Softcover. New York, Bernard Danenberg Galleries, 1st, 1970, Book: Good, Dust Jacket: None, 36 pages. Softcover with moderate soil to paper wrappers. Black and white photos throughout. Moderate darkening to wrappers.

Hardcover. Salem, MA, Essex Institute, 1983, Book: Very Good, Dust Jacket: Good, Hardcover. Reference guide to historical architecture in Salem, Massachusetts, with reviews of over 350 buildings. 311 pages, fully illustrated with black/white photographs and maps. Cloth bound book is in near fine condition, no internal marks; dust jacket has wear at the corners and on the ends of the spine, two rips along the top edge.

NY, Hearst Books International, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white and color photos and illustrations. 191 pages. Light edgewear to dust jacket.

Softcover. Munich, Prestel, 1st , 1997, Book: Very Good, Dust Jacket: None, 271 pages. Softcover. Features full color and black & white illustrations. Features the German design groups best work 1965-1997. Clean, unmarked copy with only minor bump to bottom right corner.

Hardcover. New York, H.N. Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 606 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black & white photographs throughout.

Hardcover. Newport VT, J. M. Currier, 1st, 1870, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages, a collection of scientific papers dated Oct. 1870 through July 1874. Bound in black cloth with black leather spine and corners, gilt lettering and rules on spine. Subjects include geology, Pawnee Indians, flora and fauna, birds of Vermont, etc. Small water stain to top edge margin of center pages, otherwise very good. Pencil inscription inside front cover reads: "Compliments of Dr. Currier, 1892". Previous owner's bookplate.

Hardcover. New York , G.P.Putnam's Sons, 1st, 1929, Book: Very Good, Dust Jacket: Good, 356 pages, Hardcover with dust jacket. 46 B&W photos and a map. Dust jacket edgeworn, chipped, soiled. Light flecking to cloth blue color. Tight copy. Greenland expedition in the Effie M. Morrissey, commanded by Capt. Bob Bartlett. Streeter's account featuring the Montana Cowboy, Carl Dunrud, who came aboard the arctic exploration vessel, Morrissey, specifically for the purpose of roping and bringing back live polar bears and other Arctic animals. Numerous black and white photographs showing various scenes of Greenland and native Inuit costumes and habits.

Hardcover. New York, Henry Holt , 2nd, 1998, Book: Very Good, Dust Jacket: Very Good, 215 pages. Hardcover with dust jacket. SIGNED BY AUTHOR. 1/4 black cloth, 3/4 green paper. Gilt lettering on spine. Color pictorial dj with photograph of author.

Hardcover. NY, Dial Press, 1st US, 1966, Book: Very Good, Dust Jacket: Good, Hardcover. Dust jacket shows wear, chipping and some tears. Internally clean. Quentin Blake illustrations in black & white & blue. Hardbound. One summer, whilst on holiday in northern France Aristide is given a blue Li-Lo by his Grandmother. Despite being told not to go too far from the shore Aristide manages to float all the way across the channel to England where he is captured and held prisoner by some boys. (Robert Tibber is the nom-de-plume of Rosemary Friedman)

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth with black lettering, dust jacket with edgewear and chipping, 310 pages. Rear dj lists to Wild Horse Mesa. Name, date on front fly leaf, otherwise clean.

Hardcover. London, Blackie and Son, Ltd., 1st, 1921, Book: Good, Dust Jacket: None, Nonpaginated (about 24 pages). Hardcover. Undated, assumed it's a 1st edition. Fun, engaging, color illustrations with text below throughout. Stitch binding with a few stitches missing, but still intact with no pages missing. The gray paper-covered boards are bound at the spine in gray cloth, and the front board has a full coloured pictorial panel pasted to it, with a scene of the Ark on a white background, with red and black lettering. Red cloth spine. Back cover's illustration has been romoved from board. Back cover board has been previously torn off and repaired with tape. Previous owner stamp on preliminary page with a crayon decoration. Some stray makes made with pencil on back cover board. Pages clean inside. In good condition for its age.

Hardcover. Leipzig, BernhardTauchnitz, 1866, Book: Very Good, Dust Jacket: None, Two hardcovers, 3 volumes bound in 2), green cloth with black calf spines, raised bands, gilt lettering. 341, 350, 346 pages. Minor scuff to raised bands on second volume. otherwise clean copies.

Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 296 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. Thomas Wentworth Higginson, a Unitarian minister, was a fervent member of New England's abolitionist movement, an active participant in the Underground Railroad, and part of a group that supplied material aid to John Brown before his ill-fated raid on Harpers Ferry. When the Civil War broke out, Higginson was commissioned as a colonel of the black troops training in the Sea Islands off the coast of the Carolinas.

Softcover. NY, Penguin Books, reprint, Book: Very Good, Dust Jacket: None, Softcover. Thomas Wentworth Higginson, a Unitarian minister, was a fervent member of new England's abolitionist movement, an active participant in the Underground Railroad, and part of a group that supplied material aid to John Brown before his ill-fated raid on Harpers Ferry. When the Civil War broke out, Higginson was commissioned as a colonel of the black troops training in the Sea Islands off the coast of the Carolinas. Shaped by American Romanticism and imbued with Higginson's interest in both man and nature, Army Life in a Black Regiment ranges from detailed reports on daily life to a vivid description of the author's near escape from cannon fire, to sketches that conjure up the beauty and mystery of the Sea Islands. This edition also features a selection of Higginson's essays, including "Nat Turner's Insurrection" and "Emily Dickinson's Letters." Clean copy.

Hardcover. Boston, Godine, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 23 pages of text plus 63 black & white plates. Dust jacket has light edgewear. Dust jacket with mild edgewear, protected by a mylar cover.

Softcover. Seattle, Fantagraphics, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. All cartoonists are geniuses, wrote John Updike, "but Arnold Roth especially so. He's an American original; irreverent, tireless, manicky, and secretly efficient... his work jumps with joy." You won't find better proof of this argument than this book, a generous, career-spanning collection of Roth's best cartoons and painted illustrations, originally created to serve as a catalog for a long-overdue gallery exhibition of this master cartoonist's work. From his early cartoons through his eye-popping and imaginative color illustrations for such magazines as Playboy, Esquire, TV Guide and Sports Illustrated, this book will delight any fan of superior cartooning. Color and black-and-white illustrations throughout

Hardcover. New York, Macmillan Company, Revised, Limited Edition, 1903, Book: Very Good, Dust Jacket: None, 371 pages. Hardcover. Revised, limited edition - this edition being two hundred and forty-five copies, of which this is handstamped #38. Black & white illustrations, includes fold-out map. Darkening to spine label. Light wear. Clean, tight copy.

Hardcover. London, Cassell & Company , 2nd, 1892, Book: Good, Dust Jacket: None, 248 pages, hardcover. Gilt titles and embossed decoration to spine. Children's book on English history. Pasted color illustration to front panel. Heavy bumping and chipping to front and rear panels, mostly to fore edge and corners. Pasted advertisement to rear panel. Minor fading and bumping to spine. Small stain to lower right front panel. Moderate age toning to prelim pages. Age toning to text block edges. Black-and-white illustrations throughout. Scarce. A tight copy.

Hardcover. Rutland, VT , Tuttle Company, 1st, 1925, Book: Very Good, Dust Jacket: None, 213 pages. Light green cloth covers with photo and gilt lettering. Light foxing throughout, all edges. Previous owner's signature on front end paper. Black & white photographs. Tight binding. Author was Dorothy Canfield Fisher's mother.

Hardcover. Black Dog & Leventhal Publishers, Inc., 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. 204 pages, b&w photographs. Arrested collects hundreds of celebrity mugshots from the last 150 years including: James Brown Lenny Bruce, Al Capone, Jeffrey Dahmer, Eminem, Bill Gates, Saddam Hussein, Mick Jagger, Malcolm X, Al Pacino, Elvis Presley, Bugsy Siegel, Joseph Stalin ,Sid Vicious and more!

