Softcover. Bloomington, IN, Author House, 1st, 2005, Book: Very Good, Dust Jacket: None, 161 pages. Softcover with light edgewear to paper wrappers. Black and white pictures throughout. Tight and clean copy.

Hardcover. Springfield MA, Mcloughlin Bros., 1st thus, 1942, Book: Very Good, Dust Jacket: None, Illustrated paper on oblong boards with bright colors and no fading or scuffing visible. Contains five children's nursery stories and one Bible story: The Three Little Pigs, Little Black Sambo, Jack and the Beanstalk, Snow-White and the Seven Dwars, Three Billy Goats Gruff, and Noah's Ark. All pop-ups in working order. blue cloth spine has separated from binding and is a little loose but doesn't effect pop-ups. Two small tape shadows on last spread. Overall good plus.

Springfield, MA, Milton Bradley, 1st , 1928, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with yellow lettering. Previous owner's inscription on prelim page. Chipping to lettering on spine otherwise very good. Color frontis, b&w plates. Colorful map of West Indies on endpapers.

Softcover. Philadelphia, PA, Philadelphia Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 201 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Minor wear to edges, slight wrinkle to lower front cover, else like new. This exhibition catalog explores the artist, his history, his views and his works in as comprehensive a fashion as any living artist could desire. Black and white and full-color plates on heavy coated paper. Essays by Mark Rosenthal and Richard Marshall. Exhibition travelled to Philadelphia, the Whitney in NY, Berkeley U. Art Museum, Walker Art Center and the Corcoran in Washington.

Hardcover. New York, Bloomsbury USA, 1st US, 2004, Book: Very Good, Dust Jacket: Very Good, 782 pages. Hardcover. SIGNED BY AUTHOR on title page. Features black & white illustrations by Portia Rosenberg. Clean, tight copy.

Hardcover. New York, American Federation of Arts, 1st, 1961, Book: Near Fine, Dust Jacket: Very Good, Catalogue of the sculpture of Jose de Rivera, with a chronology and introductory essay. Approximately 50 pages, illustrated with 15 black/white plates in addition to several other illustrations. Small cloth bound book is in near fine condition, dust jacket is slightly faded on the spine but in very good condition.

Hardcover. NY, Thames & Hudson, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 152 pages. A fabulous facsimile of an almost unknown masterpiece by Joseph Cornell, presented in a box, along with a volume of essays and an interactive DVDOne of Joseph Cornell's favorite pastimes was to meander through the used bookstalls of lower Manhattan, sorting through old books, magazines, postcards, photos, and other ephemera in search of items to spark his creative impulses. Sometime in the early 1930s he came upon the Journal d'Agriculture Practique (Volume 21, 1911), a voluminous handbook of advice for farmers. Though he was very much an urban creature, he adored French culture of that period, and the book was filled with charming black and white engraving and photographs of pigs, horses, vegetables, and farm machinery. Over time Cornell altered and reinvented many of the pages in the Journal. He inserted collages, photomontages, and occasional drawings; he crossed out words in the text and made French puns with others. Hand-colored engravings, cutouts, and lift-ups intricately transport the reader from page to page. The dazzling elegance of Cornell's work on the Journal has rarely been viewed. It was discovered in his basement studio soon after his death in 1972 and is now in the collection of the Philadelphia Museum of Art. Due to its fragility, the work is not well known, even among Cornell scholars. Now, in a unique venture, sixty of the most extraordinary pages have been re-created in virtual facsimile, with cutouts, glue-ons, and other unique handmade details. Included in a specially designed box are a DVD of the entire work, including pop-up commentaries, and a volume of illustrated essays on the Journal and Cornell's artistic practice. 103 illustrations

Softcover. Self Published, 1st, 1936, Book: Very Good, Dust Jacket: None, Softcover, 153 pages, light tan wrappers with black lettering. An account of the Holland Purchase in Western New York. The Holland Land Company was a group of Dutch investors who bought over three million acres of land in Western New York. The Western New York land, consisting of the modern day counties of Allegany, Cattaraugus, Chautauqua, Erie, Genesee, Niagara, Orleans, and Wyoming, was purchased in 1792 and 1793. The company surveyed the land from 1798 to 1800, dividing it into the system of townships, ranges, and lots which is still used today. Previous owner's name, address on a blank prelim page. Otherwise tight and clean, 4 b&w illustrations.

