Hardcover. New York, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. 330 illustrations, including 150 plates in full color. Black cloth, gilt lettering to spine. Beautiful pictorial dust jacket. A very clean, tight and crisp copy. Like New.

Hardcover. NY, Filipacchi, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages, 700 black and white photographs. Foreword by John Lithgow. Introduction by Jean-Louis Ginibre. Index and Credits. Female impersonators in motion pictures.

Hardcover. New York, Dodd, Mead & Company, NA, ND, Book: Very Good, Dust Jacket: None, Non-paginated. Black & white illustrations. Pink endpapers. Preliminary page missing. Inscription at top of title page. Cover features image of girl and boy near a tree; decorated in red, blue, black, and gold. Some light rubbing at top and base of spine, and corners. Clean, tight copy.

Hardcover. NY, Alfred A. Knopf, 1st US, 1932, Book: Good, Dust Jacket: None, Hardcover, First American Edition. 327 pages, orange cloth boards. Green and black stamping to spine, black lettering on front cover. Shelf worn copy with some light rippling to the cloth on spine and rear cover. The final novel by English author D. H. Lawrence, which was first published privately in 1928, in Florence, Italy, and in 1929, in Paris, France. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial. This is the sanitized "Authorized Abridged Edition". Clean copy.

Hardcover. NY, William Faro, Inc., 1st thus, 1930, Book: Good, Dust Jacket: None, Hardcover. black cloth with title on spine label, 313 pages. A good+ copy of the first edition [1930 on the title page] of the William Faro pirated hard cover edition, lacking the dust-jacket. "Revised, 1930, by William Faro, Inc." on copyright page. No markings, edgewear to cloth covers, corners. mild wear to top of spine. Binding solid.

Hardcover. NY, St. Martin's, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tom Shephard is the new homicide detective in swanky Laguna Beach, California, and he's come to town from L.A. after killing a boy in a justifiable homicide. But the rep and the psychological baggage has followed him to Laguna Beach. Shephard has barely found his desk when he's called to the scene of a particularly brutal homicide in which the victim has been doused in turpentine and set ablaze. Shortly thereafter, a second victim is dealt a similar fate, and Shephard finds himself drawn into a complex mystery involving sex, blackmail and murder that stretches back forty years and that also involves members of his own family. Paper tanning slightly. Clean copy.

Hardcover. New York, Ballantine, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 390 pages. SIGNED BY GOODMAN ON TITLE PAGE. Blue boards, black spine with silver titles, illustrated dust jacket with mylar protective covering. Unmarked boards, beautiful dust jacket, spine stiff and tight, crisp pages. Twenty years ago, Jane Hudson fled the Heart Lake School for Girls in the Adirondacks after a terrible tragedy. The week before her graduation, in that sheltered wonderland, three lives were taken, all victims of suicide. Only Jane was left to carry the burden of a mystery that has stayed hidden in the depths of Heart Lake for more than two decades. Now Jane has returned to the school as a Latin teacher, recently separated and hoping to make a fresh start with her young daughter. But ominous messages from the past dredge up forgotten memories. And young, troubled girls are beginning to die again-as piece by piece the shattering truth slowly floats to the surface. . . .

Hardcover. NY, Longmans, Green and Co., 1st, 1939, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Potter. Light edgewear to jacket, 1" closed tear. Clean, tight copy.

Hardcover. Boston, Little Brown, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, black & white photos. 347 pages. Super bright copy with gilt design, lettering on cover. Top edge gilt.

Hardcover. New York, Council of Women for Home Missions and Missionary Education Movement of the United States ands Canada, 1st, 1924, Book: Very Good, Dust Jacket: None, 260 pages, hardcover. A study of the Appalachian Mountain dwellers. Gilt title on spine. Black-and white frontispiece photo intact. Mild soiling to boards, light bumping to corners as well. Mild age spotting to pages throughout. Unmarked. A bright and tight copy.

Hardcover. New York, Harper & Brothers, 1881, Book: Very Good, Dust Jacket: None, Hardcover. Two volumes. 441 and 474 pages. 235 black & white illustrations. Volume One has a map in rear pocket. Previous owner's bookplate on front end papers in both volumes. Rubbing to corners, spine, and covers. Corners a little bumped otherwise a bright, collectible set.

