France, Michelin & Co., 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Guide book to WW1 battlefield, illust. with black & white photos, maps (color two-page of Verdun). End-pages with ads. Previous owner's signature front endpaper. Dust jacket in excellent condition.

Hardcover. Colbyville, VT, Silver Print Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 154 pages. Hardcover with dust jacket. SIGNED BY AUTHOR to title page. Black and white photographs throughout. Clean tight copy.

Hardcover. Burlington, State of Vermont, 1st, 1886, Book: Very Good, Dust Jacket: None, 620 pages. Black & white illustrations. Previous owners names on front endpaper. Bound in brown leather with gilt title on black background on spine. Clean, tight copy. Volume 1 only.

Hardcover. Claremont, Tracy, Chase and Company, 1st, 1869, Book: Very Good, Dust Jacket: None, 288 pages. Hardcover. Green cloth with titles in gilt on cover and spine. Black & white illustrations. Light wear. Clean, tight copy.

Hardcover. Montpelier, State of Vermont, 1st, 1929, Book: Good, Dust Jacket: None, 163 pages. Hardcover. Ex-library copy with stamping and marking on endpapers. Illustrated with two black & white photographs. Features historical data, Vermont Roster 1898, etc. Green cloth covers with rubbing along edges. Clean, tight.

Hardcover. Boston, Briggs and Co., 1887, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages, includes many ads with line illustrations. Black cloth spine with ad-illustrated cardboard covers, chipping to the paper covering the boards at edges. Otherwise clean, solid.

Hardcover. Boston, Union Publishing Co., 1897, Book: Good, Dust Jacket: None, Hardcover, 366 pages, includes many ads with line illustrations. Black cloth spine with ad-illustrated cardboard covers, chipping to the paper covering the boards at edges. Hinges cracked otherwise clean, solid.

Softcover. Montpelier, Vermont Historical Society, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 409 pages. Black & white illustrations. Clean, tight copy.

Softcover. Montpelier, Vermont Historical Society, 1st, 1980, Book: Good, Dust Jacket: None, 102 pages. Softcover. Illustrated with black & white photographs and drawings. Foxing and stains on covers. Clean, unmarked pages.

Hardcover. Boston, James R. Osgood & Co., reprint, 1872, Book: Very Good, Dust Jacket: None, Hardcover, embossed blue cloth with gilt stamping, 107 pages. Text edges stained red, title page in red and black. Previous owner's inscription on blank prelim page. Bright, tight copy.

Hardcover. Berkeley CA, University of California, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 275 pages, b&w photos. In a bright, unclipped dust jacket. Lawyer, educator, novelist, radio and television scriptwriter, film director and screenwriter, wartime intelligence operative, and full-time radical romantic, Abraham Lincoln Polonsky was blacklisted in Hollywood for refusing to be an informer. This biography helps us understand the relationship between art and politics in American culture.

Hardcover. New York, Penguin Press, First Edition, 2014, Book: Very Good, Dust Jacket: Very Good, 642 pages. Hardcover. Grey cloth boards with silver titles to spine. Black & white illustrations throughout. Crisp dust jacket with only minor wear. Very clean & unmarked. Crisp, tight copy.

Hardcover. London, Weidenfeld and Nicholson, 2nd imp., 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 635 pages. Contains black and white illustrated plates, and a pull out family tree. Clean, bright copy.

Hardcover. NY, Penguin Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 642 pages. Gray cloth boards with silver titles to spine. Black & white illustrations throughout. Crisp dust jacket with only minor wear. Very clean & unmarked. Crisp, tight copy.

Hardcover. London, Routledge & Kegan Paul, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages. Spine slightly cocked. Dust jacket shows light wear. Clean, unmarked copy.

Hardcover. London, Gordon Fraser, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Full color and black & white examples of fine Victorian book design. Some light foxing to preliminary pages and to blue cloth cover. Clean, tight copy. Traces the evolution of publishers' bindings from the printed paper wrappers which were normal at the beginning of the nineteenth century (when most purchasers of books had them bound by their own bookbinder), through the introduction of cloth by Pickering in about 1820, and on through the heyday of gold and coloured blocking down to the end of the Victorian period. This book will be invaluable to book collectors, bibliophiles, and dealers in rare books.

Hardcover. Boston, David R. Godine, 1st US, 1976, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. Black and white photographs throughout. Clean, tight copy.

