Hardcover. Boston, Little Brown, 1st, 1926, Book: Good, Dust Jacket: None, Hardcover. 238 pages. Introduction by E. K. Hall. Black & white illustrations. Corners a bit bumped. Spine sunned. Spine slightly cocked. Some markings to covers.
Softcover. Providence, RI, Rhode Island School of Design, 2nd, 1966, Book: Very Good, Dust Jacket: None, 69 pages. Softcover with slight edgewear to wrappers. Minor shelf wear to back wrapper with some discoloration to top edge. Black and white images throughout. Edition limited to 2, 200 copies designed by Malcolm Grear.
Softcover. NY, Palgrave Macmillan, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 270 pages, b&w illustrations. The career of Norton and Margot, a ballroom dance team whose work was thwarted by the racial tenets of the era, serves as the barometer of the times and acts as the tour guide on this excursion through the worlds of African American vaudeville, black and white America during the swing era, the European touring circuit, and pre-Civil Rights era racial etiquette. Clean copy.
Hardcover. NY, Longmans, Green and Co, 3rd pr., 1933, Book: Good, Hardbound, 198 pages. Illustrated by Frank McIntosh. Translated from the Swedish by Siri Andrews. Color frontispiece. Illustrated endpapers. Purple cover with black lettering and decoration. Faded spine. Soiling to covers. Corners bumped.
Hardcover. Boston, Houghton Mifflin , 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, red cloth covers with black lettering. Bright, unclipped dust jacket (red title on spine with VERY slight fade. SIGNED BY PRICE on the front fly leaf. His first book.
Hardcover. New York, Aladdin Books, 1st, 1948, Book: Good, Dust Jacket: None, Hardbound, 174 pages. Black & white illustrations by Frederick T. Chapman. Short tears to rear fly leaf. Previous owner's signature and stamp front endpaper. Light soil to covers. Green top edge. Corners bumped. Two boys' adventures trying to obtain the bicycles they dream about.
London, Hardie Grant, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, embossed black boards stamped in white, 250 pages, color photos. Wanting You to Want Me is a collection of anonymous stories from the world of London strip clubs, documented by the women themselves. The stories range from behind-the-scenes conversations in the changing rooms, to dancefloor and private room etiquette, from emotional and intellectual connections between dancer and client, to the often-blurred boundaries that exist in between.Journalist Emily Dinsdale and filmmaker Bronwen Parker-Rhodes have collected images and stories from the women working in the London strip clubs over several years. Having been part of the industry themselves, they have a unique and intimate access to the seldom-heard stories, giving voice to an age-old industry, from the perspective of the traditionally voiceless workers. Supported by original, behind the scenes photography from the authors, these narratives express vulnerability, empowerment, curiosity and the complexity and duplicity of relationships--in short, what it is to be human.
Hardcover. London, J. Hatchard, 2nd Ed., 1805, Book: Good, Dust Jacket: None, 252 pages with appendix added in this December printing. (The first edition consisted of 215 pages and was issued in October.) Half black leather binding and marbled boards. Both covers detached, the front missing. The interior and binding are in very nice condition, clean.
Hardcover. NY, Henry Z. Walck, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black lettering, 125 pages, b&w illustrations by Harper Johnson. Children's story of a boy and his horse, living on a New Mexico ranch. When the Spanish cavalry needs horses for fighting the Indians, the horse is comandeered, and later captured by a Comanche warrior. Covers with light soil, clean internally, no markings.
Hardcover. New York, HarperCollins Publishers, First Edition, 2008, Book: Very Good, Dust Jacket: Very Good, 845 pages. Hardcover SIGNED BY AUTHOR to title page. Brown cloth covers with orange titles to spine. Black & white illustrations throughout. Bright dust jacket with only marginal wear. Clean & unmarked. A nice copy.
