Hardcover. NY, MJF Books, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover. 1997, oversize hardcover reprint edition, 208 pages. Great cartoon endpapers. Printed on coated stock. For anyone who remembers and loves Mad Magazine, who read the early comic books, and focused for years on the magazine, here is a volume to cherish. We have 200 black and white illustrations from Mad Masters, with 350 color plates, reproducing every single magazine cover since 1952.

Softcover. Denver CO, Roberts Publishing Co., reprint, Book: Very Good, Dust Jacket: None, Softcover, orange wrappers, 136 pages, profusely illustrated with 152 instructional drawings in black & white. The first of a series of papers on the repair of the complex mechanisms of complicated watches, providing an in-depth analysis of mainly chronograph movements. Written by the Dean and President of the American Academy of Horology. Clean, bright copy.

Softcover. NY, Oxford University Press, 2nd pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. George Schuyler, a renowned and controversial black journalist of the Harlem Renaissance, and Josephine Cogdell, a blond, blue-eyed Texas heiress and granddaughter of slave owners, believed that intermarriage would "invigorate" the races, thereby producing extraordinary offspring. Their daughter, Philippa Duke Schuyler, became the embodiment of this theory, and they hoped she would prove that interracial children represented the final solution to America's race problems. Able to read and write at the age of two and a half, a pianist at four, and a composer by five, Philippa was often compared to Mozart. During the 1930s and 40s she graced the pages of Time and Look magazines, the New York Herald Tribune, and The New Yorker. Philippa grew up under the adoring andinquisitive eyes of an entire nation and soon became the role model and inspiration for a generation of African-American children. But as an adult she mysteriously dropped out of sight, leaving America to wonder what had happened to the "little Harlem genius." Suffering the double sting of racismand gender bias, Philippa had been rejected by the elite classical music milieu in the United States and forced to find an audience abroad, where she flourished as a world-class performer and composer. She traveled throughout South America, Europe, Africa, and Asia performing for kings, queens, and presidents. By then Philippa had added a second career as an author and foreign correspondent reporting on events around the globe--from Albert Schweitzer's leper colony in Lamberene to the turbulent Asian theater of the 1960s. She would give a command performance for Queen Elisabeth of Belgium one day, and hide from the Viet Cong among the ancient graves of the Annam kings another.

Hardcover. Broken Arrow, Oklahoma, Highfill Press Inc., 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 1223 pages, illustrated throughout with charts and photographs in color and b&w. Black leatherette with silver titles to front and spine. White dust jacket. Slight wear to dust jacket, else a beautiful copy.

Hardcover. NY, B. Keith and Co., 2nd Ed., 1860, Book: Very Good, Dust Jacket: None, Hardcover, 444 pages plus index. Black cloth covers with embossed ruling, gilt lettering on spine. Light rubbing to rear cover, small bookplate on inside front cover, otherwise clean, sharp-edged copy. Copyright page states 1858, but the preface to the Second Edition is dated 1860.

Hardcover. Atglen, PA, Schiffer Publishing Ltd., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.

Hardcover. Seattle, Fantagraphics , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages. This book collects his early gag cartoons for men's magazines; his wicked takes on Alice in Wonderland and the Wizard of Oz; and his slyly sexy fairy tales The Frog Prince,Cinderella, Sleeping Beauty, and Hansel and Gretel - plus his raunchy version of Snow White. Wood, who garnered international fame as a premier parodist for Mad, also takes aim at comic-book and -strips icons in such stories as "Prince Violate," "Stuporman Meets Blunder Woman," "Flasher Gordon," "Starzan," and even his own character, Sally Forth. Wood's cartoon commentaries on sex and society are included, such as "The Sexual Revolution" and "Brave Nude World." Other rarities include "The Marquis de Sade Coloring Book," "Dragonella," and the complete run of all of his covers for the infamous Screw magazine. Black & white illustrations with some color.

