Softcover. NY, Artists and Writers Guild, 1st US, Book: Good, Dust Jacket: None, Softcover, color pictorial paper wrappers. 6 full-page three-color illustrations and several b&w illustrations by Aldin. Light worn at edges, some light wear to covers, else a clean, tight copy without dust jacket as issued. First US edition. A charming story of a young girl and her dog, a little black Scotch Terrier puppy named Smut, as they go about their lives, encountering other dogs, policemen, and even horses. Cecil Aldin was a British artist best known for his paintings and sketches of animals and rural life, all of which is magnificently captured in this delightful tale. Small worm hole to fore-edge, paper tanning, otherwise clean.

Hardcover. London, Perpetua Books, 1st, 1959, Book: Very Good, Dust Jacket: Fair, Hardcover, Illustrated in black & white by the wonderful Ronald Searle. 111 pages. A humorous Grand Tour of America with some startling sidelights on the American character. Book is very good, the dust jacket with chipping, edgewear, fair only.

Softcover. Berkeley, University of California Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 536 pages. Illustrated in color and black-and-white. A landmark study of California's visual arts and poetry, 1925 to 1975, Utopia and Dissent demonstrates the profound influence this regional culture had on American art and thought. Bookselle's label on rear cover, wrinkle to page 513, otherwise clean, very good.

Hardcover. New York, Farrar Straus & Giroux, 3rd Printing, 1997, Book: Very Good, Dust Jacket: Very Good, 426 pages. Hardcover with dust jacket. Sunfading to dust jacket. Light soiling to textblock edges. Otherwise a very clean, unmarked copy with only minor dust jacket wear. A tight copy. Black and white illustrations throughout.

Hardcover. Guadalajara, Jalisco, Centro Metropolitano, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers stamped in gilt with a photographic label on front. A study of the Mexican artist's sculpture. Illustrated in b&w and color, 194 pages plus index. Clean copy.

Hardcover. NY, George H. Doran, 1st, 1915, Hardcover, black cloth covers with gilt title, top edge gilt. 523 pages, b&w photos. The author wrote this book to depict and commemorate "leading representatives of the Stage". He writes about: William Warren, laura Keene, Matilda Heron, Lester Wallack, James W. Wallace, Mark Smith, Edward Adams, Henry J. Montague; Edwin Booth, Augustin Daly, Henry Irving, Johnston Forbes-Robertson, Edward H. Sothern and Julia Marlowe. Index. Clean, bright copy.

Hardcover. US, Gestalten, 1st, 2010, Book: Very Good, Dust Jacket: None, 144 pages. Like new in publisher's shrink-wrap. The Valley of the Shadow is a collection of photography by Miron Zownir that documents a world of unconditional authenticity, dire ecstasy, and demonical possession that exists in the shadows of urban areas in New York, Berlin, and post-Communist Eastern Europe. As controversial as they are uncompromising and poetic, Zownir's expressionistic black and white portraits capture the morbid dignity of society's misfits, freaks, and the homeless. Miron Zownir is a German-Ukrainian photographer, filmmaker, and author whose critically acclaimed work has been featured in international solo and group exhibitions as well as renowned The Valley of the Shadow is not a book for the faint-hearted.

Hardcover. NY, Viking Studio, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This lavish, photo-laden tour of Tinsel Town's history is coffee-table condensation of 87 years of Vanity Fair coverage of the Hollywood scene. Visually, it's a thrilling compendium of images that have defined not only the film industry and its workers but how the American public has understood them. Ranging from Edward Steichen's iconographic black-and-white portraits of Louise Brooks, Norma Shearer and Irving Thalberg, and Gloria Swanson (which defined the "look" of Hollywood in its first half-century) to the contemporary and often shocking color photographs of Annie Leibovitz (of nearly everyone from Sylvester Stallone and John Travolta to Cate Blanchette and Johnny Depp)Dand peppered with shots by Bruce Weber, Irving Penn, Helmut Newton, Griege Hurrell and othersDthe book traces how these stars have come to embody pop mythologies of everyday life. The photos are interspersed among 13 (mostly short) essays by writers as diverse as Carl Sandberg, Patricia Bosworth, P.G. Wodehouse, Dorothy Parker, Peter Biskind and D.H. Lawrence, which range from the humorous to the illuminating. Clean copy.

Hardcover. New York, Clarkson N Potter, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 203 pages. Hardcover with clipped dust jacket. Clean, tight copy with black and white photographs throughout. Collects vivid photographic portraits of a wide variety of authors, artists, movie stars, politicians, dancers, and other celebrities.

