Hardcover. NY, Books of Wonder, reprint, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Join Tik-Tok, the Shaggy Man, and a host of other friends--both old and new--on an exciting, imaginative journey through the world of Oz. Capturing all the fun are twelve color plates and nearly eighty black-and-white drawings by Oz artist John R. Neill, as well as a facsimile of Neill's full-color map endpapers of Oz and the enchanted realms that surround it--the first maps of Oz ever published. Tik-Tok of Oz is the eighth Oz novel and the first to bring a girl other than Dorothy to Oz. Now, in this beautiful reproduction of the rare first edition, a whole new generation can discover the enchantment and joy that have made the Oz series such an enduring favorite. Afterword by Peter Glassman.

NY, Platt & Munk, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth covers. Color, black & white illustrations by Brook. No dust jacket.

Softcover. NY, Knopf, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 117 pages. Introduction by William Shawcross. Text and photographs by Tim Page, a photo-journalist. Cover is a photograph of soldier with rifle in a rice paddy with yellow lettering. Rear cover is white with black lettering, states price of $14.95, and shows date of 3/83. Last page of book has list of photographs. Almost all photographs are in color. Book is square and tight.

Hardcover. Santa Fe, NM, Twin Palms Publishers, 1st, 1997, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with no dust jacket. Very clean. like new copy in publisher's shrink-wrap. 78 full-page, black and white photographs. Limited to 3000 copies. Tight copy. A look at the black experience in late-20th-century America with powerful documentary images that will remain with the viewer long after the books are closed. Mauskopf presents a quiet collection of images made in one part of the South, the most isolated black communities of the Mississippi Delta, where time seems to have stopped in midcentury. The photographs are full of love, joy, and religious faith and are richly reproduced here as sheet-fed gravures. Mauskopf portrays the poorest Americans, who are nonetheless rich in family, church, and community bonds. He documents the unifying and dominant role of religion as well as the joys and sustenance provided by music, dance, romance, family life, and the land itself. These images capture a sense of place so powerfully that captions aren't necessary, though a brief and poetic essay by novelist Kenan nicely complements the photographs.

Hardcover. New York, Grove Press, 1st US, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 409 pages, author's first novel. Black cloth with light soil, dust jacket is bright, unclipped, but has a light pink line about 5 inches in length along right of cover. SIGNED BY LLOSA WITH HIS INITIALS AND UNDERLINED ON TITLE PAGE. Author signed at a reading at Middlebury College in Vermont.

Hardcover. New York, Grove Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, 409 pages. Hardcover with dust jacket. Light edgewear to dust jacket and foxing to fore edge. Light soil on top page block. Light fading to black cloth cover boards, otherwise tight copy.

Hardcover. Boston, Little Brown , 2nd pr., 1969, Book: Very Good, Dust Jacket: Good, 37 pages. Cloth boards. Illustrated in black & white by Joan Berg Victor. Dust jacket shows light wear at edges and sun fading on spine. Clean, tight copy.

NY, Macmillan, 1st, 1973, Book: Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations. by Ray Prather. Ex-lib with marking, residue to rear end papers, cover. Award winning-Hamilton's second "Jahdu" book of tales, in which Mama Luka who introduced young Lee Edward to the magical stories, must leave her tight little place in Harlem because her building is being torn down. The boy is sad but he knows that she will move where he can visit and grab a new Jahdu story for him out of the air.

Hardcover. University Park, Pennsylvania State University , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover with black cloth boards in dust jacket, oblong quarto, 265 pages, illustrated in b&w. Book near fine with handsome boards and tight binding, text clean and unmarked.

Softcover. New York, Aperture, 1st pbk, 1985, Book: Very Good, Dust Jacket: None, Softcover, 159 pages, full-page black & white photographs throughout. Minor edge wear and fade, else, clean and tight. The photographer's love affair with New York City is evident in this amazing collection of images spanning 4 decades.

Hardcover. NY, Macmillan, 1st, 1943, Book: Good, Dust Jacket: None, Hardcover, blue cloth with black lettering. Black & white illustrations by Berta and Elmer Hader. 128 pages. Parts of dust jacket pasted to front & rear end papers. Previous owner's signature on front fly leaf. The adventures of a cocker spaniel puppy and his family.

Hardcover. Koln/NY, Konemann, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Illustrated with black and white photographs. Text in English, French and German.

