Hardcover. Cambridge MA, The MIT Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 326 pages, illustrated in color, b&w. How Constructivist artists in Russia between 1923 and 1925 developed a counterproposal to capitalism's commodity fetish by producing objects meant to be "comrades" in the creation of an egalitarian socialist culture. Very good in a bright dust jacket.

Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with silver lettering, 384 pages, b&w illustrations. Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village. Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape. Clean copy. No dust jacket.

Hardcover. Seattle, University of Washington Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition. Introduction by Margery Mann. Small quarto. Illustrated with 94 photographs. Clean copy.

Hardcover. Berkeley CA, University of California Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Softcover, 224 pages. Given the intense competition among aristocrats seeking public office in the middle and late Roman Republic, one would expect that their persistent struggles for honor, glory, and power could have seriously undermined the state or damaged the cohesiveness of the ruling class. Rome in fact depended on aristocratic competition, since no professional bureaucracy directed public affairs and no salary was attached to any public office. But as Rosenstein adeptly shows, competition appears to have been surprisingly limited, in ways that curtailed the possible destructive effects of all-out contests between individuals. Imperatores Victi examines one particularly striking case of such checks on competition. Military success at all times represented an abundant source of prestige and political strength at Rome. Generals who led armies to victory enjoyed a better-than-average chance of securing higher office upon their return from the field. Yet this study demonstrates that defeated generals were not barred from public office and in fact went on to win the Republic's most highly coveted and hotly contested offices in numbers virtually identical with those of their undefeated peers.

Hardcover. Lewes, DE, GILES, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. A very clean, unmarked copy. Like new still in publishers shrinkwrap. In addition to color plates of all works in the exhibition--nearly one hundred paintings, works on paper, and sculptures--this volume features essays by exhibition curators Douglas Dreishpoon and Tyler Cann, as well as poet and critic Raphael Rubinstein, and an illustrated chronology by academic and granddaughter of the artist Cary Cordova. From his early Abstract Expressionist-inspired paintings to his organic, anthropomorphic figure-ground compositions and later diagrammatical, hard-edged works, Imperfections by Chance charts the full range of Feeley's influential life and career.

Hardcover. Berkeley CA, Ten Speed Press, Revised Ed., 2000, Book: Very Good, Dust Jacket: Very Good, Revised Edition of a book first published in 1990 in London. 204 pages illustrated with detailed color and b&w photographs. Court fashion of the Qing Dynasty (1644-1911).

Softcover. Hong Kong, Christie's, 2005, Book: Very Good, Dust Jacket: None, Softcover, 260 pages, hundreds of lots illustrated in color.

Hardcover. Hong Kong, Christie's Inc., 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.

Softcover. London, Christie's, 1st, 2003, Book: Very Good, Dust Jacket: None, Paperback. 4to. Original card covers. Essays by Lindsey Stewart, list of exhibitions, technical essay by Roger Watson of the Fox Talbot Museum, chronology, 86 item sale catalogue, fully illustrated in color.

Softcover. NY, Sotheby's, 1989, Book: Very Good, Dust Jacket: None, Softcover, This 499 item catalogue is unpaginated,approximately 500 pages. Color photographs throughout. List of prices realized tucked in. Clean, bright copy.

Hardcover. Washingtonb, DC, Philip Wilson, 1st , 1998, Book: Very Good, Dust Jacket: Very Good, A hardcover exhibition catalog. 75 color, 70 black & white illustrations, 240 pages. Clean, bright copy in a similar dust jacket.

Hardcover. Hanover NH, University Press of New England, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 362 pages. This is the first full-scale biography of Nathan Smith -- medical pioneer, founder of Dartmouth Medical School and cofounder of three other medical schools (Yale, Vermont, and Bowdoin), and progenitor of a long line of physicians. Smith was a central figure in early American medical education, from 1787 when he began practicing in New Hampshire, to his death in New Haven in 1829. In his day, Smith was probably the nation's leading physician, surgeon, and medical educator, and well ahead of his time in insisting that doctors practice "watchful waiting" and emphasizing patient-centered care. In the process of telling Smith's life and story, authors Hayward and Putnam fill out in new ways the picture of medical treatment and medical education in post-Colonial America.