Softcover. Berlin GR, Benedikt Taschen, 1st, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers, 80 pages. Black laminated wraps with 'red Queen' 1954 on the front. Introductory text by Astrid Rossana Conte (grand-niece of Vargas) A monograph dedicated to the Peruvian painter and illustrator Alberto Vargas, famous for his pin-ups and portraits inspired by actresses, which examines four decades of his production, from the 1920s to the 1950s. Parallel texts in German, English and French; well illustrated with two photographs of Vargas, black and white examples of his drawings and many full colour examples of his paintings. Clean copy.

Softcover. NY, Harmony Books, 3rd pr., 1978, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. Foreword by Hugh Hefner, illustrated in color and black & white. A monographic study of the art of Alberto Vargas back to his earliest known work. His draughtsmanship and technique in depicting the female nude is unsurpassed. Moreover, he was a cultural force. The work he did for Playboy is confined to a few pages at the end. Clean, bright copy.

Hardcover. Hanover NH, Hood Museum of Art, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 86 pages. Exhibition catalog for a show that ran March 25 through June 25, 1989 at the Hood Museum of Art and then September 9 through October 15, 1989 at the Currier Gallery of Art. Features a preface by Timothy Rub, an introduction by Robert M. Doty and the poem "Chariot" by Stanley Kunitz. Includes color and black and white numerous illustrations, a checklist, biographical information, and a selected bibliography. Boghosian, (1926-2020), constructed his works from found objects. "Building upon the traditions of Surrealism and Dada Boghosian's assemblages and collages playfully contemplate the boundaries between dream and reality. In creating his art, Boghosian draws heavily on his extensive personal archive of found objects, gathered together in his home and studio. A one inch tear at the top of the jacket has been repaired with tape on the reverse side. Name on first blank page, otherwise clean.

Softcover. NY, Atheneum, reprint, 1970, Book: Very Good, Dust Jacket: None, Softcover, 314 pages. The roles of planter and slave in a changing plantation society in Brazil. Clean, bright copy.

Hardcover. NY, Nan A. Talese / Doubleday, 1st US, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, demi dust jacket. The history, cultural life, customs and social life of Venice. 403 pages. Chronology, Bibliography, Index. Two 8 page sections of full color illustrations, and two of black and white; b/w drawings at each chapter head. Clean copy.

Hardcover. London, George Allen, 4th Ed., 1896, Book: Very Good, Dust Jacket: None, Hardcover, flexible black cloth with red and gilt stamping, edges stained red. 268 pages with a 10 page catalogue of Hare's other titles in rear. With 23 illustrations and a double page color map. Detailed information on the history and landmarks of Venice. Clean, bright copy of this vintage travel guide.

Softcover. UK, Black Dog Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, text in English and French. Clean, unmarked copy with only minor wear to wrappers.

France, Michelin & Co., 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Guide book to WW1 battlefield, illust. with black & white photos, maps (color two-page of Verdun). End-pages with ads. Previous owner's signature front endpaper. Dust jacket in excellent condition.

Hardcover. Colbyville, VT, Silver Print Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 154 pages. Hardcover with dust jacket. SIGNED BY AUTHOR to title page. Black and white photographs throughout. Clean tight copy.

Hardcover. Burlington, State of Vermont, 1st, 1886, Book: Very Good, Dust Jacket: None, 620 pages. Black & white illustrations. Previous owners names on front endpaper. Bound in brown leather with gilt title on black background on spine. Clean, tight copy. Volume 1 only.

Hardcover. Claremont, Tracy, Chase and Company, 1st, 1869, Book: Very Good, Dust Jacket: None, 288 pages. Hardcover. Green cloth with titles in gilt on cover and spine. Black & white illustrations. Light wear. Clean, tight copy.

Hardcover. Montpelier, State of Vermont, 1st, 1929, Book: Good, Dust Jacket: None, 163 pages. Hardcover. Ex-library copy with stamping and marking on endpapers. Illustrated with two black & white photographs. Features historical data, Vermont Roster 1898, etc. Green cloth covers with rubbing along edges. Clean, tight.

Hardcover. Boston, Briggs and Co., 1887, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages, includes many ads with line illustrations. Black cloth spine with ad-illustrated cardboard covers, chipping to the paper covering the boards at edges. Otherwise clean, solid.

Hardcover. Boston, Union Publishing Co., 1897, Book: Good, Dust Jacket: None, Hardcover, 366 pages, includes many ads with line illustrations. Black cloth spine with ad-illustrated cardboard covers, chipping to the paper covering the boards at edges. Hinges cracked otherwise clean, solid.

Softcover. Montpelier, Vermont Historical Society, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 409 pages. Black & white illustrations. Clean, tight copy.

Softcover. Montpelier, Vermont Historical Society, 1st, 1980, Book: Good, Dust Jacket: None, 102 pages. Softcover. Illustrated with black & white photographs and drawings. Foxing and stains on covers. Clean, unmarked pages.