Hardcover. East Sussex, Ammonite Press, 1sr, 2012, Book: Very Good, Dust Jacket: None, 286 pages, color photographs throughout. No dust jacket as issued. Large, heavy folio. Black cloth with cover label photo. "Arrested" is the biography of idiosyncratic London-based photographer and film director Jim Lee. Lee established a portfolio photographing bands such as the Kinks and the Who and later became in demand as a fashion photographer, notably working with "Vogue" editor-in-chief Anna Wintour. Lee's earlier photographic work is included in a permanent collection at the Victoria & Albert Museum. Born in 1945 to parents who were both MI5 operatives, Lee's life has followed anything but a conventional route. Dyslexia and an independent spirit saw Lee at the age of just seventeen emigrate to Australia where his passion for photography was kindled. Rescued from fighting in the Vietnam war by his parents' intervention, Lee returned to the UK and began to establish a portfolio photographing bands. As his reputation grew, Lee became in demand as a fashion photographer for magazines during the late sixties and seventies. He collaborated with some of the most influential fashion designers, including Yves St Laurent and Gianni Versace, and his work appeared in "Elle", "The Sunday Times Magazine", "Harpers & Queen" and "The New York Times".

Hardcover. East Sussex, Ammonite Press, 1sr, 2012, Book: Very Good, Dust Jacket: None, 286 pages, color photographs throughout. No dust jacket as issued. Large, heavy folio. Black cloth with cover label photo. "Arrested" is the biography of idiosyncratic London-based photographer and film director Jim Lee. Lee established a portfolio photographing bands such as the Kinks and the Who and later became in demand as a fashion photographer, notably working with "Vogue" editor-in-chief Anna Wintour. Lee's earlier photographic work is included in a permanent collection at the Victoria & Albert Museum. Born in 1945 to parents who were both MI5 operatives, Lee's life has followed anything but a conventional route. Dyslexia and an independent spirit saw Lee at the age of just seventeen emigrate to Australia where his passion for photography was kindled. Rescued from fighting in the Vietnam war by his parents' intervention, Lee returned to the UK and began to establish a portfolio photographing bands. As his reputation grew, Lee became in demand as a fashion photographer for magazines during the late sixties and seventies. He collaborated with some of the most influential fashion designers, including Yves St Laurent and Gianni Versace, and his work appeared in "Elle", "The Sunday Times Magazine", "Harpers & Queen" and "The New York Times".

Softcover. London, The Trustees of the British Museum / British Museum Press Ltd., 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 224 brilliant pages, laden with illustrations of Assyrian art and artifacts from The British Museum collection. 215 color and 33 black and white illustrations in addition to one map. Beautiful full-color cover with minor wear at corners only. Illustrated title page and half-title page. Crisp text pairs nicely with this rich visual collection. In very good condition overall.

Hardcover. Notre Dame IN, University of Notre Dame Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black and gilt. 227 pages plus a section of b&w plates in rear.. A series of nine papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships. The aim of the Notre Dame Conference was to consider the relationship between politics and the literary and visual arts. The visual arts considered in this volume range from the traditional fine arts categories of painting, sculpture and architecture to minor art objects such as medals, badges, banners and seals. In general terms, the study of politics denotes the study of power relationships. Within this larger framework political scientists and anthropologists have chosen to focus on the institutions and structures that express these relationships and/or the actions that are undertaken by individuals and groups to define, alter, or reinforce them. Clean copy.

Hardcover. NY, E.P. Dutton, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages. 100 plates (3 tipped-in color plates), including 37 examples by American artists. Survey of the art of the First World War by Allied artists from the United States, Canada, Great Britain, France and the Netherlands, including paintings, drawings, sculpture, lithographs, and posters. Works by Maxfield Parrish, George Luks, George Bellows, Harvey Dunn, Paul Manship, Mahonri Young, William Orpen, C.R.W. Nevinson, James McBey, Paul Nash, G. Spencer Pryse, Edmund Dulac, Wyndham Lewis, Frank Brangwyn, Th.A. Steinlen, and others. Bibliography, p. 285-288. Handsome production, with decorations designed by Frederick W. Goudy and printed by William E. Rudge. Dark green boards with black cloth spine, bright gilt lettering on cover and spine. Previous owner's bookplate inside front cover, light corner wear, mild bump to top of rear board.

Softcover. Paris, Reunion des Musees Nationaux, 1st, 1990, Book: Very Good, Dust Jacket: None, 204 pages. Softcover. French text only. Previous owners stamp on front endpaper. Illustrated with beautiful full color and black & white examples of religious art and artifacts of Tibet and Nepal. Slight toning to page edges. Clean, tight copy.

Hardcover. Boston, Massachusetts, Little, Brown, and Company, na, 1900, Book: Good, Dust Jacket: None, Biography of American artist William Morris Hunt. 219 pages with 16 black/white plates of Hunt's paintings. Cloth bound book is in good condition, some marks on the cover and corners slightly bumped. Some pages still uncut. Previous owner's name and date written in ink inside the cover.

