Hardcover. NY, Charles Scribners Sons, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, 258 pages. Black and white Illustrations by Pyle. Tissue over frontispiece. Lettering on spine a bit faded. Light edgewear to covers. Back hinge partially cracked. Previous owner's signature on blank prelim page.

Hardcover. New York, Charles Scribner's Sons, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, mustard cloth stamped with red, black and gilt decoration, 258 pages, illustrated throughout in b&w line by Howard Pyle. Front hinge cracked, previous owner's bookplate on blank prelim page, otherwise clean, very good.

Hardcover. New York, Frederick A. Stokes, 1st US, 1899, Book: Very Good, Dust Jacket: None, Hardcover, 296 pages. Black & white illustrations by Gordon Browne and Lewis Baumer. Previous owners inscription on front endpaper. Green cloth covers with gilt titles on cover and spine. Illustration in white of children along a bannister on front cover. Copyright 1899, with no previous printings listed. Light foxing to some pages. Clean, tight copy.

Hardcover. Huntington, NY, Black Oak Publishers, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 117 pages. b&w illustrations throughout. Completes the cataloguing of Wengenroth's prints which began with "The Lithographs of Stow Wengenroth, 1931-1972", also by the Stuckeys. Cream cloth, light staining to upper edge. Pictorial endpapers. Dust jacket with light edge wear to back cover, otherwise a very nice, tight and well preserved copy.

Hardcover. NY, The Lyons Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 112 pages. A book of ninety exquisite and moving black & white photographs about the deep interior of the American West, stretching from the Mexican border to Montana. The world which photographer Lindy Smith has captured is a landscape of ranch-work, self-reliance and hard-won trust, a place as much defined by dogs, sheep, cattle and horses as by humans.

Hardcover. NY, Coward, McCann & Geoghegan, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Nice black & white illustrations by Thomas B. Allen. Excellent condition. Hardbound, dust jacket.

Softcover. Chicago, Dickery Company, 1st, 1936, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, pictorial orange & black wrappers. Includes 3-D glasses in pocket inside front cover. Six photographic images printed so that when viewed through supplied glasses they appear to have depth. Other illustrations in silhouette. Inscription on title page, otherwise clean.

Softcover. Seattle, WA, Fantagraphics Books, 2nd pr., 2002, Book: Very Good, Dust Jacket: None, 68 pages. Softcover with light wear to paper wrappers. Black and white illustrations by Gorey. Tight, clean copy.

Hardcover. Urbana IL, University of Illinois Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 162 pages, b&w illustrations. In the wake of Kristallnacht, November 9, 1938, Sigmund Tobias and his parents fled their home in Germany and relocated to one of the few cities in the world that offered shelter without requiring a visa: the notorious pleasure capital, Shanghai. Seventeen thousand Jewish refugees flocked to Hongkew, a section of Shanghai ruled by the Japanese, and they created an active community that continued to exist through the end of the war. Tobias's coming-of-age story unfolds within his descriptions of Jewish life in the exotic sanctuary of Shanghai. Depleted by disease and hunger, constantly struggling with primitive and crowded conditions, the refugees faced shortages of food, clothing, and medicine. Tobias also observes the underlife of Shanghai: the prostitution and black market profiteering, the brutal lives of the Chinese workers, the tensions between Chinese and Japanese during the war, and the paralyzing inflation and the approach of the communist "liberators" afterward.Richly detailed, Strange Haven opens a little-documented chapter of the Holocaust and provides a fascinating glimpse of life for these foreigners in a foreign land. An epilogue describes the changes Tobias observed when he returned to Shanghai forty years later as a visiting professor.

Hardcover. New York, Young Scott Books, 1st, 1964, Book: Very Good, Dust Jacket: Good, 72 pages. Hardcover. INSCRIBED BY AUTHOR on front end paper. Black & white illustrations by Julio de Diego. Edgewear. Dust jacket with fade to spine, small chunk missing from top of spine. Clear plastic protective cover.

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 265 pages, b&w illustrations. This first broad study of the relation between Vincent van Gogh's psychological development and his art stresses the creative rather than the pathological. chronology, section of black & white photographs, notes, selected references, index. Clean copy.

Hardcover. New York, Farrar, Straus, Giroux, Book Club Ed., 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket.158 pages. Black & white illustrations by Jamie Wyeth. Clean, tight copy.