Hardcover. Boston, James R. Osgood & Co., reprint, 1872, Book: Very Good, Dust Jacket: None, Hardcover, embossed blue cloth with gilt stamping, 107 pages. Text edges stained red, title page in red and black. Previous owner's inscription on blank prelim page. Bright, tight copy.

Hardcover. Berkeley CA, University of California, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 275 pages, b&w photos. In a bright, unclipped dust jacket. Lawyer, educator, novelist, radio and television scriptwriter, film director and screenwriter, wartime intelligence operative, and full-time radical romantic, Abraham Lincoln Polonsky was blacklisted in Hollywood for refusing to be an informer. This biography helps us understand the relationship between art and politics in American culture.

Hardcover. New York, Penguin Press, First Edition, 2014, Book: Very Good, Dust Jacket: Very Good, 642 pages. Hardcover. Grey cloth boards with silver titles to spine. Black & white illustrations throughout. Crisp dust jacket with only minor wear. Very clean & unmarked. Crisp, tight copy.

Hardcover. London, Weidenfeld and Nicholson, 2nd imp., 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 635 pages. Contains black and white illustrated plates, and a pull out family tree. Clean, bright copy.

Hardcover. NY, Penguin Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 642 pages. Gray cloth boards with silver titles to spine. Black & white illustrations throughout. Crisp dust jacket with only minor wear. Very clean & unmarked. Crisp, tight copy.

Hardcover. London, Routledge & Kegan Paul, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages. Spine slightly cocked. Dust jacket shows light wear. Clean, unmarked copy.

Hardcover. London, Gordon Fraser, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Full color and black & white examples of fine Victorian book design. Some light foxing to preliminary pages and to blue cloth cover. Clean, tight copy. Traces the evolution of publishers' bindings from the printed paper wrappers which were normal at the beginning of the nineteenth century (when most purchasers of books had them bound by their own bookbinder), through the introduction of cloth by Pickering in about 1820, and on through the heyday of gold and coloured blocking down to the end of the Victorian period. This book will be invaluable to book collectors, bibliophiles, and dealers in rare books.

Hardcover. Boston, David R. Godine, 1st US, 1976, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. Black and white photographs throughout. Clean, tight copy.

Hardcover. Boston, Little, Brown, And Company, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, bound in publisher's red cloth, lettered in gold with black letterbox, 307 pages. The sixth of Churchill's seven war speech volumes. Victory contains speeches from January to August 1945. Having done so much to win the war, Churchill faced frustration of his postwar plans when his wartime government fell to Labor in the General Election of July 1945. His final speech in this volume - a review of the war delivered on 16 August 1945 to the House of Commons - is delivered as Leader of the Opposition rather than as Prime Minister. Clean, bright copy.

Hardcover. Paris, J. Hetzel, Reprint, 1867, Book: Very Good, Dust Jacket: None, 636 pages. Hardcover. French text only. Previous owners name at top left corner of preliminary page dated 1868. Gilt title and decorations on red leather spine with embossed pebbled cloth covers. Satirical black & white illustrations by Jean-Jacques Grandville. Marbled endpapers. All edges gilt. Light rubbing to cover edges and spine. Small area of discoloration on lower section of front cover. Clean, bright pages.

Softcover. NY, Colliers, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, 266 black and white photographs. Philip Jones Griffiths' classic account of the Vietnamese War was the outcome of three years' reporting and is a detailed survey of the conflict. Showing us the true horrors of the war as well as offering a study of Vietnamese folk life, the author argues against the de-humanizing power of technology and highlights the arrogance and hypocrisy of American imperialistic attitudes.

Hardcover. New York, Villard Books, First Edition, 1991, Book: Very Good, Dust Jacket: Very Good, 290 pages. Hardcover. Blue & black cloth covers with gilt titles to cover & spine. Light marginal foxing to top edge. Black & white photographs throughout. Dust jacket in very good condition. Clean, unmarked text.

Softcover. NY, Writers And Readers Publishing, reprint, 1993, Book: Good, Softcover, 201 pages. Ex-lib with residue to endpapers, spine label. This photographic essay provides a fascinating historical overview of 34 black women photographers from 1839 to 1985. It is divided into five time periods and includes the general history of each period, along with the particular photographers' place in it. This volume is profusely illustrated with the work of each photographer and includes both biographical information and a critique of her work. All photographs are in black and white and are excellently reproduced. The writing is personalized and exciting. This is an upbeat, positive presentation of the role black women played in recording their history and their world. One page (179) loose, laid in.

Hardcover. New York, Thomas Y. Crowell Company, 2nd pr., 1968, Book: Very Good, Dust Jacket: Good, 125 pages. Hardcover. B/w illustrations throughout. Light brown fabric covered boards in good shape, clean inside. Dust cover age worn, in protective plastic. Pages and edges lightly yellowed with age. From the front flap: "The now extinct world of the blacksmith is recreated here in more than a hundred superbly detailed drawings and colorful text. Unlike many nostalgic accounts based on myth and romance, this book presents a historically accurate picture of the late-nineteenth-century New England smith, who daily performed the miracle of transforming lumps of re-hot iron into objects of utilitarian function."