Hardcover. London, Frederick Warne & Co., 4th Edition, 1966, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover. Color and black & white illustrations throughout. Green cloth cover boards, gilt title on spine and design on front cover board. Dust jacket price clipped, a touch of agewear. Top edge dyed green.

Hardcover. New York, The Vendome Press, Reprint, 1980, Book: Very Good, Dust Jacket: Very Good, 204 pages. Hardcover. Purple covers with gilt titles to black cloth spine, gilt vase design to cover. Full page, full color and bw illustrations throughout. Dust jacket with light marginal wear to edges. Clean & unmarked pages throughout. Glass from the turn of the 19th - 20th century; the "Belle Epoque" era. Features many glass artists, including Philippe-Joseph Brocard, Auguste Jean, Ernest-Baptiste Leveille, Emile Galle, Les Freres Daum, Henri Cros, Albert Dammouse, Francois Decorchemont, and several others.

Hardcover. London, The Library Association, 1st, 1970, Book: Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Black and white illustrations throughout. Ex-Lib with usually markings and stamping on end papers, copyright, etc. Light edgewear to cover boards, fray on spine and corners, otherwise good copy.

Hardcover. Portland, Collectors Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 768 pages. Profusely illustrated with full color and black & white photographs and art. Light wear to corners of dust jacket at flaps. Clean, tight copy. A monumental work devoted to art depicting life in the future. The authors present the most important, thought-provoking examples from each genre using vast collections of novels, posters, magazines, movies, and more.

Hardcover. Boston, Houghton, Mifflin and Company, 1st, 1907, Book: Good, Dust Jacket: None, Hardcover, 252 pages, illustrations throughout, 2nd spine label in rear, edited by John Nolen and typeface by Bruce Rogers. Edge wear and corner bump, minor rubbing, otherwise, clean and tight copy. Illustrated with 22 black and white plates (of which nine have overlays), 28 text figures, and a colour frontispiece (also with an overlay).

Hardcover. West Port CT, Greenwood, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover, 240 pages. Black & white illustrations. Dust jacket shows standard wear with rubbing and chipping along edges. Clean, tight copy.

Hardcover. Lansing, Peregrine Books, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. SIGNED BY G. LEGMAN, ROLAND TRENARY, AND ROBERT ARRINGTON ON REAR ENDPAPER. THIS BEING HAND NUMBERED #25 OF LIMITED 100 SIGNED HARDCOVER EDITIONS. Illustrated in black & white with 4 pages in full color. Minor pea sized stain at center of foredge. Dust jacket with light wear. Clean, tight copy.

Hardcover. New Haven, Yale University Press , 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 472 pages, 480 images (80 in color). Exhibition catalog for a traveling exhibition. Black cloth covers in a bright dust jacket. A splendid overview of the artistic development of photography from its earliest days to the 1980s.

Hardcover. New York , Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages, 91 illustrations in color and b&w. In a bright, clean dust jacket. Introduction by John A Williams. "The numerous large illustrations of Bearden's drawings, paintings, and collages from 1940 to the present, give depth to this portrait of an unusually fine American artist." 91 illustrations of the artist's work, including 46 in full color: one four-page spread over two folding pages, and one folding two-page spread. Chronology. List of exhibitions. Bibliography. Silver-blocked blue-cloth-covered boards with facsimile signature on front board. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Los Angeles, CA, Getty Research Institute, 1st, 2009, Book: Very Good, Dust Jacket: None, 416 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Art of the Defeat provides an unflinching look at the art scene in France during the German occupation. Black and white photographs throughout.

Hardcover. Milan Italy, Jaca Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 315 pages, color illustrations. Like new in publishers shrink-wrap. The Panza Collection has gathered together a critical assembly of the art of the 50s, 60s and 70s. This book traces the history of Giuseppe Panza''s life as an art collector and includes an illustrated section of works by various artists like Donald Judd, Robert Ryman, Louis Cane and many others. Color and black and white illustrations. Bound in original gray boards. Housed in white pictorial dust jacket.

