Simon co-created Captain America, and was the first editor in chief of Marvel Comics (where he hired Stan Lee for his first job in comics). 

Hardcover. London, Titan Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures in center, black and white pictures throughout.

Softcover. Wayne NJ, William Paterson College, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, gray illustrated wraps with black lettering; French flaps. 86 pages with 43 b&w illustrations. Divided into four sections: Sitting on the Gate, Ways and Means, The Aged, Aged Man, and Haddock's Eyes; includes a list of illustrations, and with supplementary footnotes. Clean copy.

Hardcover. New York, St. Martin's Press , 1st, 1991, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, unclipped dust jacket. 1st book, SIGNED BY ERMELINO. Stamped #s on front end paper, & half-title page.

Softcover. NY, Stephen Haller Gallery, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, 12 color plates of the artist's paintings. Essay by Joyce B. Korotkin. Clean copy.

Hardcover. Chicago, Haase-Mumm Publishing, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. #174 of 1, 000 copies signed by author. Biography and critical study of John Barber (1893-1965), American artist and contributor to the radical magazine The Masses. 16 color and 109 b&w plates. Bibliography and index.

Hardcover. Philadelphia, John C. Winston Company, 1st, 1933, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket that has a paper scar to spine where label was removed. Illustrated on dj and cover of a man standing at a bar. B&w illustrations by Jack Gallagher. A satiric view of tipplers, depicted in the character of a Falstaffian American male apparently meant to counteract the caticature of prohibition and prohibitionists as a pinch-faced old spoil sport put forth by the cartoonist Rollin Kirby in the "New York World."

Hardcover. US, Antique Collectors Club Dist, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Throughout the 1960s and 70s John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore.

Hardcover. US, Antique Collectors Club Dist, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Throughout the 1960s and 70s John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore.

Hardcover. Conran, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. John Brookes is one of the world's most respected master gardeners; his more than 1,200 designs have forced a major rethinking of what gardens can be. This first-ever illustrated retrospective of Brookes's career is fascinating reading both for its rich insight into his life, and for opening a wondrous new window onto the garden designs he created for private clients, many of which have never been publicly viewed. More than 50 of the best examples of his work are on display, highlighted by 170 color photographs. Also featured are his explorations in adding movement and dimension to garden design, thoughts on the special considerations for garden entrances, and his understanding of the cultural context of the "room outside."

Hardcover. NY, Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Every day, beginning in 1964, painter John Evans created a collage from found objects ranging from clippings, business cards, product stickers or labels, and ticket stubs to bits of ephemera or anonymous snapshots found on the streets of his East Village neighborhood. Using colored inks, he built upon and embellished the collage elements, creating lively, vibrant compositions. His astonishing work continued through the end of 2000, which seemed an appropriate date to stop. Apart from their beauty, Evans collages are mini-time capsules that mark the end of the Vietnam war, the fiscal crisis in New York City during the 1970's, the burgeoning economy, club scene and are market of the 1980's, and the AIDS crisis. They are also autobiographical with postcards, snapshots, and other connections to Evan's daily life. The 365 collages selected for this monograph, focusing on the 1970s through the 1990's, represent a year, but are drawn from different years. They illustrate the full range of Evans' mastery of his medium and attest to the artist's self discipline in adhering to the demanding regimen of creating a college every day. 365 color plates.

Hardcover. NY, Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Every day, beginning in 1964, painter John Evans created a collage from found objects ranging from clippings, business cards, product stickers or labels, and ticket stubs to bits of ephemera or anonymous snapshots found on the streets of his East Village neighborhood. Using colored inks, he built upon and embellished the collage elements, creating lively, vibrant compositions. His astonishing work continued through the end of 2000, which seemed an appropriate date to stop. Apart from their beauty, Evans collages are mini-time capsules that mark the end of the Vietnam war, the fiscal crisis in New York City during the 1970's, the burgeoning economy, club scene and are market of the 1980's, and the AIDS crisis. They are also autobiographical with postcards, snapshots, and other connections to Evan's daily life. The 365 collages selected for this monograph, focusing on the 1970s through the 1990's, represent a year, but are drawn from different years. They illustrate the full range of Evans' mastery of his medium and attest to the artist's self discipline in adhering to the demanding regimen of creating a college every day. 365 color plates.

Hardcover. Washington DC, Dumbarton Oaks Research Library, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 310 pages. John Evelyn (1620-1706), an English virtuoso and writer, was a pivotal figure in seventeenth-century intellectual life in England. He left an immensely rich literary heritage, which is of great significance for scholars interested in garden history and the histories of intellectual life and architecture. Evelyn is perhaps best known for Sylva, a compilation of thoughts on practical estate management, gardening, and philosophy, and the first book published by the Royal Society in London. As one of the group of learned men who founded the Royal Society in 1660 to promote scientific research, discussion, and publications, John Evelyn was at the center of many of the vital intellectual currents of the time. "Elysium Britannicum," Evelyn's unpublished manuscript of almost a thousand pages of densely packed drafts, rewrites, and projects, was perhaps something of an enigma to his contemporaries, who nevertheless urged its publication. It remains for scholars today a treasure-trove of fascinating insights on Evelyn and his milieu. Clean copy.

Hardcover. NY, W.W. Norton, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket that has a few tape repairs. B&w drawings by Arthur Conrad. Sequel to "John Goffe's Mill". This volume speaks of the "human history" changes to the mill site over the 200 years and 8 generations of his family who owned the property. Since the mid-18th century, author George Woodbury's family had owned a Bedford NH mill. His childhood home, he returned there to restore his great, great, great, great grandfather's saw and grist mill. He had set aside his Harvard Peabody Museum archaeologist career to restore, rebuild and work the mill. "What he couldn't swap or buy he invented and built himself".