Hardcover. New York, Crown, 1st , 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 117 pages. INSCRIBED BY VELDE on title-page. Black & white illustrations, color wrap-around dj art by Trina Schart Hyman.

Hardcover. New York, Grosset & Dunlap, 1st, 1943, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear, short, repaired tear. Twelve pages with 6 color spreads featuring flaps, pull tabs and other moveable parts. The spine has a red plastic binding inside the covers.

Softcover. Los Angeles, The Augustan Reprint Society, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, 70 pages, a facsimile reprint of his fantastic tales first published in 1785. Horatio Walpole, also known as Horace Walpole, was an English art historian, man of letters, antiquarian and Whig politician. His literary reputation rests on his Gothic novel, The Castle of Otranto (1764) and his Letters, which are of significant social and political interest. "The Hieroglyphic Tales were undoubtedly written a little before the creation of the world, and have ever since been preserved, by oral tradition, in the mountains of Crampcraggiri, an uninhabited island, not yet discovered. Of these few facts we could have the most authentic attestations of several clergymen, who remember to have heard them repeated by old men long before they, the said clergymen, were born." (From Walpole's own ntroduction). Clean copy.

Hardcover. Amsterdam, Ludion Ghent/Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, 208 pages with 282 color plates, 53 in b&w. No dust jacket. Published to coincide with a major exhibition of the artist's work in Europe, this loving tribute to one of the greatest, and most bizarre, of the medieval painters introduces readers to the often grotesque vision expressed in his work.

Softcover. Amsterdam, Ludion Ghent/Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, Oversized softcover. Published with the the exhibition "Hieronymus Bosch" at the Museum Boijmans Van Beuningen, Rotterdam, September-November 2001. Minor wear to corners and edges of cover. Inside is bright and clean. Many color illustrations throughout. A nice copy.

Hardcover. New York, Harry N. Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 135 pages, 111 illustrations, including 48 tipped-in color plates.

Hardcover. NY, Harry N. Abrams, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Stated first edition, 134 pages. 48 tipped-in full page, full color illustrations and over 60 additional illustrations in b&w. Clean, unmarked copy.

Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."

Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."

Hardcover. New York , Goliga, 1st, 2012, Book: Very Good, Dust Jacket: None, Folio, hardcover. Like new in publishers shrink-wrap. 191 pages. Black and white and color photos throughout. A look at high heels in fashion and fashion photography, with several essays focusing on fetishism and photography. With an interview with Manolo Blahnik, among others. Many high fashion and art photos throughout of women in high heels, including nude photos.

Hardcover. NY, Dunne/St. Martin's, 1st , 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In High Lonesome Road, the third in the Chloe Newcombe series set in the high Arizona desert, the Cochise County Library bookmobile driver is found murdered at one of her stops. When Chloe is called out to assist the woman who discovered the body, she learns that the driver is Erica Hill, an old friend of her brother's from long ago in Venice, California. Erica was beautiful and flamboyant, a former heartbreaker who has changed her life to be a good mother to her sixteen year old son Troy. When Troy is accused of his mother's murder Chloe is convinced he is innocent and sets out to find the real killer , in the process revealing a shocking secret from Erica's past.

Softcover. NY, Metropolitan Museum of Art, reprint, 2015, Book: Very Good, Dust Jacket: None, Softcover, 257 pages, This lavishly illustrated volume is the first comprehensive publication on the Brooklyn Museum's internationally renowned historic costume collection. The nearly 25,000-object collection comprises fashionable women's and men's garments and accessories from the 18th through the 20th century.

Softcover. New York, Metropolitan Museum of Art, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrinkwrap.

Hardcover. Philadelphia, J.B. Lippincott , 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 251 pages. Hal Borland writes about his boyhood as part of a homesteading family in Eastern Colorado. A nice copy of the first edition, as stated on the copyright page. Inscription on front fly leaf, otherwise clean.

