hardcover. NY, Harper and Bros., 1st, 1936, Book: Good, Dust Jacket: None, Unpaginated. Hardcover no dust jacket. Black & white and Color illustrations by Feodor Rojankovsky. Illustrated end papers. Translated by Georges Duplaix. Corners show heavy wear with chipping and fraying. Light soil on spine.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Good, Hardcover, red cloth, faded at spine. Stamped in red and black. 361 pages plus four pages of ads at the rear. 8vo. Silhouette frontis and 51 full page silhouettes by Warren Rockwell. The further largely autobiographical stories of the lad Plupy and his youth in the Exeter, NH of the 1860's. Rear hinge cracked, mild soil to front fly leaf, bookplate on inside front cover.

Hardcover. NY, Charles Scribner's Sons, 1st illust. thus, 1904, Book: Good, Dust Jacket: None, Hardcover, black cloth with pictorial pastedown on the front cover. With 9 color plates by Maxfield Parrish, including the illustrated title page. 199 pages, two-color drawing on endpapers by Parrish. Spine has a 1/2" tear to top front edge, otherwise very good. No markings.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1904, Book: Good, Dust Jacket: None, Hardcover. Stated on copyright page "Published, September, 1904" with Scribner seal and 1904 printed on title page A clean, unmarked copy complete with 8 color plates plus a color illustrated title page. Bound in black cloth hardcover with illustrated color pastedown on front, gilt titled spine. Printed endpapers with wonderful lobster art. NOTE: No tissue guards on plates which has caused some foxing/tanning to the color plates (mostly in the margins), no top edge gilt, A clean, sound copy otherwise.

Hardcover. New York, Charles Scribner's Sons, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with color pastedown on front cover, gilt lettering on spine, 198 pages. Illustrated title page and 8 color plates plus endpapers illustration by Maxfield Parrish. Despite the 1904 date on title page, this is a reprint with a 1922 date on the copyright page, and a list of many Scribner illustrated classics (published later than 1904) on the last printed page. Gilt lettering on spine mostly gone or faded, but the rest of the book is clean and bright. There is a small scar to front label on scroll at top right.

Hardcover. London, Rupert Hart-Davis, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Black and white cloth cover, slight wear to edges and corners. Dust jacket has minor edgewear. Previous owner's stamp on top edge. Illustrated by Jim Dine. Translated by Ron Padgett. Many b&w photographs and illustrations throughout. A bright, clean copy.

Hardcover. New York, Coward-McCann, 1st, 1934, Book: Good, Dust Jacket: None, Hardbound, blue cloth covers stamped in white, 213 pages. Black & white illustrations by James Reid. Soiling to endpapers, covers. Edgewear. Corners worn, bumped. Previous owner's signature in pencil front endpaper.

Hardcover. London, A. & C. Black Ltd, 2nd Ed., 1947, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 268 pages with 22 illustrations and 8 maps, bibliography, index, maroon cloth, white stamped titles. Clean copy.

Hardcover. Gottingen GR, Steidl, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Black & white photographs by Rosalind Solomon. Minor wear. Clean, tight copy .Rosalind Solomon made her first pictures in Poland in 1988 during a time of political change, and returned there in 2003, a time of increasing violence and inhumanity in the world. All of the images are of individuals, their relationships and environments and are observations and commentaries on Poland itself, as well as on the rest of the world.

Hardcover. Princeton NJ, Princeton University Press, 2nd pr., 1969, Book: Very Good, Dust Jacket: Very Good, 637 pages, black cloth covers with red and gilt design on spine. Previous owner's signature on front fly leaf. Bright, price-clipped dust jacket.

Hardcover. London, Oxford at the Clarendon Press, 1st Edition, 1887 and 1902, Volume 1: 577 pages. Introduction to the Politics. Published 1887.Volume 2: 418 pages. Prefatory Essays, Books I and II, Text and Notes. Published 1887.nbVolume 3: 603 pages. Two Essays, Books III, IV, and V, Text and Notes. Published 1902.Volume 4: 708 pages. Essay on Constitutions, Books VI-VIII, Text and Notes. Published 1902.Previous owner's marginal notes and light underlining within. Blue cloth binding. Gilt lettering on backstrip. Black end pages in volumes 1&2. Pages have some slight tanning from age. Binding is tight. Spines straight. "With an Introduction, Two Prefatory Essays and Notes Critical and Explanatory". DOMESTIC SHIPPING ONLY.

Hardcover. Philadelphia, Henry Altemus, 1st, Book: Very Good, Dust Jacket: None, Hardcover, 251 pages, gray cloth stamped in red and black, b&w line illustrations. The second book in the series. Light shelf wear.

