Hardcover. White River Junction VT, Chelsea Green Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. For decades, Kilham has studied wild black bears in a vast tract of Northern New Hampshire woodlands. At times, he has also taken in orphaned infants--feeding them, walking them through the forest for months to help them decipher their natural world, and eventually reintroducing them back into the wild. Once free, the orphaned bears still regard him as their mother. And one of these bears, now a 17-year-old female, has given him extraordinary access to her daily life, opening a rare window into how she and the wild bears she lives among carry out their daily lives, raise their young, and communicate. 190 pages, color photos. Clean copy.

Hardcover. New York , Grosset & Dunlap, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, 236 pages, 4 b&w line plates, olive green cloth covers with orange and black decoration. Previous owner's signature on front fly leaf otherwise clean, very good.

Hardcover. n.p., L.T. Myers, unknown, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers, 3 color lithographs, many black & white illustrations. Color label on decorated cover. No publisher indicated,(C) by L.T. Myers. Areas of cover show fading, soil.

Hardcover. Gottingen, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, Outside Inside is a gorgeous three-volume box set of 800 photographs drawn from this master photographer's immense archive. Chosen by Davidson himself, the selection spans a 60-year career, and features such seminal bodies of work as Circus (1958), Brooklyn Gang (1959), East 100th Street (1966-1968), The Civil Rights Movement (1961-1965), Subway (1980) and Central Park (1992-1995), as well as his two most recent works in progress--a series of urban landscapes made in Paris (2007) and Los Angeles (2009)--and many unpublished photographs. Each volume with the following format: Hardcover. Fine cloth, with tipped-in tritone plate on cover and title stamped in black on cover and spine; no dust jacket as issued. All three volumes are contained in a custom paper-covered slipcase with title stamped in silver. Photographs and text by Bruce Davidson. Edited by Bruce Davidson, with the assistance of Amina Lakhaney. Designed by Bernard Fischer and Gerhard Steidl. Volume I: 1954-1961, 300 pp., with 264 tritone plates; Volume II: 1961-1966, 272 pp., with 228 tritone plates; Volume III, 1966-2009, 372 pp., with 342 tritone plates. Scans by Steidl's digital darkroom; production and printing by Steidl, Gottingen. Each volume 11-5/8 x 12 inches.

Hardcover. NY, Frederick A. Stokes, 1st, 1918, Book: Good, Dust Jacket: None, Hardcover, terra-cotta cloth with a color paste-down on cover, 263 pages, A collection of 35 Native American animal folklore tales. Wood-lore (or, the ways of wild things) are told in an engaging format - a wise old chief holds evening "story-time" sessions with his very curious grandson, Little Beaver. Running through the linked narrative is the little black bear Moween, of whom Little Beaver is particularly fond. Illustrated with 8 color plates, a color title page and an endpapers drawing by Paul Bransom. Light shelf wear.

Hardcover. San Francisco, Pomegranate, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 164 pages. Hardcover. Black & white photographs by Jazz musician Milt Hinton. Dust jacket with light wear. Clean, tight copy.

Hardcover. Boston, Lothrop & Co., 1st, 1878, Book: Very Good, Dust Jacket: None, Hardcover, color illustrated boards with a black cloth spine, 247 pages, b&w illustrations. Introduction by Leonard Waldo of Harvard College Observatory. An introductory study of Astronomy for the young reader. Previous owner's inscription on front fly leaf otherwise clean. Corner chip to paper on bottom of front cover A fragile binding but still solid.

Hardcover. New York, Atheneum, reprint, 1993, Book: Very Good, Dust Jacket: Very Good, 42 pages. hardcover with dust jacket. Color and black & white illustrations by Bryan. Dust jacket is protected by a mylar cover.