Hardcover. New York, Other Press LLC, 1st Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 372 pages. Hardcover. Nearly 500 full color and black & white photographs throughout. Dust jacket with light fading & small tear to spine edge. Clean, unmarked and bright copy.

Hardcover. Lewes, DE, GILES, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 232 pages. Hardcover with dust jacket. A very clean, unmarked copy still in publishers shrinkwrap. Over 140 color illustrations. Provides analysis of this single panel painting of St. Francis, rendered by Italian Renaissance painter Giovanni Bellini

Hardcover. NY, Viking Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong format, in a bright, price-clipped dust jacket. A photographic collection by renowned photographer Ernst Haas, showcasing a vibrant and colorful portrait of the United States through his lens, capturing diverse landscapes, people, and cultural moments across the country, often utilizing saturated colors and creative composition to depict the essence of "living Americana" with a unique artistic perspective; considered a landmark work in color photography, particularly for its innovative use of Kodachrome film to portray the American experience in rich detail.

Hardcover. Carolina Nitsch Editions , 1st, 2003, Book: Very Good, Dust Jacket: None, Gray cloth hardcover with a tipped on photo to the cover , 95 pages with about 60 photo illustrations. A scarce book by the artist from her days in Buffalo , New York.

Hudson, New York, Bell Pond Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, unpaginated, color illustrations by Locker, very clean, tight copy, like new.This illuminated story is set in America's first wilderness, the Kaaterskill Clove in Upstate New York, made famous by the Hudson River School of painters-many of whose pictures are reflected in this book. Thomas Locker's In Blue Mountains is a personal, deeply moving testament to the power of beauty and art to nurture our children's natural love of the world. Indeed, it can inspire childlike wonder in people of all ages.

Softcover. Greensboro NC, University of North Carolina Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 108 pages, illustrated in color and b&w. Softcover exhibition catalog featuring the poet's collaboration with various artists like John Altoon, Donald Sultan, others. Includes a CD-ROM.

Hardcover. Athens GA, University of Georgia Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 397 pages. This documentary history chronicles what in duration and volatile intensity was the most important love relationship in H.L. Mencken's life, one that he tried to obscure and hoped would remain buried within the copious record of his achievements as author and editor. The love between Marion Bloom and Mencken flourished during a period when he wrote frequently about women's issues. In Defense of Marion both illuminates Mencken's ambivalent attitudes toward the "New Woman" and presents a particularized social history of the intellectual and personal aspirations of many women during the early twentieth century. Bloom and Mencken met in 1914 and became lovers within a few months. Their intimacy continued, on and off, until about a year before Mencken's marriage to Sara Haardt in 1930. Edward A. Martin, who supplies a wealth of interpretive notes and commentary, tells of the Mencken-Bloom affair not only through selections from their letters and diaries but also through excerpts from the personal writings of others who were close to the two and who often complicated their relationship. Such relevant figures include Sara Haardt; Estelle Bloom, Marion's sister; Theodore Dreiser, Estelle's lover and employer as an editorial assistant; and the movie star Aileen Pringle, with whom Mencken was infatuated. Clean copy.

New York, Philomel, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Unpaginated. Color illustrations by author. As she has so many times before, Polacco has drawn on her inspiration for an appealing picture book from a family story; this time, it's what might have happened at her bearded husband Enzo's Italian garden restaurant. The rhyming text begins: "This is the bee that stopped on a tree in Enzo's splendid gardens." A riotous chain of events is set into motion, including broken dishes, smashed deserts, and a cat tangled in spaghetti--all in Enzo's fancy outdoor eatery. The verse can be a bit forced, but it is always energetic. As usual, Polacco's distinctive artwork is wonderful. Her realistic portraits of a lively cast of characters are richly colored, expressively individualized, and humorously captured.

Hardcover. Cambridge MA, Candlewick Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Here, gathered together by Reeve Lindbergh, are 77 treasured poems and prayers from many cultures and faiths. With fresh, bright, and joyous illustrations by acclaimed artists from four different countries. Clean copy.

Softcover. Princeton WI, Kitchen Sink Press, 2nd pr., 1989, Book: Very Good, Dust Jacket: None, Softcover, 142 pages illustrated in b&w by Caniff. Clean, very good.

