Softcover. Ashland OR, Blackstone Publishing, reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Someone is looking to wreck the nation's economy, and they're spending a lot of money to do it. With every lead going nowhere, Flynn's most dizzying logic is put to the test. The remarkable undercover agent and Boston detective Francis Xavier Flynn returns in this second installment of the darkly comedic series. Out on ''medical leave'' from the Boston police department, Flynn has actually been called up once again by his longtime friend and handler, N. N. Zero, to solve a most perplexing occurrence. Someone has been picking small towns throughout the United States and delivering packages of money -- $100,000 to be exact -- to every man, woman, and child in residence. As Flynn flies to Texas to start investigating the first incident, even more people begin to receive large manila envelopes full of ''cash money,'' including an entire department at the Pentagon.Now under pressure from the president, Flynn is up against the clock to crack this crisis before the US economy is propelled into total disarray.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Someone is looking to wreck the nation's economy, and they're spending a lot of money to do it. With every lead going nowhere, Flynn's most dizzying logic is put to the test. The remarkable undercover agent and Boston detective Francis Xavier Flynn returns in this second installment of the darkly comedic series. Out on ''medical leave'' from the Boston police department, Flynn has actually been called up once again by his longtime friend and handler, N. N. Zero, to solve a most perplexing occurrence. Someone has been picking small towns throughout the United States and delivering packages of money -- $100,000 to be exact -- to every man, woman, and child in residence. As Flynn flies to Texas to start investigating the first incident, even more people begin to receive large manila envelopes full of ''cash money,'' including an entire department at the Pentagon.Now under pressure from the president, Flynn is up against the clock to crack this crisis before the US economy is propelled into total disarray.

Hardcover. Norman OK, University of Oklahoma Press, Revised Ed., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 319 pages. B&w illustrations. A well-researched and authoritative study of 'negro' soldiers who wished to remain in the United States Army following the Civil War. They were eventually organized into the Ninth and Tenth Cavalry Regiments their service in controlling Indians on the Great Plains during the next twenty years was as invaluable as it was unpraised. With Bibliography and Index. Clean copy.

Hardcover. New York, Random House, 1st, 1980, Book: Near Fine, Dust Jacket: Near Fine, Tan boards, black cloth spine with silver titles, red dust jacket with color illustration and acetate protective covering. Extremely slight wear to dust jacket, spine very stiff and tight, covers and pages crisp and unmarked; a very clean, tight copy in excellent condition.

Softcover. West Burlington IA, Mile Post 206 Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, oblong folio, about 17.5 inches (44 cm) wide, in black and red illustrated spiral-bound wraps. 156 pages illustrated by photographs and measured drawings. An impressive production showing what on other railroads would be called cabooses. Some of these are relatively large and elaborate.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Clean copy. A new paperback edition of the neo-noir novel book critics have called Willeford's best. Fast-talking, backstabbing, womanizing art critic Jacques Figueras will do anything - blackmail, burglary, fencing, assassination - to further his career. Crossing the art world with the underworld, Willeford expands his noir palette to include hues of sunny Florida and weird tints of Surrealism when Figueras takes a job for an art collector who doesn't care how his art is collected, even if it involves murder. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, light brown cloth with black lettering on spine, 301 pages. Endpapers map, frontis. portrait. Light ring stain on front cover otherwise clean, no dust jacket.

Hardcover. Simcoe, Ontario, The Norfolk Historical Society/Fanshawe College, 2nd revised, 1977, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped in black. Unpaginated. 16 full color reproductions of family members in Colonial costumes. Intact and very clean. No dust jacket.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, orange cloth with black lettering on spine and decoration on front cover, dust jacket with edgewear and chipping, wraparound color art by Frank Street. 291 pages. Clean copy.

Hardcover. Amsterdam, Koninklijke Nederlandse Akademie van Wetenschappen, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth stamped in black and white, 433 pages. When it was published in 1543, Copernicus's new astronomy had an enormous impact on intellectual life in early modern Europe, but the reception of his new ideas differed fundamentally from one country to another. Rienk Vermij discusses how--unlike in Roman Catholic lands--discussion in the heavily Calvinist Dutch Republic was initially dominated by humanist scholars who judged Copernicus's work on its mathematical merits. Yet even in this environment, it could not escape eventual philosophical, religious, and political controversies. This book shows how Copernicus's astronomy changed from an alternative cosmology into an established worldview in the Dutch Republic. Name on front fly leaf, otherwise bright and clean.