Softcover. Boulder CO, Westview Press , 1st US, 1993, Book: Very Good, Dust Jacket: None, Softcover, 360 pages. B&w illustrations. The period 1000 to 1630 was the most dynamic era in the history of the Mande- and West Atlantic-speaking peoples living between the bend of the Niger River and the Atlantic littoral. Many of the economic, social, and cultural patterns that evolved during those centuries remain of fundamental importance.This study delineates historical processes in the context of climate change, expanding trade networks, and widespread state-building. The long dry period, c. 1100-c. 1500, impelled Mande-speaking traders and blacksmiths to move progressively southward and westward, founding chapters of Mande "power associations" among host communities. Smiths and traders were followed by horse warriors who founded conquest states and imposed a tripartite social stratification. During the brief c. 1500-c. 1630 wet period, the southward movement of horse warriors was temporarily checked, but Europeans and Eur-Africans promoted an expanding trade in slaves that ravaged the peoples of western Africa during the centuries following. Landlords and Strangers provides a comprehensive synthesis of documentary and oral data and includes numerous extracts from contemporaneous sources to vividly portray the peoples and lands of western Africa.

Softcover. New York, Syracuse University Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover. 276 pages. Black and white photographs. Foxing on top edge.

Hardcover. Hamilton, Hancock County IL, Chas. Dadant & Son, 6th Ed., 1902, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth over boards, decorated on spine and front w/ gold varied titles, bees, honeyomb design. Two frontis. author portraits., one an etching the other a photo. With full plate illustrations in black and white, and throughout with textual line drawings and etchings. A wonderful book production published by the Dadant family, the pioneering firm that produced bee-keeping supplies and bee-related products since 1863. Lorenzo Lorraine Langstroth, the father of American apiculture, was also a clergyman and teacher, and is celebrated as the father of American beekeeping. First published in 1888. Rear hinge cracked otherwise clean and bright.

Softcover. New York, Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. A very clean, unmarked copy with only minor wear to edges. Black and white portraits of citizens of Indiana, taken over 4 decades.

Hardcover. Guilford,CT, The Lyons Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 492 pages. Here for the baseball fan, in one comprehensive volume, are Lardner's finest writings about baseball during its golden age. Out of a column written for The Saturday Evening Post evolved his most famous work, You Know Me, Al, which introduced the world to the bush-league pitcher Jack Keefe. Lardner's skills as the finest American humorist since Mark Twain are on full display in the stories "My Roomy," "Horseshoes," "Alibi Ike," and "The Yellow Kid." Also included are his outstanding journalistic pieces about the Chicago Black Sox World Series scandal of 1919 that chronicle his struggle to come to grips with a national betrayal, the memory of which still scars the sport to this day. LARDNER ON BASEBALL is a full, diverse, and exciting collection of works from a legendary writer who transformed a simple game into the stuff of great literature. Clean copy.

Hardcover. Boston, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth titled in silver on the spine, in a color pictorial dust wrapper. 183 & 1 pages, profusely illustrated in color and black & white throughout, including many full-page illustrations. Near fine. First edition. Produced in association with The Corcoran Gallery of Art with a foreword by David C. Levy and essays by Barbara Rose and Jacquelyn Days Serwer. Never opened, still in original shrink wrap.

Hardcover. Columbia, MI, University of Missouri Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 270 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white illustrations throughout. A tight copy.

Hardcover. London, Sampson Low, Marston, Searle Rivington, 1st, 1885, Book: Very Good, Dust Jacket: None, Hardcover, 328 pages, frontispiece engraving of Napoleon. Chronicles the political intrigue that propelled Napoleon from military leader to Emperor. Bound in three-quarter black leather over blue cloth, raised bands on spine, gilt decorations and lettering on spine. Top edge gilt, light corner wear.

Hardcover. Victor, Pollux Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover. SIGNED BY BOTH AUTHORS beneath hand numbered #338 of a limited edition of 500. Illustrated with black & white photographs. Clean, tight copy.

Hardcover. The Library of America, 1st pr., 1991, Book: Very Good, Dust Jacket: None, A first printing of the Library of America. Maroon cloth with spine printed in gilt. Patterned endpapers and attached blue ribbon bookmark. Ivory slipcase lettered and bordered in gilt. Later Works includes Black Boy (American Hunger) and The Outsider. Clean copy. Mild soil to slipcase.

Hardcover. NY, Macmillan , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover with color, black & white illustrations by Donald Carrick. Dust jacket price clipped.

Hardcover. NY, Frederick A. Stokes Company , 1st, 1933, Book: Good, Dust Jacket: None, Hardcover, rose color cloth stamped in black. 138 pages. Shelf-worn but solid. B&w cartoon illustrations by O. Soglow. Humorous memoir of the Inspector-General of Antiquities in Egypt and his camel. Ink name on front fly leaf otherwise clean.

London, Thames & Hudson, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY AUTHOR on the front fly leaf. 126 pages: 98 black and white illustrations and maps. Synopsis: A richly illustrated account of the historical background to, and life of T. E .Lawrence. Clean copy.

