Hardcover. NY, Platt & Munk, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black. Color and two-color illustrations by Marjorie Hartwell. 56 pages. Clean, bright copy.

Hardcover. New York, Platt & Munk Co, 1st, 1949, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Black stamped lettering and illustration of monkey and elephant on front cover. Clean, tight copy with small chip from spine and light fraying on edges.

Hardcover. NY, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Color paintings by Base. One little boy living on a farm in rural Texas gets a big surprise when he discovers tiny flying elephants under his bed. But his mom doesn't like critters in the house, so he tries to keep them a secret. Until one day they escape from his bedroom and cause havoc in the house. But when locusts invade the farm and start to destroy crops, the elephants come to the rescue!

Hardcover. New York , Treasure Books/ Grosset & Dunlap, 1st, 1950, Book: Good, Dust Jacket: None, Hardcover, illustrated boards, 28 pages. Color drawings throughout by Art Seiden. Light cover wear.

Hardcover. New York, Cassell & Co., unknown, 1888, Book: Very Good, Dust Jacket: None, 28 pages illustrated with b&w illustrations by Various artists, frontispiece by Charlotte Weeks. Cardboard covers with color illustration on front, publishers ad on rear. Light edgewear to boards, previous owner's signature on front fly leaf.

Hardcover. NY, Schwartz & Wade, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, illustrated in color by Graegin and SIGNED by her.

Hardcover. New York, Harper & Brothers, Reprint, Circa 1960, Book: Good, Dust Jacket: Good, Hardcover. Non-paginated. SIGNED BY ILLUSTRATOR GARTH WILLIAMS ON TITLE PAGE. Illustrations in full color. Previous owners name and date (1960) at top right corner of front endpaper. Gray cloth covers. Dust jacket with missing small chunks of paper, closed tears along edges.

Hardcover. New York, Harper and Brothers, 1st Ed., 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Garth Williams. In a bright dust jacket with light wear, mild soiling. Previous owner's name on front fly leaf in pencil.

Hardcover. New York, Holt Rinehart Winston , 3rd pr., 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages. In a bright, unclipped dust jacket. In a small European hotel in the late 1940s a bizarre group of characters, who all seem to be on the run from some past financial, personal or political horror, come together.

Hardcover. NY, Grosset & Dunlap, 1st, 1934, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, unclipped dust jacket with minor soil, tape repair. Frontispiece illustrated by Lee Haynes. Many illustrations in b/w, a few indicate B. Stevenson as artist, the rest are not specifically identified. Illustrated end papers. The story of the life of an Indian boy- his adventures are closely interwoven with the habits, customs and beliefs of his people.

Hardcover. NY, Grosset & Dunlap, 1st, 1925, Book: Very Good, Dust Jacket: Poor, Hardcover in red cloth with black titling and upper cover illustration, 128 pages, endpapers art and four 2-color plates by H. S. Barbour. Clean copy.

Hardcover. Little Rock AR, August House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Little Johnny must outwit a witch who's always trying to steal his milk when he takes it to market. Illustrated with charming color art by Jennifer Mazzucco. Based on an old English folktale. Clean copy.

Hardcover. NY, Stewart, Tabori & Chang, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Claverie. Really nice, new-looking condition. Light soil on rear.

Hardcover. NY/Philadelphia, David McKay, 1st, 1941, Book: Very Good, Dust Jacket: Good, Hardcover, black & white, 2-color cartoons from the Saturday Evening Post. Bright cardboard covers, clean, sharp. Dust jacket with edgewear, soil. Presumed first edition, price of 50 cents on front flap and *Little Lulu and Her Pals* only Lulu book listed on rear flap.

Softcover. Milwaukee, OR, Dark Horse Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. Illustrators by John Stanley and Irving Tripp. Based on the character created by Marge Buell. Light edgewear to wrappers.

