Hardcover. NY, Bloomsbury Publishing, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages, b&w illustration. INSCRIBED BY STRATTON on the title page. For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Clean copy.

Hardcover. San Francisco, McSweeneys Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with black cloth spine. SIGNED BY AUTHOR on the half-title and additionally INSCRIBED on the title page. Dave Eggers retelling of the Maurice Sendak picture book, follows Max on his journey through a world that he cannot control. His awkwardness & frustrating discomforts reflect his growing pains. Clean.

Hardcover. NY, Dodd Mead, 3rd pr., 1943, Book: Very Good, Dust Jacket: None, Hardcover, bright red cloth stamped in black. Endpapers map, b&w photographs. 410 pages. The widow of Carl Akeley, naturalist, tells the story back of the exhibits for which he was responsible in the Natural History Museum in New York. This is virtually a biography, with that as a focus; it is a record of the uphill struggle to get the chance to do the thing for which he was gifted and trained; the experiences securing his speciments, adventures in the wilderness, African jungles, the Belgian Congo, the Uganda frontier -- and the immense concentration on details to get the exhibits together and to present them with complete fidelity. Clean copy.

Hardcover. NY, Macmillan, 1st , 1931, Book: Good, Dust Jacket: None, Hardcover in yellow cloth stamped in dark green.Color frontis, black & white illustrations by E. Boyd Smith. Light edgewear to yellow cloth, fraying to top of spine. Youth classic set in the American prairie; era of roaming buffalo, log cabins, Sioux. Mary Anne's mother does not allow her outside their gate at their log cabin; she is afraid of the wild. Mary Anne's father has a trading post, and the Sioux are among his customers. One day a young boy is comes to visit, and carves a willow whistle for Mary Anne. Her world is widening.

Hardcover. NY, New Directions Books, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, red cloth with black title on spine. Collected stories and essays "not for readers who hate to think," Mild shelf wear, clean.

Hardcover. Boston, Houghton Mifflin, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, blue cloth covers with black decoration. Illustrated in 3-colors by Ward. Dust jacket with light soil, price-clipped. Previous owner's inscription on front fly leaf.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1929, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, faded on spine, 315 pages. Science fantasy adventure involving the resurrection of a Viking woman, who has been frozen for a thousand years, by a lost community of Vikings in the far north.

Hardcover. NY, Harper & Brothers, reprint, 1915, Book: Good, Dust Jacket: None, Hardcover, tan cloth with boards illustrated in red and black. 318 pages profusley illustrated with b&w drawings by Pyle. Previous owner's inscription on inside front cover.

Hardcover. NY, Harper & Brothers, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, rose-colored cloth with black and red design on front cover. 24 short tales illustrated in b&w by Pyle. Verses by Katherine Pyle. Originally published in 1887, appears to be a 1940s reprint. Mild soil, inscription on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth, cover label with blackberry and fern design, 126 pages. B&w illustrations by Helen Sewell. The fifth book of Sally's story, in which, released by the sultan from service to the White Lalla, she returns home to Maine. How Five Bushel Farm is saved and how Sally, and Andrew, and Pierre grow up. Bookplate on front fly leaf, otherwise clean. No dust jacket.

Hardcover. NY, Simon and Schuster, 1st, 1957, Book: Good, Dust Jacket: Good, Hardcover, illustrated throughout by Marc Simont in blue & black. Stated First Printing. In a lightly soiled dust jacket that's price-clipped. Small scar to front endpaper otherwise clean

Hardcover. NY, Museum of Modern Art , 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Two Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. Appendixes include Berenice Abbott's typewritten copy of Andre Calmette's handwritten letter to her (late 1928). Maroon cloth with debossed title blind-stamped on cover and in gilt on spine, with dust jacket. 192 pp. with 116 plates and 84 black and white reference illustrations. Printed by The Meriden Gravure Company from halftone negatives made by Richard Benson. Clean, tight copy.

