Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Softcover. New York, Christie's, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover. Non-Paginated. Illustrated with full color and black & white photographs. Clean, tight copy.

Softcover. NY, St Martin's Press, 3rd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, 9 3/4 " - 12" tall. Foreword by Ntozake Shange. 91 full-page plates in black-and-white by Robert Mapplethorpe; from the inside of the front cover: "Mapplethorpe's exquisitely printed pictures of both gay and straight males are explicit and erotic. In their use of flattering lights and lavish deep-toned printing, they openly declare their bold belief in the esthetic equality of the male as model. But Mapplethorpe's pictures ironically confirm the Kenneth Clark doctrine: despite their smart, gleaming finish, they hail the body divine in the most traditional manner--with the sexes swapped." Clean copy

Hardcover. Palm Springs CA, Palm Springs Art Museum, 1st, 2009, Hardcover, white boards with b&w photograph and black lettering. 263 pages with b&w photos throughout. No dust jacket, as issued. Catalogue from the exhibition held January to April 2009 in Palm Springs, June to September in Tucson, and Fall 2010 in San Jose. With an essay by Daniell Cornell.

Hardcover. Schirmer/Mosel, reprint, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 108 pages. A classic, indeed perhaps the best of the Mapplethorpe books. And for many most certainly the most typical Mapplethorpe, now available once again thanks to this re-edition. The Black Book, first published in 1986, presents 96 formally stringent and highly erotic nudes, all of them photographs of black men, either as full figures, or staged as details, as fragments of their bodies. Stylized as classical statues or provocatively in all their presence and sensuous radiance. Black-and-white photography was Mapplethorpe's preferred medium. And his obsessive aesthetics was based on completely mastering it, as this enabled him to visualize any number of tonal gradations and penetrate deep into the very pores of the gleaming black skin. It is a method that reached a climax in these images. The Black Book, Mapplethorpe s homage to the black male body, has always been one of the most important visual contributions to the discussion on beauty, sensuality, and sexuality in photography.

Hardcover. New York, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 585 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Black & white photographs throughout.

Hardcover. Oxford, Basil Blackwell, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with faded gilt lettering on spine. 191 pages, b&w frontis. of Hawker. Small name stamp on front fly leaf, otherwise clean copy.

Hardcover. London / NY, Nister / Dutton, Unknown, N.D., Book: Very Good, Dust Jacket: None, Hardcover, 6 brilliant chromolith plates + 80 Black & white drawings. 3 color and gilt illustrated cover. All edges red. Small town library bookplate, envelope in rear. Previous owner's inscription dated 1897. Very Attractive Copy.

Kansas City, Sheed Andrews and McMeel, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Color and black & white photos and Illustrations. Clean, tight copy. Dust jacket has small chip missing on front bottom.

Hardcover. Pantheon, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. Numerous black & white and sepia illustrations, a few in color. Details Rodchenko's art, photography and domestic design work in the context of a transformative period in Russian society.

Hardcover. New York, Harcourt, Brace, Jovanovich, Inc., 2nd Printing, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 448 pages. Illustrated with 16 pages of black & white photographs. Dust jacket with wear and darkening along top edge. Clean, tight copy.

Hardcover. New York, Harcourt Brace, 1st, 1934, Book: Good, Dust Jacket: None, Hardbound, red cloth with faded gilt lettering on spine, 237 pages. Black & white and color illustrations by Frank E. Schoonover. Mild soil to edges, covers. Historical fiction for young adults based on the life of Roland, warrior of France, nephew of Emperor Charlemagne. Clean copy.

Hardcover. New York , Dial, reprint, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A black family living in Mississippi during the Depression of the 1930s is faced with prejudice and discrimination which its children do not understand.

