Hardcover. London, UK, Victor Gollancz, Ltd., 1st, 1935, Book: Very Good, Dust Jacket: None, 300 pages, illustrated in b&w by James McDonald. Black cloth, gilt lettering to spine, lacks dust jacket. Light wear to edges, slight rubbing to spine, previous owner's inscription of front paste-down, else a very nice, tight copy.

Hardcover. Boston, David R. Godine, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 221 pages. Hardcover. Illustrated with full color and black & white photographs. Price clipped dust jacket with light wear. Clean, tight copy.

Hardcover. NY, Books of Wonder, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Dorothy and the Wizard in Oz was the fourth Oz adventure. First published in 1908, it has captured the imaginations of young readers and listeners for four generations. This deluxe gift edition faithfully reproduces the rare first edition, including all sixteen color plates and all fifty black-and-white illustrations by John R. Neill, as well as the original colorful endpapers. Afterword by Peter Glassman.

hardcover. N.P., Donohue, reprint, n.d. (1901), Book: Good, Dust Jacket: None, Illustrations in black, orange & green by W.W. Denslow. Binding loose, back hinge cracked, edgewear to covers. Title pg. says Bobbs Merrill, spine says Donohue.

Hardcover. St. Paul MN, Minnesota Historical Society, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 143 pages, b&w photos throughout. After serving in World War II, John Glanton returned home to Minnesota and began taking his camera around the streets, parks, clubs, restaurants, and private homes of Minneapolis, capturing the sights and scenes of everyday life for African Americans in the city. The images--from intimate portraits to public gatherings--reveal a dynamic and diverse community at a time when the nation was entering the postwar boom but before the civil rights movement had taken root. Glanton's photos offer a rare look into the lives and lifestyles of families and individuals often left out of histories of Minnesota's past, showing people at work and play, young and old, happy and sad. The images highlight black-owned businesses of the day, the music and club scene, and weddings and other family occasions to depict the experiences of African American people as presented through the lens of an African American photographer. Long forgotten in the garage of a family member, the photo negatives were recently rediscovered and digitized. A selection of 200 of the more than 800 images are featured here, along with commentary that further illuminates the lives and experiences of African Americans in postwar Minnesota.

Hardcover. Koln GDR, Walther Konig, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 242 pages 152 illustrations 87 in color. Text is in German and English Preface by Dietrich Karner. Introduction by Sabine Breitwieser. Published on the occasion of the exhibition from the Generali Foundation, Vienna 11 May-12 August 2001. List of Works in Exhibition. Biographies and Bibliography. To be able to take one's self off like a jacket and put on another self--who hasn't occasionally wished it were possible? Identity and transformation are among the central issues for contemporary art making, and Double Life pulls together a diverse selection of artists whose work embraces the possibilities of personality and appearance, racial and sexual stereotype, role-playing and reality. The artists in Double Life--from Marina Abramovic, Adrian Piper, and Andy Warhol to Ion Grigorescu, Eleanor Antin, Pierre Huyghe and Cindy Sherman--have all employed various strategies in their desire to assume different roles. Whether ironic, eccentric, utopian or critical, their methods have ranged from the subtle to the extreme. Zoe Leonard's pin-up calendar is filled with sexy portraits of her bearded self. Early black-and-white photographs by Cindy Sherman show the artist casually dressed as a random sampling of everyday people. Pierre Huyghe's Ann Lee is an anime extra, a digital character completely lacking any discernible identity. But artist Lynn Hershman perhaps best articulates the issue when she writes, "I always told the truth for the person who I was, but the person kept fluctuating."

Hardcover. NY, McGraw-Hill, 1st, 1972, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Photographs in black-and-white portray residents in the Town of Camden and Wilcox County, Alabama in the early 1970s, with accompanying text by photographer Bob Adelman and editor Susan Hall. A remarkable document by the photographer renowned for his photographic portraits of the Civil Rights Movement.

Hardcover. NY/Chicago, Revell, 1st, 1911, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in white and black, 229 pages plus publisher's ads in rear. 12 b&w plates. Frontis photo portrait of Grenfell on his ship with tissue guard. Sir Wilfred Thomason Grenfell (1865 -1940) was a medical missionary to Newfoundland and Labrador. Beginning with Vikings of To-day (1895), he published between 1905 and 1938 a succession of books about Labrador, which was at the time a British colony. Owner's name and date on front fly leaf, mild soil to cover.

Hardcover. Philadelphia, Hubbard Brothers, 1st, 1888, Book: Very Good, Dust Jacket: None, Hardcover, dark brown cloth stamped in black and gilt design, 443 pages plus 53 page appendix, b&w plates with a folding map (in excellent condition). B&w frontispiece portrait of the author, blue floral endpapers. Clean, tight copy with minor wear to corners. Title page says 1888, copyright page states 1887. Still believed to be a first printing. Early exploration through Chippewa country, source of the Mississippi, Grand Rapids, Minneapolis. Saint Paul, La cRosse, Rock Island, Saint Louis, Memphis, Natchez to Baton Rouge, New Orleans.