Hardcover. New York, Harcourt Brace Jovanovich, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with price clipped dust jacket. Black and white illustrations by Beth and Joe Krush. Cloth covers with stamped black decoration and lettering on spine. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Northfield VT, Norwich University, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, light tan cloth with black lettering on front cover, 39 pages. A study of the social conditions in the counties of Vermont in the earl part of the 20th century. Flint was Professor of Political Science at Norwich University.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 217 pages. A chilling and brutally funny romp through the American South. As high sheriff of Potts County, Nick Corey spends most of his time eating, sleeping and avoiding trouble. If only people--especially some troublesome pimps, his foul-tempered wife, and his half-witted brother-in-law--would stop pushing him around. Because when Nick is pushed, he begins to kill . . . or to make others do his killing for him!The basis for an aclaimed French film noir, Coup de Torchon. Clean copy.

Hardcover. London, Simon & Schuster, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages. Black cloth covers with gilt titles to spine, color illustrated dust jacket with silver and blue metallic titles, acetate protective covering to dust jacket. Very slight rubbing to dust jacket, covers and pages crisp, clean and unmarked, spine stiff and tight; clean, tight copy in excellent condition.

Hardcover. Seattle, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, 182 pages, illustrated throughout in color and b&w. Oversized hardcover with illustrated boards. Clean, unmarked copy with only minor wear to covers. Pictorial paper over boards, with an illustration of Popeye and a cutout on the front cover, so that the white and yellow lettering on the half title page is visible from the front cover. Measures 10.5 x 14.5". Volume one of a six-volume set. B+W daily strips, with the color Sunday strips. Biographical article by Bill Blackbeard. Foreword by Jules Feiffer.

Hardcover. Hal Leonard Corporation, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 226 pages. Haunting the recording studios, jam sessions, concert halls, and nightclubs of New York City, William "PoPsie" Randolph chronicled the postwar transformation of American music from swing and jazz, to rhythm & blues and rock n' roll. The 100,000 negatives left behind after his death in 1978 span the giddy, glitzy heyday of swing in the 1940s, the hot and cool jazz spawned in the clubs of 52nd Street, the rumbling emergence of black R&B and doo-wop, the sudden explosion of rock n' roll in the late '50s, the rise of Brill Building pop and the British Invasion of the '60s, and the growth of rock into a multibillion-dollar industry by the '70s. PoPsie's son Michael has chosen the very best of his father's collection for inclusion in this remarkable book. Here readers will find luscious black-and-white photos of everyone from Benny Goodman and Billie Holiday to Elvis, The Beatles, Hendrix, and the Rolling Stones. Insightful text explains the time, people, and place of each captured moment.

Hardcover. London, Chatto & Windus, 3rd Ed., 1930, Book: Very Good, Dust Jacket: None, Hardcover, green cloth, faded gilt title on spine, 480 pages. Contains local folklore under various heading such as Giants, fairies, Tregeagle, mermaids, sorcery & witchcraft etc. A few black and white illustrations by George Cruikshank. Previous owner's stamp to front fly leaf. Otherwise a clean, tight copy.

Softcover. Albiano, e. s. Po., Reprint, 2000, Book: Very Good, Dust Jacket: None, 249 pages. Softcover with light wear to covers, crease to corner edge. Profusely illustrated in full page, full color & black & white throughout, including charts, diagrams, instructions. Clean & unmarked.

Hardcover. Suffolk, UK, ACC Publishing Group Ltd, 1st, 2010, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with dust jacket. Very clean, fresh, unmarked copy. Black and white images throughout. A collection of photographs from the early sixties taken by John Petty. Tight copy.

Hardcover. Suffolk, UK, ACC Publishing Group Ltd, 1st, 2010, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with dust jacket. Very clean, fresh, unmarked copy. Black and white images throughout. A collection of photographs from the early sixties taken by John Petty. Tight copy.

Hardcover. NY, Bradbury Press, 1st, 1969, Book: Very Good, Dust Jacket: Good, Black and white illustrations by Saul Lambert. SIGNED BY FOX on title page. Dust jacket edgewear, chipping. Small ink mark on front panel.

Hardcover. Ithaca NY, Cornell University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 318 pages. Illustrated with black & white photographs. Documentary interviews by Michael Frisch. Clean, bright copy.

Hardcover. Germany, Steidi Publishers, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 295 pages. Hardcover in a bright dust jacket. A clean, unmarked copy with only minor edgewear. Minor yellowing to text block edges. Black and white photographs throughout.