Hardcover. Scranton PA, International Textbook Company, reprint, 1919, Book: Very Good, Dust Jacket: None, Hardcover, thin black textured cloth covers with embossed titles, gilt lettering on spine, marbled endpapers, 104 pages. With drawings, illustrations, a few in color, diagrams, a few as foldouts, questions and exorcises, and index. Clean, bright copy.
Hardcover. Baltimore, Johns Hopkins University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In Washington Seen Fredric Miller and Howard Gillette bring together nearly four hundred unique photographs from the Gilded Age to the Great Society. Throughout, the focus is not on streets and monuments but on the complex relationships among the people of Washington-men and women, black and white-and the way they worked and lived. Here are Washingtonians at home and at work, at restaurant tables and lunch counters, in schools and churches, dancing the jitterbug and going to the movies, cheering the Redskins, the Senators, and the Homestead Greys. In the accompanying text, Miller and Gillette invite readers to enter into an intimate "conversation with the past," offering insightful commentary on the images of people whose faces cannot fail to captivate. Clean copy.
Honesdale, PA, Boyds Mills Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages, Black & white illustrations by Christoher Zhong-Yun Zhn. Review copy. An intimate look at family and village life in southeastern China, approximately 50 years ago. Ying, 10, is raised by her beloved grandmother. Ah Pau is thrifty, wise, and firmly rooted in her culture's traditions and superstitions. She guides Ying and her cousins with a firm and loving hand. As in First Apple (Boyds Mills, 1994), in which the little girl was a year younger, Ying must raise an ambitious amount of money. This time, she must bargain with her mercenary cousin Kee, and deal with the class bully.
Garden City, NY, Doubleday Page, reprint, Book: Good, Dust Jacket: None, Hardcover. 259 pages. Color plates and black & white illustrations by George Soper. Gilt top edge. Green cloth covers with gold lettering and green decoration. Frontispiece detached from book. Scribling in pencil on front end paper. Soiling to first few pages. Small soiling mark near fore edge to last few pages.
Hardcover. London, Heinemann, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 310 pages. Hardcover with dust jacket. Black cloth with gilt lettering on spine. Clean, tight copy with only minor wear to edges.
Hardcover. Philadelphia, J. B. Lippincott, 1st US, Book: Very Good, Dust Jacket: Good, Hardcover, 288 pages, b&w illustrations. In a worn, frayed dust jacket with a darkened spine. Included also are Veterinary Notes by Col. Todd and a chapter on Pig-Sticking by Lieut. Col. Arthur Brooke. Illustrated with black-and-white photographs and drawings. Not an ex-library copy. No remainder marks. No names or marks in the text. No date but probably 1929.
Hardcover. New York, Glitterati, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. illustrated in color and b&w. A visual survey of Black style from the 1940s through the 1970s. In publisher's shrinkwrap. This is the 2006 first printing with a different cover than the later reprint.
Hardcover. New York, Glitterati, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 176 pages illustrated in color and b&w. A visual survey of Black style from the 1940s through the 1970s. In publisher's shrinkwrap. Featuring snapshots of over 150 black men and women's most unforgettable "style moments", the book includes personal photographs taken from the author's own family and circle of friends including Oprah Winfrey, James Baldwin, Iman, Naomi Campbell, Tyra Banks, Tracy Reese, Patrick Kelly, Kimora Lee, Bobby Short, Bethann Hardison, and Portia LaBeija, among countless others. This is the 2006 first printing with a different cover than the later reprint.
Hardcover. New York , Hyperion Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 96 pages illustrated by Nelson. SIGNED BY NELSON on title page. Featuring nearly fifty iconic oil paintings and a dramatic double-page fold-out, an award-winning narrative, a gorgeous design and rich backmatter, We Are the Ship is a sumptuous, oversize volume for all ages that no baseball fan should be without. Using an inviting first-person voice, Kadir Nelson shares the engaging story of Negro League baseball from its beginnings in the 1920s through its evolution, until after Jackie Robinson crossed over to the majors in 1947.
