Softcover. New York, Peninsula Press, Reprint, 1994, Book: Very Good, Dust Jacket: None, 103 pages. Spiral bound reprint edition privately printed by Peninsula Press in 1994. Previous owners name stamped at top of title page. Black & white illustrations. Clean, unmarked text.

Hardcover. Salem, Essex Institute, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 100 pages. Illustrated with black & white plates. Dust jacket shows light wear and Some light foxing to edges. Clean, tight copy.

Hardcover. Cambridge MA, Schenkman Publishing Company, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, oblong format, black cloth with white lettering on spine. 247 pages, b&w photographic illustrations, color folding map tipped-in at front pastedown, rear pictorial endpaper. This on-the-ground study of one square mile in Detroit was written in collaboration with neighborhood residents, many of whom were involved with the famous Detroit Geographical Expedition and Institute. This work, at its core, is dedicated to understanding global phenomena through the intensive study of a small, local place. Beginning with an 1816 encounter between the Ojibwa population and the neighborhood's first surveyor, William Bunge examines the racialized imposition of local landscapes over the course of European American settlement. By 1967 the neighborhood was mostly African American; Black Power was ascendant; and Detroit would experience a major riot. Immersed in the daily life of the area, Bunge encouraged residents to tell their stories and to think about local politics in spatial terms. His desire to undertake a different sort of geography led him to create a work that was nothing like a typical work of social science. The jumble of text, maps, and images makes it a particularly urgent book and a major theoretical contribution to urban geography that is also a startling evocation of street-level Detroit during a turbulent era. Clean copy, no dust jacket.

NY, Knopf, 1st , 1956, Book: Very Good, Dust Jacket: None, Hardcover in green cloth with a drawing of a monkey on a pole on the front cover. Illustrated in 3-colors and black & white by Meg Wohlberg. Previous owner's signature front end paper, light spotting to covers.

Hardcover. Grafton, Grafton Historical Society, Revised and Expanded, 1999, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover. Revised and expanded edition. Illustrated with black & white photographs. Clean, tight copy.

Hardcover. Rochester, NY, Judaic Impressions, 1st Edition, 1974, Book: Very Good, Dust Jacket: None, Nonpaginated. SIGNED NOTE FROM TRANSLATOR LAID IN. Hardcover Folio. Cover boards bound in black cloth, white paste-on on spine with title, a touch of fading to spine and some shelf wear. 2 light smudges of soil to 1st poem title page (see image). 3Scarce 1st Edition, only 100 printed. "The five poems (written during the Holocaust) compiled in this book are witness of the unquenchable spirit of man. They are personal, lyrical and so very Jewish. They speak to God - arguing, protesting, demanding, pleading, accusing and longing...".

Hardcover. Boston , D. Lothrop Co., 1st, 1892, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt, red and black letters and illustrations on front and spine. Assumed first edition and printing since only date is 1892 and no indication of number of printing on copyright or title page as with later printings of this book. 527 pages, book ads in rear. Black and white illustrations by Mente. The Five Little Peppers is a book series created by American author Margaret Sidney which was published 1881 to 1916. It covers the lives of the five children of Mamsie and the late Mister Pepper who are born into poverty in a rural "little brown house". Previous owner's bboplate on front fly leaf, otherwise clean.

Hardcover. Rutland, VT, Charles E. Tuttle, Co., 3rd printing, 1958, Book: Very Good, Dust Jacket: Very Good, 264 pages. B&W illustrations throughout. Pictorial dust jacket with soiling and slight wear. Pink boards, black spine. Front flyleaf clipped. Foxing to top edge. Overall, a clean, tight copy.

Softcover. NY, Riverhead Books, 1st wraps, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 308 pages. A collection of short stories from the winner of the National Book Award 1n 2013. The stories in Five-Carat Soul--none of them ever published before--spring from the place where identity, humanity, and history converge. They're funny and poignant, insightful and unpredictable, imaginative and authentic--all told with McBride's unrivaled storytelling skill and meticulous eye for character and detail. McBride explores the ways we learn from the world and the people around us. An antiques dealer discovers that a legendary toy commissioned by Civil War General Robert E. Lee now sits in the home of a black minister in Queens. Five strangers find themselves thrown together and face unexpected judgment. An American president draws inspiration from a conversation he overhears in a stable. And members of The Five-Carat Soul Bottom Bone Band recount stories from their own messy and hilarious lives.

