Softcover. Providence RI, John Carter Brown Library, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 62 pages illustrated in b&w. Clean copy.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 133 pages. William Collins is very handsome, very polite, and very friendly. He is also dangerous when aroused. Now Collins, a one-time boxer with a lethal "accident" in his past, has broken out of his fourth mental institution and met up with an affable con man and a highly arousing woman, whose plans for him include kidnapping, murder, and much, much worse. Clean copy.

Hardcover. Berkeley, University of California Press, Revised 2nd, 1975, Book: Very Good, Dust Jacket: Good, 201 pages. Hardcover. Black & white illustrations. Dust jacket with moderate wear, closed tear. Previous owners name on front endpaper. Clean, tight copy.

Hardcover. New York, McDowell, Obolensky, 1st, 1958, Book: Very Good, Dust Jacket: Good, Volume 1 - 432 pages. Illustrated with black & white photographs and drawings by Tomi Ungerer. Dust jacket worn with chipping and small tears along edges. Clean, tight copy. Volume 2 - 488 pages. Dust jacket with light rubbing and small closed tears along edges. Clean, tight copy.

Hardcover. New York, Jump At The Sun/Hyperion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. SIGNED BY ANN GRIFALCONI AND JERRY PINKNEY ON TITLE PAGE. 1st edition/1st printing. Full color illustrations by Jerry Pinkney. A bright, clean copy.

Hardcover. Chicago, Follett, 1st, 1961, Book: Very Good, Dust Jacket: Good, 159 pages. Hardcover with dust jacket. Story of a boy in Bali. Black & white drawings by George Kraynak. INSCRIBED BY FALK on front fly leaf. Dust jacket edgeworn, chipped.

Hardcover. NY/Chicago, Fleming H. Revell, 10th pr., 1915, Book: Very Good, Dust Jacket: Fair, Hardcover. Black & white frontis photograph of Muir (repeated on dust jacket). 11 other plates plus map. Dust jacket worn, chipped (about half of spine missing).

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 190 pages, Includes chronology, footnotes, selected bibliography, list of exhibited works, index. Profusely illustrated with color and b&w prints. This beautifully illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism's greatest innovators, Josef Albers (1888-1976) and Laszlo Moholy-Nagy (1895-1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists' separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice--Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America.

Hardcover. New York, Abrams, 1st, 1974, Book: Very Good, Dust Jacket: Good, 360 pages. Hardcover. Illustrations in full color and black & white. Previous owners name at top right corner of front endpaper. Maroon streaks along bottom edge of pages 355-356 due to printers error. Dust jacket with moderate wear. Clean, tight copy.

Softcover. New York, Princeton Architectural Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, Softcover, 184 pages, b&w illustrations. Albert Kahn's contribution to North American industrial architecture is best characterized by a simplicity of expression in his designs of flexible spaces for manufacturing and production. Working in Detroit, Kahn began a long and fruitful collaboration with the automobile mogul Henry Ford, that was based on a shared vision of modernism and industry. Kahn rapidly established himself as an architect capable of responding to the new demands of mass production by employing the patented system of reinforced concrete developed by his brother, an engineer. Guided by functionalist principles and a sense of manufacturing organizations, Kahn anticipated assembly line operations and developed innovative typological characteristics for the modern factory. His projects included Ford Motor Company River Rouge Plant, Dearborn, Michigan; Burroughs Adding Machine Company, Detroit, Michigan; Tractor Plant, Stalingrad, Russia; General Motors Building, Chicago World's Fair; and Kellogg Company, Battle Creek, Michigan. Through incisive text, Albert Kahn - part of a growing series with Adalberto Libera and Adolf Loos - brings to light the novelty of Kahn's designs and his advancement of the machine aesthetic. Over ninety black-and-white photographs and drawings illustrate the extensive number of projects realized by "the architect of Ford."

Hardcover. London, Neville Spearman, 1st, 1972, Book: Good, Dust Jacket: Good, 285 pages. Hardcover with dust jacket. Dj has tape repair on top edges, chipping, fraying and rubbing throughout dust jacket. Cover boards show medium wear on corners, as well as spine. Light foxing to fore edge text block. Black and white illustrations.

Hardcover. New York, Scribner, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to edges. Color and black & white images throughout. Tight copy.

Hardcover. Norman, OK, University of Oklahoma Press, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, 270 pages illustrated throughout with photographs in sepia and drawings in b&w. Autobiography of a Canadian-born sculptor of Western subjects, considered one of the best sculptors of horses in the world. Black cloth spine with red paper boards, no dust jacket. Black pictorial slipcase with light wear. Beautiful copy. Like new.

