Hardcover. New York , H. L. Lindquist Publisher, 1st, 1947, Dust Jacket: Good, Hardcovers, 2 Volumes. SIGNED BY AUTHOR ON TITLE PAGES. 319 + 305 pages, illustrated throughout in b&w. Black cloth, gilt lettering. Dust jackets chipped and worn with faded spines, Tape-residue to front cover of volume 2. Internally very good.
Hardcover. New York, J.H. Sears & Co. Inc., 1st, 1926, Book: Very Good, Dust Jacket: None, 156 pages. Cloth boards with color paste-down illustration of Nip and Tuck on cover. Illustrated with black & white drawings and six full page color illustrations by Leila C. Freeman. Faint rubbing on front cover along spine approx. 1". Minor wear to spine top and bottom and corners. Printed bookplate has light crayon printing over letters. A beautiful book.
Hardcover. New York, Harper & Row, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 40 pages. Hardcover with dust jacket. Black and white illustrations. Light rubbing to cover boards.
Hardcover. New York, Greenwillow Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 193 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED BY AUTHOR ON TITLE PAGE. Black and white pictures in center. Tight copy.
Softcover. Middletown, CT, Wesleyan University, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 116 pages. Exhibition catalog. Letter from editor laid in. Black-and-white illustrations throughout. Light sun-fade to covers. Previous owner's signature on front flyleaf. A little mark from paper clip on title page. Clean, tight copy.
Hardcover. New York, Charles Scribner's Sons, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth stamped in black, 126 pages, line drawings in brown by Paul Brown. Previous owner's inscription on front fly leaf, light shelf wear, tanning to endpapers, otherwise clean. No dust jacket.
Softcover. Pomeroy OH, Carpenter Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, 236 pages, illustrated by David Lynas. Includes numerous black and white photos of attractive female nudes. Ribald adventure in the style of Henry Miller. Johnson's second novel to be published, though the third to be written, takes up the whole issue of who gets published and why. It takes as its main subject the uproarious literary politics of the late 60's, when the government first set up the National Endowment for the Arts, and fools and crooks and serious editors asked for money to keep small-scale literary operations afloat in a sea of conglomerate-owned houses and declining public taste. One of the best parts is the description of the first COSMEP (Committee of Small Magazine Editors and Publishers) meeting. The two main characters, a truck driver named Gasserpod Peasporr Slocum, and his mentor, a small magazine editor, Ellis Schoenobatic, take us on a marvelous tour of the USA, into all the current scenes -- political, artistic, sexual -- and finally back to Sausalito and the girl they left behind. Clean copy.
NY, Simon and Schuster, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover in black cloth, gilt title on spine faded. 74 pages, translated from the German into English by Richard L. Simon. Stream of consciousness novella of pre-WWI Vienna. Clean copy. No dust jacket.
Hardcover. NY, Clarion Books, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover. 127 pages. Color, black and white illustrations by Leslie Brooke. Dust jacket price-clipped. Clean.
Hardcover. Garden City, Doubleday, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 191 pages. Illustrated in full color and black & white. Dust jacket missing half-dollar sized chunk at top of spine with additional small chunks and chips missing along edges. Clean, tight copy.
Softcover. Bennington, VT, Images from the Past, 1st, 1997, Book: Very Good, Dust Jacket: None, 86 pages. Softcover with paper wrappers. Black and white photographs throughout. Clean, tight copy.
Softcover. NY, Bill Hodges Gallery, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 96 pages with color and b&w plates throughout. Includes the work of Norman Lewis, Charles Alston, Milton Avery, Edward M. Bannister, Richmond Barthe, Edward Clark, Sam Gilliam, Kara Walker, Carrie Mae Weems, Charles White, Kehinde Wiley, Lynette Yiadom-Boakye and more.
Hardcover. Chicago, University Of Chicago Press, 6th pr., 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 318 pages. The treatment of Negro Americans, North and South, in the years before the Civil War. Uncommon in hardcover. Name on front fly leaf, otherwise clean.
Hardcover. NY, G. Howard Watt, 1st, 1925, Book: Good, Dust Jacket: None, Hardcover, light blue cloth stamped with black lettering and dog's profile. Color frontis by Charles Livingston Bull, 302 pages. Mystery novelist's scarce first book, chronicling the adventures of a German Shepherd living in the Canadian Northwest. Bookplate on inside front cover, front fly leaf missing. Light shelf wear.
