Hardcover. NY, Little Brown, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is a biography of C.L. Franklin, one of the black preachers in American history. It tells the story of black migration and activism, alongside the rise of gospel, blues, and soul music, with a cast of characters including Martin Luther King, Jr., B.B. King, Art Tatum, and Coleman Young.

Softcover. Medford OR, Webb Research Group, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 127 pages, b&w illustrations. Fascinating history of the Rogue River Valley Railway which connected Jacksonville and Medford, Oregon and the Southern Oregon Traction Co., an electric street railway that served Medford. Illustrated throughout with black and white photos. With maps, locomotive roster, timetables, and bibliography. 127 pages with index. Clean copy.

Hardcover. London, Hamish Hamilton Ltd, First Edition, 1991, Book: Very Good, Dust Jacket: Very Good, 350 pages. Hardcover. Black cloth boards with silver titles to spine. Previous owner's signature to front flyleaf. Black & white illustrations throughout. Bright dust jacket with light marginal wear. Clean & unmarked text. A nice copy.

Hardcover. NY, Oxford University Press, 1st US, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Translated from the French by Gwen Marsh. 175 pages. Black & white illustrations by Joan Kiddell-Monroe. Gift inscription on front fly leaf. Dust jacket is protected by a mylar cover.

Hardcover. Maryknoll NY, Orbis Books, 2nd pr., 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. INSCRIBED BY AUTHOR on the front fly leaf. Drawing on the biblical figure of Hagarmother of Ishmael, cast into the desert by Abraham and Sarah, but protected by God, Delores Williams finds a prototype for the struggle of African-American women. Through Hagars story of poverty and slavery, ethnicity and sexual exploitation, exile and encounter with God, she traces parallels in the history of African-American women from slavery to the present day. What emerges from this shared interplay of race, sex, and class, is a new womanist theology that promotes survival and wholeness as well as liberation. Clean copy.

Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Black and white art by Selton inside. Clean, bright copy.

Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Black and white art by Selton inside. Clean, bright copy.

Hardcover. Chicago, Albert Whitman, 1st, 1922, Book: Good, Dust Jacket: None, Hardcover, orange cloth with cover label, 96 pages. Illustrated with drawings in color and black & white by Haidee Zack Walsh. Previous owners signature on front endpaper in pencil. Light marking in pencil on contents page. Cover has bumped corners and light ring stain in center, pencil marking on back cover.

Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.

Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.

Softcover. New York, Charta, 1st, 2006, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. Very clean, unmarked copy still in shrink wrap. 80 photographs in black and white. A collection of portraits from throughout the 1960's.

Softcover. New York, Charta, 1st, 2006, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. Very clean, unmarked copy still in shrink wrap. 80 photographs in black and white. A collection of portraits from throughout the 1960's.

Hardcover. Cambridge MA, MIT Press, 1st, 1971, Book: Very Good, Dust Jacket: None, 419 pages. Hardcover. Illustrated with black & white drawings from the architectural design sketchbooks of Paolo Soleri. Light wear to covers. Clean, tight copy.

Hardcover. self-published, 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt rules and a drawing of a fern on front cover, "WH" with dates on spine. 253 pages, an exceptionally bright copy with no markings and a like-new binding, appearance. 1st Ed., portraits, maps, plates. Howes H-500. Privately printed for friends. Hinchman was with Palmer on the 1867 surveying expedition to find the best route for a railroad to California thru Kansas, Colorado, New Mexico and Arizona. A most interesting account, various Indian troubles including the attack of the Apaches in Sycamore Canyon Arizona. Much on ranching, Indians including Cheyenne, Arapahoe, Sioux, Comanche, Crow, Blackfoot, and Kiowa. Profusley illustrated with drawings and nature studies by Hinchman, many in color. Very scarce item.

Hardcover. NY, Doubleday Doran and Co., 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped in black, illustrated in color and b&w by De Angeli. INSCRIBED BY DE ANGELI on the dedication page, dated 1966. No dust jacket. With his German family, Eli crosses the Atlantic on The Charming Nancy. From Philadelphia, oxen pull their wagon into Penn's Woods, where they make their new home in the Skippack area. Eli loves outdoor work and play, but Mom says he must go to school. Though Eli expects the teacher to be cross, Master Christopher Dock is kind, firm, and patient.