Hardcover. Burlington, VT, Ashgate Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 752 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Gilt lettering on spine. Black and white pictures throughout.

Hardcover. NY, Random House, 1st, 1993, Book: Very Good, Dust Jacket: Good, Hardcover, 532 pages, b&w photos. Minor wear to dust jacket, small closed tear. The life story of Josephine Baker, the outrageous entertainer who dared to become the first black sex symbol of the 20th century. Collected voices of men and women, over the decades, who shared the stage with Josephine. Clean copy

Hardcover. Woodstock VT, privately printed/Elm Tree Press, 1st, 1948, Book: Very Good, Dust Jacket: Good, Hardcover, 21 pages illustrated in red and black by Peg Schaeffer Gruver. An animal story set in rural New England. Illustrated gray boards in a glassine dust jacket that's tanned and chipped. Clean, bright copy.

Softcover. Baltimore MD, Maryland Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Pictorial wraps with color illustration and white lettering; 173 pages. 45 color, 88 b&w plates. Exhibition catalogue lists 83 extensively annotated works, and a Supplemental Catalogue lists an additional 13 works. Selected bibliography and short-list of titles. Each essay includes extensive notes. The definitive work on the early Afro-American portrait painter. Published to accompany the exhibition held in Baltimore, MD: Maryland Historical Society, Sept. 26, 1987 to Jan. 3, 1988, three other locations. Scarce. Previous owner's stamp and bookplate, short inscription on inside front cover. Related clipping, brochure laid in.

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1903 1904, Book: Very Good, Dust Jacket: None, Two years (1903 and 1904) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1903: 373 pages plus 13 full-page b&w and color plates. Part two for 1904: 354 pages plus 14 b&w (including 2 fold-outs). Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine.

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1905 1906, Book: Very Good, Dust Jacket: None, Two years (1905 and 1906) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1905: 382 pages plus 13 full-page b&w plates and 1 color fold-out. Part two for 1906: 303 pages plus 16 b&w and 2 color plates. Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine.

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1913 1914, Book: Very Good, Dust Jacket: None, Two years (1913 and 1914) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1913: 410 pages plus 22 full-page b&w plates. Part two for 1914: 362 pages plus 20 b&w plates. Plus a 164 page catalogue of lantern slides in the Society's collection. Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine.

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1915 1916, Book: Very Good, Dust Jacket: None, Two years (1915 and 1916) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1915: 290 pages plus 9 full-page b&w plates. Part two for 1916: 417 pages plus 9 b&w plates. Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine. Chip to calf at top of spine.

Hardcover. New York, Collins Brother & Co, 1st, 1845, Book: Fair, Dust Jacket: None, 309 pages. Hardcover, full leather with black band on spine. Heavy wear to tan leather edges. Water staining throughout bottom half pages, heavy foxing and tanning. bottom corners bumped. Previous owner's name on front fly leaf and end paper. Front end paper has previous owner's name pasted on small piece of paper bottom corner. Binding tight for age of copy.

Hardcover. NY, Random House, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, textured beige cloth, moderately soiled. No edition or printing stated on copyright page. Illustrated with 32 pages of b/w photographs, as well as endpaper maps, red and black frontispiece illustration. The story of the trip Auden and Isherwood made to China during its war with Japan, prior to the outbreak of the Second World War. Includes 32 pages of photographs, as well as several sonnets and one long poem by Auden. Narrative written by Isherwood. There is a tan stain that goes across pages 68-69, that looks like a rorschach test. Otherwise clean.

Hardcover. NY, Paragon House, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 274 pages. Black cloth spine over brown boards. First published in 1925.

Hardcover. NY, Thomas Y. Crowell Co., 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 71 pages. Black & white illust. by Pauline Baynes. Price clipped dust jacket with light soil, edgewear .

Hardcover. NY, Hudson Hills Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. Includes 87 color plates, 13 duotones and 17 black and white illustrations. Still in publisher's shrinkwrap. "Joyce Treiman, one of the finest American painters of the late twenteith century , was also one of the most individualistic, combining virtuosic draftsmanship and expressive brushwork wth a lifelong devotion to painting the human figure in images that are direct, visceral, and sensuous."

Hardcover. Boston, Lothrop Publishing, 1st, 1888, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black and gilt. 339 pages, b&w frontis. Bright copy with name on front fly leaf.