Softcover. London/NY, Verso, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 403 pages, b&w illustrations. In this new edition of his memoirs, Tariq Ali revisits his formative years as a young radical. It is a story that takes us from Paris and Prague to Hanoi and Bolivia, encountering along the way Malcolm X, Bertrand Russell, Marlon Brando, Henry Kissinger, and Mick Jagger. Ali captures the mood and energy of those years as he tracks the growing significance of the nascent protest movement. This edition includes a new introduction, as well as the famous interview conducted by Tariq Ali and Robin Blackburn with John Lennon and Yoko Ono in 1971. Clean.

Softcover. Berkeley, Black Lizard, reprint, 1987, Book: Very Good, Dust Jacket: None, Paperback, tight and square, clean and bright. Unread mass market reprint of the 1954 Goodis classic. A nice copy of this Black Lizard reprint.

Hardcover. New York , Harper and Brothers, 1st, 1934, Book: Good, Dust Jacket: None, 276 pages, hardcover. Black cloth covers with red decoration. Small library stamp on title page, otherwise clean.

Hardcover. Harrisburg, Stackpole Company, 1st, 1961, Book: Good, Dust Jacket: None, 322 pages. Hardcover. Features 16 pages of black & white photographs. Notations in red pencil on 2 maps - pages 92 and 97. Light wear to yellow cloth covers. No dust jacket.

Softcover. Atglen, PA, Schiffer Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 160 pages. Softcover with light edgewear to paper wrappers. Clean, tight copy with black and white photographs throughout.

Hardcover. Cambridge, The MIT Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Black & white illustrations throughout.Light foxing to edges, pen markings on a couple pages. Dust jacket with shelf wear, small tears to edges. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.

Hardcover. NY, Rizzoli International, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, folio, 394 pages, 250 color and black and white Illustrations. Black cloth stamped in silver and gold gilt. There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. Now, in the first official book on the legendary club, co-owner Ian Schrager presents a spectacular volume brimming with star-studded photographs and personal stories from the greatest party of all time. From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous and creative people in the world. It quickly became known for its celebrity guest list and uniquely chic clientele. From the cutting-edge lighting displays to its elaborate sets, it was the beginning of nightclub as performance art. Now, Studio 54 explores this cultural zeitgeist and gives us Schrager's personal firsthand account of what it was like to create and run the most famous nightclub of our age. With hundreds of photographs, many of which have never been seen before, of the celebrities and beautiful people and engaging stories and quotes from such cultural luminaries as Liza Minelli, David Geffen, Brooke Shields, Pat Cleveland, and Diane von Furstenberg, this exciting volume depicts the wild energy and glittering creativity of the era. One of the most important cultural landmarks of the twentieth century, Studio 54 continues to inspire with its legendary glamour. This exhilarating volume is a must-have for style and fashion aficionados today. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Rizzoli International, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, folio, 394 pages, 250 color and black and white Illustrations. Black cloth stamped in silver and gold gilt. There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. Now, in the first official book on the legendary club, co-owner Ian Schrager presents a spectacular volume brimming with star-studded photographs and personal stories from the greatest party of all time. From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous and creative people in the world. It quickly became known for its celebrity guest list and uniquely chic clientele. From the cutting-edge lighting displays to its elaborate sets, it was the beginning of nightclub as performance art. Now, Studio 54 explores this cultural zeitgeist and gives us Schrager's personal firsthand account of what it was like to create and run the most famous nightclub of our age. With hundreds of photographs, many of which have never been seen before, of the celebrities and beautiful people and engaging stories and quotes from such cultural luminaries as Liza Minnelli, David Geffen, Brooke Shields, Pat Cleveland, and Diane von Furstenberg, this exciting volume depicts the wild energy and glittering creativity of the era. One of the most important cultural landmarks of the twentieth century, Studio 54 continues to inspire with its legendary glamour. This exhilarating volume is a must-have for style and fashion aficionados today. DOMESTIC SHIPPING ONLY.

Hardcover. London, Argus Books, 1st, 1930, Book: Very Good, Dust Jacket: Good, 391 pages. Hardcover with dust jacket. B&w illustrations by Frank Pape. Dust jacket faded on spine, chipped. Cover boards have minor wear to black covers. Gilt lettering. Numbered 1490/1500 American copies. Internally good, and over all clean tight copy.

