Hardcover. NY, Lothrop Lee & Shepard, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Robert Andrew Parker. Kael, a black timber wolf, is captured & performs for a circus, until he has the opportunity to escape. Haunting story of a wild Wolf & the gentle man who trains him. Clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1889, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with gilt embossed lettering on spine, gilt lettering and black design on front. No dust jacket. 19 mostly full-page engraved illustrations. Will Carleton, brought up in a log farmhouse in rural Michigan, was America's poet. Writing about ordinary Americans and everyday life, he enjoyed the same kind of success that Robert Burns had in Scotland. "Betsy and I Are Out," a poem about divorce, was picked up by a national newspaper and brought him widespread recognition, that was cemented by "Over The Hill To the Poorhouse," which brought attention to the shabby treatment provided to the country's old and poor. "City Legends" is Carleton's third collection of "city" related poetry and 17th collection overall. Clean, bright copy.

Hardcover. New York, McGraw Hill, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 171 pages, in a bright, unclipped dust jacket with art by Charles Lilly.

Hardcover. NY, Jonathan Cape & Harrison Smith, 2nd pr., 1930, Book: Very Good, Dust Jacket: None, Hardcover, bound in publisher's black cloth ruled in blind with faded gilt title on the spine. Top edge stained black. Stated second printing, October 1930 on the copyright page. Translated by Alice Riviere. Ownership signature in pencil by Gertrude Franchot Tone, women's rights activist with her pencil marking in text. Owner's small embossed stamp on front fly leaf.

Hardcover. New York, Museum of Modern Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Padded vinyl covers, 221 pages illustrated in color and black and white. SIGNED BY OLDENBURG and dated '72 on the title page. Edges of vinyl with light soil, otherwise very good. This major retrospective exhibition was held 25 September to 23 November 1969. The catalogue designed by Chermayeff & Geismar Associates is a work of art in itself, from its innovative cover proudly highlighting the work of curator Barbara Rose, to the profusion of illustrations, both documentary of Oldenburg and his artistic peers and representative of his large body of work.

Softcover. Pasadena, CA, Pasadena Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 135 pages. Exhibition catalog. Mostly black-and-white illustrations, with a few color illustrations. Light shelf-wear, scratching, and edge-wear on covers. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work.

Hardcover. Los Angeles, CA, Ward Ritchie Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work. Cloth bound book is in very good condition. Dust jacket has some scratches/wear.

Hardcover. Fort Worth, Amon Carter Museum, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 149 pages. Primarily black & white photographs by Clara Sipprell. Foreword by Jan Keene Muhlert. The first comprehensive study of this noted pictorialist photographer. Noteworthy is the extensive exhibition chronology and bibliography.

Softcover. Oxford, UK, Clarendon Press, Reprint, 1978, Book: Very Good, Dust Jacket: None, 306 pages. Softcover with light wear to wraps. Sunfade to spine. Spine faded. Small black mark on rear wrap, some lines highlighted on four pages. Light toning throughout, illustrated by tables & figures in bw.

Hardcover. New York, Harcourt Brace and Co., 1st, 1940, Book: Very Good, Dust Jacket: None, 323 pages, light blue cloth with black lettering. illustrated in b&w by Frank Beaudouin. Light fade to spine. Clean and tight.

Hardcover. New York, Harcourt Brace and Co., 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, 323 pages, light blue cloth with black lettering. illustrated in b&w by Frank Beaudouin. Clean and tight.

Softcover. Chicago, Center for American Places, 1st, 2008, Book: Very Good, Dust Jacket: None, 119 pages. Softcover. Black and white pictures. Light edgewear to wrappers.

Hardcover. San Francisco, McSweeney's, 1st, 2010, Book: Very Good, Dust Jacket: None, Very good hardback bound in publisher's shaped boards cut in the shape of a house and issued without a jacket. SIGNED in black marker by Barnett and Horowitz on the rear board.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. Like new in publishers shrink-wrap. A Siamese cat beneath a clothes line, three women with linked arms standing on the front lawn, a man drying his hands on a dish towel in front of the kitchen stove. These scenes are part of Close to Home and the accompanying the Getty Museum exhibition held from October 12, 2004 to January 16, 2005, which celebrate snapshots--"found" photographs by anonymous photographers--that capture everyday life in all of its joy, banality, and mystery. Taken between 1930 and the mid-1960s, these photographs, most of them in black-and-white, create an unpretentious portrait of suburban American life by untrained photographers whose images can be unexpectedly lyrical and moving.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. Like new in publishers shrink-wrap. A Siamese cat beneath a clothes line, three women with linked arms standing on the front lawn, a man drying his hands on a dish towel in front of the kitchen stove. These scenes are part of Close to Home and the accompanying the Getty Museum exhibition held from October 12, 2004 to January 16, 2005, which celebrate snapshots--"found" photographs by anonymous photographers--that capture everyday life in all of its joy, banality, and mystery. Taken between 1930 and the mid-1960s, these photographs, most of them in black-and-white, create an unpretentious portrait of suburban American life by untrained photographers whose images can be unexpectedly lyrical and moving.

