Hardcover. New York, Junior Books- Doubleday Doran, 1st, 1940, Book: Good, Dust Jacket: None, Hardbound. Black & white and color illustrations by Holbrook. Previous owner's signature front endpaper. Soiling to covers. Tear at top of spine. Corners a bit bumped, rubbed.

Hardcover. Scranton PA, Newmarket, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 72 photos and 19 posters. Based on interviews conducted over a period of 18 months. Fascinating and instructive comments by Kazan on his casting decisions, directorial techniques and perceptions, etc. All 19 of Kazan's films are discussed, including: A Tree Grows in Brooklyn (1947), Gentleman's Agreement (1947), A Streetcar Named Desire (1951), On the Waterfront (1954), East of Eden (1955), etc. Also recounted here are his role in the McCarthy era, his controversial testimony before the House Un-American Activities Committee in 1952, his thoughts about the blacklist, and involvement with the Communist Party. Filmography. Credits. Bibliography. Index. Clean copy.

Hardcover. New York, Harcourt, Brace & World, Inc., 1st, 1967, Book: Very Good, Dust Jacket: Good, 192 pages. Hardcover. Ex. library copy with stamp to endpaper. Red cloth covered boards with black design & black printed titles to spine. Illustrated in black & white by Al Savitt. Dust jacket with dime sized chip to lower right corner, light toning & pen mark to price corner, non clipped. tone to top edge & light scuff marks to rear. Clean & unmarked.

Hardcover. Alpharetta GA, Black & White Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY AUTHOR on title page, also INSCRIBED by him on dedication page. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 281 pages, b&w illustrations. "For, Lo! We live in an Iron Age--In the age of Steam and Fire!" wrote a poet mesmerized by the engines that were transforming American transportation, agriculture, and industry during his lifetime. Indeed, by the nineteenth century fire had become America's leitmotif--for good and for ill. "Keeping the flame" was deadly serious: even the slightest lapse of attention could convert a fire from friendly ally to ravaging destroyer. To examine the cultural context of fire in "combustible America," Margaret Hazen and Robert Hazen gather more than a hundred illustrations, most never before published, together with anecdotes and information from hundreds of original sources, including newspapers, diaries, company records, popular fiction, art, and music. What results is an immensely entertaining and encyclopedic history that ranges from stories of the tragic "great fires" of the century to fire imagery in folktales and popular literature. Dealing more with technology than with fire in nature, the book provides a vast amount of information on fire manipulation and prevention in urban life. Hazen and Hazen discuss the people who worked with fire--or against it. Founders, gaffers, blacksmiths, boilers at saltworks, and housewives knew how to "read" a fire and employ it for their purposes. A few dedicated investigators inquired about the scientific nature of heat and flame. And firefighters gradually progressed from "bucket brigades" to "using fire to fight fire" with the newly invented steam engine. The colorful stories of these Americans--the risks they took and the rewards they received--will fascinate not only social historians but also a broad audience of general readers. Clean copy.

Hardcover. NY/London, Frederick Warne, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Black & white illustrations by Kurt Roschl. Dust jacket price clipped, spine faded, has light edgewear. Dust jacket is protected by a mylar cover. A Stone Age boy takes a far journey on the Great River (the Danube) to find special rocks (obsidian?) in an island in the sea.

Hardcover. New York, Friendship Press, 1st, 1928, Book: Very Good, Dust Jacket: None, 62 pages, color illustrations by Wood. Red cardboard covers with black lettering and drawing of African child. Front fly leaf missing, otherwise very good.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 624 pages, black and white illustrations. The diplomat and historian George F. Kennan (1904-2005) ranks as one of the most important figures in American foreign policy and one of its most complex. Drawing on many previously untapped sources, Frank Costigliola's authoritative biography offers a new picture of a man of extraordinary ability and ambition whose idea of containing the Soviet Union helped ignite the Cold War but who spent the next half century trying to extinguish it. Clean copy.

Hardcover. Cleveland, World Publishing, 1st, 1959, Book: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, mild soil to rear panel. In-depth biography of the author most well known for 'The Wind In The Willows', which also includes extensive information on the societal changes of the time. 399 pages with Index, Bibliography, and Notes, 6" X 8-3/4", several black and white photos through the text. There is small discard stamp on front fly leaf, no other markings.

Softcover. Chicago, Haase-Mumm Publishing, 1st, 1986, Book: Very Good, Dust Jacket: None, Black card covers with silver lettering, 9 X 12", 40 pages, 22 works reproduced in color, 4 b/w photographic reproductions. First edition. Love's text, "Kenneth Noland, Master of Modern Color" accompanies the reproductions.

Hardcover. New York, Random House, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 638 pages. Hardcover. Illustrated with black & white photographs. Minor rubbing to surface of dust jacket. Clean, tight copy.