Hardcover. Boston, MA, Houghton Mifflin Co., 1st, 1947, Book: Very Good, Dust Jacket: Good, 216 pages+63 b&w prints of the Hudson River artists. Green cloth, gilt titles to front and spine. Pictorial dust jacket only good and price clipped. Still a nice, tight copy.

Hardcover. New York, William Farquhar Payson, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers with black titles, 141 pages. Foreword by Walter Lippmann. A selection of his editorial cartoons which appeared in The World newspaper. Each drawing has a page of text opposite, giving background and context to the cartoon. Light shelf wear, clean interior.

Hardcover. NY, Sotheby's New York, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 579 lots, color photos throughout. Maroon cloth. Includes silver, miniatures, watches, prints and illustrations, maps, small statuary, a few paintings and marble busts, furniture, painted portraits, more furniture, clocks, chairs, Indian artifacts, more clocks, china, brassware, more furniture, a few paintings, samplers, embroidered items, carved ivory, more furniture, and some folk-art items. Lots of annotation on the more expensive items. Small dent to lower edge of front board, light shelf-wear to dust jacket, else a clean, tight copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Macmillan Company, 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with bright gilt lettering on cover and spine. Illustrated with 56 reproductions of etchings, aquatints, and drawings by John Taylor Arms, each with a captioned tissue-guard.. A delightful travelogue with exquisite artwork of John Taylor Arms. He specialized in portraying the gothic architecture of France and Italy. Traveling the back roads and visiting the then out-of-the-way towns of northern Italy by car, he visually captures the look and feel as his wife provides a charming travelog. Clean, bright copy.

Softcover. Santa Monica CA, Arts & Architecture Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 172 pages. Building in the hills is an enterprise full of unpleasant surprises and traps just waiting to snare the inexperienced. Arthur Levin, a structural engineer and architect who has been involved in more than 2,000 hillside projects, offers a distillation of his 35 years of experience that will help the uninitiated to avoid the otherwise inevitable pitfalls and traps. The book has many real life examples of the unexpected encounters with unstable land, surface drainage problems, subterranean water, demanding owners, uncooperative building inspectors, inexperienced contractors, and other examples of the author's triumphs and occasional enlightening failures. All of these brief histories are instructive and guaranteed to be of invaluable help to the first or second time hillside designer and builder. More than 110 line drawings illuminate the text.

Hardcover. New York, HarperCollins, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED by RASCHKA. Raschka's and Radunsky's simpatico styles are at long last paired in this "doggy allegory" told in a hip-hop beat. Born into a litter of 16, the scruffy protagonist is the pup not chosen--the "saddest and the baddest." His solitude, however, facilitates his sensitivity to the sounds that permeate his urban environment, and while the "clatter makes him gladder," ultimately it's the strains of opera that motivate him to "bark it like Brunhilda." Raschka's musicality undergirds his street-savvy lingo, making the narrative fresh and lyrical. The font becomes bigger and bolder to indicate emphasis, a technique that is particularly helpful when the text spirals around the pages. "I'm the zoom-est and the boom-est, spread no gloom-est, say no doom-est. I'm the top-est, never stop-est, Boston Pop-est, be be bop-est. I jazzle dazzle like it as the Hip Hop Dog." Radunsky's caricatures of the moves of a canine version of Snoop Dogg manage to be convincing, poignant, and funny--no small feat. Loose lines, brushwork that allows the textured background to show through, and occasional bits of collage combine to create a gritty cityscape peopled with quirky personalities. This story of a neglected orphan who sings and struts his way to happiness will gladden the hearts of readers young and old.

Hardcover. New York, Thames and Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Minor soiling to front dust jacket cover. A very clean, unmarked copy with only minor edgewear to dust jacket. Hipgnosis created some of the most innovative and surreal cover art of the 1960s, 70s, and early 80s for the biggest names of the era-Pink Floyd, Led Zeppelin, Wings, Yes, Genesis, 10cc, Peter Gabriel, Bad Company, Syd Barrett, and Black Sabbath, to name just a few. The sublime prism cover for Pink Floyd's The Dark Side of the Moon continues to be one of the most pervasive images in all popular culture. Hipgnosis's highly conceptual approach and graphic appeal earned them five Grammy nominations for cover design, and they profoundly influenced not only the history of music, but also all other creative fields from advertising to fashion.