Hardcover. New York , Henry Holt and Company, 1st, 1937, Book: Good, Dust Jacket: Fair, Hardcover, 151 pages. 81 black-and-white wood engravings by Agnes Miller Parker. Chipping, wear, tanning, and staining on dust jacket. Now protected by clear, plastic cover. A few pages with tiny tears along bottom edge. Light foxing on all edges. Otherwise, clean, tight copy.

Hardcover. New York , Henry Holt and Company, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover, 151 pages. 81 black-and-white wood engravings by Agnes Miller Parker. Dust jacket with light wear, chipping.on dust jacket. clean, tight copy.

Hardcover. NY/Chicago, Revell, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in white and black, 226 pages, 12 photographic plates. Sir Wilfred Thomason Grenfell (1865 -1940) was a medical missionary to Newfoundland and Labrador. Beginning with Vikings of To-day (1895), he published between 1905 and 1938 a succession of books about Labrador, which was at the time a British colony. Frontis photo shows Grenfell and Perry (back from the N. Pole) on the deck of the 'Roosevelt'. This is a collection from six periodicals of 14 sketches by the 'Labrador Doctor.' He has fascinating stories to tell about the natives, the sailors, fishermen, the climate and his doctoring. Small tan stain affecting 10 pages, only in margin. Otherwise clean.

Hardcover. NY, Doubleday Doran, 2nd pr., 1928, Book: Very Good, Dust Jacket: Good, Hardcover. Color frontispiece, black & white illustrations by Maginel Wright Barney. Dust jacket with light edgewear, soil. A Newbery Honor Book for 1927 set in 1820s Nantucket.

Hardcover. Boston , Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations by the author. Light edgewear to dust jacket.Tim is so discouraged and bored by life at home and school that he seizes a chance to join a circus, not knowing what really awaits him. Clean copy.

Hardcover. gr, Editorial RM, 1st, 2009, Book: Near Fine, Dust Jacket: None, Hardcover, Like new in publishers shrink-wrap. With an all-black velvet cover and beautifully printed inside, Health and Efficiency is a sexy little book. The pieces are all derived from a pile of old nudist camp magazines he picked up in Brick Lane market in East London. In the original clippings nubile porcelain-white maidens pose puritanically next to ponds and lillies. But in Lakra's versions they have sailor tattoos and get skewered by monochrome skeletons and mugwumps.

Hardcover. GR, Editorial RM, 1st, 2009-07-31, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, Like new in publishers shrink-wrap. With an all-black velvet cover and beautifully printed inside, Health and Efficiency is a sexy little book. The pieces are all derived from a pile of old nudist camp magazines he picked up in Brick Lane market in East London. In the original clippings nubile porcelain-white maidens pose puritanically next to ponds and lillies. But in Lakra's versions they have sailor tattoos and get skewered by monochrome skeletons and mugwumps.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Hardcover. London, B. T. Batsford Ltd, 1st, 1949, Book: Good, Dust Jacket: Good, Hardcover, 96 pages, with a foreword by A. E. Richardson, color and black & white illustrations and watercolors throughout. Dust jacket worn with fading and rubbing, closed tear on back cover, otherwise, internally very clean and tight.

Hardcover. New York, R. H. Russell, 1st, 1895, Book: Very Good, Dust Jacket: None, A collection of black & white cartoons by Gibson. Oblong cardboard covers with beveled edges, cloth spine. Some spotting to front cover foredge. Front hinge tender. Clean, unmarked pages.

Hardcover. New York, Harry N. Abrams, Inc, 1st Edition, 1985, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover. Dust jacket unclipped, excellent. Black cover boards, gilt title on spine and front cover board. Pages clean and unmarked. A couple soil spots to edges. Binding tight. Spine straight. In great shape. Approximately 245 b/w line drawings. Syndicated in more than 100 papers nationwide, his editorial cartoons comment on matters of national and international importance.

Hardcover. NY, E.P. Dutton, 1st US, 1962, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. Black & white line drawings by Shepard. Black & white photo on frontispiece. Blue cloth binding with gold spine lettering. English artist Shepard's (1879-1976) life story from 1890 on, a sequel to Drawn from Memory. The famed illustrator of the Winnie-the-Poo stories tells his story, with many vignettes of Milne and his books. Clean, bright copy, no dust jacket.

Hardcover. New York, Williams Collins , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover. 95 pages. Generously illustrated in color and black and white. Yellow endpapers and chronological list of Tudor's books. Good tight copy. Loving portrait of her mother by the beloved children's book illustrator's daughter offered in words, intimate family photographs, paintings, illustrations, & drawings from across their lives together in the New England countryside.