Hardcover. San Diego, Harcourt Brace, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Black & white illustrations by Barry Moser. Clean, tight copy.

Hardcover. NY, Viking Press, 1st, 1961, Book: Very Good, Dust Jacket: Good, 280 pages. Hardcover. Illustrated with black & white photographs. Dust jacket with rubbing, short tears along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. Pittsburgh PA, University of Pittsburgh Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth stamped in black, 227 pages. Contents : "Dance when I die!": context and role in the clowning of Murik women / Kathleen Barlow -- Exaggeration and reversal: clowning among the Lusi-Kalai / David R. Counts and Dorothy A. Counts -- Clowning with food: mortuary humor and social reproduction among the north Mekeo / Mark S. Mosko -- Reflections of an anthropologist who mistook her husband for a yam: female comedy on Tubetube / Martha McIntyre -- Horrific humor and festal farce: carnival clowning in Wape society / William E. Mitchell -- When she reigns supreme: clowning and culture in Rotuman weddings / Vilsoni Hereniko -- Where the spirits laugh last: comic theater in Samoa / Caroline Sinavaiana. Clean, bright copy. No dust jacket.

Hardcover. Canada, McGill-Queen's University Press, 1st, 1982, Book: Very Good, Dust Jacket: None, 227 pages. Hardcover. Brown cloth cover boards, black title on spine and front cover. Pages clean and bright. Spine straight. Binding tight. Previous owner's name on front flyleaf. Brown endpapers. This book challenges widespread asumptions about common-sense philosophies and provides a major reassessment of an influential segment of the history of ideas.

Hardcover. Seattle, Salisbury Press, 1st, 1970, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. Illustrated in full color and black & white. Book with original wrap around band on cover. A nice copy.

Hardcover. London, Frederick Muller Ltd, 1st, 1956, Book: Good, Dust Jacket: None, 206 pages. No dust jacket. Blue cloth. Contains black and white and color illustrations. Well bound and clean pages, with moderate tanning to text block edges. Light tanning to free endpapers. Boards have moderate shelf wear, with rubbing and marking. Light bumping to corners and moderate crushing to spine ends. Book has noticeable backward lean, with heavy sunning overall. A exploration of the Great Barrier Reef.

Softcover. New York, Syracuse University Press, 3rd, 1987, Book: Very Good, Dust Jacket: None, Softcover. 163 pages. Black and white photographs.

Hardcover. New York, Holt, Rinehart & Winston, 7th pr., 1971, Book: Very Good, Dust Jacket: Good, Hardbound, 90 pages. Black & white illustrations by Peter Spier. Light soiling to covers. Dust jacket witeh rubbing, edgewear. Brodart cover.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with black lettering in a bright dust jacket with edgewear and chipping, 309 pages. Rear dj lists to Betty Zane. Name on front fly leaf, otherwise clean.

Hardcover. London, Herbert Jenkins, 2nd pr., Book: Very Good, Dust Jacket: None, 312 pages plus ads in rear. Hardcover. Orange cloth with black lettering. Stated Second Printing on copyright page. Spine a little cocked otherwise clean, tight copy.

Hardcover. NY, Atlantic Monthly, 1st, 1997, Book: Near Fine, Dust Jacket: Near Fine, 356 pages. Dark blue boards, black cloth spine with orange metallic titles, illustrated dust jacket with mylar protective covering, endpapers decorated with red map of Southern Blue Ridge mountains. Circular sticker to front panel of dust jacket with praise from John Berendt, author of Midnight in the Garden of Good and Evil. No wear to dust jacket or covers, pages crisp and unmarked, stiff binding; an excelptionally clean, tight copy in excellent condition.

Hardcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, Collage has a relatively short, but incredibly rich history. The popularity of collage is on the increase again, partly as a result of such postmodernist concerns as pluralism, multiplicity and hybridity. This book features works by international artists Picasso, Schwitters and Ernst, through to Hannah Hoch, Martha Rosler, John Stezaker, Richard Hamilton, Layla Curtis, David Salle, Eduardo Poalozzi, Javier Rodriguez, Robert Rauschenberg, Mimei Thompson, David Thorpe, Fred Tomaselli and many more.

Softcover. Berkeley CA, University of California Press, 1st pbk, 1997, Book: Very Good, Dust Jacket: None, Softcover, 472 pages. The prose writings of Charles Olson (1910-1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Clean copy.

Hardcover. New York, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 376 pages. Illustrated with black & white comic panels selected from the years 1929 - 1949. Introduction by Ray Bradbury. Minor wear to dust jacket. Additional postage required due to size and weight of book. Clean, tight copy.

Hardcover. New York, Clarkson N. Potter, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Illustrated with full color and black & white examples of fine book design. Dust jacket shows standard wear with small tears or rubbing along edges.

Hardcover. Paducah, KY, Collector Books, reprint, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 334 pages. Black & white and color photographs.

Hardcover. New York , The Macmillan Co., 1st, 1952, Book: Very Good, Dust Jacket: Good, 200 pages. Hardcover. Illustrated in black & white by Helen Sewell. Dust jacket with small chips, tears.