Hardcover. Montreal, Drawn & Quarterly, 1st, 2003, Book: Very Good, Dust Jacket: None, 140 pages. Hardcover NO dust jacket. Black and white comic. Clean, unmarked copy with minor wear to boards. Award-winning comix-journalist Joe Sacco goes behind the scene of war correspondence to reveal the anatomy of the big scoop. He begins by returning us to the dying days of Balkan conflict and introduces us to his own fixer; a man looking to squeeze the last bit of profit from Bosnia before the reconstruction begins. Thanks to a complex relationship with the fixer Joe discovers the crimes of opportunistic warlords and gangsters who run the countryside in times of war. But the west is interested in a different spin on the stories coming out of Bosnia. Almost ten years later, Joe meets up with his fixer and sees how the new Bosnian government has "dealt" with these criminals and Joe ponders who is holding the reins of power these days...

Hardcover. Des Moines, Iowa, Wallace Homestead Book Company, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 123 pages. Illustrated throughout with wonderful black and white photographs, period advertisements, floorplans, houses, furniture, dinnerware and room designs. Small inscription on front fly leaf otherwise pages white and clean.

Hardcover. NY, Knopf, 1st , 1978, Book: Very Good, 149 pages. Hardcover with laminated boards. Black & white photos. Clean board covers. No dust-jacket issued.

Softcover. San Francisco, Chronicle Books, 2nd pr., 1987, Book: Very Good, Dust Jacket: None, 143 pages. Softcover. Light edgewear to wrappers, light fading to top edge. Black and white pictures throughout.

Hardcover. NY, Viking, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 374 pages.Translated by Joan Pinkham, notes, bibliography, index, b/w photo plates, white boards/black cloth. Originally published Librairie Flammarion, Paris, 1988. First American Edition.

Hardcover. London, Sidgwick & Jackson, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, 232 pages. Very good dust jacket with minor rubbing on rear bottom edge and top edge spine. Blue cloth cover with gilt lettering on spine. Clean and tight interior. SIGNED BY AUTHOR, MICK FLEETWOOD opposite title page. Black and white photos in center.