Hardcover. New York, Williams Collins , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 95 pages. Generously illustrated in color and black and white. Yellow endpapers and chronological list of Tudor's books. Good tight copy. Loving portrait of her mother by the beloved children's book illustrator's daughter offered in words, intimate family photographs, paintings, illustrations, & drawings from across their lives together in the New England countryside.

Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.

Softcover. London, J.M. Dent, 1st wraps, 1929, Book: Very Good, Dust Jacket: None, Black & white illustrations by Roberta F.C. Waudby. 28 pages. Blue paper covers with light wear. Fade to spine area and rear wrapper.

Hardcover. New Hampshire, Bunker Hill Publishing, Inc., 1st Edition, 2011, Book: Very Good, Dust Jacket: Very Good, 36 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent. Black cover boards, red title on spine. Pages unmarked. Binding tight. Spine straight. In beautiful condition. A proper and modern Norse saga, written with all the power of Melville and Hemingway and a true story now retold in the ageless rhythms of blank verse, as irresistible as the beautiful and specially commissioned woodcuts of Mary Azarian.

Hardcover. New Hampshire, Bunker Hill Publishing, Inc., 1st Edition, 2011, Book: Very Good, Dust Jacket: Very Good, 36 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent. Black cover boards, red title on spine. Pages unmarked. Binding tight. Spine straight. In beautiful condition. A proper and modern Norse saga, written with all the power of Melville and Hemingway and a true story now retold in the ageless rhythms of blank verse, as irresistible as the beautiful and specially commissioned woodcuts of Mary Azarian.

Hardcover. The New Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Historian Michael Lesy, author of Wisconsin Death Trip, has produced another haunting volume with Dreamland. The book chronicles a day in the life of America at the turn of the 20th century, an optimistic, peaceful time. Lesy chose 208 black-and-white pictures from the archive of the Detroit Publishing Company, the hugely successful postcard business. The images depict skyscrapers under construction, bustling urban streets, farmers and dusty country roads, and the glories of the newly charted American West, with its cowboys, miners, and distant prairie towns. The atmosphere of order and calm portrayed in the photographs is deceptive, as Lesy's thoughtful essays reveal.

Hardcover. Boston, Bruce Humphries, Inc., 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, decorated boards with red cloth spine, 96 pages. INSCRIBED BY AUTHOR ON FRONT ENDPAPER. Previous owners signature at top of front endpaper. Illustrated with black & white photographs. Spine cloth faded. Clean, tight copy.

Hardcover. Associated Publishing Company, 1st, 1899, Book: Good, Dust Jacket: None, Hardcover, blue pictorial cloth illustrated on upper cover with gilt, red, blue and black illustration and embossed gilt title. Gilt title on spine faded. 406 pages, frontispiece illustrated with b/w plate of Captain Dreyfus. Profusely illustrated with b/w portraits of the principal actors, and photographic reproductions of the places and scenes of Dreyfus trial and exile. Name and embossed stamp on front fly leaf, cover with light edge wear, interior clean.

NY, Delacorte, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 166 pages.An Indian girl and a blacksmith's son are separated from their Northwoods Colonial community in the early spring, and they struggle in the wilderness to survive and return. The story is symbolized by the boy's beautiful knife; the girl is scornful of its dullness, but when she uses it to save their lives, returning it razor-sharp but bloody and chipped, he is equally disgusted. Clean copy.

Hardcover. Boston, Lee and Shepard, reprint, 1881, Book: Very Good, Dust Jacket: None, Hardcover. Many wonderful black & white engravings. Green cloth with bright gilt & black decoration. 372 pages.Rear cover has a half-dollar size spot of soil, otherwise a clean copy.

Hardcover. Boston, Lee and Shepard, 1st, 1881, Book: Good, Dust Jacket: None, Hardcover, pictorial printed paper on the boards show some edge wear in the form of chipping and rubbing, 372 pages. Over 150 black & white engravings. Bottom front corner chipped, other wise a sound copy.

Hardcover. New York, Boni & Liveright, 1st, 1928, Two hardcover volumes 291/266 pages. Black cloth spine with gilt decoration over boards with patterned batik paper. Limited numbered set #2025/2050, signed by the publishers on the limitation page. 24 two-color semi-erotic plates by Ralph Barton. Edgewear to cardboard covers and corners worn. Some gutter cracks throughout. Overall, a good plus set.

Hardcover. New York, Charles Scribner's Sons, 1st thus, 1928, Book: Very Good, Hardcover, black cloth with pictorial label on front cover, 409 pages. 14 color plates, color title page and endpaper illustration and b&w pen drawings by N.C. Wyeth. Previous owner's inscription on blank prelim page, otherwise clean, tight copy.