Softcover. US, University of Kentucky Art Museum, na, 1981, Book: Good, Dust Jacket: None, 151 page catalog of the January 25-March 15, 1981, exhibition at the University of Kentucky Art Museum. Numerous black and white illustrations. Five color plates. Mild crease on front and back cover. No marking. Kentucky's Resident-painters: From the Ante-Bellum Era to World War I by Arthur F. Jones; In Pursuit of Success: Kentucky and the Visiting Artist, 1805-1865 by Bruce Weber; Selected Bibliography; Catalog Entries; Illustrations.

Hardcover. Washington, D.C., National Rifle Association of America, 1st, 1924, Book: Very Good, Dust Jacket: None, 124 pages plus 6 page reference index. Hardcover. INSCRIBED BY EDITOR KENDRICK SCOFIELD ON FRONT ENDPAPER. Black & white photographs and illustrations throughout. Gilt title and decoration on blue cover. Corner and edge wear and fray, minor foxing throughout. Rubbing along spine and edges of blue cloth covers. Unmarked pages and text.

Hardcover. Nairobi, The English Press,, 1st, 1954, Book: Good, Dust Jacket: None, Hardcover, blue cloth with black title on front, 117 pages + postscript. The Mau Mau, the black challenge to white supremacy and the need for British rule to remain in Kenya. Name on front fly leaf, light marking to margins on some pages.

Hardcover. Paris/NY, Editions Hazan / Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Catalogue of the exhibition 'Andre Kertesz' at Jeu de Paume, Paris (September 28, 2010-February 6, 2011). 359 pages. Profusely illustrated with black & white and color reproductions of photographs. This Hungarian photographer had a profound influence on mid 20th century artists like Brassai and H. Cartier-Bresson. A major exhibition catalogue devoted to his work in Budapest and New York. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY , Harper and Brothers, 1st, 1957, Book: Good, Dust Jacket: None, Hardcover, illustrated boards with black cloth spine. 32 pages illustrated by Chalmers in shades of pastels and b&w. Presumed first printing of this scarce title. Charming story of Kevin Rabbit who likes to garden, visits the city, makes friends with a white cat and some seagulls and has adventures. The boards have light tan spotting or foxing. Previous owner's inscription on first page, otherwise clean.

Hardcover. New York, Limited Editions Club, 1st Thus, 1938, Book: Very Good, Dust Jacket: None, 238 pages. Limited Editions Club. SIGNED AND HAND NUMBERED BY ILLUSTRATOR HANS ALEXANDER MUELLER ON LAST PAGE - THIS BEING #1472 OF 1500. Bound in rust colored cloth. Title in silver on black leather on spine. Slipcase slightly age darkened, with pea size chip missing from top left corner. A clean, bright copy.

Softcover. New York, Harry N. Abrams , reprint, 2002, Book: Very Good, Dust Jacket: Very Good, 263 pages, softcover with French flaps. A major contribution to the social and art history of Paris in the early 20th century. Heavily illustrated with black-and-white photographs. Minor rubbing and edgewear to wraps. Unmarked. A clean and tight copy.

Softcover. New York, Liveright, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Softcover with light edgewear to wrappers. Duotone comics throughout. Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective. In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don't make anymore.

Hardcover. Montreal, Drawn & Quarterly, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Color and Black/white comics. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Joliet/NY, The P. F. Volland Company, 1st, 1928, Book: Fair, Hardcover, pictorial boards with black cloth spine, 96 pages. Previous owners inscription on copyright page. Full color illustrations by Lucille Holling. Creasing along edge of pages 15-18 from top to bottom. Dime size piece of paper missing at bottom of page 65/66. Otherwise light wear, tear to one page, binding loose. No dust jacket.

Hardcover. Boston, Little Brown , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover. 32 pages illustrated in color by Grifalconi, Bright, unclipped dust jacket. Sissy, a pensive, round-faced, soft-eyed little black girl, mopes around her Georgia farm feeling neglected, lonely and "all grumpy-like." She is missing her father, who ". . . had died back when I was a baby girl." But her understanding uncle emerges from the fields, sees her sadness, and makes her feel better by reminding her that "we all be family." Uncle Dan knows that, just like his crops, she needs a little watering, a little love , and a little attention to shake off her blues. Sissy's Uncle Dan is able to cheer the little girl up when he takes her into the corn fields and points out to her how each and every one of the ears of corn is different from the other.

New York, Clarion, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 42 pages. Color illustrations by Dirk Zimmer. Even after his magical godfather sends him home from the Black Forest with a sackful of coins, a young man refuses to listen to his mother and be content with his simple life. Clean copy.