Hardcover. Boston, Little, Brown, And Company, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, bound in publisher's red cloth, lettered in gold with black letterbox, 307 pages. The sixth of Churchill's seven war speech volumes. Victory contains speeches from January to August 1945. Having done so much to win the war, Churchill faced frustration of his postwar plans when his wartime government fell to Labor in the General Election of July 1945. His final speech in this volume - a review of the war delivered on 16 August 1945 to the House of Commons - is delivered as Leader of the Opposition rather than as Prime Minister. Clean, bright copy.

Hardcover. Paris, J. Hetzel, Reprint, 1867, Book: Very Good, Dust Jacket: None, 636 pages. Hardcover. French text only. Previous owners name at top left corner of preliminary page dated 1868. Gilt title and decorations on red leather spine with embossed pebbled cloth covers. Satirical black & white illustrations by Jean-Jacques Grandville. Marbled endpapers. All edges gilt. Light rubbing to cover edges and spine. Small area of discoloration on lower section of front cover. Clean, bright pages.

Softcover. NY, Colliers, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, 266 black and white photographs. Philip Jones Griffiths' classic account of the Vietnamese War was the outcome of three years' reporting and is a detailed survey of the conflict. Showing us the true horrors of the war as well as offering a study of Vietnamese folk life, the author argues against the de-humanizing power of technology and highlights the arrogance and hypocrisy of American imperialistic attitudes.

Hardcover. New York, Villard Books, First Edition, 1991, Book: Very Good, Dust Jacket: Very Good, 290 pages. Hardcover. Blue & black cloth covers with gilt titles to cover & spine. Light marginal foxing to top edge. Black & white photographs throughout. Dust jacket in very good condition. Clean, unmarked text.

Softcover. NY, Writers And Readers Publishing, reprint, 1993, Book: Good, Softcover, 201 pages. Ex-lib with residue to endpapers, spine label. This photographic essay provides a fascinating historical overview of 34 black women photographers from 1839 to 1985. It is divided into five time periods and includes the general history of each period, along with the particular photographers' place in it. This volume is profusely illustrated with the work of each photographer and includes both biographical information and a critique of her work. All photographs are in black and white and are excellently reproduced. The writing is personalized and exciting. This is an upbeat, positive presentation of the role black women played in recording their history and their world. One page (179) loose, laid in.

Hardcover. New York, Thomas Y. Crowell Company, 2nd pr., 1968, Book: Very Good, Dust Jacket: Good, 125 pages. Hardcover. B/w illustrations throughout. Light brown fabric covered boards in good shape, clean inside. Dust cover age worn, in protective plastic. Pages and edges lightly yellowed with age. From the front flap: "The now extinct world of the blacksmith is recreated here in more than a hundred superbly detailed drawings and colorful text. Unlike many nostalgic accounts based on myth and romance, this book presents a historically accurate picture of the late-nineteenth-century New England smith, who daily performed the miracle of transforming lumps of re-hot iron into objects of utilitarian function."

Softcover. London, Frances Lincoln, 1st, 2011, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Softcover. Clean, unmarked copy with only minor wear to wrappers. No other city has the variety of hairstyles male and female that parade the streets of London. The bouffant, the duck arse, the white wings of power swept over the ears, the coxcomb punk, the flat top, the social outrider's bowl cut. They're all there to make a place. In respect of the hair of the 80s, the rest of the world was dead from the neck up.' Buy a 35mm camera at the beginning of 1980 and spend the next 10 years walking around London taking half a roll of black and white a day and photograph whatever happens in front of you. You get Mick Jagger, New Romantics, Ra Ra skirts, Boy George, Sloane Rangers. The beginning of Covent Garden, Yuppies, The IRA bombings, the Iranian Embassy siege. 100s of newspaper flyers - John Lennon Shot Dead - Margaret Thatcher's London, Fashions that came and went. Here are 160 unique street photographs of London when it was the style, musical, political and fashion capital of the world.

Hardcover. London, Cassell and Company, 2nd pr., 1950, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 182 pages B/w photographs, drawings and diagrams illustrate the text: "3 half-tone and 82 other illustrations." First part of the book originally published in 1923 as a Work Handbook; this edition adds a second part giving detailed instruction for making a 'cello. Original publisher's cloth binding in sand color with black lettering at spine.