Hardcover. Montreal, Drawn & Quarterly, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 244 pages of color comics plus 30 pages of additional material. Essay on Stanley by Frank Young. Lulu is a strong, assertive young girl who is both entertaining and empowering to girls and women of all ages-even if she sometimes finds herself in hot water. In Little Lulu: The Fuzzythingus Poopi, she outsmarts criminals, sabotages the boys in a masterful snowball fight, and solves the crime of the missing piggy bank! Over the course of these stories, Stanley excels at visual gags, from Lulu winning the soap box derby by turning her frock into a sail, to a lonely cloud almost getting sucked up by a vacuum. This is the second installment in Drawn & Quarterly's landmark reprint series of the classic John Stanley comic strip that was first published by Dell Comics in the 1940s and '50s.

Hardcover. Evergreen/Taschen, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 432 pages. A reproduction of some of the "Little Nemo" comic strip from the early 20th century. This volume reflects the distinctive art-nouveau style of the original drawings and follows Little Nemo as he journeys nightly into the world of dreams. The strip was introduced to America over a century ago, and these pages still have the power to astonish and touch anyone that reads them. The utter timelessness of this strip, both in artwork and vision, is the kind of testament to genius that very few graphic artists ever receive. Winsor McCay was such a genius and his major work, Little Nemo in Slumberland, is a vastly rich exploration of human dreams.

Hardcover. Franklin Square, NY, Nostalgia Press, 2nd pr., 1974, Book: Very Good, Dust Jacket: None, 263 pages. B&W and color comic strips throughout. Black pictorial boards with orange cloth spine. Sticker residue to bottom corner of back cover. Overall, a clean, tight copy. A gorgeous collection of Little Nemo cartoons from 1905 - 1910, including many in color. With an introduction by Woody Gelman.

Hardcover. New York, Holt, Rinehart and Winston, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 464 pages, b&w photographs. Light foxing to top edge. Else a clean, tight copy.

Hardcover. Racine WI, Whitman Publishing, 1944, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, chipped dust jacket. Based on the Harold Gray comic strip. Illustrated with comic book style art. When Annie and Sandy stopped in the little town of Butternut, a train robbery and an abandoned mine threaten to entangle the two of them in a mysterious maze of circumstances. Front hinge partially cracked, paper tanning. No markings.

Softcover. Seattle, Fantagraphics Books, 1st thus, 1991, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. B&w comic strips from 1933.

Hardcover. NY, Cupples and Leon, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, pictorial paper covered boards, 100 pages of b&w strips.

Hardcover. Boston, D.C. Heath and Company, 1st, 1939, Book: Very Good, Dust Jacket: None, Previous owner's signature front end paper, pencil writing of name all over front paste-down. Color illustrations by "The Walt Disney Studio." Cover shows some wear. Hardbound, no dust jacket.

Hardcover. US, minedition, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Clean, unmarked copy with only minor wear to glassine dust jacket. SIGNED BY ARTIST.

Hardcover. NY, St. Martin's, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Very good in a bright, unclipped dust jacket.

Softcover. Freelands, W.T.H. Howe, 1st, 1924, Book: Very Good, Dust Jacket: None, Softcover, 16 pages. Limited edition of 200 copies. Light wear. Features an original Etching, signed by artist Power O'Malley. Includes original promotional pamphlet, and mailing envelope.

Hardcover. New York, G. P. Putnam's Sons, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, SIGNED BY GRAMATKY ON HALF-TITLE PAGE. Brown cloth covers, color illustrated dust jacket, decorated endpapers, numerous color illustrations by Gramatky throughout. Light edgewear to dust jacket, pages crisp and unmarked, paste-down front endpaper partially detached from cover at hinge, though binding still intact; overall a very clean, tight copy.

Hardcover. NY, Abbeville Press , 1st thus, 2022, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with intricate gilt design and color paste-down illustration on front cover. This is the first modern edition of Little Women to feature the complete illustrations of Clara Miller Burd, originally executed in 1926. Burd's brilliant color plates and detailed drawings bring the world of the March family to life. An introduction by Alice A. Carter, an expert on Golden Age illustration, explores Burd's life and the work of early twentieth-century women illustrators.

