Hardcover. Boston, Little, Brown and Company, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Black silhouetted illustrations by Ed Young. Clean, tight copy with light wear to dust jacket and covers.
hardcover. NY, Harper & Row, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos by Ylla. Light edgewear to dust jacket and rubbing. Shelf wear to covers.
Hardcover. New York, Coward, McCann & Geoghegan, 5th pr, 1974, Book: Good, Dust Jacket: None, Hardcover. 47 pages. Black & white and two-color illustrations by Trina Schart Hyman. INSCRIBED BY HYMAN on front end paper. Soiling, fading to covers.
Hardcover. Glasgow, Blackie & Son Limited, 1st, 1974, Book: Good, Dust Jacket: Good, 32 pages. Hardcover. Full color illustrations by Joanna Troughton. Slight darkening to page edges. Dust jacket with degree of darkening, light wear along edges. Clean, unmarked pages.
Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.
Hardcover. Boston, Houghton Mifflin, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 68 pages. Black & white woodcuts by David Frampton. Dust jacket is protected by a mylar cover.
Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America.McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.
Hardcover. New York, Alfred A. Knopf, 1st, 1949, Book: Good, Dust Jacket: Good, Non-paginated. Hardcover. Black & white illustrations by Henry C. Pitz. Water stain to front cover. Light rubbing to spine, corners. Dust jacket with edgewear, soiling.
Hardcover. Lausanne, Acatos, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket., 206 pages. With photographs and reproductions in color and black and white of Lam's paintings and drawings. With facsimile of small booklet by Andre Breton in pocket inside front cover.
hardcover. NY, Grosset & Dunlap, 1st thus, 1928, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages. Illustrated with black & white drawings, frontispiece by Charles Livingston Bull and others. Dust jacket with light edgewear, closed tears, soil. Bright colored animal painting on front of dust jacket. Previous owner's name on ownership page. Scarce in dust jacket.
Hardcover. London, Hodder and Stoughton, nd, Book: Very Good, Dust Jacket: None, Hardcover, green cloth boards with yellow lettering. Illustration of head of wildcat on front cover. 243 pages, 200 drawings by author. No date (preface dated 1916), title page printed in red and black.
Hardcover. New York, Appleton, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, 290 pages plus ads. Illustrated with black & white photographs. INSCRIBED BY AUTHOR on back of half-title page. Front hinge crack but still held by spine mesh. Otherwise a very nice copy.
Hardcover. NY, Simon & Schuster, 2nd pr., 1932, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering and design on front cover, 244 pages, b&w illustrations. The author of Bring 'Em Back Alive relates more tales of collecting and transporting wild animals for zoos and circuses. Includes tigers, elephants, spitting cobras, black leopard, miniature deer and much more, mostly done in India and Borneo. Clean copy. Mild shelfwear, clean copy.
Hardcover. Vermillion SD, Buteo Books, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 350 pages. Hardcover. Full color and black & white illustrations. Dust jacket with light wear. Book is clean, unmarked. A comprehensive record detailing the classification, migration, distribution, ecology, breeding, ecology and conservation of wild geese. The 16 full color identification plates help support the excellent chapter concerned with adult and first winter birds as well the plumage of all ages and species of birds and their variants. Good reference copy.
Hardcover. NY, Holiday House, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Review slip laid-in. Black & white drawings by Rounds. Clean, tight copy.
Hardcover. NY, Julian Messner, Inc., 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a price-clipped dust jacket, 185 pages. Black & white ilustrations by Raymond Lufkin. Dust jacket with closed tears, chips to top & bottom edges, price clipped. A boy's adventures on the Mississippi River.
Hardcover. NY, Alfred A. Knopf, 2nd pr., 1946, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers. The story of the 60 foot sloop "Elizabeth", the first 'single-sticker' ever to sail from New York to Canton, told through the eyes of two young boys hired on as cabin boys just before she sailed. The book recounts a real historical event and uses all the characters' real names. Five colored two page illustrations, including the title page, and black and white chapter headings by Elizabeth Black Carmer. Spine cloth faded.
Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth with black lettering on spine and front cover, dust jacket with edgewear and chipping, 321 pages. Clean copy.
Hardcover. Toronto, The Ryerson Press, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine. 272 pages. Map endpapers, frontispiece, illustrations, bibliography, index. Black and white frontispiece portrait of Grenfell. Endpapers feature a map of Newfoundland and Labrador. The first full biography of the founder of the Grenfell Mission in Labrador and Newfoundland. Lacks dust jacket, clean copy.
Hardcover. New York, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.
Hardcover. London, Paul Elek, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, green cloth, 181 pages. 11 color, 58 black-and-white illustrations. This account of Blake's life discusses his artistic, religious, philosophical, political and sexual ideas; his politics; his compelling myths and truths; his poems and his prophetic books; his artworks and illustrations. Bright, clean copy in a similar dust jacket.