Hardcover. Novato, CA, Underwood Miller, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages. Black & white illustrations by Virgil Finlay. Dust jacket is protected by a mylar cover.

Hardcover. Boston, Houghton Mifflin, 1st, 1929, Book: Very Good, Dust Jacket: None, 125 pages. Hardcover with no duat jacket. 4 black & white illustrations by D.S. Wendell. Previous owner's signature (in pencil) front fly leaf. Tight copy.

Hardcover. NY, Viking , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages. Black & white maps, plans and illustrations. Documents the experiences of late-Renaissance Venetian nuns, many of whom were upper-class women immured against their will, exploring how convents of the period were often political hotbeds and the sites of illicit love affairs in their resident's efforts to find fulfillment. Clean copy.

Hardcover. New York, St. Martin's Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, large square quarto; 309 pages; afterword; index; photographs in black and white (some full-page) on virtually every page; fine in ivory cloth; hinges tight; pages crisp and unmarked; in very good dust jacket, rubbed along top and bottom edges, and light chipping to corners. Classic survey of photographs made for the Farm Security Administration of the 1930's, a chronicle of small-town and rural America produced by 11 gifted photographers, including Walker Evans, Dorothea Lange, Ben Shahn and Carl Mydans; O'Neal's text introduces each of the photographers, followed by generous samples of their work, many never before published, accompanied in most cases by each photographer's own commentary; with a concluding essay by O'Neal and an afterword by Paul S.Taylor, who as a young economist during the New Deal was involved with and gave strong support to the photographic work of his wife, Dorothea Lange.

Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 123 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.

Hardcover. NY, Century Co., 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover. Green cloth boards with black & red embossed design to cover and white lettering. B&w illustrations by Reginald B. Birch, black & white frontispiece. light edgewear. Spine lettering faded, clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Color and black and white pictures throughout. Originally born in Algeria, Yves Saint Laurent moved to Paris when he was 18, and only three years later he was handpicked by Christian Dior to take the reins as designer of his fashion house. Over time, Saint Laurent resurrected haute couture from the casual mores that predominated in the 1960s, but also offered chic cachet to ready-to-wear clothing. He was among the earliest of designers to incorporate non- European references into his work, and in 1983 he became the first living designer to be feted with a solo exhibition at The Metropolitan Museum of Art in New York. Vogue on Yves Saint Laurent is a stellar volume in the series from the editors of British Vogue, featuring 20,000 words of original biography and history and studded with more than 80 images from their unique archive of images taken by leading photographers.

Hardcover. Honolulu, University of Hawaii, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 pages with 160 color and 20 black & white photographs of the elaborately carved and costumed puppets and portraits of the master puppeteers and carvers, list of Wayang characters, glossary, bibliography. Indonesia's wayang golek puppet theatre is among the world's oldest and richest puppetry traditions, contemporary with Japanese Noh drama and the mystery plays of Europe. In an unclipped dust jacket with some light fading to spine.

New York, Thomas Y. Crowell, 1st, 1937, Book: Good, Dust Jacket: Good, Hardbound, 150 pages. Black & white and color illustrations by Leslie W. Lee. Illustrated endpapers. Previous owner's signature front endpaper. Light soiling to endpapers. Corners rubbed. Dust jacket with chipping, soiling. Brodart cover.

Hardcover. NY, Arno Press, reprint, 1967, Book: Very Good, Dust Jacket: None, Hardcover, 162 pages, several b&w plates, green boards with a white cloth spine, black spine label with gilt and red design. Reprint of book first published in 1890. His first book describing his adventures at sea, Voyage of the Liberdade follows the early adventures on the high seas of American sailor JOSHUA SLOCUM (1844-1909), who would later become the first man to sail alone around the world. First aboard the Aquidneck and then later the Liberdade and journeying from New York to Uruguay to Rio, Slocum and his crew battle harsh weather, sickness, and murder as they ply their trade. This is a real-life adventure written by one of America's premier seamen will enthrall anyone interested in history, adventure, and sailing. Abercrombie & Fitch Library Edition, no dust jacket.

Hardcover. London, Melcher/Virgin, 1st, 1999, Book: Very Good, Dust Jacket: None, Non-Paginated. Illustrated with black & white photographs. Features photographs by Atget, Larry Clark, Walker Evans, Larry Fink, Weegee, Susan Meiselas, and more. Essay by Luc Sante. Slip case and covers show light wear. Clean, tight copy.