Hardcover. USSR, Raduga Publishers, reprint, 1983, Book: Very Good, Dust Jacket: None, Hardcover, 25 pages. Translated from the Russian by Irina Zheleznova. Black & white illustrations by Ivan Bilibin. Minor soiling to covers.

Hardcover. London, Picador, 1st UK, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 294 pages, black cloth with a bright, unclipped dust jacket. SIGNED BY HEMON on title page.

Hardcover. Woodbury NY, Barron's, 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 102 pages, b&w illustrations. Black cloth covers in a brght dust jacket. Clean, no markings.

Hardcover. Paris, Editions Albert Morance, 1st, 1953, Book: Very Good, Dust Jacket: Fair, 320 pages. Hardcover. Text in French. Illustrated with black & white photographs and drawings of decorative cast iron. Previous owners name and date written on front interior hinge flap. Dust jacket worn with tape repair, chipping along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Softcover. Paris, Librairie Floury, 1st, 1947, Book: Very Good, Dust Jacket: None, Softcover, gray wrappers with black and red lettering, 213 pages. Illustrated with black & white plates. Small tears at foot and crown of paper spine. Clean, tight copy. FRENCH TEXT.

Hardcover. Paris, Jardin des Modes, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, yellow pictorial boards, 14.25'' x 10.25'', black cloth spine. 48 pages. Color illustrations. Pictorial endpapers. First French edition of the third installment of the adventures of Babar, the orphaned elephant. An unusually bright, clean copy of a book often found in rough shape. Some mild soil to yellow boards. Beautful collector's copy.

Softcover. Philadelphia, William S. & Alfred Martien, 1st, 1863, Book: Very Good, Dust Jacket: None, Softcover, 20 page booklet, blue wrappers. Two black lines on front cover otherwise clean.

Hardcover. Oxford, Clarendon Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Volume 1: 403 pages. ISBN: 9780198250913 Volume 2: 375 pages. ISBN: 9780198250920Previous owner's name and information on flyleafs. Dust jackets unclipped, former bookstore's price tag on back covers of dust jackets. Some shelf wear to bottom of volume 1 dust jacket (see image). Black cover boards, gilt title on spines, excellent condition. Pages bright, spines straight, binding tight. Domestic shipping only.

Hardcover. NY, Assouline, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 400 pages. Illustrated in color, b&w. Very good flexi-cover (no dustwrapper as published) This book has chapters on skin stories; a planetary symbolism, the stuff of heroes, the black leather jacket, rebel rock, the age of ideals, leathersex, the body is staged, the triumph of accessories, leather in transformation.

Hardcover. New York, American Book Exchange, reprint, 1880, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black and gilt, 387 pages plus publisher's ads, color frontispiece depicting various organs of the body after drinking. This is an 1880 reprint of a book first published in 1879 as suggested by the author's postscript and the copyright date. Light fading to spine, small nicks to front cover otherwise clean, very good.

Hardcover. Philadelphia, David McKay, 1st thus, 1900, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering and black stamped detail to front board, gilt decorative detail/ lettering to spine, top edge gilt, portrait frontispiece with facsimile signature and dedication to David McKay with tissue guard, 2 pull-out sections of facsimile handwritten autobiography notes by author. Bright, clean copy.

Softcover. Rochester, Memorial Art Gallery University of Rochester, 1st, 2003, Book: Very Good, Dust Jacket: None, 112 pages. Softcover. Full color and black & white illustrations. Clean, tight copy.

Hardcover. London, Sherwood and Co., Later Edition, 1825, Book: Fair, Dust Jacket: None, 463 pages. Hardcover. Reprint edition dated 1825 - "A New and Improved Edition, Adapted to the Present State of Science by C. F. Partington". Illustrated with black & white drawings, diagrams. Body of book rebound in current covers at some point. Front hinge cracked, cloth tape along spine is weak, with faint remains of title label. Top 2" of title page missing. Light to moderate foxing to some plates/pages. Sold 'As-Is'.

Hardcover. New York, D.A.P./Distributed Art Publishers, Inc., 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. 168 pages. 84 black and white photos. Edited by: Sharon Helgason Gallagher. "Lee Friedlander`s exploration of one of photography`s most enduring genres began almost by chance, in the late 1970s, when a teacher colleague at Rice University in Houston lined up a regular schedule of nude models for his students. Almost immediately, Friedlander found that he preferred to photograph the models at their homes, and ingeniously deployed household objects such as bedside lamps, potted plants and sofa fabrics to play off against the angular poses of the models and the emphatic framing of the overall composition. "

Softcover. San Francisco, Fraenkel Gallery,, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. A collection of 77 black and white self portraits by Friedlander.