Hardcover. Germany, Steidl Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, 295 pages. Hardcover with no dust jacket. A clean, unmarked copy with only minor edgewear. Minor yellowing to textblock edges. Black and white photographs throughout. Richard Avedon, America's preeminent portraitist and fashion photographer, photographed the many faces of politics throughout his career. Portraits of Power brings together Avedon's political portraits for the first time. Juxtaposing images of elite government, media and labor officials with counter-cultural activists, writers and artists, as well as ordinary citizens caught up in national debates, it offers a five-decade taxonomy of politics and power by one of America's best-known artists. The book features several of Avedon's extended projects addressing these themes, including coverage of the civil rights debate in the early 1960s (published in 1964 in Nothing Personal); the American anti-war movement and the war in Vietnam from 1969-1971; portraits of the American power elite in 1976, produced for his groundbreaking Rolling Stone portfolio "The Family;" "Exiles: The Kennedy Court at the End of the American Century," a retrospective homage to the Camelot generation published in the New Yorker in 1993; and his final photo-essay, "Democracy," surveying the national mood during the politically fractious period prior to the 2004 presidential elections (published posthumously in the New Yorker in 2004).

Hardcover. NY, University Books, 1sr, 1966, Book: Good, Dust Jacket: None, Hardcover, orange cloth stamped in black, 400 pages. Discusses The Nature and State of Possession, Exorcism, and Shamanism. Looks at the history of possession, and its importance to religious psychology. With an appendix on Parapsychology. Traugott Konstantin Oesterreich [1880-1949] was a German psychologist and philosopher at the University Tubingen. He published numerous works on parapsychology and the occult. This is an ex-lib copy with stamping, residue to endpapers. No dust jacket, small sticker on spine, clean interior.

Softcover. New York, Phillips, 1st, 1981, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Black & white Illustrations of posters for sale by Phillips Auction House - Sale No. 366 - April 11, 1981. Clean, tight copy.

Hardcover. London, Chapman and Hall, 1st, 1837, Book: Good, Dust Jacket: None, Hardcover, polished black calf, raised bands on spine, stamped with gilt design, leather label with title in second compartment. Marbled endpapers, 609 pages. The engraved plates suffer from oxidation (tanning) and have no captions other than the page numbers. The vignette illustration on the title page has "Weller" (rather than "Veller") indicating a later issue. The binding is sound, light edgewear to leather covers. Has the two title pages, errata slip and binders directions. The 2 Buss plates included. Pictures available.

Hardcover. New York, O'Gorman Publishing, 1st, 1911, Book: Very Good, Dust Jacket: None, Hardcover, 188 pages plus 4 pages of ads. Black & white photographs and illustrations. Swipe of white paint at top of spine, and stamp label beneath. Covers show light wear. Clean, tight copy.

Hardcover. NY, Basic Books, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 172 pages. This study examines the realities that the Free North held a substantial population who opposed the abolition of slavery, describing the history of this phenomenon and the attendant aspects of racism towards Black Americans during this period. Name on front fly leaf, otherwise clean.

Hardcover. NY, Farrar, Straus and Giroux, 1st Ltd Ed., 1983, Book: Very Good, Dust Jacket: None, Hardcover, Burgundy cloth, gilt spine and front facsimile signature; signed by author in black ink to limitation page, copy #310/500; 2 sections of black & white photographs; tan paper covered slipcase. Zbigniew Brzezinski was a political scientist, geostrategist, and statesman who served as a counselor to Lyndon B. Johnson from 1966-1968 and held the position of United States National Security Advisor to President Jimmy Carter from 1977 to 1981. Clean, bight copy.

Hardcover. Chicago, University Of Chicago Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 264 pages. Like new in publisher's shrink-wrap. Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole--helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury's paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors' fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock 'n' roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation.

Softcover. New York, Stewart, Tabori & Chang, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Illustrated with black & white photographs by Charles Moore. With photographs throughout at the Selma March of 1965, of the Ku Klux Klan in North Carolina, of voter registration in Mississippi and more. With text by Michael S. Durham and an introduction by Andrew Young. Clean, tight copy.

Softcover. New York, Stewart, Tabori & Chang, 2nd printing, 1991, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Illustrated with black & white photographs by Charles Moore. Clean, tight copy.

Softcover. New York, Stewart, Tabori & Chang, 2nd printing, 1991, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Illustrated with black & white photographs by Charles Moore. Clean, tight copy.

Hardcover. Philadelphia, Pennsylvania, Thomas, Cowpertwait and Company, 1st, 1851, Book: Good, Dust Jacket: None, Hardcover, 396 pages, tan calf covers with black leather spine label with gilt title. B&W illustrations and charts throughout. Peeling on cover and short crack along spine edge. Light foxing to pages. Pencil signature of previous owner on front flyleaf. Clean internally.