Hardcover. New York, Charles Scribner's Sons, 1st Ed., 1928, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with color label on front cover. 14 color plates, pen drawings, endpapers design by N.C. Wyeth. Cover with some rubbing and scratches, overall very good.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages. In 1956 W. E. B. Du Bois was denied a passport to attend the Presence Africaine Congress of Black Writers and Artists in Paris. So he sent the assembled a telegram. "Any Negro-American who travels abroad today must either not discuss race conditions in the United States or say the sort of thing which our State Department wishes the world to believe." Taking seriously Du Bois's allegation, Juliana Spahr breathes new life into age-old questions as she explores how state interests have shaped U.S. literature. What is the relationship between literature and politics? Can writing be revolutionary? Can art be autonomous, or is escape from nations and nationalisms impossible? Du Bois's Telegram brings together a wide range of institutional forces implicated in literary production, paying special attention to three eras of writing that sought to defy political orthodoxies by contesting linguistic conventions: avant-garde modernism of the early twentieth century; social-movement writing of the 1960s and 1970s; and, in the twenty-first century, the profusion of English-language works incorporating languages other than English. Spahr shows how these literatures attempted to assert their autonomy, only to be shut down by FBI harassment or coopted by CIA and State Department propagandists. Liberal state allies such as the Ford and Rockefeller foundations made writers complicit by funding multiculturalist works that celebrated diversity and assimilation while starving radical anti-imperial, anti-racist, anti-capitalist efforts. Clean, like new.

Softcover. Zurich, Scalo, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. Illustrated with full color and black & white photographs. Features essays by William S. Burroughs, Jack Kerouac, Dara Horn, and more. Text in German and English. Clean, bright copy.

Hardcover. New York , The Viking Press , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 83 pages, black & white drawings by David Hockney. Cover slightly stained, otherwise a very good copy.

Hardcover. New York , The Viking Press , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, 83 pages, black & white drawings by David Hockney. Dust jacket cover with faint soiling, otherwise a very good copy.

Hardcover. Somerset UK, Hamish Hamilton Ltd., 1st, 1989, Book: Good, Dust Jacket: Very Good, 186 pages. Hardcover. Dust jacket with light wear to edges. Black & white photographs throughout. Light pen marking couple pages. Otherwise clean tight copy.

Hardcover. New York, Greenwillow, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 180 pages. Hardcover with dust jacket that is price clipped and has some wrinkling on rear flap. Otherwise, clean, tight copy.

Hardcover. Pittsburgh PA, GoodKnight Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 373 pages, color and b&w illustrations. Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany's. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, "The war made my mother who she was." Audrey Hepburn's war included participation in the Dutch Resistance, working as a doctor's assistant during the "Bridge Too Far" battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem's most famous young ballerina. Audrey's own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II. Also included is a section of color and black-and-white photos. Many of these images are from Audrey's personal collection and are published here for the first time.

Hardcover. NY, Doubleday & Company, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth boards with orange lettering on spine. In a worn dust jacket with light soil and chipping. No markings.

Hardcover. NY, Atheneum, 1st, 1963, Book: Very Good, Dust Jacket: Good, Dust jacket with edgewear, chipping. Black & white and color illustrations by Fuku Akino. Previous owner's inscription on front fly leaf.

Hardcover. UK, Phaidon, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages. A fascinating and informative document of the ways in which houses are constructed, decorated and inhabited around the world written by an internationally respected expert on vernacular architecture. Beautifully illustrated in color and black and white, largely by photographs compiled in the course of the author's field research . Clean copy.

Softcover. London, Victoria & Albert Museum, 1st, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 90 color plates, 10 black and white illustrations. This definitive and lavishly illustrated biography is the first to trace Kauffer's life and showcase his best work-posters, book illustrations, and theater designs.

Hardcover. Columbia, Univeristy of Missouri Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, 142 pages. B&W photography and illustrations throughout. pictorial dust jacket, slightly worn at corners and spine. Price clipped. Black boards with silver gilt title to spine. Frontispiece. Overall, a nice, clean copy.

Hardcover. Middlesex UK, Country Life Books, 1st, 1968, Book: Very Good, Dust Jacket: None, 2 hardcover volumes in slipcase. Volume 1 - 414 pages plus section of black & white "Under-wing Plates". Full color and black & white illustrations throughout. A clean, bright copy. Volume 2 - 500 pages. Full color and black & white illustrations throughout. A clean, bright copy. Both volumes with brown cloth covers, gilt titles and decoration. A set that shows minimal wear to books and slipcase. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Athens, Georgia, The University of Georgia Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 246 pages, b&w illustrations throughout. AN important study of early gravestone carvers in Georgia and South Carolina and the influences of their likes from New England. Black cloth with silver lettering to spine. Gray pictorial dust jacket with minor wear to edges of spine, else like new.