Hardcover. London, Sampson, Low, Marston, Searle & Rivington, 1st, 1885, Book: Good, Dust Jacket: None, Hardcover, 300 pages + 32 ads in rear. Original brown endpapers, in the original binding of blue cloth decorated in red, black and gilt, spine titled in gilt. Also published under title: The Society of London. Originally attributed to Mme. Juliette Adam; more recently this and other similar works have been accredited with strong probability to Elie de Cyon." (Trove) Catherine Radziwill was the first to use the pseudonym Count Paul Vasili with a gossipy book called Berlin Society, a pen-name that was then taken up by other anonymous writers. Previous owner's name in ink on title page, otherwise clean, tight copy.

Hardcover. NY, E. P. Dutton, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, green cloth with gilt decoration, in a bright dust jacket with light edgewear, chipping, short closed tears. A collection of 74 color and black and white photographs by Bischof taken all over the world. Part biography, part celebration of the work of the great Swiss photographer and member of Magnum, who had been killed in a road accident five years before. Clean copy.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. NY, Farrar Straus Giroux, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 530 pages, b&w illustrations. The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I-and a new understanding of one of the great twentieth-century writers. When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to "close ranks" and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished. In The Wounded World, Chad Williams offers the dramatic account of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising story of this unpublished book offers new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century. Drawing on a broad range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most significant scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today. Remainder mark on top edhge, otherwise clean.

Hardcover. Chapel Hill, University of North Carolina, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue boards, black cloth spine with gilt lettering. 101 pages, two b&w frontispieces, clean copy. No dust jacket.

Hardcover. Boston, Charles E. Lauriat, reprint, 1930, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. Beige cloth boards with black lettering on spine. Multiple illustrations and plates with detailed engravings. Limited to 500 copies, reprint of 1808 1st London edition, with appendix from the 1819 2nd London edition. Subtitled: A key to the leading of rigging, and to practical seamanship. A knowledgeable and comprehensive manual by Darcy Lever designed to assist young gentlemen of the Royal Navy from the early 19th century.

Hardcover. NY, Knopf, 1st, 1933, Book: Very Good, Dust Jacket: Poor, Hardcover, 90 pages. Humorous verse describing famous plays, illustrated with black and white drawings by Rea Irvin. Stated First Edition. Dust jacket is present but poor condition. Book itself is clean and bright.

Hardcover. London, Phaidon Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout. A tight copy. Covering many styles and movements, it includes work by pioneers such as Edward Sheriff Curtis, seminal figures like Walker Evans, Cecil Beaton and August Sander, as well as artists such as Martin Parr, Cindy Sherman and Philip-Lorca diCorcia - With over 300 black and white and color photographs, this book offers a new perspective on the history of photography by examining the personalities both behind and in front of the camera.

Hardcover. NY, McGraw-Hill Book Company, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages, color and black and white illustrations throughout. A masterly survey of the world's stages brings to the contemporary reader the entire panorama of the theatre, including its formative stages among primitive peoples and the richly stylized traditions of the East.

Hardcover. NY, McGraw-Hill Book Company, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages, color and black and white illustrations throughout. A masterly survey of the world's stages brings to the contemporary reader the entire panorama of the theatre, including its formative stages among primitive peoples and the richly stylized traditions of the East.

Hardcover. NY, Doubleday & Company, 1st, 1940, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover in turquoise cloth lettered in yellow, Color illustrated endpapers. Illustrated with color and black and white drawings by the author. INSCRIBED BY DE ANGELI on tile page and dated 1940. Stated First Edition. In a bright dust jacket with light edgewear that's unclipped ($2.00). The story of two little Quaker girls living in Philadelphia just before the Civil War.

Hardcover. New York, Harper & Brothers, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with illustration label, gilt design on front. 55 pages. Black & white illustrations by Peter Newell. No dust jacket. Faded black top edge. An amusing story of two boys of Mount Pisgah who attempt to make their first formal social call on the neighboring girls.