Hardcover. Konemann, 1st US, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 344 pages. Profusely illustrated with black & white photographs by Alexander Rodchenko. Dust jacket shows light rubbing to back cover. Large, heavy book. Clean, tight copy. This is the most complete volume published outside of Russia to capture the photographic work of Alexander Rodchenko, one of the former Soviet Union's greatest artists

Softcover. Washington, D.C., National Collection of Fine Arts/Smithsonian, 1st, 1973, Book: Very Good, Dust Jacket: None, 167 pages. Softcover. Catalog for Exhibition February 23-May 13, 1973. Black & white illustrations. Light wear. Clean, tight copy.

Hardcover. NY, Random House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Eleven stories of suspense illustrated by Arthur Shilstone, 208 pages. Collected are the following: The Day the Children Vanished by Hugh Pentecost, Through a Dead Man's Eye by Cornell Woolrich, The Disappearance of Mr. Davenheim by Agatha Christie, Green Ice by Stuart Palmer, The Grave Grass Quivers by MacKinlay Kantor, The Case of the Irate Witness by Erle Stanley Gardner, Adventure of the Grice-Paterson Curse by August Derleth, The Headmaster by Michael Gilbert, The Adventureof the Seven Black Cats by Ellery Queen, The Wicked Cousin by Leslie Charteris, The Footprint in the Sky by John Dickson Carr. Clean, bright copy.

Hardcover. New York, National Gallery of Art/Callaway Editions, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 247 pages. Illustrated with black & white photographs. Dust jacket with 2 tape repaired tears at bottom edge of front cover. Clean, tight copy. Alfred Stieglitz was a seminal figure in 20th century art. One of the foremost photographers in the century, he also helped other photographers define what the aesthetic means in photography. He also was a champion for many of the best known photographers, and seriously boosted their careers. In painting, he was an early advocate of important 20th century artists like Arthur Dove and Georgia O'Keeffe. In addition, he published two influential journals about photography, and exhibited art in his famous gallery in New York. Clearly, though, photography was his first love. "I have all but killed myself for Photography." This book focuses on his central vision of photography ("search for objective truth and pure form") which increasingly was about "antiphotographs" or images that move beyond simple representation. This concept is examined both in 73 of his best images and through numerous excerpts from his voluminous writings on the subject (over 200 essays).

Hardcover. Boston, MA, New York Graphic Society, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 335 pages. 134 black-and-white illustrations. Bibliography and index. Dust jacket slightly sun-faded. Examines Steiglitz's revolutionary role in the American avant-garde from the turn of the century to 1917. Clean copy.

Softcover. Indianapolis, Indianapolis Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Exhibition catalogue of Alfred Thompson Bricher. Softcover, 103 pages; plates in black & white; chronology. Cover: "A Pensive Moment" (color). In very good condition.

Hardcover. Philadelphia, John C. Winston Company, 1st, 1940, Book: Good, Dust Jacket: None, Hardcover, red cloth stamped in black. 117 pages, b&w illustrations by Tony Sarg, Stories of David and his friends having fun during the summer in a small town, Book has mild shelfwear.

Hardcover. New York , E.P. Dutton, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, 88 pages, illustrated with b&w photographs, gray cloth covers with black lettering. Review slip laid in. Mark from paper clip no longer present. Otherwise clean, very good.

Hardcover. teNeues, 1st, 2012, Book: Very Good, Hardcover in a bright dust jacket, 216 pages. Eve Arnold didn't even consider photography until a boyfriend gave her a Rolleicord when she was 34. But her talent and daring brought her immediate recognition and she was picked up by Magnum Photos only 5 years later. Arnold may be best known for her black and white images of Marilyn Monroe, but she has chronicled figures as diverse as migrant potato workers and heads of state in addition to screen icons during her assignments, which involved everything from politics, social issues, travel, to current events and a little glamour. Guided by her own words, this volume features Arnold's now iconic photographs as well as many never-before published images. teNeues Press has published this magnificent monograph, with a superb introduction by Liz Jobey who details the important steps in Eve Arnold's life, career and artistic impact.