Hardcover. London, Collins, 1st , 1948, Book: Very Good, Dust Jacket: Very Good, Hardcover, translated from French by D.I. Wilton. 20 tipped-in color plates, 131 black & white plates. Front hinge cracked otherwise very good in a very good dust jacket.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Ms. Moxie Mooney is Hollywood royalty--and she's in trouble. At the summons of his on-again, off-again lover, Fletch drops in on Moxie's film set, located in sunny Florida. If being called up for help by the box office beauty isn't work enough, Steve Peterman, Moxie's sleazy manager, is murdered while the cameras are rolling, and no one managed to see a thing. Despite the obvious lack of evidence, the rumor mill is still quick to churn up a potentially plausible suspect: Moxie. Realizing the need for a little R&R away from prying eyes, he hastily flies Moxie and her drunken father off to Key West. But trouble follows Fletch, in every sense of the word, and soon enough he's playing host to a full house of Hollywood's brightest.I n true Fletch style, he delves into the investigation, dodging police inquiry, betting on race horses, taking a leisurely sail, and talking up his elite houseguests to get the dirt and solve this perplexing murder.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Fletch, as unbridled as ever and still living the good life in Italy on his ill-gotten fortune, gets a surprising visit from two surly FBI agents. The pair offers him a deal: either he attend the American Journalism Alliance convention and work as an undercover spy for them, or be shipped back to headquarters and face jail time for tax evasion. Reluctantly agreeing to the scheme, he catches a red-eye flight back to the States. But just as rubber hits tarmac in Virginia, news breaks on a murder at the convention. The victim -- a newspaper tycoon and former employer of I. M. Fletch -- was no stranger to enemies. And at a hotel full of reporters who'd all had their dealings with the tyrannical leader, everyone's a suspect.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Ms. Moxie Mooney is Hollywood royalty--and she's in trouble. At the summons of his on-again, off-again lover, Fletch drops in on Moxie's film set, located in sunny Florida. If being called up for help by the box office beauty isn't work enough, Steve Peterman, Moxie's sleazy manager, is murdered while the cameras are rolling, and no one managed to see a thing. Despite the obvious lack of evidence, the rumor mill is still quick to churn up a potentially plausible suspect: Moxie. Realizing the need for a little R&R away from prying eyes, he hastily flies Moxie and her drunken father off to Key West. But trouble follows Fletch, in every sense of the word, and soon enough he's playing host to a full house of Hollywood's brightest.I n true Fletch style, he delves into the investigation, dodging police inquiry, betting on race horses, taking a leisurely sail, and talking up his elite houseguests to get the dirt and solve this perplexing murder.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Fletch, as unbridled as ever and still living the good life in Italy on his ill-gotten fortune, gets a surprising visit from two surly FBI agents. The pair offers him a deal: either he attend the American Journalism Alliance convention and work as an undercover spy for them, or be shipped back to headquarters and face jail time for tax evasion. Reluctantly agreeing to the scheme, he catches a red-eye flight back to the States. But just as rubber hits tarmac in Virginia, news breaks on a murder at the convention. The victim -- a newspaper tycoon and former employer of I. M. Fletch -- was no stranger to enemies. And at a hotel full of reporters who'd all had their dealings with the tyrannical leader, everyone's a suspect.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Young Fletch is less than pleased to be writing a business story, something that's well outside his field of expertise. Eager to get back out on the streets, he quickly compiles what he thinks is a well-executed article, complete with quotes from the chairman of the board's recent memos. But when he fails to do his due diligence when researching the company and its associates, he finds himself in hot water ... and now out of a job. The chairman has been dead for over a year. Realizing his mistake, he visits the widow Bradley to make amends -- and to ask a few simple questions. But her strange demeanor and puzzling answers leave Fletch perplexed. He can't help but wonder: Why would a dead man still be writing memos to his associates? Is he even dead? With his interest now thoroughly piqued, fueled by his desire to get the real story and take back his job, Fletch puts his reporting skills to work as he dives into the mystery surrounding the Bradleys' past.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Young Fletch is less than pleased to be writing a business story, something that's well outside his field of expertise. Eager to get back out on the streets, he quickly compiles what he thinks is a well-executed article, complete with quotes from the chairman of the board's recent memos. But when he fails to do his due diligence when researching the company and its associates, he finds himself in hot water ... and now out of a job. The chairman has been dead for over a year. Realizing his mistake, he visits the widow Bradley to make amends -- and to ask a few simple questions. But her strange demeanor and puzzling answers leave Fletch perplexed. He can't help but wonder: Why would a dead man still be writing memos to his associates? Is he even dead? With his interest now thoroughly piqued, fueled by his desire to get the real story and take back his job, Fletch puts his reporting skills to work as he dives into the mystery surrounding the Bradleys' past.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Fletch's newfound son Jack has just heard from an old flame who's about to marry a billionaire's son -- that is until her future father-in-law suffers several near-fatal accidents. The potential victim -- the inventor of the perfect mirror, which allows people to see themselves exactly as others do -- lives in his own secluded compound, so Jack gets a job as pool hand on the estate to get closer to the action. Now Jack's life may be in danger, and he will need his inimitable father's help to discover -- before it's too late -- whose reflection hides a killer's heart.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Fletch's newfound son Jack has just heard from an old flame who's about to marry a billionaire's son -- that is until her future father-in-law suffers several near-fatal accidents. The potential victim -- the inventor of the perfect mirror, which allows people to see themselves exactly as others do -- lives in his own secluded compound, so Jack gets a job as pool hand on the estate to get closer to the action. Now Jack's life may be in danger, and he will need his inimitable father's help to discover -- before it's too late -- whose reflection hides a killer's heart.

Hardcover. New York, St. Martins Press, 1st Edition, 1985, Book: Very Good, Dust Jacket: Very Good, 338 pages. Hardcover. Black & white illustrations throughout. Bright dust jacket with only minor wear. Light foxing to edges. Otherwise clean unmarked copy.

Hardcover. Spanish Fork UT, Hillcrest Publications, 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 160 pages. 212 black-and-white photographs, 76 fine color plates, 16 illustrations and 2 maps and 8 decoy profiles. SIGNED BY BOB WHITE who wrote the Foreword. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 232 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Focusing on Ukiyo-e ("pictures of the floating or sorrowful world"), the colourful woodblock prints that are the most popular form of Japanese art, this book introduces the little-seen collection held by the Library of Congress. This collection of prints, drawings and books, one of the largest outside Japan, has never been exhibited and has rarely been handled. The art form of Ukiyo-e first flourished in 17th-century Edo (now Tokyo), depicting landscapes, portraits of courtesans and actors. This book includes known masterpieces by such names as Hokusai, Hiroshige and Kunisada, as well as rare and unusual prints that have not been explored before, and thus serves as a survey of its subject.

Hardcover. London, George Allen, 5th Ed., 1900, Book: Very Good, Dust Jacket: None, Hardcover, flexible black cloth with red and gilt stamping, edges stained red. 343 pages with a 10 page catalogue of Hare's other titles in rear. With 22 illustrations and a double page color map. Detailed information on the history and landmarks of Florence. Clean, bright copy of this vintage travel guide.