Hardcover. Philadelphia, John C. Winston Co., 1st, 1941, Book: Good, Dust Jacket: None, Hardbound, gray coth covers stamped with blue decoration. Black & white illustrations by Berry. Illustrated endpapers. Soiled covers. Mild waterstains to cloth,. corners bumped.

Hardcover. NY, Arno Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, red cloth. Black and gilt spine lettering. Well illustrated. 385 pages. Reprint of the 1885 edition. 14 pages of b/w plates, 178 b/w text illus. Bright, clean copy.

Hardcover. London, Harper Collins, 1st UK, 1997, Book: Very Good, Dust Jacket: Very Good, 581 pages. Hardcover with dust jacket. Black cloth, blue lettering. Very good pictorial dust jacket in mylar. SIGNED BY AUTHOR.

Hardcover. Boulder CO, Westview Press, 2nd pr., 1999, Hardcover in a bright dust jacket, 264 pages, color and b&w illustrations. This introduction to the life and works of one of the giants of Western painting also surveys the golden age of Venetian painting from Bellini to Veronese and its place in the history of Western art. Sometimes referred to as the founder of modern painting Titian's legacy and influence was immense and continuing?: Italian Baroque painting, El Greco, Rubens, Rembrandt and Dutch painting, French 18th century painting, Velazquez, and Picasso. There are 119 black and white illustrations integrated with the text and 8 plates in full color, a selected bibliography and index. Clean copy.

Hardcover. New York, Prestel Publishing, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, 452 pages. Hardcover with dust jacket. Color pictures throughout. Black covers with gilt lettering on spine. Previous owner's signature and bookplate on front flyleaf. Light wear and rubbing to dust jacket. This excellent catalog of the 1990-1991 exhibition in Venice and Washington is a work of permanent value. Featuring essays by 16 authorities, primarily Italian and American, on every aspect of the art of Titian (Tiziano Vecelli, c. 1490-1576), the quintessential Venetian artist of the high Renaissance, the work transcends the limits of spatial and temporal exhibition to summarize and extend current scholarship. At the same time, the text is accessible, well translated, and aimed at a broad audience. Many of the works in the exhibit were conserved or cleaned, so the book features fresh illustrations and a hefty amount of technical discussion of specialist interest.

Hardcover. New York, Dodd, Mead, and Co., 1st, 1940, Book: Good, Dust Jacket: None, Hardbound, illustrated boards with black cloth spine, 74 pages. Illustrated by Kurt Wiese. Color and black & white illustrations. Purple illustrated endpapers. Edgewear, corners bumped and worn. Clean.

Softcover. Cambridge MA, Harvard University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 311 pages. As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta-the economic hub of the newly emerging urban and industrial south-in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers' domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization. Hunter follows African-American working women from their newfound optimism and hope at the end of the Civil War to their struggles as free domestic laborers in the homes of their former masters. We witness their drive as they build neighborhoods and networks and their energy as they enjoy leisure hours in dance halls and clubs. We learn of their militance and the way they resisted efforts to keep them economically depressed and medically victimized. Finally, we understand the despair and defeat provoked by Jim Crow laws and segregation and how they spurred large numbers of black laboring women to migrate north. Clean copy.

Hardcover. NY, Harrison Smith & Robert Haas, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with black and gilt lettering on spine. A scarce study of suicide published in the thirties. B&w photo of co-author Dublin laid-in. Both writers worked for the Metropolitan Insurance Company. Clean copy.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. NY, Thomas Nelson & Sons, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth stamped in black, 72 pages, illustrated in b&w by Nils Hogner. Clean copy.

Hardcover. New York, Aperture, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover. Features 136 black & white photographs by Robert Adams. Poem by Cid Corman and an essay by Adams. Beautifully reproduced landscape images. Very good in very good, unclipped dust jacket. Clean, unmarked pages.