Hardcover. London, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. The complete catalogue of design collective Hipgnosis, showcasing groundbreaking cover art created for iconic rock "n" roll giants, including the Rolling Stones, Paul McCartney, Led Zeppelin, and Pink Floyd. 320 pages, 500 color illustrations. Hardcover.

Hardcover. Boston, Museum of Fine Arts, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. The 1960s saw a revolution in fashion that was born, like most things new and hip in that era, of youth rebellion in the streets. For the first time, designers didn't dictate the trends. Instead, the latest looks trickled up into the top fashion houses (Halston and Yves Saint Laurent among them), by way of bohemian boutiques and avant-garde labels with names like Granny Takes a Trip and Cosmic Couture, and musicians like the Beatles, Janis Joplin and Jimi Hendrix. Defying easy definition but becoming an international phenomenon all the same, hippie fashion twisted and turned from trippy to retro and crafty to ethnic. The accompanying idea that one can express a personal style with clothing went against everything about the previous generation's notion of matching suits or ladylike ensembles dictated by social class or profession. Sumptuous photography, dynamic design, and far-out images from the era make Hippie Chic a must-have book that goes past peace signs and patchouli to unearth how hippies forever changed the way fashion functions. Still in publisher's shrinkwrap.

Hardcover. US, Mets & Schilt, 2008-09-10, Book: Near Fine, Dust Jacket: None, Small, square and orange. Like new in publishers shrink-wrap. Illustrated in b/w and color throughout. - Hira Mandi (literally Diamond Market) is the tangled maze of backstreets and alleys hat is the red light district of Lahore (the second largest city in Pakistan) and is as famous in South Asia as the Amsterdam red light district is throughout the West. Hira Mandi is a portrait of the unknown world of Pakistan's transsexual and homosexual subculture.

Hardcover. New York, George Braziller Incorporated, 1st, 1988, Book: Very Good, Dust Jacket: Good, 192 pages. Hardcover with dust jacket. Heavy damage on 2 inches of bottom right corner. Otherwise, tight copy. Color pictures throughout. Endlessly experimenting with design, composition, and color, Hiroshige captured in these paintings, as no where else in his work, his poetic and idyllic sense of nature.

Hardcover. New York, George Braziller Incorporated, 1st, 1986, Book: Fair, Dust Jacket: Good, 256 pages. Hardcover with dust jacket. Clean, tight copy. Color pictures throughout. landscapes. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 splendid woodblock landscape and genre scenes of mid-nineteenth century Tokyo, is one of the greatest achievements of Japanese art. The series contains many of Hiroshige's best-loved and most extraordinary prints. Like Venice and Florence in the 14th and 15th centuries, or Paris in the age of the Impressionists, the city of Edo, with its superb landmarks and its festive display of elegant urban life, exerts a special and compelling fascination. Hiroshige revealed the panorama of his city's activities with subtle and vivid visual anecdotes: fireworks seen from the river, fashionable geishas on parade, the kabuki district at night, intimate moments in the gardens and teahouses. It is a tour de force of artistic vision and printmaking craftsmanship. This edition has been reproduced from an exceptionally fine, first-edition set in the Brooklyn Museum of Art to insure maximum fidelity to the original prints. Henry Smith ex-plains the world of Edo in its twilight before the Meiji Restoration and the beginnings of a modern urban society. Each plate is accompanied by a commentary that discusses its artistic and cultural interest in detail. For anyone interested in Japan, the One Hundred Famous Views of Edo is perhaps the finest guide and one of the greatest legacies imaginable.

Hardcover. NY, Kodansha International, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 128 pages. Examines two Japanese artists' series of paintings which portray the aftermath of the bombing of Hiroshima. Illustrated in color and b&w. INSCRIBED BY JUNKERMAN, one of the editors, on the title-page. Clean copy.