Hardcover. Bologna IT, Damiani , 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 128 pages. In 1978 two of Joseph Szabo's high school students invited him to join them at a Rolling Stones concert at JFK Stadium in Philadelphia. Sensing a promising photo opportunity, Szabo agreed, packing three 35mm cameras and plenty of black-and-white film. Some 90,000 Rolling Stones fans converged on the stadium for the concert, where Szabo captured them drinking, kissing, smoking, dancing and hanging out. Their young subjects transported by the music, the drugs, the alcohol and the community, Szabo's Rolling Stones Fans photographs show unguarded moments of absorption and abandon in the sublimity of the rock and roll gig. Still in publisher's shrinkwrap.

Hardcover. New York, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Large format, profusely illustrated review of Polanski's films, from Knife in the Water (1962) to Carnage (2011). Over 200 color and black-and-white images.Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. New York, Metropolitan Museum of Art, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket,110 pages, illustrated in color and b&w. Exhibition catalog bound in black cloth covers, gilt lettering on spine. Clean.

Hardcover. San Francisco, Pomegranate Communications, 1st US, October 2004, Book: Very Good, Dust Jacket: Very Good, Oversized. Black cloth cover, very little wear. Dust jacket has minor wear to edges and corners. Inside is bright and clean, many b&w photographs throughout. A nice copy.

Hardcover. San Francisco, Pomegranate Communications, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. San Francisco, Pomegranate Communications, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. San Francisco, Pomegranate Communications, 1st, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. New York , Parents Magazine Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 48 pages with b&w photos by Gloir Kitt Lindauer and Carmel Roth. Clean, bright copy with unclipped dust jacket, $3.95. Mild soil to jacket.

Hardcover. Boston, Houghton Mifflin, reprint, 1918, Book: Very Good, Dust Jacket: Good, Hardcover, gray/green cloth stamped with a black and white design. In a dust jacket with two chunks gone from spine. A naturalist ruminates on birds (mostly) and woodchucks in these essays on wildlife. B&w illustrations by R. Bruce Horsfall,Most of these pieces were previously published in magazines.

Hardcover. New York, Macmillan, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, 373 pages. Black & white illustrations. Previous owners name on front endpaper. Clean, tight copy.

Hardcover. Philadelphia, Edward Stern & CO., 1st, 1906, Book: Good, Dust Jacket: None, Hardcover, 16 full color plates, black & white line drawings by V. Floyd Campbell. 180 pages. Color plate of bears on front cover. Heavy wear to green covered cardboard covers. Pages browning.

Hardcover. Boston, Houghton Mifflin , 1921, Book: Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering and medallion on the front panel. 491 pages, frontispiece, 53 black and white illustrations throughout. "Hagedorn gathered bit by bit the story of Roosevelt's life as a ranchman; but the main sources of material were the men and women who were Roosevelt's companions and friends. This book details Theodore Roosevelt's experience in the Badlands of North Dakota after the deaths of his mother and wife. It gives a picture of what life was like in that area with the scenery, the hunting, the cattle business and other adventures." This is an ex-lib copy with stamping, name and residue to the endpapers. Interior is clean, very good. Rear endpaper with right side of Badlands map missing.

Hardcover. NY, Macmillan, reprint, 1930, Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering on spine, 373 pages. Black and white frontispiece, 15 black and white photos and illustrations. Reminiscences of the writer's relationship with Theodore Roosevelt with a focus on their early years, family, and acquaintances. Inscription on front fly leaf, otherwise clean.

Hardcover. NY, Harcourt, Brace & Company, reprint, 1967, Book: Very Good, Dust Jacket: Fair, Hardcover, red cloth stamped in black, dust jacker with large chip to front panel, edgewear. Omnibus volume including all the stories in "Rootabaga Stories" and "Rootabaga Pigeons" with the original illustrations by Maud & Miska Petersham. Originally published in 1951, copyright page code suggests a 1967 reprint. Clean copy.

Hardcover. Chicago, Rand McNally, Book Club, 1962, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth. 60 pages illustrated in 3-colors. A Parisian birdseller's pet turtle Rosalie goes missing, and Gaston the talking blackbird must help find her. Weekly Reader Edition. Clean, bright copy.