Rome, Franca May, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Black cardboard slip-case is VG with some wear. This is a written essay by the Italian author, Soavi of the art and world of Jean-Michel Folon. There are many full page full-color plates of the artist's paintings and serigraphs. This is also a visual essay (via color photos) of the farm in Burcy, near Paris, where the artist has his home and atelier. In all, twenty-eight of the artist's works are reproduced, most either taking up a full page, and some as two-page spreads.

Hardcover. MI, Clarke Historical Library, 1st, 1976, Book: Very Good, Dust Jacket: None, 225 pages. Hardcover with orange fabric covers. Clean, tight copy with minor rubbign to edges. Black and white pictures throughout.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. New York, Abrams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 25 pages. Hardcover with dust jacket. Black & white illustrations by Sutherland. INSCRIBED BY SUTHERLAND opposite title-page.

Hardcover. NY, Longmans Green and Company, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, 145 pages. Black & white Illustrations by Avery Johnson, End papers illustrated. Light soil to cloth cover. corners a bit bumped.

Hardcover. Watertown, Charlesbridge, 1st, 2010, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover. Black & white woodcut illustrations by Michael McCurdy. Bright, clean copy.No dust jacket

Hardcover. Jaffrey NH, Sparhawk Books, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover. Contains black & white and color cartoons by Tripp. Book and dust jacket in excellent condition.

Hardcover. New York, Dodd Mead , 1st US, 1896, Book: Very Good, Dust Jacket: None, Hardcover, 201 pages. Black & white page illustrations by Harry Furniss and vignettes by Dorothy Furniss. Previous owner's inscription front end paper. Edgewear, corners bumped. Some browning to page edges. No dust jacket.

Hardcover. NY, Grosset & Dunlap, 1st, 1942, Book: Very Good, Dust Jacket: None, Previous owner's inscription opposite title-page. Color and black & white illustrations by Disney. Cover shows some wear. Hardbound, no dust jacket.

Hardcover. Seattle, Fantagraphics, 1st, 2017, Book: Very Good, Dust Jacket: None, 302 pages. Black and white comic strips, light edgewear to spine edges, otherwise clean, tight copy. This climactic book of Gottfredson serials also finds Mickey plagued by Uncle Gudger, the one-man circus-and Gilhooley, the pitiless king of the leprechauns! Floyd Gottfredson and co-writer Bill Walsh infect Mouseton with the super-hi-tech of the Sputnik era.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 280 pages. Our big-eared hero is back with more edge-of-your-seat adventures: traveling from Umbrellastan to Texas - and duking it out with villains like Dr. Vulter, Pegleg Pete, and malicious miser Eli Squinch! In this volume, you'll saddle up for Gottfredson's two most famous Wild West epics: a "Race for Riches" amid rockslides and rustlers, then a dead-shot showdown with the brutal "Bat Bandit!" Back home in Mouseton, the mayhem continues when Mickey, Donald, and Goofy run a crime-fighting newspaper - and face trouble with mobsters and speeding black sedans!

Hardcover. Prescott, AZ, Gladstone Publishing Ltd., 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Fortieth anniversary edition of Uncle Scrooge compilation. With storybook paintings by Norman McGary and commentary by Geoffrey Blum. Black covers with gilt lettering on front and spine. Small abrasion to rear bottom spine edge, otherwise unmarked, clean and tight copy with light wear to dust jacket.

Hardcover. New York, Times Books, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. SIGNED AND INSCRIBED BY AUTHOR OFFEN ON FRONT FLYLEAF.

Hardcover. NY, Scholastic Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 48 pages, color illustrations by Brian Selznick.SIGNED by illustrator Selznick. No dj as issued. The pioneering team that brought you Caldecott Honor Book The Dinosaurs of Waterhouse Hawkins lends their vision, flair, and unique style to Walt Whitman--poet, American icon, Civil War hero.Did you know that poet Walt Whitman was also a Civil War nurse? Devastated by his country dividing and compelled to service by his brother's war injury, Walt nursed all soldiers--Union and Confederate, black and white. By getting to know them through many intense and affecting experiences, he began to see a greater life purpose: His writing could give these men a voice, and in turn, achieve his highest aspiration--to capture the true spirit of America. Dramatic, powerful, and deeply moving, this consummate portrait of Whitman will inspire readers to pick up their pens and open their hearts to humanity.