Hardcover. Gretna LA, Pelican Publishing, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In June 1892, a thirty-year-old shoemaker named Homer Plessy bought a first-class railway ticket from his native New Orleans to Covington, north of Lake Pontchartrain. The two-hour trip had hardly begun when Plessy was arrested and removed from the train. Though Homer Plessy was born a free man of color and enjoyed relative equality while growing up in Reconstruction-era New Orleans, by 1890 he could no longer ride in the same carriage with white passengers. Plessy's act of civil disobedience was designed to test the constitutionality of the Separate Car Act, one of the many Jim Crow laws that threatened the freedoms gained by blacks after the Civil War. This largely forgotten case mandated separate-but-equal treatment and established segregation as the law of the land. It would be fifty-eight years before this ruling was reversed by Brown v. Board of Education. Keith Weldon Medley brings to life the players in this landmark trial, from the crusading black columnist Rodolphe Desdunes and the other members of the Comite des Citoyens to Albion W. Tourgee, the outspoken writer who represented Plessy, to John Ferguson, a reformist carpetbagger who nonetheless felt that he had to judge Plessy guilty. Clean copy.
Hardcover. Boston, Lee and Shepard, 1st, 1894, Book: Very Good, Dust Jacket: None, Hardcover, 164 pages plus plus publisher's ads, B&W line iiiustrations. Brown cloth with black and gilt design.
Hardcover. Chicago, Rand McNally, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A retelling in story form of five of Shakespeare's works: The Tempest, As You Like It, Othello, The Merry Wives of Windsor, and Julius Caesar. Colour and black and white illustrations by Hungarian-British artist Victor Ambrus.
Hardcover. NY, Dutton, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Black & white illustrations by Symeon Shimin. Light edgewear to dust jacket.
Softcover. Albuquerque NM, University of New Mexico Press, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 365 pages, b&w illustrations. Professor Myres gives frontier women a voice they never had. She uses extensive source material by and about women ( letters, journals, and reminiscences from over 400 collections ) to study the impact of the frontier on women's lives and the role of women in the West. She offers a major reinterpretation of the experience of pioneer women, including that of Indian, Mexican, French, black, and Anglo-American women. The account recreates in detail the frontier experience of all these women, beginning with their physical and intellectual responses to the trek West, and concluding with their struggle for political suffrage and economic opportunity. Clean copy.
Hardcover. Beverly Hills CA, Petersen Galleries, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, the original softcover catalog, bound in faux-leather boards with gilt lettering. 124 pages. 40 color plates, plus numerous black and white photographs. Published in conjunction with the exhibition, October 30 through November 28, 1981. Great reference on the topic and much information on some lesser-known artists. Small ink price on front fly leaf, otherwise clean and bright.
Hardcover. NY, Charles Scribners Sons, reprint, 1936, Book: Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, pictorial color paste-done on front cover. 416 pages, 9 color illustrations by N. C. Wyeth. Discoloration to rear board, small gouge to bottom corner of pages 140-159, not affecting text or plates. Otherwise clean.
Hardcover. Salem MA, Marine Research Society, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering on spine. 446 pages, illustrated with black and white frontispiece, photographs in the text. Illustrated endpapers. Begins with 40 pages of text, consisting of an introduction by Frank Wood and a substantial essay by George Francis Dow. This is followed by 207 BW plate pages of illustrations, along with an index. A book all about whales, whaling, whalers, Jonah and the Whale, etc. A visual feast of whaling ships. Light fading to spine, Clean copy.
Softcover. Essex New York , Eyrie Publications , 1st, 2001, Book: Very Good, Dust Jacket: None, 144 pages. Spiral bound softcover. Black & white photographs and maps throughout. SIGNED BY AUTHOR ON TITLE PAGE. Map of Whallonsburg, New York laid-in. Clean, tight copy with only minor wear to wrappers.