Softcover. NY, Basic Books, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 359 pages. Stanley Crouch-MacArthur "genius" award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia- has been writing about jazz and jazz artists for over thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddons notes: "Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back." Now, in a long-awaited collection, Crouch collects fifteen of his most influential, and most controversial pieces (published in Jazz Times, The New Yorker, the Village Voice, and elsewhere), and includes two new essays as well. The pieces range from the introspective "Jazz Criticism and its Effect on the Art Form" to a rollicking debate with Amiri Baraka, to vivid, intimate portraits of the legendary performers Crouch has known. The first, autobiographical essay reflects on his life in jazz as a drummer, a promoter, a critic, and most of all a lover of this quintessentially American art form. And the closing essay, about a young Italian saxophonist, expresses undaunted optimism for the worldwide vibrancy of jazz.Throughout, Crouch's work reminds us not only of why he is one of the world's most important living jazz critics, but also of why jazz itself remains, against all odds, an elemental component of our cultural identity. Clean, bright copy.

Hardcover. Boston, Roberts Brothers, 1st, 1895, Book: Good, Dust Jacket: None, Two volumes complete. 811 pages, many b&w illustrations. Green cloth with black rule, gilt design and lettering, top edge gilt. Volume one with fraying to cloth at top of spine, previous owner's sticker inside front covers. Otherwise clean, very good set.

Hardcover. New Haven CT, Yale University Press,, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 235 pages. Includes bibliographical references, index, notes, and numerous black and white and color illustrations and maps. Bright dust jacket. light foxing to text block fore-edge.

Hardcover. Tokyo, Kodansha, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 187 pages. Large format. Illustrated with full color and black & white examples of of fine contemporary prints from Japan. Dust jacket shows wear with dime sized chunk missing at top of spine and piece missing at bottom left corner of rear flap. Clean, tight copy. May require additional postage. "Contemporary Japanese Prints" is a fine, beautifully printed folio book--just the way art books should be. Written by a key art historian and critic as well as museum director, it serves as an excellent and eye-opening overview of just what the straightforward title indicates, artistic prints by Japanese artists then currently active as of 1967. Kawakita's introduction is clear and concise but properly informative, defining this art form's general characteristics and then outlining its modern history, starting with its rise in the early twentieth century. Contrary to what one might expect, these prints are almost totally unrelated to Japan's rather famous ukiyo-e prints of the early modern period, these modern "hanga" instead representing the creative vision and artistic labor of one individual artist. And well, a picture's worth a thousand words, so the bulk of the book presents a selection of 150 prints by 119 artists--47 color plates and 103 monochrome plates.

NY, Harper and Brothers, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, stated first edition with code letter "F-M" and "First Edition" printed on copyright page. Paper label on spine, three quarter black cloth with blue paper over boards. Clean copy.

Softcover. London, Bemrose & Sons, 1st, 1911, Book: Fair, Dust Jacket: None, 265 pages. Softcover with heavy wear to paper wrappers. Maps and black and white pictures. Previous owner's markings on rear and throughout. Spine paper removed.

Hardcover. Philadelphia, John Winston, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, 276 pages. Color frontispiece, black & white illustrations by Kurt Wiese. Gilt decorated blue cloth covers.

Hardcover. New York , Princeton University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 158 pages with 4 color plates. 132 black & white photos. 11 line illustrations.

Hardcover. London, England, Pickering & Chatto, 1st, 2001, Book: Very Good, Dust Jacket: None, Six volumes, Hardcovers. 1636-1691. Volume 1: 521 pages. Two bumps to front cover board edge.Volume 2: 674 pages. front cover board top right corner bump.Volume 3: 445 pages.Volume 4: 528 pages.Volume 5: 474 pages.Volume 6: 616 pages. Some b/w illustrations. Blue cover boards, gilt title on black with decoration on spines. Previous owner's name and information on flyleaf of volumes 1, 2, and 6. Pages clean and bright. Binding tight. Spines straight. Beautiful set right out of a professor's library. Domestic Shipping Only.