Hardcover. Boston/NY, Houghton Mifflin Harcourt, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Boston Globe reporter Haygood ( Two on the River ) weaves together interviews and research to create a nuanced yet vivid narrative about the crusading Harlem congressman who served in the House for 24 years and whose controversial behavior and womanizing often overshadowed his crucial contribution to the War on Poverty. Haygood astutely traces how the light-skinned Powell (1908-1972), who tried to pass as white when a Colgate student, later embraced his blackness and demanded acceptance in the white world. Mixing New York and national political history with Powell's rise as a Baptist minister and politician, Haygood adds deft cameos of characters like Hattie Dodson, Powell's devoted secretary, and Hazel Scott, the jazz star whose wedding to the divorced congressman was "the stuff of grand romance and intrigue." Expelled from Congress in 1966 for alleged misappropriations and an unpaid libel judgment, Powell, Haygood writes poignantly, was shunned by black leaders and, even after reinstatement by the Supreme Court, disparaged by many he had helped. Though less authoritative in assessing Powell's political milieu than Charles V. Hamilton's 1991 book, Adam Clayton Powell Jr.: The Political Biography of an American Dilemma , this is a richer portrait of Powell the man. Clean copy.

Hardcover. New York, D. Appleton and Co, 1st, 1890, Book: Very Good, Dust Jacket: None, 273 pages. Hardcover with no dust jacket. Silver gilt ornate decoration on front and spine. Previous owner's stamp on front fly leaf. Light soil on bottom spine, and light edgewear on edges. A period story set in the Okefenokee Swamp with illustrations by E.W. Kemble, including three images showing black people, and one scene of a dog fighting a cougar.

Hardcover. New York, E. P. Dutton & Company, First Edition, 1938, Book: Very Good, Dust Jacket: None, 107 pages. Hardcover. Previous owner's signature to front flyleaf. Black & white illustrations throughout. Dust jacket with moderate wear, tears to edges & chipping, now protected with a plastic cover. Toning throughout. Clean & unmarked.

Hardcover. New York, Random House, reprint , 1939, Book: Very Good, Dust Jacket: Good, Non-paginated. Hardcover with dust jacket. Contains black & white and red illustrations by Seuss. Some edgewear. Dust jacket with edgewear, chipping, creasing, small tears.

Hardcover. NY, Knopf, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with black design. Shows some minor wear but mostly a clean, nice copy. Black & white illustrations by Daugherty. No dust jacket.

Hardcover. NY, Black Dog & Leventhal, reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover, 143 pages. 41 superb photos of the early logging locomotives of the Northwest. Essay by John T. Labbe. Bright copy in a dust jacket.

Hardcover. Boston, Houghton Mifflin, 2nd pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos. 337 pages. Dj price clipped

Hardcover. Fort Worth, TCU Press, Reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes,. Volume 1 - 164 pages. Ceremonial Dance, Ritual and Song. Full color and black & white illustrations. Dust jacket in clear plastic protective cover. Clean, tight copy. Volume 2 - 323 pages. Myths, Legends and Folktales. Full color and black & white illustrations. Dust jacket in clear protective cover. Clean, tight copy.

Hardcover. New York, Thomas Y. Crowell, 1st, 1913, Book: Very Good, Dust Jacket: None, 125 pages. Red Cloth Boards. Front endpaper missing. Small black stain at top of front hinge. Foxing on top edge. Otherwise, clean, tight copy.

Hardcover. NY, Ungar, 1st Eng. transl., 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 76 pages. Transl. from German by Max Born. Black & white cartoon drawings by Busch. Decorative stain to top edge. Dust jacket edgeworn, chipped, closed tear.

Hardcover. Boston, Little, Brown and Company, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. Black and white pictures throughout. Clean, tight copy. More than 10,000 images reside in public archives and private collections, depicting every aspect of what popular historian Pierre Berton has called "one of the strangest mass movements in history." For this book, Berton selected 200 photographs, some iconic, some touchingly personal, and most previously unpublished.The Klondike Quest brings to life the panoramic drama of the great stampede for gold as seen by the ordinary gold-seeker. The photographs are beautifully reproduced and informatively and colorfully captioned. "One million people, it is said, laid plans to go to the Klondike. One hundred thousand actually set off. And so the Klondike saga is a chronicle of humanity in the mass.... For the next eighteen months, the Yukon interior plateau became a human anthill."

Hardcover. London, Pavilion, 1st UK, 1997, Book: Very Good, Dust Jacket: Very Good, 284 pages. Hardcover with dust jacket. Black & white illust. SIGNED BY ILLUSTRATOR MICHAEL FOREMAN on title page. Clean, tight copy.

Hardcover. New York, Four Winds Press, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover. Black & white illustrations by McDermott. Dust jacket with light soiling, edgewear, residue of price sticker on front panel.