Hardcover. NY, Oxford University Press, 4th pr., 2000, Hardcover in a bright dust jacket. 670 pages, b&w illustrations. Written by the most prominent of the new generation of historians, this superb volume offers the most up-to-date and authoritative account available of African-American history, ranging from the first Africans brought as slaves into the Americas, to today's black filmmakers and politicians. Here is a panoramic view of African American life, rich in gripping first-person accounts and short character sketches that invite readers to relive history as African Americans experienced it. We begin in Africa, with the growth of the slave trade, and follow the forced migration of what is estimated to be between ten and twenty million people, witnessing the terrible human cost of slavery in the colonies of England and Spain. We read of the Haitian Revolution, which ended victoriously in 1804 with the birth of the first independent black nation in the New World, and of slave rebellions and resistance in the United States in the years leading up to the Civil War. There are vivid accounts of the Civil War and Reconstruction years, the backlash of notorious "Jim Crow" laws and mob lynchings, and the founding of key black educational institutions. The contributors also trace the migration of blacks to the major cities, the birth of the Harlem Renaissance, the hardships of the Great Depression and the service of African Americans in World War II, the struggle for Civil Rights in the 1950s and '60s, and the emergence of today's black middle class. From Harriet Tubman and Frederick Douglass to Martin Luther King, Jr., and Louis Farrakhan, To Make Our World Anew is an unforgettable portrait of a people. Clean copy.

Hardcover. Boston, Little Brown And Company, 1st US, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Travels in Samarkand and Bokhara, the forbidden cities of Turkestan; Central Asia, from the Caspian to the Chinese border. Illustrated with over 100 of the author's own photographs. 144 pages. Illustrated with a two-page map, 16 color photographs, and numerous black and white photographs.Clean copy.

Hardcover. NY, Knopf, 2nd pr., 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a edgeworn, chipped dust jacket. A spectator's guide. Illustrated with 62 black and white photographs. Second printing of the second American edition (revised and enlarged). Clean copy.

Hardcover. Philadelphia, John C. Winston, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt decoration, 500 pages. Color frontispiece and 246 illustrations, the majority black and white photographic illustrations. 3 maps and endpaper maps. Index. Gifford Pinchot (1865-1946) was an American forester, the first head of the US Forestry Service, the person for whom the Gifford Pinchot National Forest in Washington state is named, and a governor of Pennsylvania. In 1929 Pinchot and family took a seven-month cruise to the South Seas during which time he collected specimens for the National Museum. On board were other naturalists and representatives of scientific institutions. Profusely illustrated.

Hardcover. Northampton MA, Kraushar Press, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth covers with black lettering, 163 pages, b&w photos. Inspired by a visit to Stoney Reservation in Alberta, Canada, the author spent 15 years visiting & living among 47 tribes, and developed a touring show of pictures, songs, dances, stories & sign language. Clean, bright copy.

Hardcover. Scarsdale NY, Bradbury Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black. Folklore about a Japanese farmer who digs up a huge imo (yam). Ed Young style pencil drawings by Japanese artist Mitsu Yashima. No dust jacket. Clean copy.

Hardcover. NY, Harper and Brothers, reprint, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with pictorial label on front, 252 pages. Beautiful full color frontispiece illustration of Toby Tyler with a monkey (repeated on cover), plus 21 line drawings by W.A. Rogers.

Hardcover. NY, Harper Brothers, reprint, Book: Very Good, Dust Jacket: None, 265 pages. Hardcover. Brown cloth, spine lettered in gilt and decorated in red and black, front cover stamped in black, red and gilt. Floral endpapers. 21 line drawings by W.A. Rogers. No date on title page, assumed late 1880s reprint.

Hardcover. NY, Alfred A. Knopf, 1st , 1927, Book: Good, Dust Jacket: None, Hardcover, 248 pages. Color, black & white drawings by A. H. Watson. Front & back hinges tender. Page 84 color plate loose and laid-in. Red cloth binding with stain to back cover, spine fade.

Hardcover. New York, Macmillan, 1st, 1933, Book: Very Good, Dust Jacket: None, 161 pages. Blue cloth hardcover. Black & white illustrations by Marguerite Davis. Short stories selected by the Literature Committee of the Association for Childhood Education. Previous owners bookplate on inside front cover. Light foxing to foredge. Clean, tight copy.

Hardcover. New York, Zebra Books, First Edition, 1990, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Grey & navy cloth board with silver titles to spine. Black & white photographs throughout. Dust jacket with light toning, very good condition. Clean, unmarked copy.

Hardcover. Boston, LeRoy Phillips, rep, 1920, Book: Very Good, Dust Jacket: None, Hardcover. 412 pages. Color frontispiece, black & white illustrations by Hugh Thomson. Dark green cloth covers with gold lettering and decoration. Gilt edges. Rubbing to extremities. Spine slightly cocked. Soiling to covers. Previous owner's signature on front fly leaf.

