Hardcover. Essex, Pequot Press, First Edition, 1971, Book: Very Good, Dust Jacket: Very Good, 69 pages. Hardcover. Gray cloth boards with gilt titles to spine. Black & white illustrations throughout. Frontis illustration, The Harpist, A Portrait of Miss Florence by Alphonse Jonghers, tipped-in & in full color. Dust jacket with same full color image on bright blue background. Dj has age related wear to edges. Clean, unmarked. A nice copy.

Hardcover. Garden City, NY, Doubleday , 1st, 1946, Book: Good, Dust Jacket: Good, Hardbound, 230 pages. Black & white illustrations by Manning Lee. Rough edge. Red top edge. Chipping to dust jacket. Brodart cover.

hardcover. NY, Macmillan, 1st US, 1942, Book: Very Good, Dust Jacket: None, Hardcover, 321 pages. A Swallows and Amazons adventure. Black & white illustrations. Previous owner's inscription on prelim page. Spine faded. Light soil to front cover.

hardcover. NY, Macmillan, 1st US, 1942, Book: Very Good, Dust Jacket: None, Hardcover, 321 pages. A Swallows and Amazons adventure. Illustrated with black & white drawings by the author. 321 pages.. Map illustrated endpapers. Spine faded. Previous owner's inscription on prelim page, otherwise clean. A wonderful adventure story for young readers, on a voyage around the world in the Wild Cat, where the Swallows and Amazons and Captain Flint put out from their hundredth port into the China seas.

Softcover. Tucson, AZ, Arizona University Press , 1st paperback, 1993, Book: Very Good, Dust Jacket: None, Softcover. Black & white photos by George Alexander Grant. Some color fade to edges of cover. The Spanish missions founded by Padre Eusebio Kino in Sonora, Mexico, during the 1690s and early 1700s are historical as well as architectural marvels. Once self-supporting villages with central churches, the missions stand today as monuments to perseverance in the face of a hostile New World. These "Kino Missions" were surveyed in 1935 by the National Park Service to prepare for the restoration of the mission at Tumacacori, Arizona, then a National Historic Monument. That report, which was never published, provided insights into the missions' history and architecture that remain of lasting relevance. Perhaps more important, it documented these structures in photographs and drawings--the latter including floor plans and sketches of architectural detail--that today are of historic as well as aesthetic interest. This volume reproduces that 1935 report in its entirety, focusing on sixteen missions and including two maps, 52 drawings, and 76 photographs. With a new introduction and appendixes that place the original study in context,

Hardcover. New York, Century Co., 1st, 1901, Book: Very Good, Dust Jacket: None, Hardcover, decorated green cloth covers, 370 pages. Front and rear hinges cracked. Black & white illustrations. Text clean and unmarked. Cover shows light wear.

Hardcover. Cape Town, Howard Timmins, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, cream color cloth, black lettering on spine. 147 pages, tables, maps, charts, photographs: author spent most of his life in Portuguese East Africa and this is both a history and an authoritative study of the economic and political situation circa early 1960s. Clean copy.

Softcover. Englewood Cliffs, Prentice-Hall, Inc., 2nd Ed., 1987, Book: Very Good, Dust Jacket: None, 431 pages. Softcover. Tight copy. Profusely illustrated with black & white photographs & architectural illustrations. One interior section includes full page, full color photographs. Clean, bright copy.

Hardcover. London, Black Dog Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover no dust jacket. Clean, unmarked copy with only minor wear to boards.

Hardcover. NY, Jonathan Cape /Harrison Smith, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, 295 pages. Decorated cloth with black cloth spine, bright gilt lettering on spine. A French doctor's account of Chinese life & civilization, based on his twenty years of life, work & travel there; he was Director of the Imperial School of Medicine at Chengtufu. Typically patronizing and moralistic; the author credits China with having been great in the past, but now in the grip of a profound lassitude, only to be helped by Europeans. Translated from the French by Elsie Martin Jones. Previous owner's name, date on front fly leaf otherwise a clean, bright copy.

Softcover. New York, Simon and Schuster, 1st, 1969, Book: Very Good, Dust Jacket: None, 188 pages. Softcover. Illustrated with black & white photographs. Darkening to spine, light wear. Clean, unmarked text.

Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, Original black lettered cloth quarter laid on pictorial boards, 184 pages. A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century. This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue--whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers--emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.