Hardcover. Birmingham AL, University of Alabama Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. William Christenberry is enjoying wide exposure of his artistic body of work. Since the early 1960s, he has plumbed the regional identity of the American South, primarily centering on his early home in the Black Belt counties of Alabama, His poetic elucidation of Southern vernacular landscape and architecture using the media of photography, drawing, painting, collage, sculpture, and miniaturization reveals how history, the very story of place, is at the heart of his lifelong project.
Hardcover. Goteborg SW, Scalo/Hasselblad Center, 1st, 1999, Book: Very Good, Dust Jacket: None, 126 pages with 112 color plates by Eggleston. Includes an interview with the photographer. Black cloth with a color plate pasted on cover, gilt lettering. No dust jacket issued. Even before he was thrust into the spotlight in 1976 when he garnered a one-person show at New York's Museum of Modern Art, Eggelston was hailed as one of the pioneers of color art photography. This survey, published on the occasion of his winning the prestigious Hasselblad Award, will confirm his reputation among admirers and win new converts to his deceptively straightforward photographs of the everyday. The book brings together 112 pictures made between 1967 and 1996 with an interview, a couple of short essays, and biographical and bibliographical appendixes. The subject matter here is almost exclusively his trademark images of the people, townscapes, and found still lifes of Memphis, TN, and northern Mississippi. The book's modest size (9.5" x 9.5"), simple presentation (small-format images are centered amid plenty of white space), and beautiful printing on matt paper appropriately evoke equal parts family album and gallery wall.
Hardcover. Berkeley, California University Press, 1st, 1996, Book: Very Good, Dust Jacket: Good, 164 pages. Hardcover. Illustrated with full color and black & white photographs. Dust jacket with light wear. Clean tight copy.
Softcover. Mississippi, University of Mississippi, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover. Non-Paginated. Black & white illustrations by William Faulkner. Cover shows some sunfading with a light crescent shaped stain near center. Clean, tight copy.
Hardcover. Dobbs Ferry NY, Morgan and Morgan / Amon Carter Museum, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, pric-clipped dust jacket, 158 pages. Complete with a List of Photographs, Preface, Introduction, a long presentation of the photographs of William H. Jackson, Chronology and full Bibliography. Over 100 of Jackson's finest photographs in black-and-white and duotone. With a critical essay by William L. Broecker. Ink inscription on front fly leaf otherwise clean.
NY, Viking Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 205 pages. Black & white drawings by Douglas Gorsline. Back & white photos by William Henry Jackson. Dust jacket with chip to spine bottom, closed tear.
Hardcover. Indianapolis, IN, Indianapolis Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Volume devoted to the work of painter and portraitist William McGregor Paxton. Includes 30 black/white and 52 color plates, many full-page. Includes essay on Impressionism and biographical information on the artist. Very good condition; dust jacket shows some wear on the edges, but cloth bound book has no internal flaws. 165 pages, essay by R.H. Ives Gammel.
Hardcover. New York, NY, Watson-Guptil Publications, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages with 32 full-page color plates. Includes chronology, bibliography, and index. Biography illustrated in black and white followed by full color plates on right side with author's descriptions on left. Painting on dust jacket. Overall a clean, tight, copy, dust jacket shows slight bit of wear around edges.
Hardcover. Chapel Hill NC, University of North Carolina Press, reprint, Book: Very Good, Dust Jacket: None, Hardcover, black cloth, 292 pages, b&w plates. ISBN number on copyright page denotes a reprint. Clean, bright copy, lacks dust jacket.
Hardcover. Chicago, University of Chicago Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 482 pages. William Wells Brown was a Black author and reformer of the nineteenth century, a Kentucky-born slave who became a self-educated writer and advocate of abolition, temperance, and international peace. The author argues for Brown's place alongside that of William Lloyd Garrison, Frederick Douglass, and Wendell Phillips. There's an extensive bibliography and an index. Name on front fly leaf, dj spine faded.
Hardcover. New York, Praeger, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover. 116 pages. Illustrated in full color and black & white. Small chunks missing at top edge of spine and right corner of dust jacket. Clean, tight copy.
Hardcover. New York, E. P. Dutton and Company, Inc., 1st, 1946, Book: Good, Dust Jacket: Good, 222 pages. Black cloth. Ex-library with stamp on front endpaper. Tape on inside flap of dust jacket and inside cover of book - front and rear. Dust jacket protected with clear plastic cover. Clean, unmarked text.
New York, Dodd Mead , 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. 109 pages. Black & white illustrations by Ted Lewin. Dust jacket with edgewear, light soiling. Conrad, the boy who gave Annie a willow whistle, improves her father's opinion of him when he helps save his classmates stranded in the schoolhouse by an early blizzard.
Hardcover. NY, Doubleday, reprint, 1953, Book: Good, Dust Jacket: None, Hardcover, 333 pages, blue cloth, later printing, first published in 1935. Black titles on spine. Name stamp on inside front cover. Paper tanning but a clean, tight copy.
Hardcover. Princeton, NJ, D. Van Nostrand, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, 107 pages. Hardcover with dust jacket. Illustrated in black & white by Caswell. INSCRIBED BY CASWELL on front fly leaf. Tight copy.