Hardcover. Cambridge MA, Harvard University Press , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 338 pages. INSCRIBED BY THE AUTHOR on the half-title page. After the triumphs of Montgomery and Selma, Martin Luther King, Jr., rallied his forces and headed north. The law was on his side, the nation seemed to be behind him, the crusade for civil rights was rapidly gathering momentum--and then, in Chicago, heartland of America, the movement stalled. What happened? This book is the first to give us the full story--a vivid account of how the Chicago Freedom Movement of 1965-1967 attempted to combat northern segregation. Northern Protest captures this new kind of campaign for civil rights at a fateful turning point, with effects that pulse through the nation's race relations to the day. James Ralph has written the fullest and most perceptive account yet to appear of the 1966 civil-rights campaign in Chicago, a crucial event in the history of the movement. Clean copy.
Hardcover. Norwich, Norwich University, First Edition, 1920, Book: Very Good, Dust Jacket: None, 156 pages. Hardcover. Red pebbled cloth covers with gilt titles to cover. Toning throughout. Pages untrimmed, and many unopened. Frontis illustration, Captain Alden Partridge, Founder. Black & white illustrations throughout. Clean & unmarked copy.
Hardcover. Rochester NY, BOA Editions, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover. 251 pages. A later anthology of poems from this prolific writer. A fine copy in black cloth boards and in a fine dust jacket. INSCRIBED BY SNODGRASS on the title page.
Hardcover. New York, Thomas Y. Crowell, 1st, 1939, Book: Very Good, Dust Jacket: Good, 131 pages. Cloth boards. Illustrated in color and black & white by Richard A. Holberg. Dust jacket worn, now protected by clear plastic cover.
Softcover. Seattle, WA, Fantagraphics, 1st, 2003, Book: Very Good, Dust Jacket: None, 216 pages. Softcover with light edgewear to wrappers. Black and white comics throughout.
Hardcover. Santa Barbara CA, Black Sparrow Press, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover, 59 pages. Edition of 750 copies. This is one of the unsigned copies. Quarter black cloth with paper title label. Printed boards. Acetate dust jacket with light soil.
Hardcover. NY, Grove Press, 1st thus, 2006, Book: Very Good, Dust Jacket: None, Hardcover, decorated black and blue boards, 522 pages. This volume contains: Molloy/Malone Dies/The Unnamable and How It Is. Clean copy.
Hardcover. NY, Grove Press, 1st thus, 2006, Book: Very Good, Dust Jacket: None, Hardcover, decorated black and blue boards, 478 pages. This volume contains: Murphy/Watt/Mercier and Camier. Clean copy.
Hardcover. New York, Princeton Architectral Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor wear to dust jacket edges. Otherwise tight copy. A collection of black and white, and color photographs from the Maresca collection housed at the Newark Musuem, featuring images from the 1920s through the 1960s.
Hardcover. NY, Doubleday & Company, 1st, 1951, Book: Very Good, Dust Jacket: Fair, Hardcover, red textured boards with black lettering on spine. Dust jacket present in fair to poor condition with chipping, tape repairs. Tommy Hambledon is back, and again he's in Germany, posing as a camera- toting tourist while trailing renascent Fascists. The investigation started in Cologne when a corpse was found hung out like a batch of wash from the bare girder of a ruined building. Bookplate on inside front cover, no markings.
Softcover. New York, Aperture, 2nd pr., 1993, Book: Very Good, Dust Jacket: None, 116 pages. Softcover with light wear to paper wrappers. Black and white photos throughout. Adult content. Clean. tight copy.
Hardcover. Philadelphia, J.B. Lippincott, 1st, 1953, Book: Good, Dust Jacket: None, Hardcover, light tan cloth stamped in black. B&W drawings by James Houston. Ex-library copy with rubber stamp and small ink number on front end paper. Light soil, shelfwear. A coming-of-age tale for an eleven-year-old Eskimo boy of Baffin Island.
Hardcover. New York, Platt & Munk, Co., reprint, 1933, Book: Good, Dust Jacket: None, Blue cloth covers, front cover completely illustrated with pasted color plate, orange endpapers, profusely illustrated with color and b&w plates. Moderate rubbing and edgewear to covers, previous owner's small black ink signature to front endpaper, spine lightly faded and soiled, crisp and unmarked; overall a neat, tight copy of a lovely children's book
Hardcover. NY, Crown, reprint, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 102 pages. An early printing of the Sendak edition, published after Sendak designed the costumes and sets for the Pacific Northwest Ballet's production of the NUTCRACKER, an excellent, sharp copy. 9.75'' x 10''. Original black blind-stamped cloth, silver-lettered spine and front board. SIGNED BY SENDAK on half-title page.
Hardcover. NY, Crown, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 102 pages. First printing of the Sendak edition, published after Sendak designed the costumes and sets for the Pacific Northwest Ballet's production of the NUTCRACKER, an excellent, sharp copy. 9.75'' x 10''. Original black blind-stamped cloth, silver-lettered spine and front board. SIGNED BY SENDAK on half-title page.