Hardcover. New York, National Academy of Design, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages. 62 B&w illustrations and 77 plates in full color. Black leatherette. silver lettering to spine. Pictorial dust jacket. Like new.

NY, Macmillan, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 51 pages. Black & white photos by Patricia Agre. Behind the scenes of a small family owned restaurant in New York City. Clean copy.

Hardcover. London, The Folio Society, 1st illust thus, 2010, Book: Very Good, Dust Jacket: None, Hardcover, decorative boards with black slipcase. 445 pages, color frontispiece and 12 color plates by David Hughes. First published in 1938, recounting the life of the Byzantine general Belisarius (AD 500-565), It was not a peaceful time for the Roman empire. Invaders threatened all fronts, but they grew to respect and fear the name of Belisarius, Emperor Justinian's greatest general. With this book Robert Graves again demonstrates his command of a vast historical subject, creating a startling and vivid picture of a decadent era. Forward by Lindsey Davis. Clean copy.

Hardcover. London, Stacey International, 1st US, 2013, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Black and white photographs throughout. Clean, unmarked copy with only minor wear to dust jacket. A treasury of aristocratic photography from the 1850s to 1930s. England's leisured and affluent upper classes made an art form of their new picture-taking toy, creating intimate portraits of stunning beauty. Includes previously unpublished photographs discovered in dusty corners and attics of Britain's grandest houses.

Hardcover. NY, Harper & Bros., 1st US, 1940, Book: Very Good, Dust Jacket: None, Hardcover. Black & white photos by Bryan & Norman Westwood. Previous owner's signature on front end paper.

Hardcover. New Haven, Yale University Press, 1st , 1991, Book: Very Good, Dust Jacket: Very Good, 269 pages. Hardcover with dust jacket. Transl. from German by John W. Gabriel. Black & white illus. Clean, tight copy.

Hardcover. US, Harper Design, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color / Black and white pictures throughout.

Softcover. NY, Crown, 1st wraps, 1995, Book: Very Good, Dust Jacket: None, Softcover, Black & white photos by Farley. 160 pages. "Farley has gathered these portraits of cowgirls - not showbiz cowgirls, but the real thing. Her subjects work in harsh, unpredictable climates, bring up families while they manage their ranches, and compete - and win - in rodeos alongside men. Her black-and-white photographs capture the spirit and energy of authentic working cowgirls and the raw beauty of the western landscape." Oblong format.

Hardcover. New York, Funk Wagnalls, 4th pr., 1967, Book: Very Good, Dust Jacket: Fair, Hardcover, 110 pages. Black & white illustrations by Eric Sloane. Dust jacket heavily chipped. Dust jacket is protected by a mylar cover.

Hardcover. NY, Harcourt, Brace & Co., 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover. 302 pages. Previous owner's signature on front endpaper. Light pencil marginalia to last page. Browning to front endpapers. Red cloth binding with black lettering.

Hardcover. Hoboken, John Wiley & Sons, Inc., First Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover. Black cloth covered boards with red printed titles to spine. Dust jacket in very good condition. Illustrations in bw throughout. Clean & unmarked copy.

Softcover. NY, Soft Skull Press, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. It's 1983. Scott Savitt, one of the first American exchange students in Beijing, picks up his guitar and begins strumming Blackbird. He's soon surrounded by Chinese students who know every word to every Beatles song he plays. Scott stays on in Beijing, working as a reporter for Asiaweek Magazine. The city's first nightclubs open; rock 'n' roll promises democracy. Promoted to foreign correspondent for the Los Angeles Times then United Press International, Scott finds himself drawn into China's political heart.Later, at 25 years old, Scott is the youngest accredited foreign correspondent in China with an intimate knowledge of Beijing's backstreets. But as the seven week occupation of Tiananmen Square ends in bloodshed on June 4, 1989, his greatest asset is his flame-red 500 cc. Honda motorcycle--giving Scott the freedom to witness first-hand what the Chinese government still denies ever took place. After Tiananmen, Scott founds the first independent English language newspaper in China, Beijing Scene. He knows that it's only a matter of time before the authorities move in, and sure enough, in 2000 he's arrested, flung into solitary confinement and, after a month in jail, deported. Clean copy.