Austin, Texas, Marion Kooagler McKay Art Institute, University of Texas Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover. 106 pages. Illustrated with color, black & white sketches. Introduction by John Palmer Leeper. Dust jacket with edgewear to bottom edges, closed tear.

Hardcover. Boston, Houghton Mifflin Company, reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Dust jacket has Caldecott emblem sticker on front. SIGNED BY AUTHOR ON TITLE PAGE. Black and white drawings illustrated by Van Allsburg. Tight copy.

Hardcover. Boston, Houghton Mifflin Company, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Dust jacket has Caldecott emblem sticker on front. SIGNED BY AUTHOR ON TITLE PAGE. Black and white drawings illustrated by Van Allsburg. Tight copy.

Hardcover. New York, Rand McNally, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover. 255 pages. Foreword by Kermit Roosevelt. Color plate and black & white illustrations by Paul Bransom and Don Nelson. Green covers with gold lettering and paper color illustration on front cover. Light green top edge. Marking, soiling to cover. Internally clean, light yellowing at edges of pages.

Hardcover. New York , Doubleday Doran and Co., reprint, 1928, Book: Very Good, Dust Jacket: None, 305 pages, dark green cloth with gilt lettering on cover with a black decoration of a sailing boat. This is the uncommon 1928 reprint, notable for the 35 b&w illustrated plates by different artists but not credited. The chapter decorations are by John Lockwood Kipling. The book is square and clean, the spine gilt has faded, otherwise very good.

Hardcover. NY, Harper & Row, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 274 pages. Ex-library with a stamp on front fly leaf and a scar to rear endpaper where pocket was removed. The covers have light tape marks where dust jacket was attached to book. Otherwise clean. Junius and his father travel "over far" - back to the Caribbean to rescue his grandfather and to reclaim their lost heritage.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. In the early 1950s, Berlin-born photographer Jurgen Schadeberg captured Nelson Mandela, (then a young attorney), singer Miriam Makeba and the nightlife in Sophiatown, a dynamic black neighborhood in Johannesburg. Revealing the poverty endemic to the majority of South Africa's black population became Schadeberg's chief focus. He arrived there in 1950, at the advent of apartheid, to work for Drum, the first magazine for black readers. In 1964, when Drum was banned, Schadeberg left South Africa for Europe and the United States, creating a body of portraits unique in their ability to cut across race, class and social standing. In 1994, Schadeberg created an iconic image of Nelson Mandela, by then the first black President of South Africa, standing at the window of his former prison cell on Robben Island, where he had been detained on charges of conspiracy from 1964-1982. Schadeberg, whose work has been highly influential to younger artists, now lives and works near Paris. This substantial volume collects 250 images from across his career.

Hardcover. Hatje Cantz, 1st, 2008-08-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. In the early 1950s, Berlin-born photographer Jurgen Schadeberg captured Nelson Mandela, (then a young attorney), singer Miriam Makeba and the nightlife in Sophiatown, a dynamic black neighborhood in Johannesburg. Revealing the poverty endemic to the majority of South Africa's black population became Schadeberg's chief focus. He arrived there in 1950, at the advent of apartheid, to work for Drum, the first magazine for black readers. In 1964, when Drum was banned, Schadeberg left South Africa for Europe and the United States, creating a body of portraits unique in their ability to cut across race, class and social standing. In 1994, Schadeberg created an iconic image of Nelson Mandela, by then the first black President of South Africa, standing at the window of his former prison cell on Robben Island, where he had been detained on charges of conspiracy from 1964-1982. Schadeberg, whose work has been highly influential to younger artists, now lives and works near Paris. This substantial volume collects 250 images from across his career.

Hardcover. Garden City, NY, Doubleday Page & Co., reprint, 1924, Book: Very Good, Dust Jacket: None, 249 pages, dark green cloth with black decoration, b&w drawings by Kipling. Top and bottom of spine cloth with light fraying. Otherwise clean and tight copy.

Hardcover. New York, Greenwillow, 3rd, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Library edition sticker shadow on dust jacket spine. Clean copy.

Hardcover. NY, Greenwillow, 3rd Pr., 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Library Edition with spine sticker (NOT EX-LIB). Young adult science fiction novel, the first in a trilogy, and at the time one of the few novels for young readers in the genre to feature black characters and by a black author. The book won a Coretta Scott King honor in 1979.