NY, Greenwillow Books, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color illustrations by Anita Lobel. Previous owner's inscription on front paste-down endpaper. Price blacked out on dust jacket front flap. "In this fine book in which text and illustration build upon each other...cumulative verse unites with watercolor illustrations to convey the simple story of a garden's solitude being overturned by a fieldmouse, a cat, and a once-slumbering bee."--School Library Journal.

Hardcover. Flagstaff, AZ, Northland Press, revised, 1984, Book: Good, Dust Jacket: Good, Hardcover, 107 pages. B&W and color plates. Illustrates beautifully the contemporary Southwest on canvas with vibrancy and refreshing perspective. Light blue pictorial cloth, silver lettering to spine. Dust jacket with minor wrinkles and smudges. Dust jacket folded off-center, otherwise a nice, clean and tight copy. "This comprehensive, expanded volume on Stefan and his work contains forty full-color reproductions of oils along with numerous black-and-white drawings, a panorama of the Southwest and a tribute to a fine painter."

Hardcover. Montpelier, Vermont General Assembly, 1st, 1927, Book: Very Good, Dust Jacket: None, 1665 pages, black leatherette binding with gilt lettering. Bright, clean copy.

Hardcover. Boston, DeWolfe, Fiske & Co., 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with yellow cloth spine, 344 pages. Undated, circa 1900 with name and 1902 date on front fly leaf. Well kept copy generously illustrated throughout with black and white engravings. Mild edgewear to boards. Clean, tight copy.

Hardcover. New York , E. P. Dutton & Co., 1st, 1941, Book: Good, Dust Jacket: None, Hardbound, 205 pages. Black & white illustrations by Howard Simon. Review slip laid in. Residue from paper clip front endpaper. Top corners a bit bumped. Light soiling to covers.

Hardcover. Northridge, CA, Lord John Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. Ltd to 275 copies (#269) SIGNED BY BOTH ERDRICH & DORRIS. No dust-jacket issued. Clean, bright copy.

Hardcover. Hatje Cantz, 1st, 2010, Book: Very Good, Hardcover, 208 pages. Between 1961 and 1968, at the height of the Pop art movement, Roy Lichtenstein (1923-1997) created about 50 large black-and-white drawings. Not only was their imagery, culled from consumer culture, entirely new--baked potatoes, ads for foot medication and BB Guns--but so was their treatment, which drew on the rudimentary character of cheaply printed commercial drawings. Conceived independently from Lichtenstein's paintings, these drawings recast illustrations from newspaper ads and comic books into works of keen visual intensity, curiously echoing the clean-edge aesthetic of 1960s geometric abstraction. "Drawing is the basis of my art," Lichtenstein later affirmed; "It is where my thinking takes place." Published for an exhibition at the Morgan Library in New York, this richly illustrated publication offers 120 color illustrations, plus essays on Lichtenstein's technique and on his little-known 1967 Aspen project, in which the artist transformed a room into a black-and-white cartoon drawing.

Hardcover. East Yorkshire UK, PS Artbooks, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Black and white pictures throughout. In matching slipcase.

Hardcover. London, PS publishers, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. Rulah first appeared in Zoot Comics #7 back in June 1947 and she's generally regarded as being the brainchild of Matt Baker and, some time later, Jack Kamen and Ghastly Graham Ingels. Collects Rulah #17-27, August 1948 to June 1949. These are typical Good Girl stories of simplistic morality and mega-violence, with a bit of erotic sizzle. Rulah defends people's rights and fights evil. But she was a bit different than the standard "Good Girl Art" stuff of that era. Most of her stories feature a bad girl so there are a lot of catfights.

Hardcover. London, PS publishers, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. Originally published in magazine form in All Top Comics 8-18, Tegra/Zegra Aug 1948 - Apr 1949, and Seven Seas Comics 1-6.

Hardcover. US, PS publishers, 1st, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout.