Hardcover. Middle Village, Jonathan David, 1st, 1978, Book: Very Good, Dust Jacket: Good, Hardcover, 438 pages. Black & white illustrations. Price clipped dust jacket with 2 tape repaired short tears on top edge. Clean, tight copy.

New York, Van Nostrand Reinhold, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 196 pages. Black & white photography. Reveals the war with Russia, the first war to be extensively recorded by photography. Here are 85 photos and commentary. Many of the photos were taken by two Englishmen, Roger Fenton and William Robertson.

Hardcover. New York, World Syndicate Publishing Co, reprint, 1907, Book: Very Good, Dust Jacket: Good, Hardcover. 287 pages. Black & white frontispiece. Some edgewear. Front hinge loose at title-page. Dust jacket with edgewear, soiling.

Hardcover. Tokyo, Sophia University, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 87 pages. INSCRIBED BY GEORGE M. WILSON ON FRONT ENDPAPER. Black boards, cream cloth spine with gilt titles, white dust jacket with illustration. Price-clipped, slight rubbing to dust jacket, pages crisp and unmarked; overall, a very clean, tight copy in great condition.

Hardcover. Philadelphia, J. B. Lippincott, 1st, 1939, Book: Good, Dust Jacket: Fair, Hardbound, 314 pages. Black & white illustrations with color frontispiece by Marguerite de Angeli. Dust jacket with chipping, soiling, closed tears. Chunk missing from top of spine. Brodart cover. Previous owners markings on half title page.

Softcover. NY, Museum of Primitive Art, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover,112 pages. Original color illustrated wrappers with black lettering on cover and spine. Outline guide to the objects used in upper Sepik River rituals and the context in which they are employed. Based on author's field trips to the region in 1964, 1965, and mainly 1967. Profusely illustrated with b/w photographs and drawings throughout.

Hardcover. NY, Knopf , 1st, 1923, Book: Good, Dust Jacket: None, Hardcover, blue cloth with black stamping. Black & white illustrations (plus color frontis) by Dorothy P. Lathrop. Shows some wear and age, soiling to back cover, weak binding. No dust jacket.

Hardcover. New York, G. P. Putnam's Sons, 1st Thus, 1979, Book: Very Good, Dust Jacket: Good, 128 pages. Hardcover. Illustrated throughout with black & white photographs. Dust jacket with light wear is price clipped - now protected with clear plastic cover. Minor sun fade to top and bottom edges of covers. Clean, tight copy.

Hardcover. New York, M. Evans & Company, 1st, 1967, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Clean, red cloth covers with black lettering and illustration of an aardvark on front. Pictures by Wendy Watson. Front hinge shows light tearing.

Hardcover. NY, Scribner, 2nd pr., 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-Century America into an instantly recognizable and popular aesthetic. Now, for the first time, Dan Nadel, delivers a "gripping and essential account" (The Boston Globe) of how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact. Braiding biography with "cultural history and criticism...that honors the complexity of [its] subject, even, perhaps particularly, when it gets ugly" (Los Angeles Times), Crumb is the story of a richly complex life at the forefront of both the underground and popular cultures of post-war America. Including forty-five stunning black-and-white images throughout and a sixteen-page color insert featuring images both iconic and obscure. Clean copy.

Hardcover. NY, Macaulay, 1st, 1924, Book: Very Good, Dust Jacket: None, Hardcover, bright blue covers with titles and image of talon in black. Black & white frontispiece by George W. Gage. Light wear to covers otherwise VG.