Hardcover. Oxford UK, Clarendon Press, 1st, 1951, Book: Very Good, Dust Jacket: None, 467 pages. Hardcover with dust jacket. B&w plates. Light edgewear to black covers. Dust jacket has heavy chipping and short tears. Gutter cracking in places.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. This catalogue raisonne of Picasso's lithographic work contains 855 pieces with entries for every printed sheet as an individual work, including test and state printings, and unpublished sheets. Scholarly essays from various contributors. Light fraying to bottom spine cover.

Hardcover. Boston, Houghton Mifflin, 1st thus, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. To mark the fortieth anniversary of Paddington's appearance in America, Houghton Mifflin put out this huge treasury, containing chapters from eleven of the Paddington Bear books published between 1958 and 1979. Thirty five adventures in all. There's a new Introduction by the author. The original black & white drawings of Peggy Fortnum were hand-colored by her step-granddaughter, Caroline Nuttall-Smith. Clean, bright copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 480 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. 378 color and 10 black & white illustrations. Tight copy. While European art forms were widely disseminated, copied, and adapted throughout Latin America, colonial painting is not a derivative extension of Europe. The ongoing debate over what to call it-mestizo, hybrid, creole, indo-hispanic, tequitqui-testifies to a fundamental yet unresolved question of identity. Comparing and contrasting the Viceroyalties of New Spain, with its center in modern-day Mexico, and Peru, the authors explore the very different ways the two regions responded to the influence of the Europeans and their art. A wide range of art and artists are considered, some for the first time.

Softcover. New York, American Art Association, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover. 150 pages. Reprint of 1926 auction catalog. Orange wrappers with black titles, perfect binding, profusely illustrated with b&w plates, foreword by Dana H. Carroll. Slight rubbing to covers; a very clean, tight copy.

Hardcover. London, Cartago, 1st UK, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Color and black & white photography by Nicholas Sapieha. By studying a period of nearly four centuries and examining houses over the entire region of Goa, this lavishly illustrated book, with architectural drawings, attempts to define the specific identity of Indo-Portuguese architecture. It is possible to observe, particularly during the 17th and 18th centuries, a progressive cross-influencing of Indian and Portuguese aesthetic tastes: the resulting mixture has produced a fascinating style of architecture, which this text has captured with more than 200 color photographs.

Softcover. Prospect Heights IL, Waveland Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 113 pages. A look at the economic development of the Giriama of Kenya where traditional customs are sometimes at odds with the needs and desires of the individual, enterprising farmers. Illustrated with statistical tables, reproductions of black-&-white photographs, and a map. Appended: Bibliography, Index.

Hardcover. Boston Mills Press , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. For a world coming out of economic depression in the 1930s, the Pan American Airways Clipper "flying boats" symbolized elegance and luxury, adventure and romance. Illustrated with rare period photographs, vintage travel posters, magazine ads and colorful company brochures, this fascinating book covers every aspect of the fabulous era of Pan American's graceful clippers. Like their maritime namesakes, the Clippers used the oceans to form a vast global network of travel routes. Pan Am founder Juan Trippe was a visionary who saw the importance of international travel to a changing world. His Clippers would play a key role in the evolution of transoceanic flight, setting time and distance records over the Atlantic and Pacific, providing airmail delivery between countries, and eventually serving the Allies as troop and cargo transports during World War II. A major appeal is the 200 color images and 100 historical black-and-white photographs. Clean copy.

Hardcover. New York, Harper & Brothers, 1st, 1926, Book: Good, Dust Jacket: None, 261 pages. Hardcover with NO dust jacket. Black cover boards, shows moderate wear and rubbing. Internal pages darkened. Spine faded. Tight copy.

Hardcover. London, Frederick Warne & Co., Ltd., Reprint, n.d., Book: Very Good, Dust Jacket: Very Good, Color, black & white illustrations by Caldecott. Decorative stamped front cover. Clean copy in a nice dust jacket.