Hardcover. teNeues, 1st, 2012, Book: Very Good, Hardcover in a bright dust jacket, 216 pages. Eve Arnold didn't even consider photography until a boyfriend gave her a Rolleicord when she was 34. But her talent and daring brought her immediate recognition and she was picked up by Magnum Photos only 5 years later. Arnold may be best known for her black and white images of Marilyn Monroe, but she has chronicled figures as diverse as migrant potato workers and heads of state in addition to screen icons during her assignments, which involved everything from politics, social issues, travel, to current events and a little glamour. Guided by her own words, this volume features Arnold's now iconic photographs as well as many never-before published images. teNeues Press has published this magnificent monograph, with a superb introduction by Liz Jobey who details the important steps in Eve Arnold's life, career and artistic impact.

Hardcover. New York, Duell, Sloan & Pearce, 1st, 1944, Book: Very Good, Dust Jacket: Very Good, Hardcover, 101 pages. Illustrated with black & white drawings by William Steig. Dust jacket shows wear with small chunks missing at top and bottom of spine and chipping along edges. Dust jacket now protected with clear plastic cover.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. New York, Atheneum, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages. Color illustrations by Ashley Bryan. Musical arrangements by David Manning Thomas. Very good in a bright, unclipped dust jacket.

Softcover. New York, New Modern Age Book, 1st, 1939, Book: Good, Dust Jacket: None, Unpaginated. Soft cover with heavy chipping on fragile paper wrappers. Front gutter shows separating. 65 black and white drawings by Luis Quintanilla.

Hardcover. Garden City, Doubleday, Doran & Company, Reprint, 1938, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover. Previous owners inscription on title page. Black & white illustrations by Kurt Wiese. Full color dust jacket with light wear, minor chipping along edges - jacket now protected with clear plastic cover. Clean, unmarked text.

Hardcover. Syracuse, New York, Syracuse University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 264 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. A few black and white pictures throughout.

Hardcover. Malibu, Coastline Publishers, First Edition, 1990, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover. Full color photograph to cover boards with marginal wear. Faint foxing to endpapers. Light toning to edges. Bright black & white illustrations throughout. Otherwise very clean & unmarked copy.

Hardcover. New York, Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: None, 336 pages. Hardcover with no dust jacket. Very clean, unmarked copy. Black & white and color images throughout. Tight copy. Introduction by Martin Scorsese.

Hardcover. New York, Hyperion, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good, unclipped dust jacket. Non-paginated. SIGNED BY ANDREA DAVIS PINKNEY AND BRIAN PINKNEY ON TITLE PAGE. Full color illustrations. Clean, bright copy.

Hardcover. Boston, Houghton Mifflin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers decorated in gilt, 251 pages. Edited by Tiffany Thayer. Black & white drawings by Robert Ball. Excellent condition.

Hardcover. New York, Bulfinch Press, First Edition, 2004, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. Wine cloth boards with silver titles to spine. Full page, black & white photographs throughout. Clean, unmarked copy.

Hardcover. New York, William Morrow, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Black and white illustrations and photographs. Cloth boards with gilt lettering on spine. Pictorial dust jacket shows light edgewear. Containing nearly 600 black-and-white photographs and illustrations, and articles by numerous experts, Amelia Peabody's Egypt sparkles with unforgettable glimpses of the exotic and the bizarre, the unusual and the unfamiliar -- a treasure trove that overflows with Egyptological riches, along with wonderful insights into the culture and mores of the Victorian era, including the prevalent attitudes on empire, fashion, feminism, tourists, servants, and much more.

Hardcover. New York, Arno Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, 415 pages with 18 Color and 136 Black and White Plates. Cream colored boards. A reprint of the 1931 Doubleday edition. Some foxing to boards and edges, else very good. No dust jacket, as issued. Light smudging to covers and top and bottom edge. Else a very clean, tight copy.

NY, Knopf, 1st, 1942, Book: Good, Dust Jacket: None, Hardcover, maroon cloth covers with white cloth spine. Illustrated in color by Elizabeth Black Carmer. 244 pages. Previous owner's signature front end paper, light wear, spine a bit faded. A collecton of folk tales followed by a piece of music that was inspired by the story. Name on inside front cover. Otherwise clean.

Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

New York, Macmillan, 1st, 1947, Book: Good, Dust Jacket: Good, Hardbound, 144 pages. Black & white and color illustrations by the Petershams. Edgewear, chipping, soiling to dust jacket. Brodart cover.