Hardcover. Boston, Estes & Lauriat, reprint, 1891, Book: Good, Dust Jacket: None, Hardcover. 239 pages plus advertisements in back. Black & white illustrations. No illustrator named. Previous owner's signature on half-title page. Edgewear, chipping, scratchings to covers. Corners worn.

Softcover. Chino Valley AZ, Blacksmith Corp., revised ed., 1974, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, illustrated in b&w. Clean copy.

Hardcover. NY, New York Graphic Society, 1st US, 1966, Book: Very Good, Dust Jacket: Good, 251 pages. Hardcover with dust jacket. 2 color, 69 black & white plates. Light edgewear, chipping to dj. Tight copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards with a red cloth spine, color plates. Master cartoonist Charles Burns has never hidden his passion for comic books and pop culture from the 1950 and 1960s. Inspired by the romance, horror, and sci-fi comics of his youth, as well as the 1960s American underground, the author of Black Hole has created a collection of 80 original comic book covers that, through his own inimitable aesthetic, present an alternate universe of stories that never were, but that you will wish existed. The covers - some with otherworldly titles in alien letterforms, and others that riff on classic genres (Throbbing Hearts, Unwholesome Love) and eras (Drug Buddy, Huss) - each inspire a multitude of interpretations, build entire worlds, and suggest entire narratives that lie within their non-existent guts. This is Burns at his most playful, imaginative, and suggestive, using the format of the comic book to continue to explore many of the themes that run through all his longer-form work. Clean copy

Softcover. Seattle, WA, Fantagraphics, 1st, 2003, Book: Very Good, Dust Jacket: None, 120 pages. Light edgewear to wrappers. Color comics throughout. This volume finds Herriman flowering into the peak of his inventiveness, liberated at last from the constraints of his syndicate's chosen format. Gorgeous cartoons are augmented by rare bonus materials. This volume is one in a long-term plan to chronologically reprint the entirety of the 28-year run of Krazy Kat's breathtaking Sunday page, most of which has not seen print since originally running in newspapers 75 years ago. Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 120 pages. Light edgewear to wrappers. Color comics throughout. The heretofore black-and-white Sunday Krazy Kat returned in full spectacular color in June 1935, collected here from then through 1936, with a flood of rare color extras and a revelatory essay by Jeet Heer.

Hardcover. New York, Harper, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 560 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures in center. Black and white pictures throughout. Remainder dot on bottom edge.

Hardcover. New York, Alfred A. Knopf, 1st, 1949, Book: Good, Dust Jacket: None, Hardcover in tan cloth with dark green drawing and lettering on spine. 88 pages. Black & white and color illustrations by Brock. Soiling, spine and corners rubbed. Front hinge tender.

Hardcover. New York, Holt, Rinehart and Winston, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Illustrated with full color and black & white photographs. Dust jacket shows light wear. Clean, tight copy.

Hardcover. New York, Holt, Rinehart and Winston, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 239 pages. Illustrated with full color and black & white photographs. Clean, tight copy. Important career study of the late director that was first published in France. The book covers his films through "The Shining." Includes essays, interviews 100's of b&w & color stills & photos along with filmog. & biblio.

Hardcover. Jersey FR, Charles Le Feuvre, 1st thus, 1881, Book: Very Good, Dust Jacket: None, 420 pages, Green cloth binding with black stamping. Reimpression editee avec de legeres annotations. French text. Previous owner's bookplate, otherwise clean and tight copy.

Hardcover. Paris, Editions Charles Massin & Cie, 1st French, 1953, Book: Very Good, Dust Jacket: None, 176 pages. Illustrated with primarily black & white photographs. Darkening to endpapers. Black calf leather with raised bands on spine. Title in gilt on spine. Clean, tight copy. 16 color plates out of 131 total illustrations. Includes bw map. Text in French, translated from the original German by Maurice Muller-Strauss. The art of the central-latitude countries of the African continent. Includes (as named at the time of publication) Angola, Cameroun, Belgian Congo, Lower Congo, Ivory Coast, Gold Coast, Dahomey, Gabon, French Guinea, Liberia, Nigeria, Rhodesia, Sierra Leone, French Sudan, Togo, and Tanganyika. Map at back shows/lists these countries/territories, regional rivers, and local tribes.

Hardcover. New York, Viking Press, 1st US, 1965, Book: Very Good, Dust Jacket: Fair, Hardcover, 191 pages, gray boards with a black cloth spine. Dust jacket worn, chipped. Previous owner's name on inside rear cover.

Hardcover. New York, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. 330 illustrations, including 150 plates in full color. Black cloth, gilt lettering to spine. Beautiful pictorial dust jacket. A very clean, tight and crisp copy. Like New.