Hardcover. UK, Sheffield Academic Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering, 167 pages. Panorthosia (Universal Reform) is the essential theme of John Amos Comenius's famous Consultation on the Reform of Human Affairs, and chapters 19-26 represent its climax. In this volume is presented the first English translation of this major work of Comenius, which was lost from about 1672 until 1934 when the Latin scholars of Czechoslovakia had it edited for publication in Prague in 1960. Clean copy.

Hardcover. UK, Sheffield Academic Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering, 256 pages. Clean copy.

Hardcover. Chicago IL, Albert Whitman & Co, reprint, 1931, Book: Very Good, Dust Jacket: None, Hardcover. 160 pages. Color and black & white illustrations by Eleanore Mineah Hubbard. Previous owner's bookplate and signatures on front end paper and front fly leaf. Top corners bumped. Wear to covners and spine. Scribbling in pencil on rear endpaper. Some soiling to covers.

Hardcover. NY, Harper and Brothers, 1st, 1957, Book: Very Good, Dust Jacket: None, Color, black & white illustrations by Bettina Ehrlich. Excellent condition. Illust. cardboard covers with black cloth spine. Lacking dust jacket.

Hardcover. New York, Charles Scribner's Sons, 1st, 1901, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated with many line drawings by William Glackens. Khaki cloth with black, red and grey cover illustration, illustrated frontispiece, 261 pages. Hinge cracked at half-title page, otherwise very good, clean.

New York, Simon & Schuster , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket.Color Illustrations by Floyd Cooper. When Papa tells a story about a brave soldier with a secret message, Chita happily joins in the telling, enjoying the time with her father in a celebration of family and the tradition of the tall tale.

Hardcover. NY, Knopf, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages plus index. Generally considered to be the best book on the early years of filmmaking. Illustrated with nearly 300 rare photos. A narrative and photographic history of the early days of the movies, combining fact, anecdote, and reminiscence in a critical survey of films, actors, directors, producers, writers, editors, technicians, and other participants and hangers-on. Light shelf wear, inked price on front fly leaf blacked out otherwise clean, in a lightly worn jacket that's price-clipped.

Softcover. New York, Harper and Row, 1st, 1984, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with black and white drawings by Roz Chast. Clean, tight copy with minor wear to paper edges.

Softcover. New York, Harper and Row, 5th pr., 1984, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with black and white drawings by Roz Chast. Clean, tight copy with minor wear to paper edges.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Henri Cartier-Bresson was 'the eye of the 20th century' and one of the world's most acclaimed photographers. Paris was his home, on and off, for most of his life (1908-2004). The photographs he took of the city and its people manage to be both dreamlike and free of affectation. Here are around 160 photographs taken over a more than fifty-year career. Mostly in black and white, this selection reveals the strong influence on Cartier-Bresson of pioneering documentary photographer Eugene Atget (1857-1927), and the clear visual links with Surrealism that infused Cartier-Bresson's early pictures. After an apprenticeship with Cubist painter Andre Lhote, in 1932 Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture movement and the rhythms of daily life in Paris. Cartier-Bresson observed from close quarters the Liberation in August 1944 and the civil disturbances of May 1968. In between he also succeeded in capturing the faces of Parisians in their natural habitat, celebrated artists and writers and citizens alike. Remainder line to bottom edge, otherwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Plainfield, NH, Alma Gilbert, Inc., 1st, 1998, Book: Very Good, Dust Jacket: None, 81 pages. Softcover. Light edgewear to wrappers. Color and Black and white pictures throughout.

Softcover. Plainfield NH, Alma Gilbert Inc., 1st, 1998, Book: Very Good, Dust Jacket: None, 82 pages. Softcover. Black & white photographs and color plates by Maxfield Parrish. Minimal edgewear. Clean, tight copy.