Softcover. NY, Dover, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Harrison Fisher's portraits of healthy, poised, active, and confident women set the standard for the concept of American beauty during the early years of the twentieth century. The artist enjoyed enormous popularity from 1905 to 1920, serving as a judge in nationwide beauty contests and maintaining a celebrity status that was unparalleled for an illustrator. This original publication recaptures the images that made Fisher famous, compiling his very best black-and-white and color illustrations for Cosmopolitan, The Saturday Evening Post, and The Ladies Home Journal as well as for books and other publications. The successors to the stylish Gibson Girls created by Charles Dana Gibson, Fisher's idealized women reflect an aspirational degree of wealth and social ease. They ride horses, play tennis, swim, go motoring in newfangled automobiles, and graciously bask in the admiration of attractive young men. These century-old images from a moment in our country's cultural history will appeal to enthusiasts of graphic art and illustration as well as to students of American art and popular culture.

Hardcover. NY, Doubleday, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 314 pages. Black boards, red dust jacket with graphic illustration.

Hardcover. New York, Hyperion, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 159 pages. Black & white woodcut illustrations by Michael McCurdy.

Softcover. New York, Robert Miller Gallery , 1st, 2001, Book: Very Good, Dust Jacket: None, Non paginated. Softcover. Extensive color photographs throughout. Illustrated end papers and paste downs. Creasing to covers, otherwise clean, tight copy. An autobiographical and transitional work, American Family explores the various roles Renee Cox has assumed throughout her life: Catholic schoolgirl, wife, mother, woman who knows and shows her sexual pleasure, and black woman artist contesting an art history that has all but excluded her race. A cross between Diary of a Mad Housewife and The Sensual Woman, American Family is a veritable minefield of taboos, revealed by the miscegenated family album and the erotic display of the artist's own beautiful body. Compartmentalized into sections called Family Room, Erotica, and the Salon, American Family accompanied an exhibition which included a video projection, large scale Cibachrome prints mounted on aluminum, a series of smaller black-and-white diptychs and triptychs, as well as photographs culled from the artist's own family album.Essay by Jo Anna Isaak.

Softcover. Newark NJ, Newark Museum, 1st, 1931, Book: Very Good, Dust Jacket: None, Softcover, brick-red paper wraps. Exhibition catalogue featuring American folk sculpture, including wood carvings, decoys, and weather vanes. 108 pages with 24 black/white plates to accompany essays and catalogue entries. Near fine condition, some edge wear, small ink mark inside the cover.

Hardcover. New York, Doubleday & Company, Inc., 1st, 1948, Book: Very Good, Dust Jacket: None, 190 pages. Hardcover. Black & white illustrations by Barbara Cooney. Moderate foxing to cloth covers. Clean, tight copy.

Hardcover. Philadelphia, J. B. Lippincott & Co., Eleventh Ed., 1857, Book: Very Good, Dust Jacket: None, 637 pages. Hardcover. Eleventh Edition - 1857. Black & white illustrations. Varying degrees of foxing to pages 349-356 - this due to leaves being pressed between pages at some point. Overall, pages are bright and unmarked. Original brown cloth covers with faded spine and edges. Firm binding.

Hardcover. New York, Viking, 1st, 1998, Book: Good, Dust Jacket: Very Good, 296 pages. Hardcover. Black & white illustrations. Light pencil underlining in introduction - otherwise, clean, unmarked. Dust jacket protected with clear plastic cover. Clean, tight copy.

Hardcover. NA, By Subscription, 1825, Book: Fair, Dust Jacket: None, 431 pages. Brown leather covers. Spine with chipping and creases to gilt decoration. Black & white illustrations, including 1 fold-out. Previous owners name stamped on preliminary page. Light to moderate foxing throughout. Front cover detached.

Hardcover. Washington DC, Office of the Chief of Military History, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt eagle seal at top front, gilt lettering on spine. Illustrated with selections from the Department Of Defense files . Forty-seven maps by B. C. Mossman . This is a team effort by a number of the nation's leading scholars including Matloff , Kent Greenfield , Richard Leighton , and other leaders of the Army Historical Series. The volume covers through the Vietnam war. Small name blacked out on front fly leaf, otherwise clean.

Softcover. NY, International Publishers, 7th pr., 1968, Book: Very Good, Dust Jacket: None, Softcover, 409 pages. Years ago, the controlling view held that the response of the slaves in the United States to their bondage 'was one of passivity and docility'. That opinion, so decisive a part of the chauvinism afflicting the nation, is shown to be false in this book and in the material accumulated since its initial appearance has further substantiated this thesis; namely, that the African-American people, in slavery, forged a record of discontent and of resistance comparable to that marking the history of any other oppressed people. Name on front fly leaf otherwise clean.