Softcover. New York, Pantheon, 1st wraps, 1989, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. SIGNED BY KOREN on title-page. Black & white illustrations by Edward Koren. Red remainder mark on top edge at spine. Clean, tight copy.
Hardcover. London, Andre Deutsch Limited, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 93 pages. Hardcover. INSCRIBED BY AUTHOR ON FRONT ENDPAPER. Black & white illustrations by Quentin Blake. Dust jacket with light wear, slight fading along top edge. Clean, unmarked pages.
Hardcover. Cambridge UK, Cambridge University Press, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with black and gilt stamping, 291 pages. Gift exchange plays a crucial role in the social and political organization of Mendi in Papua New Guinea. This book reveals how considerable light can be shed on Mendi society, particularly on its political economy, by examining both the well-known ceremonial exchange festivals and the hitherto relatively little-studied everyday gift-giving practices. The author shows that the latter are crucial for understanding inter-group politics, the process of leadership, male-female relationships and the status of women, and the production, distribution and circulation of wealth. Currently the only book available on this society, the work offers an unusual combination of a social structural analysis with a study of local history and change. It is also of interest for its integration of the study of gift exchange and politics with the study of gender roles and relationships. Clean, bright copy.
Art Intitute of Chicago/Yale University Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 251 pages illustrated in color. The extraordinary life of a captivating American artist, beautifully illustrated with his dreamlike drawings Much of Joseph Elmer Yoakum's story comes from the artist himself--and is almost too fantastic to believe. At a young age, Yoakum (1891-1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a "spiritual unfoldment"? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of beautiful color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist's work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography. Clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New York, E.P. Dutton, 1st, 1954, Book: Very Good, Dust Jacket: Fair, Hardcover, yellow boards stamped in black. Light edgewear, o/w very good. The wonderful world of 1950s cartoons! A "carnival" of cartoons compiled by This Week magazine editors, including work by Bil Keane, Chon Day, Ronald Searle, Ton Smits, Charles Pearson. Gives brief bios of some of the cartoonists with photos. Dust jacket worn, tape repairs.
Hardcover. London, Robert Hale, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket.. Introductions by Bob Hope and Charlton Heston. Black & white photos. 220 pages. A selection of publicity photos from Hollywood's Golden Age.
Hardcover. New York, Dodd Mead and Co., 1st, 1903, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, illustrated with photographs by the Hampton Institute Camera Club. Brown cloth with decorative binding in three colors plus gilt by Margaret Armstrong. Front hinge cracked, some wear to top and bottom of spine cloth, otherwise clean and bright copy.
Hardcover. New York , W. W. Norton & Company, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 159 pages. Hardcover with dust jacket. Indentations on back cover otherwise, clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.
hardcover. NY, Coward, McCann & Gegoghegan, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations by Tom Allen
Hardcover. Boston, Houghton Mifflin, 1st, 1952, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black, 241 pages. Young adult adventure about the days of sail and a young girl's determination to find her parents, lost on a trip around the horn on the bark 'Pandora.' Set in a small town on the Maine coast, where the coming of the trading schooners was a celebrated event. Illustrated by Joshua Tolford with sepia toned illustrations. Light fade to spine, otherwise very good, clean.
Hardcover. London, George Allen & Unwin , 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover. Very good copy in the original title-blocked black cloth with red lettering. 178 pages including index. The Russian revolutionary's thesis on the economic and political decline of England. Clean copy.