Softcover. Caldwell, NJ, Heritage Committee of The First Presbyterian Church at Caldwell, 1st Edition, 2003, Book: Near Fine, Dust Jacket: None, 69 pages. Soft cover. Vivid color illustrations throughout. Wrapper in beautiful condition. pages have just a touch of tanning around edges, otherwise clean and bright. Binding tight. In excellent shape. "Part of Daugherty's legacy to us is the sixty works in this book entitled 'In His Image'. These paintings were done in the period 1940 to 1960. They are executed in a powerful, emotional mood."

Hardcover. NY, The Museum of Modern Art, reprint, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unpaginated. Reprint Edition of a work originally published by MOMA in 1967. Limited to 2500 numbered copies though this copy is unnumbered on the limitation/colophon page. Bound in half tan cloth over gray paper-covered boards with titles stamped in red on spine. Illustrated by 30 artists, who had known the poet, to accompany the poems. Square, tight and clean throughout with little or no wear.

Hardcover. NY, Penguin Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket., 310 pages, color and b&w illustrations. In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dali's Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafes of that vibrant neighborhood. Sue Roe is both an incisive art critic of these pieces and a beguiling biographer with a fingertip feel for this compelling world. Beginning with Duchamp, Roe then takes us through the rise of the Dada movement, the birth of Surrealist photography with Man Ray, the creation of key works by Ernst, Cocteau, and others, through the arrival of Dali. On canvas and in their readymades and other works these artists juxtaposed objects never before seen together to make the viewer marvel at the ordinary--and at the workings of the subconscious. We see both how this art came to be and how the artists of Montparnasse lived. Roe puts us with Gertrude Stein in her box seat at the opening of The Rite of Spring; with Duchamp as he installs his famous urinal; at a Cocteau theatrical with Picasso and Coco Chanel; with Breton at a session with Freud; and with Man Ray as he romances Kiki de Montparnasse.

Hardcover. New York, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Tight copy with minor wear to edges. Illustrated heavily by author. Previous owner's marking on half title page. The illustrator of "Gnomes" imaginatively captures his own heritage in a stunning visual recreation of his family, ranging from an eight-year-old cowherd in the 1600s up through the present day.

Softcover. NY, Simon and Schuster, 4th pr., 1951, Book: Very Good, Dust Jacket: None, Softcover, 173 pages, b&w drawings by Price. Droll humor from the man who later gave us Droodles and Mad-Libs. Clean, bright copy with mild shelf wear.

Softcover. Des Moines IA, Des Moines Register & Tribune, 1st, 1916, Dust Jacket: Very Good, Softcover, folio, 120 pages, great collection of b&w political cartoons leading up to World War l. Gray paper wraps with drawing of giant eagle confronting small dove with olive branch in mouth. Spine with paper loss to bottom 1 1/2 inch. Internally, bright and clean.

Hardcover. New York, Borzoi/Alfred A. Knopf, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 221 pages. Remainder-mark to bottom edge. Very nice in brodart cover.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a wraparound title band. This handsome volume explores the modern discipline of fashion collecting, presenting remarkable works from one of the greatest private collection of 20th-century costume. This group of clothing and accessories, assembled over several decades by Sandy Schreier, includes many rare and historically significant pieces that define key moments in fashion. Her collection features not only iconic garments by established designers but also looks by pioneering couturiers rarely represented in museum collections. Outstanding works, by designers that include Gilbert Adrian, Cristobal Balenciaga, Boue Soeurs, Gabrielle Chanel, Christian Dior, Mariano Fortuny, Karl Lagerfeld, Paul Poiret, and Valentina, are illustrated with new photography by fashion photographer Nicholas Cope. An informative introduction traces the progress of her collecting from its roots in Detroit to the present day. The book also includes descriptions of over 80 works, including garments, accessories, and rare designer drawings, in addition to a lively interview with Schreier by Andrew Bolton that reveals her collecting philosophy.

Softcover. Washington, DC, National Portrait Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover. Exhibiton catalog.176 pages. Over 175 B&W illustrations throughout. Black pictorial cover with very slight wear. Price tag on bottom right corner of back cover. Overall, a clean, tight copy.

Softcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Softcover, 130 plates, color and duotone. Like new in publisher's shrink-wrap. This beautifully produced volume features original, unpublished images by Annie Leibovitz, Richard Misrach, Sally Mann, William Wegman, Lee Friedlander, Mary Ellen Mark, Lynn Davis, Hope Sandrow, William Christenberry, Fazal Sheikh, Karen Halverson, and Terry Evans.