Softcover. Brunswick ME, Bowdoin College Museum of Art, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, 222 pages, color illustrated wrappers. Black and white, color plates. Clean, tight copy.

Hardcover. Cambridge, Cambridge University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 459 pages. Green cloth with silver gilt lettering on spine. Book comes with a press release from "News From Cambridge". Black and white plates throughout. Thirty-one essays on colonial painting organized in three chronological sections: Origins and Beginnings, to 1680; The Transition, 1680-1840; and The Culmination, 1740-1790. Bibliography.

Hardcover. York, George Shumway, 1st, 1978, Book: Very Good, Dust Jacket: Fair, 71 pages. Hardcover. Black & white illustrations. Stain along dust jacket spine and edge of front and rear dust jacket cover. No slipcase. Clean, tight copy.

Hardcover. Canada, Deutscher Kunstverlag, 1st, 2012, Book: Very Good, Dust Jacket: None, 159 pages. Like new in publisher's shrink-wrap. The material that was saved from Warsaw in 1939 included more than ten color slides. These slides are the only color photo documents showing that historic moment from the perspective of city residents. The slides were found only in recent years by the photographer's son, Sam Bryan. In addition to color slides this album also includes photographs recorded by Julien Bryan on black-and-white film at that time and iater subjected to a complicated process of colorizing. The colorizing took piace after Bryan's return to the United States in 1939.

Hardcover. NY, Coward McCann, 1st, 1939, Book: Very Good, Dust Jacket: Very Good, Hardcover. Nice color and black & white illustrations by Hodges. Dust jacket shows minor wear and chipping, some soiling to foredge, clean.

Softcover. New York, Thames and Hudson, 2012, 2012, Book: Very Good, Dust Jacket: None, 352 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 700 illustrations in black & white and color throughout.

Hardcover. NY , Harper and Row, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black and white illustrations by Randy Gaul. dust jacket price-clipped. Four short stories: The Shade Cutter, Enemies of the Eye, Slaves of Sham, Country Pay. The tales present the adventures of itinerant artisans and tradesmiths as they travel through a small New England town in the year 1800.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 508 pages, handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1826 first edition. Bright, clean copy.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 528 pages ,handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1827 first edition. Bright, clean copy.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 550 pages, handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1830 first edition. Bright, clean copy.

Hardcover. Birmingham AL, The Legal Classics Library , reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, 1093 pages, black calf, decorative gilt stamping, all edges gilt, marbled endpapers, ribbon marker. Facsimile reprint of the First English Edition by W.E. Grigsby. London: Stevens and Haynes, 1884. Clean, bright copy.

Softcover. London, Merrell Publishers, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 240 pages, mostly b&w photos, some color. Catalogue of an exhibition held at the Brooklyn Museum of Art, New York, Feb. 16 - Apr. 29, 2001. The 94 African American photographers whose works appear in this volume, have used their equipment as tools of social commentary and personal and artistic exploration, bearing witness to the changes in American society over the past 50 years. Clean copy.

Philadelphia, Westminster Press, Reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Black & white illustrations and color dust jacket drawing by James Hough. Crease to top of page 16. Dust jacket with top & bottom of spine worn.

Hardcover. Philadelphia, David McKay Co., 1st US, 1931, Book: Very Good, Dust Jacket: Good, 224 pages. Hardcover. Previous owners bookplate with inscription on inside front cover. Black & white illustrations and full color plates by Arthur Rackham. Light wear to Green cloth covers. Titles and decoration in gilt. Foxing to preliminary pages. Dust jacket with chunks of paper missing at top of spine, light chipping along edges, moderate rubbing to back cover. Clean, tight copy.

Softcover. Poughkeepsie, Father Tree Press/Warp Graphics, 1st, 1988, Book: Very Good, Dust Jacket: None, The Complete Elf Quest Graphic Novel - Book Five: Siege at Blue Mountain. Softcover. 112 pages of full color graphic novel followed by full color character gallery and black & white portfolio and comics. Illustrated by Wendy Pini in full color and black & white. Light wear. Clean, unmarked copy.

Hardcover. Philadelphia, John Grigg, 1st thus, 1831, Book: Very Good, Dust Jacket: None, Presumed 1st, copyright Feb. 9, 1831, 1831 on title page. Translated from the French by Charles D. Meigs, M.D.; black-&-white plates The title page is preceded by four pages of publisher's ads for medical books. xix, 17-584. Full calf binding has scuffs and wear, but still very sound and attractive. Gilt rules & title on spine. Previous owner's name, date and price on front end paper (1837) Another previous owner's bookplate date 1895 on front pastedown. Contents slightly age-toned, some foxing and text-block offsetting throughout otherwise very good. James Kay, Jun & Co. - printer.

Softcover. New York, Nantier Beall Minoustchine, 1st, 1987, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. First volume of reprinting, covering 1924-1925. With an introduction by Bill Blackbeard. An unmarked, clean and tight copy with only light edge wear to wrappers.