Hardcover. New York, Applause, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 343 pages. Illustrated with black & white drawings (one section in full color). Clean, tight copy.

Hardcover. New York, Knopf, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Brings together for the first time the artist's extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs--his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist's extraordinary output.

Hardcover. New York, Knopf, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Brings together for the first time the artist's extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs--his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist's extraordinary output.

Hardcover. NY, Applause Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 343 pages, hardcover with dut jacket. Drawings and photographs throughout. Minor dust jacket edge wear, otherwise, very clean and tight copy. Over 400 Hirschfeld drawings and photographs - many never before collected. Includes essays by Whoopi Goldberg, Arthur Miller, Mel Gussow, Kurt Vonnegut, Grace Mirabella, Louise Kerz Hirschfeld and more! Commentary by Hirschfeld throughout.

Softcover. NY, Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, illusrated wrappers, 96 pages. Al Hirschfeld's line drawings are synonymous with the American theater, but his dynamic work for Hollywood films is only now gaining the attention it deserves. This fun, affordable paperback-which accompanies an exhibition at the Academy of Motion Picture Arts and Sciences-showcases his marvelous artwork for movie posters, billboards, murals, and theater displays with images of film stars from Laurel and Hardy to the Marx Brothers, Fred Astaire, and Julia Roberts; and for classic movies such as The Wizard of Oz, Singin' in the Rain, and The Manchurian Candidate. The entire world of cinema, as only Hirschfeld could portray it, unfolds in this radiant companion volume to Hirschfeld's New York. 115 illustrations, 45 in full color.

Hardcover. NY, Skyhorse, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 442 pages, color illustrations. The first portrait of the renowned artist's life-as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and-his favorite-celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends-Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan-flocked in and out.

Hardcover. NY, Skyhorse, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 442 pages, color illustrations. The first portrait of the renowned artist's life-as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and-his favorite-celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends-Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan-flocked in and out.

Hardcover. New York, E. P. Dutton, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages, b&w illustrations. White cloth spine, red boards. Pictorial dust jacket. For-edge rough cut. Light wear to edges and covers, slight bump to lower edge of spine, else a very nice, tight, clean copy.

Hardcover. New York, E. P. Dutton, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages, b&w illustrations. White cloth spine, red boards. Pictorial dust jacket. For-edge rough cut. Light wear to edges and covers, slight bump to lower edge of spine, else a very nice, tight, clean copy.

Softcover. Colorado Springs, Colorado, Colorado Springs Fine Arts Center, 1st, 1977, Book: Good, Dust Jacket: None, Softcover. Exhibition catalogue featuring the Hispanic art of the American Southwest. 118 pages, 21 black/white plates, 105 other black/white illustrations of pieces, and 36 black/white photographs of featured artists. Good condition, some soiling/light discoloration on the cover, top right corner bent.

Hardcover. Paris, Paul Hartmann, 2nd, 1930, Book: Good, Dust Jacket: None, Color and black & white illustrations by Madeleline Charlety. Color illustrated endpapers. Corners bumped. Gold decoration on green cloth covers. Spine faded. Some soiling to covers.

Hardcover. Spain, Editorial Labor, 1st , 1955, Book: Very Good, Dust Jacket: None, Spanish editions. 1,080 pages. Black & white photos, drawings. Both with 3/4 leather, spine with gilt lettering. Vol I with stain to endpapers. Vol. II page 1029 with bottom corner crease. Both with browning to black leather spines, bottom edgewear.

Hardcover. New York, Robert Carter & Brothers, Reprint, 1867, Book: Good, Dust Jacket: None, 184 pages. Previous owners name on front endpaper. Foxing to pages. Cloth covers rubbed along edges and corners. Chipping to cloth at top and bottom of spine.

Hardcover. Nashville TN, Turner Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 205 pages. Author Dermot Cole takes the reader on a journey through Alaska's pristine natural beauty and documents moments from the 1898 gold rush to the only World War II invasion on North American soil, to the long-awaited statehood and the incredible destruction wrought by the massive 1964 earthquake. Clean copy.