Hardcover. Toronto CA, McClelland & Stewart, 1st Canadian, 1938, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering, 312 pages. "An Englishman's home may be his castle, but to Sir Buckstone Abbott, Walsinford Hall was nothing but a blot on the landscape. With its glazed red bricks, its dome and minarets, it so jarred upon his sensitive soul that it was his avowed intention to unload the unsightly pile on the first prospective buyer. His chance came when the Princess von und zu Dwornitzchek expressed the opinion that the Hall was 'cute' and began toying with the idea of purchasing it." Clean, tight copy.

Softcover. NY, Hans P. Kraus, Jr., 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 115 pages. Black and white reproductions of photos throughout. A catalog of early photographs offered for sale by Hans P. Kraus, Jr., focusing on the work of photographer William Henry Fox Talbot. This includes scholarship on his life, work and associates. Clean copy.

Hardcover. Berkeley, University of California Press, 2nd pr., 1970, Book: Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 412 pages with index. Frontis. map. Ex-lib with stamping to edges and endpapers, name on front fly leaf.

Hardcover. New York , Dial, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 32 pages, color illustrations by Jerry Pickney.

Hardcover. Daylight Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. 144 pages. 55 black and white photographs. The world of Bruce Haley is not for the faint-hearted. Bruce has traveled the globe photographing some of the darkest moments that only the intrepid want to face and visiting his website is a nail biting experience.SUNDER is a stunning exploration of the former USSR and other Iron Curtain countries, but equally as interesting are the accompanying essays, in particular, the wonderful piece by Andrei Codrescu (you may be famliar with his essays read on NPR), and by Kirsten Rian. He is a master photographer showing us the pathos and beauty of a culture that has been ravaged by war and turmoil. His eight year photographic investigation is a stark perspective of the collapse of the communist empire, but Bruce shares it on a human scale.

Hardcover. Daylight Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. 144 pages. 55 black and white photographs. The world of Bruce Haley is not for the faint-hearted. Bruce has traveled the globe photographing some of the darkest moments that only the intrepid want to face and visiting his website is a nail biting experience.SUNDER is a stunning exploration of the former USSR and other Iron Curtain countries, but equally as interesting are the accompanying essays, in particular, the wonderful piece by Andrei Codrescu (you may be famliar with his essays read on NPR), and by Kirsten Rian. He is a master photographer showing us the pathos and beauty of a culture that has been ravaged by war and turmoil. His eight year photographic investigation is a stark perspective of the collapse of the communist empire, but Bruce shares it on a human scale.

Hardcover. NY, David McKay , 1st, 1952, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth stamped in black. 158 pages, illustrations and text in brown. Dust flap taped to inside front cover. Otherwise a clean copy.

Hardcover. New York , DC Comics, 1st thus, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Light edgewear to dust jacket, else a clean, tight copy. Reprints early Superman stories in which the Man of Steel deals with corrupt officials, black-marketeers, and costumed villains with occasional help from Lois Lane. Color illustrations.

Hardcover. New York , DC Comics, 1st thus, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Light edgewear to dust jacket, else a clean, tight copy. Reprints early Superman stories in which the Man of Steel deals with corrupt officials, black-marketeers, and costumed villains with occasional help from Lois Lane. Issues 5-8 of Superman comics. Color illustrations. Still in publisher's shrinkwrap.

Hardcover. New York, William Morrow & Company, Inc., 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. History and analysis of the American artistic phenomenon of Superrealism. Contains 72 color plates and 68 black/white plates as well as notes on particular artists. Very good condition; no internal marks, slight wear on the edges of the dust jacket.

Hardcover. Boston, New York Graphic Society/ Little, Brown and Company, 1st, 1986, Hardcover in a bright. price-clipped dust jacket. Monograph to accompany an exhibition curated by Newhall and James Enyeart, with a catalog raisonne and a general selection of full page black and white (with some color) images. One of the best of the Weston monographs, with careful attention to the range, quality and meaning of his work. 123 plates plus frontis photo of Weston in the field with his 8x10 on tripod. Clean copy.

Hardcover. New York , Bobbs-Merrill Co. , 1st, 1941, Book: Good, Dust Jacket: None, Hardbound, 132 pages. Tall book. red cloth covers. Black & white illustrations by Evatt. Mild waterstains to covers. Spine faded. Corners a bit bumped. A charming story set on the island of Orleans in the St. Lawrence River near Quebec, against the backdrop of the opening years of World War II.

Hardcover. Philadelphia, J. B. Lippincott Company, 5th pr., 1931, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in black, 343 pages, 2-color endpapers map, b&w illustrations by Helene Carter. Spine cloth faded otherwise a clean, tight copy.