Hardcover. Boston, LeRoy Phillips, reprint, 1920, Book: Very Good, Dust Jacket: Fair, Hardcover, 412 pages. Color frontis and b&w plates by Hugh Thomson. Black cloth with colorful pasted-on paper label to cover, With a heavily worn dust jacket with a split along spine edge. First published in 1857. Illustrated to fine effect by the master-draftsman Thomson, a classic take on life and problems in a boys' school in early Victorian England. Clean copy.

Hardcover. NY, The Century Co., 1st, 1892, Book: Very Good, Dust Jacket: None, Hardcover, original decorated two-part blue and mustard cloth, front and rear covers stamped in black, spine panel stamped in gold. 254 pages, b&w illustrations by W.A. Rogers. Boys' fiction set in New York City of a hunt for gold coins stolen during the American Revolution. Mild soil to covers, no markings

Hardcover. New York, Grosset & Dunlap, 1st, 1918, Book: Very Good, Dust Jacket: Very Good, 206 pages plus 3 pages of publishers ads. Hardcover. Previous owners inscriptions in pencil on preliminary pages. Black & white illustrations by R. Emmett Owen. Dust jacket with light wear along edges - jacket now protected with clear plastic cover. Clean, unmarked text.

NY, Alfred A. Knopf, 1st US, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover, 253 pages. Black & white drawings by Margery Gill. Foreword by Leonard Clark. Price clipped dust jacket with light soil, wear to edges.

Hardcover. NY, The Junior Guild and Doubleday & Company, Book Club Ed., 1952, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering on the spine and illustration in black on front cover. 220 pages. Illustrated by Grace Paull. A tomboy's hilarious escapades in her attempts to be a proper young lady. Clean copy, no dust jacket.

Hardcover. New York, Century Co., 1st, 1915, Book: Good, Dust Jacket: None, 290 pages. Hardcover. Features 48 black & white illustrations by Harrison Cady. Mustard colored cloth covers with green and orange illustrations, Light wear along edges. Spine cocked. Clean, unmarked text.

Hardcover. New York, Charles E. Graham, 1st, 1912, Book: Good, Dust Jacket: None, Hardcover. 126 pages. Some discoloration to endpapers. Black & white illustrations. Light wear to corners and spine. Covers a bit warped.

Hardcover. New York, Macmillan Company, 1st, 1896, Book: Good, Dust Jacket: None, Hardcover, 322 pages plus 4 pages of ads. Hardcover. Black & white illustrations by Albert D. Blashfield. Rear hinge cracked. Light rubbing to cover corners. Slight cock to spine. Clean, unmarked copy.

Hardcover. New York, MacMillan Company, 1st, 1946, Book: Very Good, Dust Jacket: None, Non-pag., hardcover. Illustrated in lithographs by the author. Brown cloth cover boards, black title on spine and front cover. Oblong, no dust jacket. Pages/edges are slightly tanned from age. Former school library book in very good condition, lightness to spine where former library labels were removed. Illustrated story of the life of a champion racehorse

Hardcover. New York , Viking Press , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 260 pages, b&w illustrations. Light edgewear to dust jacket with creases to both front and rear flap. Internally very good.

Hardcover. Boston, Little Brown, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 28 pages. Hardcover ith price clipped dust jacket. Black & white illustrations by James Stevenson, his second children's book. Light edgewear to dust jacket.

Hardcover. New York, D. Appleton-Century Co., 1st, 1943, Book: Good, Dust Jacket: None, Hardbound, 198 pages. Black & white illustrations by Scott Lusby. Light soiling to endpapers. Soiling to edges, covers, especially spine. Corners a bit bumped.

Hardcover. NY, Longmans Green and Co., 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, brick-colored cloth stamped in black, 270 pages illustrated in b&w by Pelagie Doane. A mystery for young readers. Alice Ware spends a summer vacation away from home with the Frasier family and their daughter, Theodora. Adventures follow. Clean copy.

Hardcover. NY, Harper & Row, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. Black & white illustrations by William Pene du Bois. Dust jacket price-clipped with light soiling, HarperCrest label on spine.

Hardcover. NY, Charles Scribner's Sons, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice, price-clipped dust jacket. 64 pages, Black & white illustrations by Donald Carrick. In a library binding, but NOT ex-library. Clean copy.