Hardcover. Newtown CT, The Taunton Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 266 pages. The past has left behind only scattered clues that, on their own, provide little insight into how the people of early America lived and the details of their daily lives. The photographs in this book, the deeply informed narrative that accompanies them, and the eyewitness accounts of daily life that the author weaves throughout, provide a fresh perspective on our early American ancestors and the places they called home. This book is about how their houses and their life in them, from the wealthy to the impoverished, from New York City to the small farms and plantations of the South, from coastal fishing towns to the Western frontier of Indiana and Kentucky. The stories focus on the remarkably vivid differences from one part of the country to the next, class and culture, and the realities of everyday life for American families. These stories twine around a wide selection of HABS photographs of early houses, covering the variety and evolutions of house styles -- not by labeling the style but by explaining the style in the context of everyday life. Richly illustrated with handsome black-and-white photography of old houses from the Library of Congress Historic American Building Survey (HABS) collection and supplemented with period woodcuts, engravings, drawings, paintings, artifacts, and maps, the book is printed on a 4-color press for a depth of tone. Sidebar excerpts from diaries, journals, and letters inject graphic eyewitness descriptions, adding an additional layer of insight. The book also includes sidebars called Still Standing that traces the history of specific houses, from their origins to the present and includes information on the original family, how the house has evolved over the centuries, and how it's used today.
Hardcover. NY, Beach Lane Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 32 pages illustrated in color by Wolff. When night falls, the sweet and curious black bear cub and his mother go looking for food. Mama hunts and Baby Bear explores. "'Where, oh where, is Baby Bear?' calls Mama." Readers won't worry, because Wolff has hidden Baby Bear in the spread for them to find. "Here I am, Mama," he replies each time. The sky subtly darkens as they make their way through their world, each page featuring creatures that share the habitat with the bear family: the placid owl, a faun, raccoons, and otters. Here too are the mushrooms, ferns, and cattails of a woodland life, providing young viewers with a window into nature. The scope of their adventure is recalled at the end of the story, as Wolff shows the pair making their way back through the meadow, around the pond, across the river, between the birch trees, down the cliff, and into their den. Clean copy.
Hardcover. NY, Holiday House, Reprint, 1959, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Illustrated in black & white by author. Light rubbing to dust jacket. Light soil on covers.
New York, Viking Press, 1st, 1937, Book: Good, Dust Jacket: None, Hardcover, red cloth cover, leaping stag embossed on front. 94 pages. Black & white illustrations by Seredy. Previous owner's signatures on front end paper. Slight discoloration to edges of pages. Water stain to covers. Faded spine.
Hardcover. NY, Viking/Jr. Literary Guild, 1st , 1937, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers, red lettering on spine. Leaping stag embossed on front. No dust jacket. Black & white illustrations by Seredy. Light residue to rear end paper suggests ex-lib otherwise clean with light wear. Cloth corners with minor fraying.
Hardcover. Cambridge MA, The MIT Press , reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An interesting look at the first hamburger chain of restaurants White Towers. Includes numerous black and white images. The pioneering hamburger chain founded in 1926, never felt the need for advertising; it depended on its instantly recognizable building to say it all 189 pages, clean copy.
Hardcover. NY, Windmill/Simon & Schuster, 1st, 1968, Book: Very Good, Dust Jacket: None, Non-Paginated. Hardcover, blue cloth covers with black lettering. Full color illustrations by Whitney Darrow, Jr. Light wear. Clean, tight copy. No dust jacket.
Hardcover. NY, Rinehart & Company, 1st, 1946, Book: Good, Dust Jacket: Poor, Hardcover, 391 pages, poor dust jacket tattered with a chunk gone from spine and rear panel. An anthology edited by Derleth, collecting previously published stories by Ray Bradbury, H. P. Lovecraft, Theodore Sturgeon, Algernon Blackwood, and others. Grey cloth with green titling and decoration, with b&w illustrations by Lee Brown Coye. Spine square. Binding sound. Clean copy.
Hardcover. New York, Harcourt Brace and Co., reprint, 1946, Book: Very Good, Dust Jacket: None, Hardcover, 281 pages, illustrated in b&w by James MacDonald. Black cloth with yellow lettering and design. A tale of stagecoachs and highwaymen in New Hampshire. Clean copy.
Hardcover. New York, Harcourt Brace and Co., 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, 281 pages, illustrated in b&w by James MacDonald. Black cloth with yellow lettering and design.