Hardcover. Manic D Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. A visual feast of black-and-white portraits capturing some of the most notorious rock and roll icons from the late 1970s and early 1980s: Sid Vicious, John Lydon, PIL, Patti Smith, Blondie, The Ramones, The Clash, Circle Jerks, The Dead Boys, Dead Kennedys, The Exploited, GBH, Killing Joke, Misfits, X, Richard Hell, Lydia Lunch, Red Hot Chili Peppers, and more.

Hardcover. London, Picador, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 185 pages. SIGNED BY AUTHOR (JOHN BANVILLE AS BENJAMIN BLACK) ON TITLE PAGE. Clean, bright copy.

Hardcover. New York, Simon & Schuster, First Edition, 2017, Book: Very Good, Dust Jacket: Very Good, 599 pages. Hardcover. Wine cloth boards with gilt titles to spine & illustrated, sepia toned endpapers. Profusely illustrated in full color & black & white, images beautifully presented to accompany text. Bright dust jacket with marginal wear. Clean & unmarked copy.

Hardcover. Cambridge, Harvard University Press, First Edition, 1968, Book: Very Good, Dust Jacket: Very Good, 335 pages. Hardcover. Ivory boards with black printed titles to mustard cloth spine. Dust jacket with moderate toning & light wear to edges. Previous owner's signature to front flyleaf. Illustrations in bw throughout. Clean & unmarked copy.

Hardcover. Chicago, University Of Chicago Press, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover with dust jacket and slipcase. Full color and black & white illustrations. Beautiful copy with light sunning to dust jacket spine, Clean, tight copy. The technical problems with the Last Supper began as soon as Leonardo started to paint it. He jettisoned the traditional fresco technique of applying paint to wet plaster, a method unsuited to Leonardo's slow and thorough execution, and created the work instead with an experimental technique that involved painting directly on the dry plaster. With this renegade method, Leonardo rendered one of the most enduring painting techniques volatile and unstable. Added to this initial complication have been centuries of pollution, tourists, candle smoke, and the ravages of age, not to mention food fights in the refectory staged by Napoleonic soldiers and Allied bombs in 1943. By the middle of the twentieth century, the Last Supper was in desperate need of a complete restoration.Pinin Brambilla Barcilon was chosen to head this twenty-year project, and Leonardo, The Last Supper is the official record of her remarkable effort. It first documents the cleaning and removal of the overpainting performed in the other attempts at restoration and then turns to Barcilon's meticulous additions in watercolor, which were based on Leonardo's preparatory drawings, early copies of the painting, and contemporary textual descriptions. This book presents full-scale reproductions of details from the fresco that clearly display and distinguish Leonardo's hand from that of the restorer. With nearly 400 sumptuous color reproductions, the most comprehensive technical documentation of the project by Barcilon, and an introductory essay by art historian and project codirector Pietro C. Marani that focuses on the history of the fresco,

Softcover. Authors Choice Press, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations, 216 pages. Originally published in 1973 and covers the early and essential years of her life and career. The story of a shy girl from Mississippi who became a world opra star told in a sympathetic light.

Hardcover. New York, Felicie, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Lavishly Illustrated with 300 color and 50 black & white plates. Previous owners stamp embossed on title page. Light sun fading along top edge. Otherwise clean, tight copy.

Softcover. Paris, Mercvre de France, 1st, 1958, Book: Very Good, Dust Jacket: None, 265 pages. INSCRIBED TO ROGER SHATTUCK BY AUTHOR ON FRONT ENDPAPER. With black & white illustrations by: Pablo Picasso, Jean Bazaine, Jacques Villon, Antoni Clave, and others. Spine paper with light sun fading. Clean, tight copy.

Hardcover. New York, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 595 pages, with black & white photographs. Minor dust jacket edge wear, otherwise, very clean and tight. In the course of his flamboyant career as an all-purpose activist, Saul Alinsky went from organizing working-class ethnics in one of Chicago's most blighted neighborhoods to mapping out strategies for the civil rights and antiwar movements of the 1960s. He enlisted allies-from Catholic clergymen to labor unionists and black activists-in battles waged against opponents from slumlords to the Eastman Kodak corporation. The range of Alinsky's activities, the intensity of his beliefs, and his exhilarating mixture of crudeness and calculation almost vibrate off the pages of this passionate and inspiring biography.

Hardcover. NY, Doubleday & Company, 1st, 1952, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. Book is very good, blue boards stamped in black. Lovely b&w photos by the author illustrate this volume celebrating the wildlife found in a brook. Clean copy.

Grand Rapids, The Fideler Company, 1st, 1951, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. 128 pages, endpapers map. Illustrated with black & white photographs.Clean copy.