Hardcover. New York, Alfred A. Knopf , 1st, 1958, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with red and blue stamping. Color and black & white illustrations by Brock. Previous owner's signature front end paper. Small tear to rear endpaper. Rubbing to corners and spine. No dust jacket. Tale of Mrs. Fiddlefinger, of the three chins and many aprons, and her private island that flew off over Blue Kettle Lake on its own during a wind storm, to land on the other side.

Hardcover. Boston , Little Brown, 1st, 1922, Book: Good, Dust Jacket: None, 316 pages. Hardcover with no dust jacket. Red covers with white stamped lettering, with some smudging and decoration on front. Illustrations by Ernest Fuhr. Black & white frontispiece. Front hinge torn on preliminary page. Light edge wear to covers, previous owner's markings on front end paper.

Hardcover. NY, Doubleday and Co., reprint, Book: Good, Dust Jacket: None, Hardcover, paper covered boards with a black cloth spine. Lovely b&w drawings by Bennett illustrate this tale about a young boy and his pet goat. Two-color endpapers illustration. Cloth spine reinforced with clear tape. corner and edgewear to covers. No markings.

HARDCOVER. Boston, Bulfinch, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 42 color, 67 black & white photos by Skrebneski. In a bright, unclipped dust jacket. Showcases Skrebneski's work over four decades (1949-1989). Fashion and art photography, celebrity portraits, surrealistic compositions, architectural studies. and sensual nudes. With Foreward by Frank Zachary.

Hardcover. Middletown Conn. , Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, 283 pages, 94 black/white illustrations. Study of American artists influenced by Dada and their relationship with American avant-garde. Orange cloth, gilt lettering to spine. A very nice, tight, clean copy.

Hardcover. Middletown, Connecticut, Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: None, Study of American artists influenced by Dada and their relationship with American avant-garde. 283 pages, 94 black/white illustrations. Cloth bound book in near fine condition, only sign of wear is slight discoloration to the top edges of pages (light spotting), not visible when reading the book.

Hardcover. Middletown Conn. , Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages, 94 black/white illustrations. Study of American artists influenced by Dada and their relationship with American avant-garde. Orange cloth, gilt lettering to spine. Pictorial dust jacket shows light wear and rubbing along edges and faded spine, else a very nice, tight, clean copy.

Hardcover. NY, Simon & Schuster, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover. 78 pages. Black & white illustrations by Laszlo Kubinyi. Dust jacket with edgewear, rubbing. Remainder mark bottom edge.

Softcover. Baton Rouge, Louisiana State University Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 777 pages. The largest collection of annotated and authenticated accounts of slaves ever published in one volume. In them, the slaves of Thomas Jefferson, Robert E. Lee, Henry Clay, and others speak for themselves about their culture, plantation life, the adequacy of their food, clothing, and shelter, the sexual exploitation of black women, and the psychological response to bondage. The views given are those of house servants and field hands, docile slaves and rebels, urban slaves and rural slaves, slaves with kind masters and those with cruel ones. These wide-ranging documents, together with annotations, notes, an index, dozens of illustrations, and an incisive introduction, form a volume of unusual scope and character. Clean copy.

Hardcover. London, Geoffrey Bles, 1st, 1943, Book: Very Good, Dust Jacket: Fair, Hardcover, black cloth with gilt title on spine, 268 pages. In an edgeworn dust jacket with a crease lengthwise. Copy of literary critic and historian Roger Shattuck with his pencil signature and "Mindoro, Philippines 1945" (presumed where he served in WW2) on the front fly leaf. Some pencil markings and notations in text.

Hardcover. Urbana IL, University of Illinois Press, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with two small holes to front cover, 227 pages with index. "Slavery was a social and an economic institution of such power that it sustained and extended an economic system whose demands went far to determine the domestic and foreign policy of the "agrarian" party in our early history. For the agrarian politics of Jefferson, while possibly benefiting the small freeholder, very closely served the interests of the plantation system, at least as the planters conceived their interests." Name on front fly leaf, otherwise clean.

Softcover. Montgomery AL, Equal Justice Initiative, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 58 pages. Slavery in America: The Montgomery Slave Trade documents American slavery and Montgomery's prominent role in the domestic slave trade. The report is part of a project focused on developing a more informed understanding of America's racial history and how it relates to contemporary challenges.