Hardcover. New York, Knopf, 1st, 1950, Book: Very Good, Dust Jacket: Good, 175 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON FRONT END PAPER. Black & white illustrations by Arthur Conrad. Dust jacket has edgewear.
Hardcover. New York, Harper and Brothers, 1st, 1955, Book: Very Good, Dust Jacket: None, Hardcover, pink cloth covers with black drawing and lettering, 55 pages illustrated in b&w by Mircea Vasiliu. This copy INSCRIBED BY THE ILLUSTRATOR WITH A DRAWING OF A SEAGULL CARRYING A FLOWER TO FELLOW ILLUSTRATOR KURT WIESE, dated 1957. Quite a scarce book even without the signature. Clean, no dust jacket.
Hardcover. New York, Charles Scribner's Sons, 1st, 1937, Book: Good, Dust Jacket: None, Hardbound, blue cloth stamped in dark blue, 89 pages. Black & white and color illustrations by Berta and Elmer Hader. Previous owner's inscription front endpaper. Mild spine faded. Corners and spine rubbed.
Hardcover. New Jersey, Princeton University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. illustrated mainly in color. Black cloth. Brand new copy still in original shrink wrap. Beautifully illustrated dust jacket. Gives an insight to Homers artistic growth trough the eyes of his critics.
Hardcover. Richmond, VI, Westover Publishing Co, unknown, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, numerous b&w illustrations and 70 plates in full color. Yellow cloth, gilt lettering to spine and front cover. White pictorial dust jacket, black titles, with minor wear to borders and small closed tear to spine. Overall a nice, tight, clean copy.
Hardcover. Washington DC/New Haven CT, National Gallery of Art/Yale University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 259 pages, hardcover with dust jacket. First major survey of Homer's watercolor career, part of a celebration of the 150th anniversary of Winslow Homer's birth. Mild rubbing to dust jacket. Color and black-and-white illustrations throughout. Unmarked. Bright and clean. A tight copy.
Paperback. San Francisco CA, The Fine Arts Museums of San Francisco, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 283 pages, paperback. The first in-depth examination by a museum of this artist's career as a painter of war. Mild soiling to front and rear wraps. Slight bumping and rubbing to wraps. Many color and black-and-white illustrations throughout. Unmarked. A bright and tight copy.
Hardcover. Chicago, IL, John Winston Company, 1st, 1923, Book: Very Good, Dust Jacket: None, 186 pages. Hardcover with fox & rabbit vignette printed in orange & black to cover, black printed titles to cover & spine. Illustrations by Frederick Richardson throughout. Light toning & bright inside. Prevous owner's stamp to front fly leaf, bookplate to copyright page. Corners slightly bumped. A nice copy.
Hardcover. New York, The World Publishing House, 1st US, 1877, Book: Very Good, Dust Jacket: None, 332 pages. Hardcover. With 60 b/w illustrations/plates. B/w illustrated frontispiece with tissue guard. No other printings mentioned on publication page, either 1st edition or very early printing. Cover boards bound in green cloth, title reverse in gilt on spine, black decoration on spine and front cover board, decoration blind stamped on back cover board. Some rubbing and chipping to boards (see images). Some tanning to edges and pages, doesn't affect illustrations or text. Some foxing on a few pages (see image). Binding remains tight. Spine very slightly cocked. Short stories by literary master Jules Verne, beautifully bound and ready for display. Illustrated by Henri Theophile Hildibrand, well known for his illustrations in Verne's books.
Hardcover. NY, Coward McCann, 1st US, 1937, Book: Very Good, Dust Jacket: Fair, Hardcover, 224 pages. Translated from French by Marion Saunders. Black & white illustrations by Lucile Blanch, winner of French award for juvenile fiction. Dj chipped, worn.
Hardcover. NY, PQ Blackwell/Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Judi Dench on the dust jacket. A collection of color portraits featuring aged greats. CD in rear pocket. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Charles Scribner's Sons, 1st US, 1903, Book: Very Good, Dust Jacket: None, Hardcover, green cloth decorated in gilt, orange, black and gray. 353 pages. Publisher catalogue at rear. Frontis, map & 6 b&w illustrations by Wal Paget. A bright, clean book in the original pictorial binding.
Hardcover. New York, Charles Scribner's Sons, 1st, 1896, Book: Good, Dust Jacket: None, 384 pages plus 32 page catalog of additional titles. Hardcover. Features 12 black & white illustrations by W. H. Margetson. Previous owners inscription on preliminary page. Green cloth covers with titles and decoration on front cover and spine. Covers show standard wear. Binding somewhat loose. Clean, unmarked text.
Hardcover. NY, Liveright, Inc./Junior Literary Guild, Book Club Ed., 1933, Book: Very Good, Dust Jacket: None, Hardcover, 313 pages, black cloth, yellow lettering, Decorative endpapers. B&w illustrations By Raphael Doktor. An illustrated history of Jesuit missions in North America starting in 1632. Name on front fly leaf otherwise clean.