Hardcover. NY, Harper and Brothers, 1st US, 1937, Book: Good, Dust Jacket: None, Hardcover, pictorial boards with gray cloth spine. Rojan (Rojankovsky) illustrations in color and black and white. A baby rabbit's experience. Delicate landscapes of woodland and meadow, some labeled diagrams, black and white lithos in text. Corners bumped, worn.

Hardcover. Chicago, Albert Whitman & Co., 1st, 1931, Book: Good, Dust Jacket: None, 59 pages. Hardcover. Illustrated from original black & white "Free Hand Cuttings" by Ann Eliza Sample. Standard age darkening to front cover pastedown. Clean, unmarked copy.

Hardcover. New York, George H. Doran, 1st, 1927, Book: Good, Dust Jacket: None, 260 pages. Hardcover. Front endpaper has been removed. Full color frontis. Some black & white illustrations. Foxing to edges. Blue cloth covers with dark smudges. Clean, tight copy.

Hardcover. London, Hodder & Stoughton, 1st thus, nd, Book: Very Good, Dust Jacket: None, Hardcover, pictorial green cloth covered boards. Black and white illustrations throughout, 128 pages. Other stories include Coaly-Bay: The Outlaw Horse and Way-Atcha: The Coon Raccoon of Kilder Creek. Clean copy.

Hardcover. NY, Hastings House, 1st , 1969, Book: Good, Dust Jacket: Good, 1,100 pages. Large, heavy hardcover. Black & white diagrams and illustrations throughout. Gilt titles on spine. Some wear to price-clipped dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.

Hardcover. New York, Atria Books, 1st Hardcover, 2016, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover with dust jacket. Remainder mark to bottom edge of textblock. Otherwise a very clean, unmarked copy with only minor edgewear to dust jacket. Black and white photographs. Tracing the highs and lows of fashion photography from the late 1940s to today, Gross vividly chronicles the fierce rivalries between photographers, fashion editors, and publishers like Conde Nast and Hearst, weaving together candid interviews, never-before-told insider anecdotes and insights born of his three decades of front-row and backstage reporting on modern fashion. An unprecedented look at an eccentric and seductive profession and the men and women who practice it on the treacherous shifting sands of pop and fashion culture, Focus depicts--perhaps most importantly--the rewards and cost, both terribly high, of translating an artist's vision of beauty for an often cold and cruel commercial reality.

Hardcover. New York, Doubleday Page & Co., 1st, 1913, Book: Very Good, Dust Jacket: None, 129 pages. Hardcover with no dust jacket. Gilt decoration and laid in art on front cover. Black & white illustrations by Charles Livingston Bull.

Hardcover. Baton Rouge, Louisiana State University Press, 1st Edition, 1990, Book: Very Good, Dust Jacket: Very Good, 211 pages. Hardcover with light foxing to edges, preliminary pages and dust jacket interior. Published on occasion of the exhibition, Louisiana State University Union Art Gallery, Baton Rouge, August 20, 1990 - September 22, 1990 among other locations. Black & white photographs throughout. Dust jacket with minor edgewear. Otherwise clean, unmarked copy.

Hardcover. New York, Moffat, Yard and Co, 3rd, 1916, Book: Very Good, Dust Jacket: None, Hardcover, 463 pages. Contains black & white photographs. Light soiling to covers.

Softcover. Rochester, NY, Austen Press, 1st trade, 1994, Book: Very Good, Dust Jacket: None, 139 pages. Softcover with paper wrappers. SIGNED AND INSCRIBED BY AUTHOR, with drawing. Black and white comics throughout. Tight copy.

Hardcover. Princeton University Press , 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth-covered boards, gilt titles to spine on black ground, 350 pages., illustrated with tables. The book sets out to "describe the inception, organisation, and administration of the Nazi foreign labor program and the relationship of the program to the Nazi war economy and government". It uses captured documents as well as material published during the war. Spine slightly cocked, clean copy.

Hardcover. Philadelphia, Lippincott, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, 312 pages. Illustrated with black & white photographs. Clean, tight copy.