Softcover. NY, The New Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 403 pages. Edited by Ira Berlin, the Bancroft Prize-winning author of Many Thousands Gone, and Leslie Harris, Slavery in New York brings together twelve new contributions by leading historians of slavery and African American life in New York. Published to accompany a major exhibit at the New York Historical Society, the book demonstrates how slavery shaped the day-to-day experience of New Yorkers, black and white, and how, as a way of doing business, it propelled New York to become the commercial and financial power it is today. Powerfully illustrated with images from the New York Historical Society exhibit, Slavery and the Making of New York will be the definitive account of New York's slave past.

Softcover. NY, W. W. Norton & Company, reprint, 1979, Book: Very Good, Dust Jacket: None, Softcover, 576 pages. Clean copy

Hardcover. New York, John S. Taylor, 2nd pr., 1837, Book: Good, Dust Jacket: None, Hardcover, leather bound with gilt design on front and rear covers, spine also with gilt design with the title Cabinet of Freedom (the series under which the publisher issued this narrative). 517 pages with an extra illustrated title page dated 1836, the regular title page dated 1837. All edges gilt. First published by John Shugert in Lewistown PA a year earlier. Written with the help of Isaac Fisher, a white Philadelphia lawyer, who declares in his preface that he has edited the oral narrative Ball had dictated to him to omit any beliefs or feelings Ball may have expressed about slavery. This declaration of significant editing has led scholars to debate the authenticity of Ball's narrative, but most agree that it represents a true story. Ball describes his experiences as a slave, including the uncertainty of slave life and the ways in which the slaves are forced to suffer harsh and inhumane conditions. In particular, he recounts the qualities of his various masters, and the ways in which his fortune depended on their temperament. The leather has separated from the spine of the book but appears to be very repairable. The first 3 pages loose (a blank leaf and the two title pages), there is a light stain to the illustrated one and light foxing. The interior of the book is clean, tight with minimal foxing throughout.

Hardcover. Philadelphia, 1st US, 1936, Book: Good, Dust Jacket: None, Hardbound, 266 pages. Black & white and color frontispiece illustrated by C. B. Falls. Front hinge cracked. Soiling to covers. Edgewear. Corners bumped. Faded pink top edge. Spine faded.

Softcover. Distributed Art Pub Inc (Dap), 1st, 1997, Book: Very Good, Dust Jacket: None, 160 pages. Softcover with light edgewear to wrappers. First edition, first printing. Photographically illustrated laminated stiff wrappers (published only in wraps). Photographs by David Levinthal. Introduction by Merry A. Foresta and Steve Dietz. Essay by David Corey. 160 pp. with numerous four-color and black and white reproductions. 9 1/8x 10 1/4 inches.

Hardcover. NY, Cupples and Leon, 1st , 1931, Book: Good, Dust Jacket: None, Color decorated boards. Black & white cartoons (C)1930 from the Chicago Tribune. Last page states this is book #4 of the Smitty Series. Cardboard covers worn, markings on boards. Previous owner's pencil markings on front fly leaf and rear cover.

Softcover. NY, Miramax/ Hyperion, 1st, 1995, Book: Very Good, Dust Jacket: None, 290 pages. Illustrated with black & white photographs. Preface by Wayne Wang. Clean, tight copy.

Hardcover. New York, Harper & Row , 1st US, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 213 pages. Orange cloth-covered boards, black cloth spine, black illustrated dust jacket. Clean covers, slight rubbing to dust jacket, pages crisp and unmarked; a very clean, tight copy in great condition.

Hardcover. NY, Charles Scribner's Sons, reprint, 1929, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt titles on spine, color illustrated on cover pastedown, 263 pages, 6 color and 8 b&w plates by Will James. Previous owner's name on front endpapers. Otherwise clean copy.

Hardcover. NY, William Morrow , 1st, 1931, Book: Good, Dust Jacket: None, Hardcover, blue cloth stamped with black design and lettering. Illustrated with four 2-color plates and endpapers art by Richard Rogers. SIGNED BY STACKPOLE on title page. Light pencil marking to pages throughout otherwise a nice, tight copy. Uncommon title of an adventure set on Nantucket Island.

Softcover. Middlebury, VT, Friends of the Library of Middlebury College, 1st, 1987, Book: Very Good, Dust Jacket: None, 16 pages. Softcover booklet with cream colored heavy stock paper. Black decoration on front. Limited to 350 copies. Clean copy.