Hardcover. Ithaca, NY, Cornell University Press/Phaidon, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover. Dust jacket unclipped. Gilt title on spine. B/w illustrations throughout. Some agewear to dust jacket, but no rips and still shiny. Previous owner inscription on title page. A touch of foxing to back pages, but doesn't affect text. In very good condition.

Hardcover. NY, Walker Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Thomas Pakenham, no stranger to Africa with his award-winning books The Boer War and The Scramble for Africa, nor to remarkable trees with his bestselling Remarkable Trees of the World, combines his two interests on safari in Southern Africa. His particular quarry is the rare, the giant, the very old, the extraordinary, or the simply beautiful-from a giant baobab and a prickly quiver tree in Namibia to a glorious jacaranda in South Africa and sesame bushes attacked by elephants in Botswana. He uncovers trees written about by the great explorers of the past, or associated with magic, folklore, or ritual. The narrative accompanying each image interweaves the stories of Pakenham's own journey-at some moments scaling trees to escape from enraged wildlife, while at others standing in awe before a particular tree, connected by some primitive, atavistic bond-with those of the trees themselves, imbuing each with personality and presence. The result is a beautifully crafted blend of botany and social history, the product of a brilliant photographer, an original mind, and a superlative writer. 208 pages in color. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Harry N Abrams Inc, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, SIGNED BY RICHARD AVEDON on front flyleaf. 172 pages. Hardcover with dust jacket. Clean, unmarked copy with some minor shelf wear to dust jacket. A master of American fashion and art photography turns his artistry to capturing, in a series of photograph portraits, the cowboys, roustabouts, drifters, gamblers, bar girls, and others who characterize the modern Western experience.

Hardcover. NY, Princeton Architectural Press, reprint, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. First published in Italy in 1956, Bruno Munari's In the Darkness of the Night tells the tale of an interconnected, intimate yet expansive journey across three settings--in the darkness, through a meadow, and into a mysterious cave--through a spellbinding combination of paper stocks, transparencies, cutouts, and simple but lively characters. This timeless artist's book, available in a new English edition, is a must-have for Munari fans, designers, bibliophiles, and lovers of exceptional book design.

Hardcover. College Station TX, Texas A&M University, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth, 145 pages. The subjects of Craig Clifford's ruminations range from Willie Nelson to Walter Prescott Webb, from German philosophers to an Irish immigrant out to save the American West, and in them Clifford voices the concerns of a new generation of Texans and other earthlings. Clean copy, no dust jacket.

Softcover. Bangor ME, Bangor and Aroostook Railroad , 1st, 1941, Book: Very Good, Dust Jacket: None, Softcover. Published by the Bangor and Aroostook Railroad, this wonderfully evocative magazine brings the unspoiled Maine woods of pre-World War II back to life. The magazine has articles on a variety of topics, including camping, canoeing, Indian relics, Maine guides, Moosehead Lake and climbing Mt. Katahdin. Illustrated throughout with black and white photos designed to make you drop everything and head North. With canoeing map, list of big game records for 1940, Sportsman's Directory of camps, hotels and fishing waters reached by the railroad and 39 pages of vintage advertisements. 128 pages. Light edgewear, small name on first page, otherwise clean.

Hardcover. Boston, David R Godine, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 99 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Black and white images throughout. These letters were written between 1950 and 1964 as Lebrun moved between the United States, Mexico and Italy and provide a glimpse into the artist's thoughts during that period.

Hardcover. Boston, David R Godine, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 99 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Black and white images throughout. These letters were written between 1950 and 1964 as Lebrun moved between the United States, Mexico and Italy and provide a glimpse into the artist's thoughts during that period.

Hardcover. US, Minnesota Historical Society Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 116 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New Haven, CT, Yale University Press : Yale University Art Gallery, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 379 pages. Like new in publishers shrink wrap. Lee Friedlander (b. 1934) has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal and creative lives unfold and intertwine. Produced to the highest production standards and featuring over 400 duotone images--from his first self-portraits, taken with cable release in hand, to recent images of the photographer with his family and extended network of friends--In the Picture explores Friedlander's various guises throughout a rich and colorful life.