Hardcover. Chicago, Reilly & Lee, 1st, 1913, Book: Fair, Dust Jacket: None, Hardcover, 340 pages plus 5 page addenda in rear. Blue cloth with the title in black and a vignette of Woozy in black and red on the spine, and the title and an illustration of Scraps in red, black and yellow on the front board. Illustrated profusely in b&w and color by John R. Neill, including color illustrated endpapers. Both hinges, front and rear, cracked. Previous owner's bookplate on half title page. There is a clear tape repair to front fly leaf, and the cloth spine at one time was loose, but now reglued. A fair copy only but clean and attractive internally.

Softcover. Tokyo, Genko-sha, 1st, 1987, Book: Very Good, Dust Jacket: None, 104 pages. Illustrated with full color and black & white examples of art and graphic design work by Pater Sato. Clean, tight copy.

Hardcover. New York, Knopf, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. INSCRIBED BY PECK on front fly leaf, black & white drawings by Betty Fraser. Small chip to dust jacket front panel otherwise very good condition.

Hardcover. New York, New York Review Books, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 448 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON TITLE PAGE. Black and white photos in center. Two pages wrinkled and stuck together in the middle of picture pages. Otherwise tight.

Hardcover. NY, Duffield and Green , 1st, 1933, Book: Good, Dust Jacket: None, Hardcover in green cloth stamped in black. Unpaginated. Black-and-white silhouette illustrations throughout. Ex-lib with light residue, stamping to endpapers. Irish fantasy, in which young Patsy O'Flaherty plans to make a fortune capturing leprechauns.

Hardcover. Boston, Houghton Mifflin, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with paper label on spine, lettering faded. Introduction by Franz Boas. 291 pages including index. No date on title page, only date is 1934 on copyright page. Previous owner's inscription on front fly leaf dated 1935. A bright, tight copy.

Hardcover. NY, Aladdin Books, reprint, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover, red cloth with decoration stamped in black. In a bright, unclipped dust jacket. B&w decorations by Warren Chappell. a young adult novel set in post-colonial New Hampshire featuring Jared Austin, a journeyman painter. First published in 1943 by Knopf.

Softcover. Insight Editions, reprint, 2017, Book: Very Good, Dust Jacket: None, Softcover, 164 pages. A stunning collection of photographs from Frank Stefanko featuring the Godmother of Punk herself, iconic musician and author Patti Smith."There I was sitting in a booth at the co-op of Glassboro State College, a bucolic school in the farmlands of South Jersey. . . Suddenly, the double doors of the co-op swung open and standing there in the vacuum created was an incredible apparition, a vision in a white leather coat with long, jet-black hair flowing down her back. She moseyed in like the bad guy walking into a saloon in an old western movie. This was the first time I set eyes on Patti Smith, and I was captivated."So begins Frank Stefanko's wonderfully personal photographic tale of his friendship and artistic collaboration with Patti Smith. Stefanko's photographs and his warm, personal recollections show us an amazing young woman, long before she became Patti Smith, the cultural icon. Through images and words, we follow her search for a unique voice--from the early days of the Chelsea Hotel to spoken word at the St. Mark's Poetry Project to the release of her seminal album, Horses, and so much more.

Hardcover. Boston, Haughton Mifflin, 1st, 1928, Book: Very Good, Dust Jacket: None, 45 pages. Hardcover with no dust jacket. Illustrated in black and white by Helen Rhodes. Cover faded.

Hardcover. London, Art/Books, reprint, 2019, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with black decoration, 186 pages. A beautiful facsimile of the earliest English translation of Gauguin's frank and entertaining memoir, written just before he died, in which he reveals his most inner thoughts on art, life and love Unappreciated in his own lifetime, Paul Gauguin is now recognized as one of the giants of French post-Impressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the 'hypocrisy of civilization' and in search of a primitive idyll, he left his wife and children behind in Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty and revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later. As his son Emile wrote in the preface, 'These journals are an illuminating self-portrait of a unique personality. They bring sharply into focus for me his goodness, his humor, his insurgent spirit, his clarity of vision, his inordinate hatred of hypocrisy and sham.' Wide-ranging and elliptical, these candid reflections reveal Gauguin's inner thoughts about many subjects, including frank views on his fellow artists back in Paris, his turbulent relationship with Van Gogh, and the charms of Polynesian women, while providing glimpses into his often far-from-idyllic life in the islands. This beautiful facsimile reproduces the first American translation of the journals, a rare limited edition privately published in New York in 1921 for a select group of subscribers. With full-page sketches by the artist, these entertaining and enlightening musings give us a unique insight into Gauguin the man and the artist. Clean copy.