Hardcover. NY, Simon & Schuster , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 315 pages in an unclipped dust jacket. Remainder stamp on bottom edge, otherwise, clean and tight copy. The time is the 1930s. Buddy Sandifer, dressed in his natty white flannels, baby-blue shirt, striped tie, tan-and-white shoes, and coconut-straw hat with polka-dot band, is falling into one of his moods. Owner of a used-car lot and father of a fifteen-year-old son with a penchant for sex manuals, Buddy has decided to murder his wife and marry his mistress, Laverne, a robust blonde who cooks his favorite meal of fried pork chops, fried potatoes, and fried apples while wearing a short pink apron over black-lace step-ins and brassiere, long-gartered silk stockings, and platform shoes. The only problem is how to arrange the crime.

Hardcover. Concord NH, William B. Ewert, 1st, 1979, Book: Very Good, Dust Jacket: None, 4 SIGNED AND NUMBERED Volumes. Hardcovers. The Snow Hen (1979) - Limited edition of 126 copies. Sections 1-7 of The Chestnut Rain. 27 pages. SIGNED. The Ewe's Song (1980) - Limited edition of 126 copies. Sections 8-18 of The Chestnut Rain. 27 pages. SIGNED. Blackberry Light (1981) - Limited edition of 126 copies. Sections 19-32 of The Chestnut Rain. 32 pages. SIGNED. Wenzel/The Ghost (1984) - Limited edition of 126 copies. Concluding Sections of The Chestnut Rain. 45 pages. SIGNED. Clean, bright copies.

Hardcover. New York, Harry N. Abrams, Reprint, 1987, Book: Very Good, Dust Jacket: Very Good, 79 pages. Hardcover facsimile copy of the original 1937 edition in full color. Black boards with white titles to spine. Full page, full color & bw illustrations throughout. Dust jacket with light marginal wear to edges. Tight bindng, sharp corners, illustrated endpapers, clean & unmarked pages throughout.

Hardcover. Chicago , Albert Whitman & Co, 1st, 1934, Book: Good, Dust Jacket: None, Hardbound, 128 pages. Scarce book. Black & white illustrations by Kurt Wiese. Color plate on front cover. Soiling to covers, endpapers. Previous owner's signature front endpaper. Residue from color sticker p. 28-29.

Hardcover. New York, Robert McBride, 1st, 1923, Book: Good, Dust Jacket: None, Hardcover, blue cloth stamped in black and gilt. 157 pages. Black & white illustrations and color frontispiece by Dugald Walker. School bookplate on inside front cover, otherwise clean inside, no marking, tight binding.. Covers with light edgewear and soil. Little is known about Hal Garrott, but he did write this title and Squiffer (1924). Both are fantastical fairy tales intended for children designed by better known Dugald Stewart Walker. Walker was a prominent early 20th century illustrator and known for his ethereal and fantasy based illustrations.

Hardcover. New York, Robert McBride, 1st, 1923, Book: Good, Dust Jacket: None, Hardcover, blue cloth stamped in black and gilt. 157 pages. Black & white illustrations and color frontispiece by Dugald Walker. Previous owner's inscription on front end paper and previous owner's signature on front fly leaf. Spine and edgewear. Corners bumped. Sort tear to cloth spine. Little is known about Hal Garrott, but he did write this title and Squiffer (1924). Both are fantastical fairy tales intended for children designed by better known Dugald Stewart Walker. Walker was a prominent early 20th century illustrator and known for his ethereal and fantasy based illustrations.

Hardcover. Boston, Little Brown & Co., 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The actor discusses his stage career in the 1920s, his film career, Hollywood parties, his blacklisting during the communist witch hunts of the 1950s, and anecdotes about Lauren Bacall, Jeff Bridges, Charlie Chaplin, Jimmy Stewart, and others. B&w photos. Clean copy.

Hardcover. County Meath IR, Gallery Books, 1st , 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 93 pages, black cloth covers. Bright, unclipped dust jacket.

Hardcover. New Haven, Yale University Press in association with the Yale University Art Gallery, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Folio. Like new in publishers shrink-wrap. 230 pages, 302 color illustrations, 62 black and white reproductions. Includes contributions by Ruth L. Bohan, Susan Greenberg, David Joselit, Elise K. Kenney, Dickran Tashjian, and Kristina Wilson. History of the "Societe Anonyme", an organization founded in the 1920's, which acted as America's first "experimental museum" for modern art.