Softcover. New York, NY, Hirschl & Adler Galleries, 1st, 1989, Book: Good, Dust Jacket: None, Softcover, 79 pages. Exhibition catalog. Black-and-white and color illustrations. Some shelf-wear on rear cover. Light sun-fade to spine. A little soiling to bottom edge. Otherwise, clean, tight copy.

Hardcover. New York, Harper and Brothers, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, 331 pages, putty color cloth covers with black lettering on spine. Dust jacket with edgewear, chipping. Previous owner's signature on front fly leaf.

Hardcover. Garden City, NY, Doubleday Page , 1st, 1927, Book: Good, Dust Jacket: None, Hardcover. 252 pages. Black & white illustrations by Mary Whitson Haring. Previous owner's signature on front end paper. Corners a bit bumped. Wear to corners and spine. Darkened spine. Title rubbed off of spine. Markings to covers.

Hardcover. NY, E.P. Dutton, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Based on a tale by Nathaniel Hawthorne, here retold in verse. Black and white drawings and silhouettes by Marc Brown. Dust jacket with closed tear, edgewear at top of cover.

Hardcover. London, Collins, 1st UK, 1962, Book: Very Good, Dust Jacket: None, Hardcover, red cloth, unpaginated (approx. 64 pages), illustrated in b&w by Irene Haas. This is a picture book that introduces young readers to a variety of useful French phrases by describing the trip of two intrepid young travellers by sea to France, by boat train to Paris, and then through sight-seeing adventures. Each phrase is accompanied by a detailed, witty, black and white pictures showing when it might be used. A wonderful picture-book for the young French language learner. Clean. No dust jacket.

Softcover. NY, Harcourt Brace Jovanovich, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations, 416 pages. Presents Black history in America as a force of strong resistance to racism and slavery rather than accommodation and discusses the people and events of this struggle. Clean copy.

Hardcover. New York, Dutton, 1st, 1926, Book: Very Good, Dust Jacket: Very Good, Hardcover, 203 pages. Illustrated with black & white drawings by Don Herold. Light wear to covers. Clean, tight copy.

Hardcover. NY, George H. Doran, 2nd pr., 1924, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering and decoration, 302 pages. Early American edition ("B" on copyright and no publisher's colophon). Interconnected short stories, and basis for a 1931 film of the same name, directed by Louis Mercanton. "The author calls his book 'a tapestry of the fortunes, follies, adventures, gallantries of a certain lovely lady and her friends and companions in this tale.' ... Mischievousness, then, is the delicate and all-important ingredient in this account of some fashionables of Mayfair." A collection of interconnected short stories (a few with fantasy/horror elements), it was published in England in 1923, a year before Arlen's sensational best-seller "The Green Hat," which vaulted him to international fame and fortune. Lacks dust jacket, name on front fly leaf, otherwise clean.

Hardcover. New York, Hawthorn, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. SIGNED BY AUTHOR on title page. Illustrated with black & white photographs. Clean, tight copy.

Softcover. Lincoln NE, Bison Books/University of Nebraska, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 276 pages, b&w illustrations. Through in-depth interviews with players, their families, coaches, teammates, and league officials, Ron Thomas tells the largely untold story of what basketball was really like for the first Black NBA players, including recent Hall of Fame inductee Earl Lloyd, early superstars such as Maurice Stokes and Bill Russell, and the league's first black coaches. They Cleared the Lane is both informative and entertaining, full of anecdotes and little-known history. Not all the stories have happy endings, but this unfortunate truth only emphasizes how much we have gained from the accomplishments of these pioneer athletes.

Hardcover. NY, Random House, 2nd pr., 1948, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers stamped in black with title and moose face on front. 40 pages illustrated in 3-colors by Seuss. Later issue, with the 7-line copyright notice. No dust jacket. Light wear to edges, corners of cover. Owner's name on front fly leaf, otherwise clean. The story of a moose who was too hospitable for his own good told in humorous verse.

Hardcover. NY, Random House, reprint, 1948, Book: Good, Dust Jacket: Good, Hardcover in an edgeworn and chipped dust jacket with 2.95 price on flap, blue cloth covers stamped in black with title and moose face on front. 40 pages illustrated in 3-colors by Seuss. Later issue, with the 7-line copyright notice. The story of a moose who was too hospitable for his own good told in humorous verse.