Hardcover. Milano IT, Jaca Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 315 pages, color illustrations. Like new in publishers shrink-wrap. The Panza Collection has gathered together a critical assembly of the art of the 50s, 60s and 70s. This book traces the history of Giuseppe Panza''s life as an art collector and includes an illustrated section of works by various artists like Donald Judd, Robert Ryman, Louis Cane and many others. Color and black and white illustrations. Bound in original gray boards. Housed in white pictorial dust jacket.

Hardcover. New York , Harrison House, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. 150 vintage black-and-white 1920s and 1930s Hollywood star portraits (many/most full-page) with accompanying descriptive captions. "This book lets us see, with dramatic impact, the artistry of the Hollywood studio photographers, whose portraits (reproduced by the millions as cheap fan photographs) of Crawford, Garbo, Cooper and the others both revolutionized photographic portraiture and, to an enormous extent, formed our vision of the great Hollywood faces." 292 pages. Small previous owner's stamp on front fly leaf otherwise clean.

Hardcover. New York , Harrison House, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. 150 vintage black-and-white 1920s and 1930s Hollywood star portraits (many/most full-page) with accompanying descriptive captions. "This book lets us see, with dramatic impact, the artistry of the Hollywood studio photographers, whose portraits (reproduced by the millions as cheap fan photographs) of Crawford, Garbo, Cooper and the others both revolutionized photographic portraiture and, to an enormous extent, formed our vision of the great Hollywood faces." 292 pages. Small previous owner's stamp on front fly leaf otherwise clean.

Hardcover. Seattle, WA, University of Washington Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover black cloth with silver lettering. 410 pages. 32 pages of color plates; near 1000 black-and-white photographs. Bibliography and index. Authoritative guide to the collections at the University of British Columbia. Clean copy in a bright dust jacket.

Hardcover. New York, Knopf, 4th pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Color and black and white illustrations. Orange and blue cloth covers with gilt lettering on spine. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. NY, Harper & Row/Icon Editions, 1977, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Series of essays with b&w photographs throughout. CONTENTS: Artpolitics; The Size of Non-Size; What is Content?--Photography as Culture; Filmgoing -Videogoing; The Decline and Fall of Pop; The Idea of a Twenty-First Century Museum; Utopia; Post-Modern Form. Front cover in black and white with black, white, and red lettering. In very good condition, some rubbing to both covers but clean pages and tight binding.

Hardcover. UK, Aquarian Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations, 256 pages. "Arthur Machen (1863-1947) .was acclaimed in his day as one of the finest stylists in English prose.The sequences of letters to his friends A.E.Waite, Colin Summerford, and John Galsworth, and to fellow authors and publishers, illuminate Machen's courageous struggles against poverty and adversity, while reflecting his lifelong preoccupations with literature, the occult, the Christian faith, and Celtic myth."

Hardcover. Boston, MFA,Boston/Harvard University, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 232 pages. Illustrated with mostly black & white examples of fine book design. Dust jacket shows wear with small tears and chunks missing from edges. Clean, tight copy.

Hardcover. US, Dark Horse Books, 2nd, 2007, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The culmination of more than fifteen years of photography by renowned photographer Greg Preston, this book is a living history of the men and women who have shaped the imaginations of countless millions of people around the world through their work in the fields of animated cartoons, comic books, comic strips and editorial cartooning. The list of more than two hundred artists includes such luminaries as Frank Miller, Al Hirschfeld, Joe Barbera, Jack Kirby, Joe Simon, Moebius, Walter and Louise Simonson and many more, all in photographs exclusive and shot expressly for this book.

Hardcover. Greenwich, Ct., 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 128 pages, illustrated throughout in b&w. Black cloth with gilt title to spine. Yellow pictorial dust jacket. Light wear to edges, slight soiling to covers, else a very nice, tight copy.

Softcover. San Francisco, Golden Gate Publishing, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, comic book. Standard Format and Size. First Printing (75 cent cover price). Color illustrated covers with black/white interior art. Without page numbers. All work by R Crumb.

Hardcover. New York, M. T. Richardson, 1st, 1887, Book: Good, Dust Jacket: None, Boards covered in brown cloth with black design on front cover. Tear near the gutter on the first few pages including the frontispiece but it does not effect the image depicted. Still has previous owner's inscription from 1888. Some staining on pages but otherwise, a tight, clean copy. This book covers detailed illustrations of various methods of shoeing with special directions "for shaping shoes to cure different diseases of the foot".