Hardcover. New York, Harper and Brothers, 1st, 1874, Book: Very Good, Dust Jacket: None, Hardcover, 378 pages plus 6 pages of publisher's ads. Profusley illustrated with 35 b&w line drawings, many full page. Bright green cloth with black and gilt design. Tight, clean copy.

Hardcover. NY, Longmans, Green & Co., 1st, 1949, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages Black & white drawings by Manning deV. Lee. Dust jacket with small chunk from bottom front edge.

Hardcover. NY, Brentano's, 1st, 1924, Book: Very Good, Dust Jacket: None, Hardcover, Black cloth covers with faded gilt title. 126 pages with frontispiece illustration in 2-colors by Robert Locher. Introduction by Carl Van Vechten. Firbank's first book published in the United States, a novel of West Indian life and manners. It was the first of his works that wasn't entirely self-financed, and despite the miniscule print run, the book was given a lavish treatment by Brentano's, published with a generous introduction by Carl Van Vechten, who was intent on making Firbank's work better known in America. Understandably, the inflammatory title roused an outcry in the African American press, though Nancy Cunard wrote a defense of Firbank and his use of the name in the Associated Negro Press, and the novel received a surprisingly positive review by W.E.B. Du Bois. Light shelf wear.

Hardcover. Twin Palms, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated, black cloth in pictorial dust jacket (with pink belly band dj present and intact). Lavishly illustrated in duotone photographs of female nudes. During the 1920s. a time when the United States was, from all appearances, open to artistic experimentation, a Bay Area photographer named Albert Arthur Allen unwittingly took on the Goliath of nudity and politics. An obscure figure who operated outside the margins of the fine art community, Allen was known to a small coterie of clients who bought boudoir studies, pictures of comely young voluptuaries. (In Europe these photographic etudes were an acknowledged integral part of the academic tradition.) A homespun aesthetician who had a marked propensity for self-invention, Allen produced photographic protfolios that were initially inspired by the naturist movement. Today his images, which are typically perceived as high camp, are more familiar than his name.

Chicago, Rand McNally, 1st, 1927, Book: Good, Dust Jacket: None, Hardcover, red cloth covers wth color label, 240 pages. Black & white illustrations by W. W. Clarke. Discontinued written on front fly leaf.Cover has light wear to corners and spine edge. Tape mark on spine edge.

Hardcover. NY, Knopf, 1st , 1939, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Illustrated in black & white by Emma Brock.

Hardcover. NY, Doubleday, Doran and Company, Ltd. Ed., 1937, Book: Good, Dust Jacket: None, Hardcover. SIGNED BY COWARD. Cream colored cloth with NC embossed on cover, black spine label with gilt lettering that has a narrow chip down the center. Spine darkened. No. 64 of 301 signed copies. Top edge gilt. Binding tight. Red slip case has light wear. The witty English playwright, composer, director and actor Noel Coward's autobiography. With b&w photos scattered throughout, including author frontispiece photo.

Hardcover. Harrisburg PA, The Stackpole Company, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages. Pictorial endpapers. Maroon cover with gilt lettering and affixed picture of a hunter in bright color. Black-and-white illustrations throughout by Fred Everett and four color illustrations in addition to the frontispiece. Clean, bright copy.

Hardcover. Harrisburg PA, The Stackpole Company, 1st, 1952, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages. Pictorial endpapers. Maroon cover with gilt lettering and affixed picture of a fisherman in bright color. Black-and-white illustrations throughout by Fred Everett and three color illustrations in addition to the frontispiece. Clean copy.

Softcover. Greensboro NC, Weatherspoon Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Text by Nancy Doll, George Dimock, Tom Beck, Verna Posever Curtis and Patricia J. Fanning. Includes photographs by Lewis Hind, F. Holland Day, Gertrude Dasebier, Clarence H. White, Alfred Stieglitz, Edward Steichen and Edward Weston. 64 pages, paper with stiff cover. Black and white reproductions. 12" x 9 ". Clean, very good.

Hardcover. New York, American Book Company, Reprint, 1899, Book: Very Good, Dust Jacket: None, 252 pages. Hardcover. Color (maps) and b/w illustrations throughout. Brown leather boards, black designs and gilt on spine and front cover board. Decorated edges.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, in a lightly worn dust jacket. Non-paginated. Black & white cartoons by W. Miller, mostly from The New Yorker. Clean, tight copy.

Hardcover. NY, Macmillan , 1st thus, 1925, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped in black. Illustrations with color frontis, 10 black & white plates and endpapers drawing by Marguerite De Angeli. Clean, bright copy.