Softcover. London, Frances Lincoln, 1st, 2011, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Softcover. Clean, unmarked copy with only minor wear to wrappers. No other city has the variety of hairstyles male and female that parade the streets of London. The bouffant, the duck arse, the white wings of power swept over the ears, the coxcomb punk, the flat top, the social outrider's bowl cut. They're all there to make a place. In respect of the hair of the 80s, the rest of the world was dead from the neck up.' Buy a 35mm camera at the beginning of 1980 and spend the next 10 years walking around London taking half a roll of black and white a day and photograph whatever happens in front of you. You get Mick Jagger, New Romantics, Ra Ra skirts, Boy George, Sloane Rangers. The beginning of Covent Garden, Yuppies, The IRA bombings, the Iranian Embassy siege. 100s of newspaper flyers - John Lennon Shot Dead - Margaret Thatcher's London, Fashions that came and went. Here are 160 unique street photographs of London when it was the style, musical, political and fashion capital of the world.

Hardcover. London, Cassell and Company, 2nd pr., 1950, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 182 pages B/w photographs, drawings and diagrams illustrate the text: "3 half-tone and 82 other illustrations." First part of the book originally published in 1923 as a Work Handbook; this edition adds a second part giving detailed instruction for making a 'cello. Original publisher's cloth binding in sand color with black lettering at spine.

Hardcover. Novato, CA, Underwood Miller, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages. Black & white illustrations by Virgil Finlay. Dust jacket is protected by a mylar cover.

Hardcover. Boston, Houghton Mifflin, 1st, 1929, Book: Very Good, Dust Jacket: None, 125 pages. Hardcover with no duat jacket. 4 black & white illustrations by D.S. Wendell. Previous owner's signature (in pencil) front fly leaf. Tight copy.

Hardcover. NY, Viking , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages. Black & white maps, plans and illustrations. Documents the experiences of late-Renaissance Venetian nuns, many of whom were upper-class women immured against their will, exploring how convents of the period were often political hotbeds and the sites of illicit love affairs in their resident's efforts to find fulfillment. Clean copy.

Hardcover. New York, St. Martin's Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, large square quarto; 309 pages; afterword; index; photographs in black and white (some full-page) on virtually every page; fine in ivory cloth; hinges tight; pages crisp and unmarked; in very good dust jacket, rubbed along top and bottom edges, and light chipping to corners. Classic survey of photographs made for the Farm Security Administration of the 1930's, a chronicle of small-town and rural America produced by 11 gifted photographers, including Walker Evans, Dorothea Lange, Ben Shahn and Carl Mydans; O'Neal's text introduces each of the photographers, followed by generous samples of their work, many never before published, accompanied in most cases by each photographer's own commentary; with a concluding essay by O'Neal and an afterword by Paul S.Taylor, who as a young economist during the New Deal was involved with and gave strong support to the photographic work of his wife, Dorothea Lange.

Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 123 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.

Hardcover. NY, Century Co., 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover. Green cloth boards with black & red embossed design to cover and white lettering. B&w illustrations by Reginald B. Birch, black & white frontispiece. light edgewear. Spine lettering faded, clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Color and black and white pictures throughout. Originally born in Algeria, Yves Saint Laurent moved to Paris when he was 18, and only three years later he was handpicked by Christian Dior to take the reins as designer of his fashion house. Over time, Saint Laurent resurrected haute couture from the casual mores that predominated in the 1960s, but also offered chic cachet to ready-to-wear clothing. He was among the earliest of designers to incorporate non- European references into his work, and in 1983 he became the first living designer to be feted with a solo exhibition at The Metropolitan Museum of Art in New York. Vogue on Yves Saint Laurent is a stellar volume in the series from the editors of British Vogue, featuring 20,000 words of original biography and history and studded with more than 80 images from their unique archive of images taken by leading photographers.

Hardcover. Honolulu, University of Hawaii, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 pages with 160 color and 20 black & white photographs of the elaborately carved and costumed puppets and portraits of the master puppeteers and carvers, list of Wayang characters, glossary, bibliography. Indonesia's wayang golek puppet theatre is among the world's oldest and richest puppetry traditions, contemporary with Japanese Noh drama and the mystery plays of Europe. In an unclipped dust jacket with some light fading to spine.

New York, Thomas Y. Crowell, 1st, 1937, Book: Good, Dust Jacket: Good, Hardbound, 150 pages. Black & white and color illustrations by Leslie W. Lee. Illustrated endpapers. Previous owner's signature front endpaper. Light soiling to endpapers. Corners rubbed. Dust jacket with chipping, soiling. Brodart cover.