Hardcover. New York, Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover. Like new in publisher's shrink-wrap. Liu Bolin first became invisible in 2006. When the artist village in Beijing where he worked as a sculp-tor's assistant was demolished, he decided to protest. He camouflaged himself in the ruins with acrylic paints and photographed the finished product, marking the first of his Hiding in the City series. Since then, he has "disap-peared" in many different places around the world--from politically fraught areas in China to grocery stores, toy stores, and more. His work protests specific political acts of the Chinese government and offers commentary on consumer culture. This comprehensive book showcases Bolin's most striking photographs and sculptures and explores the techniques he uses to create his unforgettable art. Bolin has also helped other people disappear, including the members of Bon Jovi for the band's recent album cover, as well as the fashion designers Jean Paul Gaultier, Missoni, Valentino, and more, and a selection of these photographs is featured throughout the book.

Hardcover. New York , Abrams, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 135 pages, illustrated throughout in color. Light shelf-wear to dust jacket. Faint foxing to edges, otherwise a clean, tight copy. 100 color plates with 39 black & white illustrations.

Hardcover. New York , W. W. Norton & Company, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. 352 pages, b&w illustrations. A photographic account of Jewish life in America draws on the archives of the premiere national Jewish newspaper, Forward, in a visual tribute that pairs essays by leading intellectuals, including Leon Weiseltier and Deborah E. Lipstadt, with images of such subjects as a shtetl beauty contest, Lower East Side pushcart markets, and labor rallies.

Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Black and white pictures throughout. When Jack Davis took up his pen for EC Comics, he made his innocent victims more eye-poppingly terrified, his ax-murderers more gleefully gruesome, and his vampires and werewolves more bloodthirsty and feral than any other artist. These horror and suspense tales - from the pages of Vault of Horror, Haunt of Fear, Crime SuspenStories, and Shock SuspenStories - offer everything a horror fan could ask for: re-animated bodies and body parts, a ghoul who stores bodies like a squirrel stores nuts, a vampire who moonlights at (where else?) a blood bank, greedy business partners, corrupt politicians, jealous lovers, revenge from beyond the grave, and a healthy complement of vampires, werewolves, and assorted grotesqueries. All leavened with the cackling, pun-laced humor of scripter Al Feldstein and illuminated as only the virtuoso brushwork of Jack Davis can present them.

Hardcover. New York, Kodansha, 2nd, 1978, Book: Very Good, Dust Jacket: Good, 300 pages. SIGNED BY BY MARIA POVEKA (MARTINEZ) AND FAMILY ON FRONT ENDPAPER. Full color and black & white photographs and illustrations. Unclipped dust jacket has some minor moisture wrinkling on back. Book has faint damp smell. Clean, tight copy.

Hardcover. Princeton, NJ, Princeton University Press, 1st, 1982, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 144 pages, b&w illustrations. Cream cloth with gilt title to spine. Black pictorial dust jacket. Beautiful copy. Like new.

Hardcover. New York, Skira Rizzoli, 1st, 2011, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 264 pages. Like new in publishers shrink-wrap. Known for her life-size sculptures made entirely of beads, Liza Lou has had audiences and critics spellbound since her debut exhibition fifteen years ago. In this comprehensive volume devoted to her work, illustrated with two hundred photographs, writers, critics, and scholars explore her work in depth.

Hardcover. US, IDW Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 331 pages. Oblong hardcover comic. Clean, unmarked copy in excellent condition.

Hardcover. San Diego. CA, IDW Publishing, 1st, 2015, Book: Very Good, Dust Jacket: None, This volume collects the initial four stories from 1929 and 1930. 322 pages, b&w illustrations. Hardcover no dust jacket. Clean, unmarked copy in excellent condition. Ribbon page marker.

Hardcover. NY, Grand Central Publishing, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 388 pages. Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this "monumental origin story" celebrates the legacy of the Velvet Underground, which burns brighter than ever in the 21st century. Rebellion always starts somewhere, and in the music world of the transgressive teen--whether it be the 1960s or the 2020s--the Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band--a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory--the Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love.