Hardcover. New York, Rizzoli, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout.

Softcover. Evanston, IL, Northwestern University Press, reprint, 2001, Book: Very Good, Dust Jacket: None, 355 pages. Softcover with light edgewear to paper wrappers. In this groundbreaking volume, Krzysztof Ziarek rethinks modern experience by bringing together philosophical critiques of modernity and avant-garde poetry. Ziarek explores, through selective readings of avant-garde poetry, the key aspects of the radical critique of experience: technology, everydayness, event, and sexual difference. To that extent, The Historicity of Experience is less a book about the avant-garde than a critique of experience through the avant-garde. Ziarek reads the avant-garde in dialogue with the work of some of the major critics of modernity (Martin Heidegger, Walter Benjamin, Jean-Francois Lyotard, and Luce Irigaray) to show how avant-garde experiments bear critically on the issue of modern experience and its technological organization. The four poets Ziarek considers--Gertrude Stein, Velimir Khlebnikov, Miron Biaoszewski, and Susan Howe--demonstrate the broad reach of and variety of forms taken by the avant-garde revision of experience and aesthetics.

Softcover. New Haven CT, Yale University Press, 3rd pr., 1995, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers. 558 pages, 240 b/w + 20 color plates. In this engrossing book, an eminent art historian surveys the ways that historians have made use of visual sources--sculptures, paintings, coins, and other relics--in their attempts to understand and visualize the past. Francis Haskell examines the specific objects that were used and discusses a wide range of historians - from the sixteenth and seventeenth centuries to later writers such as Michelet, Burckhardt, and Huizinga who made inferences from the visual arts to indicate the whole mentality of an age. Clean copy.

Hardcover. Ithaca NY, Cornell University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages. Robert Kraynak offers a radical reinterpretation of the political thought of Thomas Hobbes and a new assessment of Hobbes's contribution to the origins and problems of modernity. The author argues that it is necessary to examine a neglected facet of Hobbes's though his writings on history, especially Behemoth, his lengthy study of the English Civil War. Through a close reading of these works, Kraynak shows how Hobbes came to consider the possibility of a new kind of political science, one that is supremely confident of the power of critical reason to overcome the authorities of the past to build a new form of civilization yet uncertain about reason's foundations. In the first part of the book, Kraynak analyzes Hobbes's historical works and shows that they contain a coherent theory of the history of civilization whose central theme is the development of the human mind. Name on front fly leaf, otherwise clean.

Softcover. Chadds Forf PA, Brandywine River Museum , 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 136 pages. Exhibition catalogue for a show that ran in spring 1998. Book has two essays in addition to the artwork: Howard Pyle: A Life in Illustration, and How and Why We Collected, both by Howard Broka. Profusely illustrated in color and b&w.

Hardcover. Wellington NZ, The Polynesian Society, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly edgeworn dust jacket, 203 pages. With maps, tables and folding chart, a further study of Tikopia, looking at the traditional tales of island creation, miraculous feats and of struggles for land and power, and how much the traditions are still part of island culture.

Hardcover. New York , D. Appleton and Company, 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover, 519 pages. Blue cloth with gilded lettering. Top edge gilt. Minor bump on edges and spine. Previous owner inscription on front fly leaf. Many b&w illustrations by various artists. Nice, clean interior.

Hardcover. London/NY, John Lane/ Harper & Brothers, 1st UK, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with embossed rules, gilt decoration and lettering. The letter code D-D appears on copyright page, probable first English edition. B&w halftones throughout, 306 pages plus additional pages with index, synoptic tables. Small signature on front fly leaf otherwise clean. Well preserved copy.

Hardcover. Geneva, Edito-Service, 1st English Ed., 1968, Book: Very Good, Dust Jacket: None, Hardcover, pebbled red cloth with gilt decoration and color label on front cover. Good general overview of painting in Western Europe during the later Medieval period. Illustrated in color and b&w. Clean copy.