Hardcover. NY, Doubleday, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. Black and red cartoon illustrations by Whitney Darrow, Jr. Library Edition with previous owner's stamp on front fly leaf. Dj with closed tear to rear panel.Otherwise a clean copy.
Softcover. NY, Scala, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. The diversity of New York City's people, cultures, religions, and backgrounds make it the indicator of American sexuality. It is black, white, gay, straight, rich, poor, rough, and tender all at once. From Margaret Sanger's dissemination of birth control to the Stonewall riot of 1969, New York City has repeatedly seen its sexual dynamics changed and American and international culture follow suit. Published to coincide with the much-anticipated opening of the Museum of Sex in New York, NYC Sex features conversations between major cultural figures and historians on sexual topics, including Grady T. Turner on "Sodom on the Hudson"; Martin Duberman and Joan Nestle on queers; Timothy J. Gilfoyle, Xaviera Hollander, and Tracy Quan on whores; Karen Finley, Luc Sante, Gene Simmons, and Art Spiegelman on the underground; and Vanessa del Rio, Legs McNeil, and Annie Sprinkle on porn. And what's a book about sex without pictures? In between the steamy conversation, NYC Sex posts photographs by Mapplethorpe, Ferrato and Gatewood; 19th-century drawings and photographs; film stills; posters; magazine pin-ups; and images of sex symbols past and present. It's a treat the whole family can enjoy. NYC Sex is the official book of the inaugural exhibition of the Museum of Sex, which will open in New York in September.
Softcover. NY, Scala, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. The diversity of New York City's people, cultures, religions, and backgrounds make it the indicator of American sexuality. It is black, white, gay, straight, rich, poor, rough, and tender all at once. From Margaret Sanger's dissemination of birth control to the Stonewall riot of 1969, New York City has repeatedly seen its sexual dynamics changed and American and international culture follow suit. Published to coincide with the much-anticipated opening of the Museum of Sex in New York, NYC Sex features conversations between major cultural figures and historians on sexual topics, including Grady T. Turner on "Sodom on the Hudson"; Martin Duberman and Joan Nestle on queers; Timothy J. Gilfoyle, Xaviera Hollander, and Tracy Quan on whores; Karen Finley, Luc Sante, Gene Simmons, and Art Spiegelman on the underground; and Vanessa del Rio, Legs McNeil, and Annie Sprinkle on porn. And what's a book about sex without pictures? In between the steamy conversation, NYC Sex posts photographs by Mapplethorpe, Ferrato and Gatewood; 19th-century drawings and photographs; film stills; posters; magazine pin-ups; and images of sex symbols past and present. It's a treat the whole family can enjoy. NYC Sex is the official book of the inaugural exhibition of the Museum of Sex, which will open in New York in September.
Softcover. Paris, Marval, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 79 pages, text by Francis Hofstein IN FRENCH. wonderful photobook devoted to the blues scene in Oakland during the 1980s. Dozens of full-page black & white photographs. Clean copy.
Hardcover. Hildesheim, Germany, Georg Olms Verlagsbuchhandlung, Reprint, 1967, Book: Very Good, Dust Jacket: None, Volumes 1-2. Hardcovers.Vol. 1: 512 pages. Vol. 2: 455 pages plus index.Green cloth covers, gilt title on black on spine and gilt title on front cover boards. top edge dyed. Key work by British philosopher, explaining his theories on the mind-body connection, including his doctrines of vibrations and associations, the formation and growth of consciousness, etc. Clean copies.
Hardcover. NY, Simon and Schuster, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, glossy printed boards housed in a cardboard slipcase. Folio. 1st edition of Avedon's first book, a collaboration with Capote who supplies the text. A striking collection of full-page black and white images. 151 pages. No acetate dust jacket. Slipcase with light edgewear, soil. Book is a solid very good, clean.
Hardcover. Seattle, WA, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover with no dust jacket. Clean, unmarked copy. Black and white pictures throughout. The author's memoir of the seven years spent in collaboration with Burroughs.
Hardcover. Seattle, WA, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover with no dust jacket. Clean, unmarked copy. Black and white pictures throughout. The author's memoir of the seven years spent in collaboration with
Hardcover. London, T. Nelson and Sons, reprint, 1876, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth stamped with black and gilt design, 235 pages, engraved frontispiece and numerous other plates and in-text drawings. Light shelfwear, previous owner's inscription, signatures on front endpapers. Otherwise clean, tight.