Hardcover. UK, PS publishers, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. She may still be everyone's favourite yellow-tressed leopard-skin-clad Jungle Jane but, having made her first appearance almost 80 years ago (courtesy of Will Eisner and 'Jerry' Iger in the British mag Wags #1), Sheena, Queen of the Jungle could be forgiven for being somewhat less spritely swinging through the trees righting wrongs and wielding her knife. In 1938, she made it Stateside with her first showing in Jungle Comics #1 where she settled happily in every issue (plus a decade in her own title) until April 1953. There have been other incarnations, of course, but it's this classic material that strikes at the very heart of Good Girl Art! Collects issues #11-18, Spring 1951 to Winter 1952.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color, Black and white pictures throughout.

Hardcover. NY, Minton Balch & Co., 1st, 1932, Book: Very Good, Dust Jacket: None, 224 pages, illustrated in b&w by Diana Thorne. Blue cloth covers with black decoration. Previous owner's signature on front fly leaf.

Hardcover. London/Boston, Foulis Books/Le Roy Phillips, 1st thus, 1916, Book: Very Good, Dust Jacket: Fair, Hardcover, gray cardboard covers with black lettering. Features 8 tipped-in color plates on gray pages by Frank Brangwyn, each with a tissue guard. Dust jacket present but chipped with half of spine gone. Previous owner's signature on front fly leaf otherwise a clean copy.

Softcover. NY, Pierpont Morgan Library,, 1979, Book: Very Good, Dust Jacket: None, Softcover, stiff paper wrappers. 298 pages. Catalogue of Rubens and Rembrandt drawings in the Pierpont Morgan Library, New York. Introduction, indexed by artists and former owners. 130 black and white plates. Index of artists. Illustrations of 57 watermarks.

Hardcover. NY, Charles Scribner's Sons, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 64 pages, illustrated by Paul Giovanopoulos. Dust jacket with mild edgewear. Tale of the young son of a Georgia sharecropper who loves animals & wants to be a zoologist. Clean copy.

hardcover. London, SelfMadeHero, 1st, 2015, Book: Very Good, Dust Jacket: None, 256 pages. Hardcover with NO dust jacket. Color comic illustrations make up this graphic novel. Bottom corner bumps otherwise, bright, and lean, unmarked copy in excellent condition. Red decorative staining to page block and black satin ribbon marker.

Hardcover. NY, Doubleday Doran, 1st, 1928, Book: Very Good, Dust Jacket: Good, 279 pages. Hardcover with dust jacket. Color, black & white illustrations by Will Crawford. Dust jacket with some heavy chipping.

Hardcover. NY, Oxford University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 455 pages, b&w illustrations. From John Hope Franklin, America's foremost African American historian, comes this groundbreaking analysis of slave resistance and escape. A sweeping panorama of plantation life before the Civil War, this book reveals that slaves frequently rebelled against their masters and ran away from their plantations whenever they could.For generations, important aspects about slave life on the plantations of the American South have remained shrouded. Historians thought, for instance, that slaves were generally pliant and resigned to their roles as human chattel, and that racial violence on the plantation was an aberration. In this precedent setting book, John Hope Franklin and Loren Schweninger demonstrate that, contrary to popular belief, significant numbers of slaves did in fact frequently rebel against their masters and struggled to attain their freedom. By surveying a wealth of documents, such as planters' records, petitions to county courts and state legislatures, and local newspapers, this book shows how slaves resisted, when, where, and how they escaped, where they fled to, how long they remained in hiding, and how they survived away from the plantation. Of equal importance, it examines the reactions of the white slaveholding class, revealing how they marshaled considerable effort to prevent runaways,meted out severe punishments, and established patrols to hunt down escaped slaves. Clean copy.

Hardcover. NY, Grosset & Dunlap, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 46 pages. Line drawings by Lucy Dawson. Corners bumped. Edgewear to cardboard spine edges. Red lettering with black & white illustrations on front book cover.