Hardcover. Montreal, McGill-Queen's University Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth stamped in black. 164 pages. The Career of Toleration considers the Locke-Proast controversy from the standpoint of political theory, examining Locke's and Proast's texts and tracing their relationship to later discussions of toleration. Vernon reconstructs the grounds of the dispute, drawing attention to the long-term importance of the arguments and evaluating their relative strength. He then examines issues of toleration in later contexts, specifically James Fitzjames Stephen's critique of John Stuart Mill, the perfectionist alternative to contractualist liberalism, and the view that the traditional attachment to toleration must, by the force of its own arguments, move from liberalism to a defence of a much stronger form of democracy. Arguing that Locke's and Proast's exchange marks a turning point in the intellectual history that has helped to structure the terms of modern political debate, Vernon presents a solid case for thinking that the exchange between Locke and Proast is as important for the twentieth century as it was for the seventeenth. Bright, clean copy.

Hardcover. Austin TX, University of Texas Press, 1st, 1962, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket. Foreword by George Orwell. Introduction by Christopher Fyfe. 241 pages. Reprints two books by Irish novelist Joyce Cary (1888-1957), "The Case for African Freedom" (1941) and "Britain and West Africa" (1946), and three shorter magazine pieces. Illustrated in black and white, with three maps of Africa. Cary was English novelist who served in the Nigerian political service.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. NY, The Century Co., reprint, 1905, Book: Very Good, Dust Jacket: None, Hardcover, gray-green cloth lettereed and decorated in gilt and black. 239 pages, Illustrated with 36 drawings by Frederic Dorr Steele. Frank Richard Stockton (April 5, 1834 ?- April 20, 1902) was an American writer and humorist, best known today for a series of innovative children's fairy tales that were widely popular during the last decades of the 19th century. Primarily a short story writer this is one of his few novels. A very clean, bight copy.

New York, Bedrick Blackie, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 30 pages. Color illustrations by author. Dust jacket price clipped. Clean copy.

Boston, Little, Brown and Company, 1st Book Club Ed., 1951, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine, book club embossed dimple on rear board, first book club with 1951 on both title and copyright page with no other printings noted. Same format and quality as first trade edition. Lacks dust jacket, bookplate inside front cover. Otherwise clean, very good.

Hardcover. NY, Doubleday & Company, 1st, 1957, Book: Very Good, Dust Jacket: Good, Hardcover. Very Good in dust jacket with mild edgewear, chipping. Short tear with tape repair in reverse side. Folio. 236 pages, 35 full color and 150 black and white reproductions. Brown cloth in price clipped dust jacket. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Little, Brown & Company, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, decorated binding; designed by Decorated Designers (DD). No dj. Cover lettering and design intact, with some loss of gold, but lettering has disappeared from the spine. About 50 pages of black and white photos. A vivid and intimate record of Chinese life, revealing its glamour and fascination, its callousness and disregard of human values. Minor foxing to front endpapers. Clean copy.

Hardcover. NY, Viking Press, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with dark maroon stamping, 236 pages. Illustrated with sixteen full-page black and white drawings by Seredy. The dramatic and heart-warming tale is set first on an estate in Hungary near the end of WW II, and then on a farm in the Hudson Valley, New York. Young Michael of Hungary carries an acorn all the way from his castle home in Chestry Valley, Hungary, to the warm soil of the Hudson Valley farm where he makes a new home after the war. He is accepted into an American family who accept Michael as one of their own. A compelling character is Midnight, the black stallion that has been trained to perform before princes. Bright, tight copy. Lacks dust jacket.

Hardcover. Edinburgh and London], William Blackwood and Sons, 1st, 1879, Book: Very Good, Dust Jacket: None, Two volumes bound in one, original half leather binding, marbled boards, leather corners. Red leather label on spine with gilt title, raised bands with ornate design in gilt. Marbled design on edges of text block, marbled endpapers. By the Author of 'A Modern Minister'. vi + 480 +474 pages. wood-engraved frontispiece and five plates in each volume, by the Dalziels (possibly after Frederick Sandys). 'A Modern Minister', also by Durrant, was the only other novel published under the series title of 'The Cheveley Novels'. It appeared in four volumes, in the same large format, between 1877 and 1879. Corners show wear, otherwise a clean, bright copy.