Hardcover. NY, Henry Holt, 1st , 1921, Book: Very Good, Dust Jacket: None, Author's 1st book. Illustrated with black & white drawings by Gluyas Williams. Two-color drawing. on front cloth cover. Previous owner's signature front end paper, mild tanning to end papers. Slight wear to cloth hinges.
Hardcover. NY, Charles Scribner's Sons, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, black/green spine with gilt lettering; first Scribner's edition with 'A' to copyright page; no jacket. 913 pages, clean, tight copy. A fictionalized autobiography, using the name Eugene Gant for Wolfe's, detailing the protagonist's early and mid-twenties, during which time the character attends Harvard University, moves to New York City and teaches English at a university there, and travels overseas with the character Francis Starwick. Francis Starwick was based on Wolfe's friend, playwright Kenneth Raisbeck. The novel was published by Scribners and edited by Maxwell Perkins.The narrative of Of Time and the River closely follows the events of Wolfe's own life from 1920 to 1925.
Hardcover. Washington DC, War Department, 1st, 1905, Book: Very Good, Hardcover, Large folio volume (17x12 inches) in pebbled red embossed cloth with gilt lettering, modest wear at the extremities with bottom corners bumped. Marbled edges, 584 pages. Hundreds of woodcut illustrations with no stains or flaws. Massive work which reproduces hundreds of black and white engravings of the Civil War. The illustrations originally appeared in Leslie's Magazine during the war. Narrative and descriptions by John Clark Ridpath, Rossiter Johnson, General Fitzhugh Lee, General John T. Morgan, George L. Kilmer, General Joseph B. Carr. No makings. DOMESTIC SHIPPING ONLY.
Hardcover. Long Beach CA, privately printed, 3rd pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, 527 pages followed by author's 9 page catalog of ads for his titles. Maroon cloth with black lettering. Gilt lettered spine with Upton Sinclair at foot of spine. INSCRIBED BY AUTHOR'S WIFE on front fly leaf, "With best wishes Mary Craig Sinclair, Long Beach, Calif., July 6 '28". Minor soil to covers, slight cock to spine, overall very good.
Hardcover. Boston, Houghton Mifflin , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket. Pink & black & white illustrations by Geisert. Dust jacket shows very minor wear, mostly nice condition. A follow-up to the artist's Oink. More adventures of his favorite pig family. A wordless picture-book.
Hardcover. Boston, Houghton Mifflin , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket. Pink & black & white illustrations by Geisert. Dust jacket shows very minor wear, mostly nice condition. A wordless picture-book about pigs.
Softcover. London, Tate Publishing, 1st, 2007, Book: Near Fine, Dust Jacket: None, Softcover. Clean, unmarked copy with only minor wear to wrappers. 136 pages, 40 color & 50 black & white illustrations. Helio Oiticia (1937-80) was one of the most influential artists of the late twentieth century. At the end of the 1960s Oiticica was invited to exhibit at the Whitechapel Art Gallery in London. This book captures not only a pivotal moment in the life and career of a unique artist but also in the development of the avant-garde in London.
Hardcover. New York , Harper and Brothers, reprint, 1929, Book: Good, Dust Jacket: None, Hardcover, 264 pages, yellow and black boards with black cloth spine, spine label. INSCRIBED ON FRONT FLY LEAF by author but not signed: "To my Ol' Man William (otherwise Little Father) from one of "his chillun" (otherwise me) with love and gratitude for a brief but happy visit. July 20/29/ Claman Towers, South Duxbury Mass" Book slightly cocked, front hinge fragile, light wear.
NY, The Press of the American Institute of Architects., 1st, 1925, Book: Good, Dust Jacket: None, Hardcover. Complete with 24 watercolor prints and 44 plates. Loosely bound in case with cloth ties which has cracking along spine. Interior very good. Number 677 of 1000. Elephant folio 23" tall. "A Series of Historical Examples from Roman Times to the End of the XVIIIth Century." An appreciation of historic French infrastructure that survived WWI. Beautiful large color reproductions of original watercolors of bridges by Pierre Vignal; 35 black and white drawings by Louis C. Rosenberg & Samuel Chamberlain; 44 measured drawings, photographs, diagrams, and maps. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Kansas City, Andrews McMeel Publishing, 1st, 2009, Book: Very Good, Dust Jacket: None, 128 pages. Softcover with only light wear to paper wrappers. Cartoons throughout in black and white by Lorenz. Remainder mark on top.
Hardcover. New York, Harcourt Brace , 1st US, 1957, Book: Good, Dust Jacket: Fair, Hardcover, 200 pages. Illustrated with black & white photographs. This copy previously owned by author Roger Shattuck and includes his underlining and editing of text in various colors of ink. Upper right corner of front cover bumped. Foxing to endpapers and edges. Dust jacket quite worn.