Hardcover. NY, D.A.P. /Distributed Art Publishers, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 140 pages, b&w photos. Commentary by Marvin Heiferman and Carole Kismaric. Clean, bright copy in a similar dust jacket.

Hardcover. Seattle, Fantagraphics, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 712 pages. These superb stories from the nearly 20-year run of Love and Rockets define a world of Hispanic gang warfare, '80s California, punk rock, women wrestlers and the subtle battle to stay true to oneself. Hernandez's main characters are Maggie and Hopey, two adorable lesbian rockers who start out in a somewhat vague relationship and are then are separated by adventures both grand and demeaning. Maggie is a magnificent comics character, a tempestuous naif who wears her heart on her sleeve when she's not throwing it at a succession of bad boys who ignore her, even though Hopey is secretly the love of Maggie's life. Hopey, a mohawked imp, is more opaque, a symbol of the youthful rebellion of punk rock that all the characters are trying to return to in some way, even as real life sweeps them further away from their dreams. Maggie's weight gain over the years sends her self-esteem on a downward spiral, while Hopey goes on an endless tour with a band. Along the way, Hernandez gradually peels away the strip's early sci-fi trappings (dinosaurs and rocket ships) to create a devastatingly naturalistic world. Sharp b&w drawings capture the characters in minute detail with a wide range of emotions. Finally collected into one volume, these stories are among the greatest comics ever put to paper, and an essential piece of the literature of the punk movement.

Hardcover. Oxford UK, The Voltaire Foundation, 1st, 1991, Book: Very Good, Dust Jacket: None, Hardcover in blue cloth, gilt lettering on spine, 251 pages. As France moved from the seventeenth to the eighteenth century, it found itself in the grip of anglomanie - a fascination with new English ideas in the domains of science and philosophy. Chief among the English thinkers it enthusiastically embraced was John Locke. On his visits to France and in his personal correspondence, Locke interacted with prominent French thinkers, scientists and savants of the day, such as Charles Barbeyrac and Pierre Magnol, and his works engaged in a critical dialogue with those of Descartes. However, Locke has been feted to such an extent that his position in the history of ideas in France is often overlooked. In Locke in France 1688-1734, Ross Hutchison re-examines and re-contextualises the precise nature and extent of Locke's influence in France by exploring how his ideas were incorporated into contemporary French debates and controversies in the transitional period from the seventeenth to the eighteenth century. Hutchison highlights the various channels of dissemination which brought Locke to the attention of the French, including translations of his major works and his personal friendships with French Protestant exiles. Hutchison also presents case studies of interactions in which Lockean ideas played a dominant role in the evolution of French thought, ranging from political theory to the nature of language, theories of education, and the relation between soul and matter. Clean copy, no dust jacket.

Hardcover. UK, Oxford University Press, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 303 pages. Ruth Boeker offers a new perspective on Locke's account of persons and personal identity by considering it within the context of his broader philosophical project and the philosophical debates of his day. Her interpretation emphasizes the importance of the moral and religious dimensions of his view. By taking seriously Locke's general approach to questions of identity, Boeker shows that we should consider his account of personhood separately from his account of personal identity over time. On this basis, she argues that Locke endorses a moral account of personhood, according to which persons are subjects of accountability, and that his particular thinking about moral accountability explains why he regards sameness of consciousness as necessary for personal identity over time. In contrast to some neo-Lockean views about personal identity, Boeker argues that Locke's account of personal identity is not psychological per se, but rather his underlying moral, religious, metaphysical, and epistemic background beliefs are relevant for understanding why he argues for a consciousness-based account of personal identity. Taking his underlying background beliefs into consideration not only sheds light on why many of his early critics do not adopt Locke's view, but also shows why his view cannot be as easily dismissed as some of his critics assume. Clean copy.

Softcover. Zurich, Georg Olms, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 220 pages. INSCRIBED BY AUTHOR on the front fly leaf. This volume consists of Yasuhiko Tomida's notable essays on Locke, Berkeley, and Kant, as well as a thought-provoking article written in collaboration with an experimental physicist. Tomida asserts that the logical space of the theory of ideas is originally "naturalistic" in Quine's sense of the term and that Berkeley and Kant 'distort' it in their respective ways, thus offering a wholly new viewpoint concerning the historiography of the theory of ideas.