Hardcover. Pound Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Photographing the intersection between culture and nature for over 25 years, Virginia Beahan creates luminous and finely detailed images with an 8x10 view camera that describe the complexities of this relationship in diverse geographic settings. Her eight-year project in the waning years of Fidel Castro's revolutionary Cuba resulted in a major 2009 monograph entitled CUBA singing with bright tears. The images depict a country both tragic and beautiful, struggling beneath the weight of history. Larger-than-life images of revolutionary heroes Che Guevara and Jose Marti populate the island. The Bay of Pigs is sublime and treacherous; an atmospheric body of water rimmed with jagged black coral is the same unwelcoming shore that greeted invading CIA-trained Cuban exiles over forty-seven years ago. On a billboard, Fidel Castro reminds us that the US might invade again, and if so, he "will die fighting." Virginia Beahan's work falls within the tradition of great American photographers such as Walker Evans and Robert Adams. Her luminous and detailed large-format photographs reveal a landscape imbued with nuanced stories of culture shaped by geography and human action. Cuba's long and complicated relationship with the United States is part of this unfolding drama. Clean, bright copy.

Hardcover. New York, Zone Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 565 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent, in protective brodart. Boards bound in black cloth, gilt title on spine. Binding tight. Some light pencil underlining throughout. Boards have a touch of rubbing, but in very good shape. A little light foxing to edges (shelfwear). A stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with problems of authenticity, identity, and originality.

Hardcover. New York, Covici-Friede, 2nd pr., 1936, Book: Very Good, Dust Jacket: Very Good, Hardcover, 269 pages. Previous owners name and the number "10" on front endpaper. Top edge stained black. Price clipped dust jacket with light chipping along edges. Clean, tight copy.

Hardcover. New York, Desmond FitzGerald, Inc., 1st, 1914, Book: Good, Dust Jacket: None, 95 pages. Hardcover. Text and Black & white illustrations by A. Vimar. Full color illustrated cover with light rubbing to edges, darkening in spots. Clean, unmarked pages. Good plus condition.

Hardcover. New York, Arno Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcovers, 2 volumes complete. 331 + 404 pages with 354 plates. Originally printed by Doubleday, Doran in 1929. In this edition the color illustrations are reproduced in black-and-white.. Cream colored boards. Light smudging to covers and edges. Else a very clean, tight copy.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1982, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. Los Angeles, Vidal Sassoon Inc., 1st, 1978, Book: Very Good, Dust Jacket: None, 169 pages. Hardcover. Illustrated with black & white photographs. Original receipt from Vidal Sassoon Shop in London, England laid-in. Book has damp odor. Light foxing to edges. Light wear.

Softcover. Chapel Hill NC, University of North Carolina Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 235 pages, b&w illustrations. Focusing on the porkpacking industry in Iowa, Fink investigates the experience of the rural working class and highlights its significance in shaping the state's economic, political, and social contours. Fink draws both on interviews and on her own firsthand experience working on the production floor of a pork-processing plant. She weaves a fascinating account of the meatpacking industry's history in Iowa--a history, she notes, that has been experienced differently by male and female, immigrant and native-born, white and black workers. Like new.

Hardcover. Seattle, University of Washington Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth stamped in gilt, 204 pages. Dust jacket with partial fading, edgewear. Clean copy. The author's last work, a study of the Dahomean Kingdom, it's history and the part gold, colonialism and the slave trade played in it's fortunes. Scarce title.

Hardcover. Philadelphia, American Book and Bible House, 1st, Book: Very Good, Dust Jacket: None, Hardcover, decorated green cloth covers. An attractive how-to book for girls, featuring extensive descriptions of various crafts and even magic tricks to play with friends. Illustrated with several full-page color plates and numerous black-and-white in-text images and diagrams. 268 pages. Clean copy.

Softcover. Washington DC, Smithsonian Institute Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 54 pages. The most well-known celebrity photographer working today focuses on a longtime fascination: dance. This collection of photographs features portraits of Mikhail Baryshnikov, taken over a period of more than ten years, which show the man behind the legend and also includes a selection of photos of other dancers. 30 black-and-white photographs. Light soil to covers.