Hardcover. Boston, Lee and Shepard, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, brick red cloth with white and black design on front cover. 219 pages, 8 b&w plates by Bertha Davidson. Rear cover rubbed, internally clean.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1882, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with red, black, and gilt embossed spine title, cover title, and bright cover illustration and decoration. Boards have beveled edges. All edges gilt. 70 pages, tissue-guarded frontispiece, 30 full-page illustrations; artists include A.B. Frost. Howard Pyle. Fredericks, J. S. Davis and others. A ballad written in Paris in 1841 at the time of the second funeral of Napoleon and is a narrative of French military history. Slender piece of cloth chipped away on rear cover, otherwise clean, very good.

Hardcover. NY, Holt Rinehart Winston, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 204 pages. Stated first edition. White cloth spine, orange cloth boards, gilt/black titles. With numerous B&W stills in text. Chronological filmography through Clockwork Orange (1971) Includes Chapter Notes. No dust jacket. Bright, clean copy.

Hardcover. NY, Grosset & Dunlap, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, lavender cloth with black lettering and design. End papers show the Dana girls reading a letter printed in dark green. Nancy Drew titles listed to The Mystery of the Ivory Charm. Name on inside front cover, otherwise a clean, bright copy.

Hardcover. Washington DC, Counterpoint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 642 pages. Hailed in 1849 as "a new department in the literature of civilization," the slave narrative forms the foundation of the African American literary tradition. From the late-eighteenth-century narratives by Africans who endured the harrowing Middle Passage, through the classic American fugitive slave narratives of the mid-nineteenth century, slave narratives have provided some of the most graphic and damning documentary evidence of the horrors of slavery. Riveting, passionate, and politically charged, the slave narrative blends personal memory and rhetorical attacks on slavery to create powerful literature and propaganda.The Civitas Anthology presents the seven classic antislavery narratives of the antebellum period in their entirety: The History of Mary Prince, a West Indian Slave , the first slave narrative published by a woman in the Americas; The Confessions of Nat Turner , written when Turner was asked to record his motivation for leading the bloodiest slave revolt in U.S. history; The Narrative of the Life of Frederick Douglass , an international bestseller and the first narrative to fashion the male fugitive slave into an African American cultural hero; The Narrative of William W. Brown , an account that explored with unprecedented realism the slave's survival ethic and the art of the slave trickster; The Narrative of the Life of Henry Bibb , the story of the struggles of the most memorable family man among the classic slave narrators; Running a Thousand Miles for Freedom , a gripping chronicle of one of the most daring and celebrated slave escapes ever recorded; and Incidents in the Life of Slave Girl , a dramatic text that exposed the sexual abuse of female slaves and pioneered the image of the fugitive slave woman as an articulate resister and survivor.Born out of lives of unparalleled suffering, the slave narrative captures all the bravery, drama, and hope that characterized the African American struggle against slavery. From these beginnings came some of the most influential novels in American literature, for the works of writers such as Harriet Beecher Stowe, Mark Twain, and Toni Morrison owe much of their power and social resonance to the slave narrative tradition. The Civitas Anthology gathers the most important narratives in this tradition into one volume for the first time, an indispensable resource for scholars, students, and general readers. Clean copy.

Hardcover. Cleveland, World Publishing Company, 1st, 1966, Book: Very Good, Dust Jacket: Good, 336 pages. Hardcover. Previous owners name on front endpaper. Includes cartoonists: John Held, Jr., Charles Keene, George Herriman, A. B. Frost, Peter Arno, Saul Steinberg, Charles Addams, Virgil Partch, William Steig, Gerald Scarfe, Shel Silverstein, Tomi Ungerer, and more. Black & white illustrations. Dust jacket with chipping along edges. Clean, unmarked pages.

Softcover. Houston, TX, Museum of Fine Arts Houston, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 93 pages, illustrated throughout in color and b&w. White stiff wrappers, black/red titles. Light wear to edges and spine, front cover slightly sunned, small tear to spine, else a very nice, clean, tight copy.