Hardcover. NY, Simmons-Boardman, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, Definitions and typical illustrations of locomotives, their parts and equipment; descriptions and illustraions of shops and tools employed in their construction and repair; locomotives built in America for railroad and industri al operations in foreign countries. 1131 pages with product information on locomotives and parts, plus photographs and dimensional diagrams. Clean bright copy.

Hardcover. NY, Simmons-Boardman Publishing, 1st, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gold design, titles, 1028 pages. Definitions and typical illustrations of steam, turbine, electric and diesel locomotives, their parts and equipment, including a section on locomotive shops and engine terminals. Photographs, illustrations and diagrams. One of the final issues of the Cyclopedias in which steam locomotives would be featured. Small date on front fly leaf, otherwise a clean, tight copy.

Hardcover. Novato CA, Newton K. Gregg, reprint, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, reprint of the 1925 Simmons-Boardman edition. 1131 pages featuring steam locomotives, electric locomotives, industrial locomotives, and methods employed in their construction and repair. Many hundreds of photographs and dimensional diagrams of locomotives and various parts. Bound in original dark green cloth. Bright dust jacket taped to covers. Clean copy. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Atheneum/Richard Jackson Books, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. Floca proves himself masterful with this Caldecott Medal winner. The book's large format offers space for a robust story in a hefty package of information. Set in well-paced blank verse, the text begins with a quick sketch of "how this road was built" and moves abruptly to the passengers on the platform and the approaching train. The author smoothly integrates descriptions of the structure and mechanics of the locomotive, tasks of crew members, passing landscapes, and experiences of passengers. Simply sketched people and backgrounds, striking views of the locomotive, and broad scenes of unpopulated terrain are framed in small vignettes or sweep across the page. Though a bit technical in explaining engine parts, the travelogue scheme will read aloud nicely and also offers absorbing details for leisurely personal reading. Substantial introductory and concluding sections serve older readers. There's also a detailed explanation of the author's efforts and sources in exploring his subject. Train buffs and history fans of many ages will find much to savor in this gorgeously rendered and intelligent effort. True First Printing minus the stickers.

Hardcover. NY, Basic Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unclipped. INSCRIBED BY AUTHOR on the title page. Throughout the nineteenth century, swarms of locusts regularly swept across the continent, turning noon into dusk, demolishing farm communities, and bringing trains to a halt as the crushed bodies of insects greased the rails. In 1876, the U.S. Congress declared the locust "the single greatest impediment to the settlement of the country." From the Dakotas to Texas, from California to Iowa, the swarms pushed thousands of settlers to the brink of starvation, prompting the federal government to enlist some of the greatest scientific minds of the day and thereby jumpstarting the fledgling science of entomology. Over the next few decades, the Rocky Mountain locust suddenly--and mysteriously--vanished.A century later, Jeffrey Lockwood set out to discover why. Unconvinced by the reigning theories, he searched for new evidence in musty books, crumbling maps, and crevassed glaciers, eventually piecing together the elusive answer: A group of early settlers unwittingly destroyed the locust's sanctuaries just as the insect was experiencing a natural population crash. Drawing on historical accounts and modern science, Locust brings to life the cultural, economic, and political forces at work in America in the late-nineteenth century, even as it solves one of the greatest ecological mysteries of our time. 294 pages, clean copy.

Hardcover. Leiden/NY, Brill, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 165 pages. Name and date on front fly leaf, otherwise clean. The main argument of this book, against a prevailing orthodoxy, is that the study of logic was a vital - and a popular - part of stoic philosophy in the early imperial period. The argument relies primarily on detailed analyses of certain texts in the Discourses of Epictetus. It includes some account of logical 'analysis', of 'hypothetical' reasoning, and of 'changing' arguments.Written both for historians and for philosophers, and presupposing no logical expertise, this is an important contribution to the history of philosophy in the early imperial period.