Hardcover. Israel, Yeshivat Kol Yehuda, Reprint, 1970, Book: Very Good, Dust Jacket: Very Good, 264 pages. Hardcover. Black & white illustrations. Dust jacket with light wear along edges. Clean, unmarked pages.

Hardcover. New York, George Braziller, 2nd pr., 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 90 pages. Black & white examples of works by Kaethe Kollwitz. Previous owners bookplate on inside front cover. Dust jacket shows lightwear with small chips and tears along edges. Clean, tight copy.

Hardcover. NY, Guggenheim Museum, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, die-cut dust jacket. 319 pages, 95 color plates and many additional images in color and black and white. Color plates and checklist of 95 works in the exhibition, six essays, a chronology and selected bibliography. This volume presents abstract Russian painter Wassily Kandinsky (1866-1944). It reproduces scores of recently rediscovered paintings that had languished for decades in Soviet museums and in private collections. The author provides new details on Kandinsky's life and art, discussing his little-known experimental stage plays which strove for a synthesis of all the arts, and his friendships with Paul Klee, Arnold Schonberg and composer Thomas de Hartmann. Clean, like new.

Softcover. NY, Guggenheim Museum, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, large paperback exhibition catalogue, many illustrations in color and black and white, includes a Selected Bibliography, has a faint crease on the front cover, the binding is tight and clean and the contents are fine; 268 pages.

Hardcover. Minneapolis MN, Walker Art Center, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, publisher's light-brown cloth over boards, stamped lettering, and illustration to the spine, and boards. Richly illustrated in black-and-white and color throughout. "Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography." Clean copy.

Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.

Boston, Bulfinch, 1st , 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color, black & white portraits by Karsh. 156 pages. Like new.

Softcover. Amsterdam, Amsterdam Scheltema en Holkema's Boekhandel, First Edition, 1912, Book: Very Good, Dust Jacket: None, Hardcover, large folio size, in Dutch text. 40 pages text followed by 470 plates in black & white. Brown cloth covered boards with embossed illustration in black & gilt. Moderate rubbing, scuff marks to covers. Fraying to head & heel of spine. Gilt titles to cover & spine. Tender front board with crack to top quarter hinge. Toning to edges throughout. Striking, full page black & white illustrations detailing castles, gardens, mansions, intricate woodwork throughout. Previous owner's signature & stamp to front flyleaf. Otherwise clean & unmarked.

NY, D. Appleton & Co., 1st, 1902, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt, red and green decoration to cover and spine. 429 pages + ads. Black & white illustrations by A.I. Keller and D. Potter. Frontispiece illustration with tissue guard. Front hinge partially cracked. Spine fade.

Detroit, Wayne State Univ., 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white, color illustrations. 211 pages. This catalog was compiled to document the complete holdings of the Detroit Public Library's Kate Greenaway Collection. Over 400 items catalogued here. 9 color plates + numerous black & white illustrations. Selected bibliography. 10" high X 7" wide.

NY, Viking Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright, unclipped dust jacket. Color and black & white illustrations by Kate Greenaway. Clean copy. A new era in the history of children's books began in 1878 when Kate Greenaway's first book of pictures and verse, Under the Window, was published. This was followed by her Birthday Book, A Day in a Child's Life, Mother Goose, Little Ann, Language of Flowers, and Marigold Garden. These and the many other enchanting volumes she illustrated, gained her a devoted worldwide audience of all ages. Today's great revival of interest in Kate Greenaway's work is understandable; as an illustrator of childhood she had no equal in her day, nor has she had since. The Kate Greenaway Book contains a short biography and selections from her best-known as well as little-known works: a collection of texts and pictures, some never even published before, charmingly arranged for readers of all ages to enjoy.

Hardcover. NY, Schocken Books, 1st thus, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 58 pages. Black & white sketches for illustrations by Greenaway. Nice condition, minor wear and chipping to dust jacket but internally completely clean.

Hardcover. London, Adam and Charles Black, reprint, 1905, Book: Good, Dust Jacket: None, Hardcover, 300 pages. Contains black & white and color illustrations. Faded spine and chipping to top of spine. Foxing to front edge. Gilt top edge.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Both very clean, unmarked copies. Only minor edgwear to slipcase. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Very clean, like new in publishers shrink-wrap. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.