Hardcover. NY, Hill and Wang, BC Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, with illustrations. Minor dust jacket edge wear, otherwise, very clean and tight copy. In the middle of a frigid Sunday night in January 1856, a twenty-two-year-old Kentucky slave named Margaret Gamer gathered up her family and raced north, toward Cincinnati and freedom. But Margaret's master followed just hours behind and soon had the fugitives surrounded. Thinking all was lost, Margaret seized a butcher knife and nearly decapitated her two-year-old daughter, crying out that she would rather see her children dead than returned to slavery. She was turning on her other three children when slave catchers burst in and subdued her.Margaret Garner's child-murder electrified the United States, inspiring the longest, most spectacular fugitive-slave trial in history. Abolitionists and slaveholders fought over the meaning of the murder, and the case came to symbolize the ills of the Union in those last dark decades before the Civil War.

Hardcover. NY, Museum of Modern Art, 2nd Ed., 1938, Book: Very Good, Dust Jacket: None, Hardcover, quarterbound in burgundy cloth and gray paper with black titles. 116 pages with b&w illustrations throughout. Revised second edition. 69 b/w illustrations + 9 text figures, bibliography, index of artists. One of the handsomest of the early MoMA catalogues This revised edition (1938) was limited to 2,000 copies. No dust jacket. Clean.

Hardcover. Minneapolis Institute of Arts, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Clean, tight copy. Black and white photographs throughout. Light rubbing to dust jacket. Forty-six plates from photographs; bibliography. A monograph on the early twentieth century pictorial work of the photographer Ruzicky. Text in English and Czechoslovakian.

Hardcover. London & New York , The Studio Publications, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, red cloth stamped in black, 127 pages + ads, illustrated throughout in b&w. INSCRIBED BY AUTHOR on front fly leaf. Light rubbing, fraying to edges, binding slightly shaken. Internally very good.

Hardcover. NY, Donna Karan, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. black & white portraits, fashion photos by Herb Ritts. Large,oversized, 11-1/4" x 14-1/4" coffee table book of photos of such stars as Diana Ross, Isabella Rossellini, Fred Ward, Francesco Clemente and his wife Alba, no doubt wearing Donna Karan clothing. All photograhs are black & white of selected pieces from fashion designer Donna Karan's Fall 1995 collection by fashion photographer Herb Ritts. Clean.

NY, Harcourt, Brace & Co., 5th, 1944, Book: Very Good, Dust Jacket: Fair, Hardcover, 290 pages. Black & white illustrations by Louis Slobodkin. Previous owner's bookplate on front end paper. Color illustrated dust jacket with chunks gone from top & bottom of spine, edgewear. Nice reading copy.

Hardcover. NY, Harcourt, Brace & Co., 4th pr., 1944, Book: Very Good, Dust Jacket: Fair, Hardcover, 290 pages. Black & white illustrations by Louis Slobodkin. Light wear to top & bottom of spine, edgewear. Nice reading copy.

Hardcover. NY, National Travel Club, reprint, 1930, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt. 358 pages. Map endpapers, frontispiece, notes, map, appendices. Introduction by Edward Garnett. Frontispiece of the author on a horse as Sheikh Mohammed El Fasi. Mild fade to spine lettering, otherwise a tight, clean copy.

Hardcover. New York , Marie Chardin/privately printed, 1st, 1936, Book: Good, Dust Jacket: Fair, 64 pages illustrated in 2-colors and full color by Bess Bethell. SIGNED BY AUTHOR on title page. Red cloth with black type and drawing of a penguin on front. Fraying to top of spine, previous owner's inscription on front fly leaf. Dust jacket worn, chipped. A children's reader, number and alphabet book, all in French.

Hardcover. NY, Blackie & Son Ltd. , 1st , 1987, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Color illustrations by Jean Claverie. Toy book with cut-outs, pop-ups, movable parts. Bright laminated illustrated boards.

Hardcover. London, John Baker, 1st , 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Black & white illustrations by Nickless.

Hardcover. New York, John Day, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover. Non-Paginated. Illustrated with black & white photographs. Dust jacket shows standard wear. Clean, tight copy.

Softcover. Chicago, Illinois, Mongerson Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 100 page catalog from October 1981 exhibition at The Mongerson Gallery. Numerous black and white prints and photographs. Brief artist biographies. Textured cover features color artwork and exhibits some wear, particularly along binding edge. Interior in near fine condition.