Hardcover. San Francisco, Chronicle Books, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, 160 pages, 120 b&w film stills taken on movie sets in the 1940s and 50s. In publisher's shrinkwrap. During the golden age of Hollywood studios, set photographers documented film shoots to record key particulars: set arrangements, prop placements, blocking, costumes, and hairstyles. A unique photography book unto itself from the commanding archives of Turner Classic Movies, In the Picture collects 150 of these disarming and fascinating documentary images, imparting the delight of vintage Hollywood as well as a wealth of details for all movie lovers. Stills from beloved classics -- Ben-Hur, Casablanca, Gone with the Wind, and The Wizard of Oz on up to Giant, The Dirty Dozen, and Bullitt -- reveal masterful set compositions and period details as well as images of actors between takes conferring with directors and crew. Capturing beloved movie moments both on- and off-camera from the silent era through the '60s, In the Picture provides a rare behind-the-scenes look at Hollywood at work.

Hardcover. NY, Pantheon, 1st, 2004, Book: Very Good, Dust Jacket: None, Tall vertically oblong folio (14 1/2" ) board book. Speigelman addresses his personal experiences in New York during the attack on the twin towers as he, his wife and daughter walked in New York. He decided on this large format, almost elephant folio sized, board book in his unique graphic illustrated style. A unique attempt at coming to grips with the tragic and frightening events of nine eleven. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In contemporary France, Charles de Gaulle has become a figure of legend, consistently acclaimed as the nation's pre-eminent "historical" figure. But paradoxes abound. For one, his personal popularity sits oddly with his social origins and professional background. Neither the nobility, nor the Catholic Church, nor the Army is particularly well-regarded in France today, as they are seen to represent antiquated traditions and values. So why, then, do the French nonetheless identify with, celebrate, and even revere this austere and devout nobleman, who remained closely wedded to military values throughout his life? In the Shadow of the General resolves this mystery and explains how de Gaulle has come to occupy such a privileged position in the French imagination. Sudhir Hazareesingh's story of how an individual life was transformed into national myth also tells a great deal about the French collective self in the twenty-first century: its fractured memory, its aspirations to greatness, and its manifold anxieties. Indeed, alongside the tale of de Gaulle's legacy, the author unfolds a much broader narrative: the story of modern France. Clean copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Illustrated with full-color reproductions of the artists' works, including some that have been published and others not originally intended for publication, such as sketchbooks and personal projects. Additional illustrations show behind-the-scenes working processes of the cartoonists and particular works by others that have influenced or inspired them. Through the eyes of these artists, we see with a new clarity the achievement of contemporary cartoonists and the extraordinary possibilities of comic art.

Hardcover. New Haven, CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Illustrated with full-color reproductions of the artists' works, including some that have been published and others not originally intended for publication, such as sketchbooks and personal projects. Additional illustrations show behind-the-scenes working processes of the cartoonists and particular works by others that have influenced or inspired them. Through the eyes of these artists, we see with a new clarity the achievement of contemporary cartoonists and the extraordinary possibilities of comic art.

Hardcover. New York, Boni and Liveright, 1st, 1919, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover with no dust jacket. Maroon cloth, white lettering. Spine faded. Illustrated in b&w by Gluyas Williams

Hardcover. NY, St. Martin's Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Those who dread the dentist's chair will crack a smile at this uproarious fourth and final volume in Babson's Perkins & Tate series. Here the public relations team is called in to cap the bad press that is sure to follow when a dentist who attends to celebrity smiles finds a top model dead in his chair. Perkins & Tate slog on valiantly in aid of a dental practice that has gone bonkers. A hilarious cast of characters on the premises includes an inventor of a new anesthetic, a mad former Army dentist who believes that both World Wars are yet to be won and who, accordingly, gives orders to all and sundry, a sadistic driller who aims for the neck, and a waiting-room full of celebrities brought together by faculty grins and personal designs on the dentist. Clean copy.

Hardcover. McLelland and Stewart, 1st, 1960, Book: Very Good, Dust Jacket: Fair, Hardcover in an edgeworn, chipped dust jacket. Blue cloth with black lettering, 208 pages, b&w photo illustrations. Girl's adventure story set among the Eskimos of Arctic Canada. Features Ginnie, who drives her team of huskies as well as any man. Clean copy.