Softcover. Canada, Vancover Art Gallery, 1st, 1984, Book: Good, Dust Jacket: None, 82 pages. Softcover with dust jacket. Light musty odor. Clean, tight copy otherwise. Black and white and color pictures throughout.

Hardcover. London, Thames and Hudson, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 207 pages. Hardcover with gilt titles to spine. Full page, full color & black & white illustrations throughout. Features 131 illustrations, 31 in full color. Dust jacket with age toning to edges, tears to corners one closed tear (2 inches) to back of jacket. Otherwise clean, bright & unmarked.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, illustrated paper-covered boards; no dust jacket as issued. Photographs by Paul Pfeiffer. 80 pages with 35 four-color plates and 2 black-and-white plates. Essays (in German and English) by Valeria Liebermann and Stefano Basilico. Conversation with the artist (in German and English) by Thomas Ruff. Includes a list of works, biography, list of awards, exhibition history and publications. Clean copy.

Softcover. Boston, The Paul Revere Memorial Association, 1st pbk, 1988, Book: Very Good, Dust Jacket: None, Hardcover, pictorial black wrappers, 191 pages. Issued in conjunction with a 1988-1989 exhibition featuring the silver work of Paul Revere (1735-1818). With illustrated essays by Patrick M. Leehey, Janine E. Skerry, Deborah A. Federhen, Edgard Moreno, and Edith J. Steblecki. Includes a bibliography and many views of Revere's silversmithing capabilities. 236 b&w illustrations. Clean copy.

Hardcover. New York, Harper & Row, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 217 pages. Hardcover with price-clipped dust jacket. Clean, tight copy. Scarce biography of Robeson by Hamilton, a noted African-American children's book author.

NY, Knopf, 1st, 1988, Book: Very Good, Hardcover in a bright, unclipped dust jacket. Passionate and enormously talented, Paul Robeson lived one of the great lives of the twentieth century. Martin Duberman's classic biography is a monumental and powerfully affecting portrait of one of this century's most notable performers, political radicals, and champions of racial equality. Drawing on a vast archive of family papers and interviews with friends and relatives as well as FBI files, Paul Robeson charts the heroic and tragic course of Robeson's life: from his early days as the son of a former slave to his rise to unprecedented international acclaim as a stage actor and singer, and from his political awakening to his downfall as a victim of McCarthyism and the efforts of the U.S. government to destroy him. Clean copy.

Hardcover. NY, Aperture, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 183 pages. Profile of Strand by Calvin Tompkins. Features excerpts from correspondence, interviews, and other documents along with numerous black and white images by Strand. Clean copy.

Hardcover. New York, Aperture, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Black and white photographs throughout. A tight copy.

Hardcover. NY, Aperture, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Illustrated with 113 black & white photographs. Clean, bright copy. An Intimate Portrait by Catherine Duncan. Critical Essay by Ute Eskildsen. From 1950 to 1976 Paul Strand embarked on a series of photographic journeys through France, Italy, the Hebrides, Egypt, Morocco, Romania, and Ghana. This volume is devoted to those photographs, made by Strand in the last twenty-six years of his career.

Hardcover. Boston, Little, Brown, 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 259 pages. Illustrated with 16 black & white photographs. Previous owners signature at top of front endpaper. Dust jacket missing 3 small chunks at top and bottom of spine. Clean, tight copy.