Hardcover. NY, Otto Penzler, 1st hardcover, 1994, Book: Very Good, Dust Jacket: Very Good, 1st hardcover edition of book, first published as paperback in 1966. Black boards with gilt titles to spine, color illustrated dust jacket.

Hardcover. NY, Viking Press, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, 44 pages. Color illustrations by Don Freeman. Green cloth with black monkey on cover, spine lettering in pink and black. Minor corner wear.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.

Hardcover. Cambridge MA, Mythology Co., 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, dark maroon cloth covers stamped in black, 279 pages. B&w plates, a little damp-staining limited to title page and frontispiece. SIGNED BY AUTHOR on the front fly leaf. A history of the ritzy Newport area in it's heyday. Not a common title.

Softcover. Huntington NY, Heckscher Museum, 1st, 1995, Book: Good, Dust Jacket: None, Softcover,143 pages, illustrated throughout in color and b&w. Binding is cracked on page 62. Minor wear to wrappers. Neat, clean copy. This book was published in conjunction with the exhibition The Art of Thomas Anshultz, organized by Randall C. Griffith, Guest Curator; Heckscher Museum, Huntington, New York. The exhibition was on view from September 3rd through November 20, 1994. The book contains the monograph Thomas Anshultz Artist and Teacher, 28 color plates, and numerous black and white reproductions of art from throughout Anshultz's career.

Hardcover. Washington, D.C., Smithsonian Institution Press, rep, 1993, Book: Very Good, Dust Jacket: Very Good, Catalogue of the works of Thomas Eakins. Includes 49 large color plates with accompanying black/white and color illustrations and notes for each. Also contains reproductions of Eakins's lesser-known black/white photographs and biographical text about the artist. Very good condition; cloth bound book has virtually no flaws, dust jacket has few small tears near the edges.

Hardcover. NY, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Benton (1889-1975) is a painter shrouded in paradox and misapprehension. Though pigeonholed as a regionalist chronicler of the Midwest, many of his finest on-site pictures are of Southern blacks and poor whites. Remembered best are his folksy rural scenes and aggressively three-dimensional murals, but the public tends to forget that he ran through the gamut of modernist styles (he was Jackson Pollock's teacher) and that his brilliant abstract color experiments ally him with the modernist movement. Some of Benton's crowded murals of the 1930s reflect his leftist sympathies, yet critics reviled him as politically conservative. These contradictions are illuminated in this catalogue of a touring exhibition curated by Adams. The text stands on its own as a wholly engaging biography, offering an unbuttoned look at a pugnacious, often reckless, artist who valiantly sought to preserve a rural America that was vanishing before his eyes. Clean copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, bright green cloth with gilt and black stamping, 548 pages. Illustrated from photographs, facsimiles, plates. Study of Jefferson's mind based on contributions of "French thinkers" on his political philosophy. Inscription on inside front cover, otherwise a clean, tight copy.

Hardcover. New York, Macmillan, 1st, 1942, Book: Good, Dust Jacket: None, Hardcover. 72 pages. Black & white illustrations by C. W. Anderson. Cover has light edgewear.

NY, Doubleday, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Black & white illustrations by Leonard Weisgard. Previous owner's signature front fly leaf. An unusual and unforgettable Christmas story set aboard a freighter bound for South America. Three companions -- a boy, a goat and a dog -- meet Domingo, a burro, and spend Christmas below the Equator.

Hardcover. New York, Harper and Brothers, 1st Ed, 1956, Book: Very Good, Dust Jacket: Fair, Unpaginated; color illustrations by Garth Williams throughout. Full-color cover with black-cloth binding, exhibits some edgewear. Bookplate on front endpaper and some pencil marks. Interior text clean. Dust jacket has edgewear, damp wrinkling, as well as soiling around edges, unclipped, but with adhesive marks from tape on top edges. Otherwise, clean copy.