Hardcover. NY, Knopf, 2nd pr, 2009, Book: Very Good, Dust Jacket: Very Good, 461 pages, hardcover with dust jacket. Biography of boxing legend. Mild fading along spine of dust jacket cover. Black-and-white photographs throughout. Rough-cut edges. Unmarked. A bright and tight copy.

Hardcover. New York, Philomel, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 215 pages. Hardcover with dust jacket. Light soil spot on bottom of page block. Dust jacket is protected in plastic, but has light abrasion to paper near bottom spine front. Clean, tight copy.

Hardcover. NY, Harper & Row , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 201 pages. Black & white illustrations by Julia Noonan. Yep's first book. Dust jacket edgewear and rubbing.

Boston, Little Brown, 1st thus, 1937, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with pictorial label on front, 6 color plates by Peter Hurd. Some light foxing to pages. No dust jacket.

Hardcover. NY, Pantheon, 1st, 1968, Book: Very Good, Dust Jacket: Good, 32 pages, boards. Story of a little black fish, the only one left from an entire school. 1964 Caldecott Honor Book. Color illustrations by the author. Small brown stain on front of dust jacket. Dust jacket edgewear and chipping.

Hardcover. Edinburgh, Floris Books, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover. Color, black & white illustrations by Anastaiya Archipova. Color illustration on front of glossy boards.

Hardcover. New York, Robert M. McBride & Company, First Thus, 1946, 162 pages. Hardcover. Green cloth covers with gilt titles to spine, light scuffing to boards, toning throughout. Previous owner's bookplate to preliminary pages. Black & white illustrations and photographs. Clean unmarked copy.

New York, Thomas Y. Crowell, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 82 pages. Black & white illustrations by David Palladini. Previous owner's signature front end paper. Dust jacket with mild edgewear.

Chicago IL, Albert Whitman & Co., 1st, 1944, Book: Good, Dust Jacket: None, Color and black & white illustrations by Margaret Ayer. 128 pages. Orange cover with green writing. Mild soiling to covers, edgewear. No dust jacket.

Softcover. Montreal, Drawn and Quarterly, 2nd, 2014, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Light edgewear to wrappers, Color, Black and white pictures throughout.

Hardcover. New York, Cambridge University Press, 1st US, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 190 pages. Illustrated with black & white photographs. Clean, tight copy. The documentary style that dominates American photography had its origins in the social reform publicity campaigns of the turn of the century. This book traces the history of this genre and its main participants, including Jacob Riis, Lewis Hine, Walker Evans, Dorothea Lange, Ben Shahn, and Russell Lee. Clean copy.

Hardcover. New York, Harcourt, Brace & Co., True 1st, 1938, Book: Good, Dust Jacket: None, Hardbound, 305 pages. Illustrated by Edward Shenton. Hinges cracked. Illustrated endpapers. Review stamp front fly leaf. Discoloration, soiling to covers. Orange cloth cover with black lettering and decoration. Corners worn, bumped.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with green and gilt stamping. A story of love, murder and suicide, described by one critic as "atmospheric to the verge of mystical." The novel concerns a woman named Felicia Lissell, who travels to Rhodesia with her aunt, to visit the farm of Dick Cardross, but she doesn't suspect that "dangerous social complications awaited her in the gay English colony nearby." The author, born Lilian Julian Webb in London in 1862, was a resident of Rhodesia (now Zimbabwe) from 1896. She achieved international recognition with the publication of her story collection "Virginia of the Rhodesians" in 1904, and went on to great success as the author of numerous novels. Owner's signature inside front cover otherwise clean. No dust jacket.

Hardcover. New York, Devin-Adair Company, 1st, 1953, Book: Good, Dust Jacket: None, Hardcover, decorated boards with a black cloth spine. 252 pages, b&w photographs, map end paper. Light edge wear, rubbing to covers. Hinges weak. Previous owner's signature on front fly leaf. Else a clean, tight copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering and design on spine and front cover. INSCRIBED BY AUTHOR on the front fly leaf. Additionally with a note to the title page stating she has hand-corrected some 20 errors in the printed text, unique thus. An epic poem "on the lives of a young composer-aviator and his intimates and casual acquaintances the accumulated wisdom and lore of the world in which we live." Winner of the Yale Poetry Award. No dust jacket. Mildred Dodge Jeremy Ingalls was an American poet and scholar of Chinese literature. In 1943, she received a Guggenheim Fellowship to work on her major poem, The Thunder Saga of Tahi, this being the result. Spine gilt faded.