Hardcover. Stratford-on-Avon, Shakespeare Head Press, Ltd. Ed., 1908, Book: Very Good, Dust Jacket: None, Eight hardcover volumes. The complete set published in an edition of 1060 copies. This set bound in gray boards with green cloth spines. Black lettering to spines, title pages in red and black, untrimmed edges. Mild wear to boards, Vol. 6 with cracked hinges and some pencil marking, otherwise a clean set. PLEASE NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Metropolitan Museum of Art/ The Viking Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. In addition to being one of the preeminent American photographers of the late 19th and early 20th centuries, Alfred Stieglitz was an avid collector of the works of other photographers. From 1894-1910, he collected over 650 prints from a variety of photographers. He donated 400 of these to the Metropolitan Museum of Art in 1939, and the balance was given in a bequest to the museum in 1949. Photographers included in the collection include Edward Steichen, Gertrude Kasebier, Baron de Meyer, Ansel Adams, Eliot Porter, and Julia Margaret Cameron. This substantial volume was produced by Weston Naef, who was Associate Curator of Prints and Photographs at The Metropolitan Museum of Art. It includes a black-and-white reproduction of all the photographs in the Stieglitz Collection, some full-page and many in smaller size. It also includes details about, and portraits and signatures of each of the painters. Small closed tears to dust jacket, otherwise a clean, bright copy.

Kentucky, Collector Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards illustrated in color. 252 pages. Black & white and color photographs.

London, Published at the Punch Office, 1st thus, 1846, Book: Very Good, Dust Jacket: None, Hardcover, 252 pages of text. Full tan leather binding with elaborate decorative gilt tooling on spine and gilt ruling on edges of boards. Maroon leather spine labels. Original purple publisher's cloth is bound in at the rear (front cover and spine only). Title page is printed in red and black. Frontis portrait and title page engraving by Cruikshank. The first one volume edition. The classic parody of the Commentaries, it went through numerous English and American editions. Cruikshank was the leading English illustrator and caricaturist of his day. He is best known for work for William Hone and Charles Dickens. Lovely copy.

Softcover. New York, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 300 pages. Softcover with light edgewear to paper wrappers. Clean, tight copy. Color and black and white illustrations throughout. The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art.

Hardcover. Minneapolis, University Of Minnesota Press, 2nd pr., 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 pages, color and b&w illustrations. The haunting cry of the loon has for centuries fascinated people living in or near wilderness in northern parts of the world. The loon's call, its ability to dive, and its distinctive black and white feather pattern appear again and again in the myths and legends of North American Indians. There is included a disc recording of common loon vocalizations. Clean copy.

Softcover. NY, Black Dog & Leventhal , 1st thus, 2006, Book: Very Good, Dust Jacket: None, Softcover. In fine unread condition, complete with two unopened disks featuring all 68,647 cartoons ever published in the magazine. Easy to browse CDs allow the reader to find cartoons by favourite artists, subject and date. 650+ flawless pages of cartoons spanning 8 decades, complete with an index of the artists.

Hardcover. Princeton WI, Remco/Kitchen Sink Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 95 pages in color, black cloth covers, bright and unclipped dust jacket. Introduction by Art Spiegelman. Cliff Sterrett was one of the outstanding newspaper cartoon artists in the formative period of this 20th Century art: a skilled draftsman, borderline (and sometimes over the line) surrealist, and humorist.

Hardcover. Seattle, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, mostly b&w, some color, 472 pages. The Venus in Furs, Casanova, and Milanese photographer Valentina embark on erotic adventures in this collection of classic Italian comics which spans 1977-1989. The character Valentina, a music, art, and fashion-loving Milanese photographer, ages in "real time." First, she saves Effi, a German heiress, from kidnappers, and they become lovers. Valentina also has an affair with Bruno, a young cellist. Dangerous Liaisons follows our heroine into middle-aged home life with her longtime partner, Phil, with whom she has a grown son, Mattia. Two of Crepax's lauded graphic adaptations: "Venus in Furs" and "The Memoirs of Casanova" are featured in this volume. Black & white illustrations. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. As the 1970s wind down, the last two recurring Peanuts characters have fallen into place: Snoopy's brother Spike and the youngest Van Pelt sibling, Rerun. But that doesn't mean Schulz's creativity has diminished. For instance, in an epic five-week sequence, when Charlie Brown, found guilty by the EPA of biting the Kite-Eating tree, he goes on the lam and ends up coaching the "Goose Eggs," a group of diminutive baseball players, Austin, Ruby, Leland, and -did you know there was a second Black Peanuts character, aside from Franklin?-Milo. Also: a tennis-playing Snoopy ends up reluctantly teamed with the extreme Type "A" athlete Molly Volley... who then reappears later in the book, nowfacing off against her nemesis, "Crybaby" Boobie. All in addition to the usual cast of beloved characters.