Softcover. Charleston, SC, Arcadia Publishing, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w photos throughout. At the foot of the Huachuca Mountains, the U.S. Army founded one of the most crucial military posts for American expansion into the southwest frontier. Soldiers had been stationed in the region for decades, but in 1877 Fort Huachuca became the symbolic cornerstone of America's western domain. The Native American word huachuca, meaning "place of thunder," described the sporadic but marvelous electrical storms in the area, but the skies would not be the only thing booming. During the tumultuous campaigns to resolve American and Indian disputes, the U.S. infantry and famed Buffalo Soldiers faced off with Geronimo and his Apache nation in both tense negotiations and bitter combat. As time marched on, the fort developed into a permanent installation with barracks, modern training grounds, and other facilities to accommodate troop rotations and eventually became the innovative Center for Military Intelligence. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st US, 1923, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with red lettering, 304 pages. Clean and bright except for faded spine.

Hardcover. New York, Watson Guptill, 1st Ed., 1946, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in 3 colors. 300 b&w illustrations, 24 in color. Profiles famous illustrators of the 1940s and includes their photo, examples of their work, a step-by-step demonstration of their working methods, and text written from interviews. Artists are: Constantin Alajalov, Boris Artzybasheff, John Atherton, Ernest Hamlin Baker, Walter Biggs, V. Bobri, Harrison Cady, Fred Cooper, Mario Cooper, Dean Cornwell, Gregory D'Alessio, Floyd Davis, Stevan Dohanos, Albert Dorne, Harvey Dunn, Carl Erickson, John Gannam, Glenn Grohe, George Giusti, Stuart Hay, Peter Helck, Earl Oliver Hurst, Walter Klett, Robert Lawson, Ervine Metzl, Wallace Morgan, William Oberhardt, Henry C. Pitz, George Price, Ray Prohaska, Robert Riggs, Leslie Ragan, Norman Rockwell, Martha Sawyers, Howard Scott, Amos Sewell, Donald Teague, Aldren A. Watson, Denys Wortman, and N. C. Wyeth. Top of spine has cloth frayed, rear edge of spine, previous owner's signature on front fly leaf otherwise clean.

Hardcover. London, Faber & Faber, 1st, 1990, Book: Good, Dust Jacket: Good, 161 pages, black cloth, book slightly cocked. Dust jacket edgeworn with light chipping. INSCRIBED BY HARRIS ( "Joyce and Irving, with love, Wilson & Margaret 1990") on the title page to Joyce and Irving Adler. The book is heavily annotated and underlined in both ink and light pencil by Joyce who was a literary scholar who wrote two books on Harris.

Hardcover. New York, Simon & Schuster, Reprint, 1999, Book: Very Good, Dust Jacket: Very Good, 302 pages. Hardcover. Black & white illustrations throughout. Dust jacket with only minor shelf wear. Clean, unmarked text.

Hardcover. NY, Pantheon Books, 1st, 1962, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 43 pages. Black & white pictures by Whitney Darrow, Jr. An "I Am Reading" book. Library binding. Clean copy.

Hardcover. New York, Simon and Schuster, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages of black & white political cartoons that originally appeared in the Denver Post. Pat Oliphant has won the Pulitzer Prize and the prestigious Reuben Award of the National Cartoonists' Society. He was one of the most widely circulated political cartoonists in the United States. 1973. Clean, bright copy. Unclipped dust jacket.

Hardcover. New York, Simon and Schuster, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages of black & white political cartoons that originally appeared in the Denver Post. Pat Oliphant has won the Pulitzer Prize and the prestigious Reuben Award of the National Cartoonists' Society. He was one of the most widely circulated political cartoonists in the United States. 1973. Clean, bright copy. Unclipped dust jacket.

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 109 pages. Hardcover with dust jacket. SIGNED BY ILLUSTRATOR ON TITLE PAGE. Vibrant color illustrations throughout. small dent on front cover bottom, otherwise tight copy. This retrospective volume is not intended to illustrate a particular story, but to display the full range of her abilities, and it is arranged according to the seasons she celebrates in her art. There are fifty of her hand-colored woodcuts in full color and an equal number in black and white. The book is large format because that is the way she works and that's what does her work justice. The text, written by her friend Lilias Hart, discusses not only her work, but also what life is like in the rigorous reaches of Northern Vermont.

Hardcover. Boston, David R. Godine, 2nd Ed., 2004, Book: Very Good, Dust Jacket: Very Good, 109 pages. Hardcover with dust jacket. Vibrant color illustrations throughout. This retrospective volume is not intended to illustrate a particular story, but to display the full range of her abilities, and it is arranged according to the seasons she celebrates in her art. There are fifty of her hand-colored woodcuts in full color and an equal number in black and white. The book is large format because that is the way she works and that's what does her work justice. The text, written by her friend Lilias Hart, discusses not only her work, but also what life is like in the rigorous reaches of Northern Vermont.