Hardcover. San Diego, Idea & Design Works/IDW, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Celebrating the centennial of cartoonist Milton Caniff's birth, IDW Publishing published a six-book series, collecting the entirety of Caniff's groundbreaking newspaper adventure strip Terry and the Pirates. The Sunday pages are reproduced in their original color, alongside the daily black-and-white strips. Volume One contains more than 800 consecutive strips, from the series' beginning in October 1934 through the end of 1936.

Hardcover. West Plains MO, Russ Cochran, 1st, 1982, Book: Very Good, Hardcover Very Good+ Two volume set in a slipcase. Volumes entitled: Weird Science-Fantasy No. 23-29 and Incredible Science Fiction No. 30-33. Black and white reproductions of the comics with color reproductions of the covers. Featuring tales by Frank Frazetta, Wally Wood, Al Williamson, Reed Crandall, and Joe Orlando.

Hardcover. Stanford CA, Stanford University Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers, black lettering to spine, 288 pages. About 1307 a remarkable woman in Japan sat down to complete the story of her life. The result was an autobiographical narrative, a tale of thirty-six years (1271-1306) in the life of Lady Nijo, starting when she became the concubine of a retired emperor in Kyoto at the age of fourteen and ending, several love affairs later, with an account of her new life as a wandering Buddhist nun. Through the vagaries of history, however, the glory of Lady Nijo's story has taken six and half centuries to arrive. The Confessions of Lady Nijo or Towazugatari in Japanese, was not widely circulated after it was written, perhaps because of the dynastic quarrel that soon split the imperial family, or perhaps because of Lady Nijo's intimate portrait of a very human emperor. Whatever the cause, the book was neglected, then forgotten completely, and only a single manuscript survived. This was finally discovered in 1940, but would not be published until after World War II in 1950. This translation and its annotations draw on multiple Japanese editions, but borrow most heavily from the interpretations offered by Tsugita Kasumi. No dust jacket. Name on front fly leaf, otherwise a bright, clean copy.

Softcover. Lincoln NE, University of Nebraska Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 311 pages. A 1913 novel about a black homesteader in South Dakota based on the author's experiences in the midwest as a young man. He later went on to fame as a celebrated early filmmaker. Clean copy.

Softcover. Berkeley CA, Black Lizard Books, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, mass market paperback, 125 pages. A teenage girl is raped and murdered. A father turns his back on his son. A vicious press lord turns justice into a carnival. A terrified boy is railroaded. In the twisted world of Jim Thompson, everyone is guilty, and the worst crimes are unpunishable. Bookseller's stamp on inside front cover, price stamp on first page.

NY, Harper & Row, 1st US, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with some rubbing to rear panel. 133 pages. Black & white illustrations by Laszlo Kubinyi. When Bridget sees her younger brother, Simon, standing at the window under a full moon, begging unseen musicians to allow him to come back, then hears a careless remark made by an angry old woman, she begins to suspect that he is a changeling, a fairy child sent to replace her real brother, abducted in infancy. This would explain his volatile personality---sweet and coaxing one minute, angry and vicious the next---and his refusal to go near her blacksmith father's forge.Clean copy.

NY, Viking Press, 3rd pr., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black and white drawings by Harold Berson. The story of Camilla, a camel who dances.

Hardcover. Boston, Little, Brown and Company, 1st US, 1945, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with front and spine printed in black and gilt, 417 pages. This volume publishes his speeches, broadcasts, messages, statements, and letters made, sent, and issued between 22 February and 31 December 1944. A full and momentous year, 1944 included the Normandy invasion, the largest amphibious operation in history, which re-established the Allied military presence in German-occupied Europe. Light spotting to covers, otherwise clean.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. NY, Macmillan, 2nd pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 127 pages; black and white illustrations. Discusses American birds of prey, such as eagle, hawk, osprey, and falcon, giving technical information as well as anecdotes of the author's experience with them. Clean copy.

Hardcover. NY, Charles Scribner's Sons, reprint, 1929, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with pictorial cover label, 462 pages. 9 color plates, title-page & eps illustrated by N.C. Wyeth. Bookplate on front endpaper. Title page has a tear with tape repair. Otherwise clean.