Hardcover. NY, Rae D. Henkle, 1st , 1928, Book: Very Good, Dust Jacket: None, 318 pages. Hardcover with no dust jacket. Black cloth stamped in red on the front and the spine. Previous owner's bookplate front end paper. A New England mystery, beginning with a strike at a tannery. Another challenge for Detective Peter Creighton.

Hardcover. Tucson AZ, Dennis McMillan, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Firmly rooted in the hard-boiled tradition, these 13 stories from Phillips showcase the cool exuberance of black Los Angeles PI Ivan Monk, whose family connections tend to prod him into taking cases no one in his right mind would investigate. Nostalgia is a recurrent theme, as in "Through the Fog Softly," which introduces Monk's father, Josiah Monk, as a soldier in Korea, and in Monk's love of 1950s and '60s cars. Some tales verge on fantasy, such as "The King Alfred Plan," which imagines a scheme to round up blacks into concentration camps. A pseudo-screenplay, "Bring Me the Head of Osama Bin-Laden," is the weakest effort in an otherwise strong collection. At his best, Monk displays something of the cockiness of Robert Parker's Spenser and the racial awareness of Walter Mosley's Easy Rawlins. Monk has a toughness all his own, however, and a noir sensibility shines brightly in stories like "Lowball" and "The Raiders." Clean copy.

Hardcover. North Carolina, Algonquin Books of Chapel Hill, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 289 pages. Hardcover. B/w illustrations throughout. Black cover boards, gilt title on spine. Dust jacket unclipped, very good.

Hardcover. New Rochelle, Arlington House, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 554 pages. Illustrated with black & white photographs. Moderate foxing to edges. An important reference book on this legend of the big band era. Clean, tight copy.

NY, St. Martins, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, black & white illustrations. 442 pages. The story of the popular Rocky and Bullwinkle show. The legendary Jay Ward and Bill Scott produced the gleeful wonder and cumulative joy that transcended the crude drawings and occasionally muddy sound. Jay Ward was the magnificent visionary, the outrageous showman, while Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind. With exclusive interviews, original scripts, artwork, story notes, letters and memos, Keith Scott has written the definitive history of Jay Ward Productions.

Hardcover. NY, Alfred A. Knopf, 1st, 1930, Book: Fair, Dust Jacket: None, Hardcover, yellow cloth covers with title and drawing of rooster on front cover in brown. Black and white drawings by Kurt Wiese. Endpapers design with montage of farm animals. A fair copy only with worn and soiled covers. Title page states 1930, no other printings on copyright page. The second book in the Freddy series, in which the animals form a company, Barnyard Tours. Led by clever Freddy, they endure a dangerous voyage to the North Pole to meet Santa Claus.

Hardcover. Santa Fe, Twin Palms, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Illustrated with 127 black & white medical photographs. Content focuses on the unusual - not for the timid. Red remainder mark on bottom edge at spine. Dust jacket in clear plastic protective cover. Clean, bright copy.

Softcover. New York , Ruth Orkin Photo Archive, 1st, 1999, Book: Very Good, Dust Jacket: None, 46 pages, softcover. Interview of Engel by Julia Van Haaften. Includes numerous black and white images. Like the other great photographers who made so-called "street photography" the most important genre of the medium, Morris Engel's snapshots of life on the streets have endured and outlasted all hyped-up, media-culture fads. Morris Engel was a prominent member of The Photo League, and was Navy photographer during the Second World War.

Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.

Hardcover. Paris, Collection Neuf, 1st, 1955, Book: Very Good, Dust Jacket: None, 163 pages, black & white photographs throughout, French text, tan cloth board. No dust jacket.

Hardcover. NY, David McKay Company, 1st US, 1959, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. Autobiography of Britain's noted forensic examiner, highlighting his work in Egypt before & after WWI, work as professor of forensic medicine at Edinburgh University, & court battles with the renowned Sir Bernard Spilsbury. Foreword by Erle Stanley Gardner (Perry Mason author). In 318 pgs + Index, with lots of black & white crime scene photos. Orig. published in Britain, this is the FIRST AMERICAN EDITION, same year (1959). Clean copy.

Softcover. Akron, OH, Saafield Publishing Co., 1st, 1929, Book: Very Good, Dust Jacket: None, 16 pages. Booklet with light edgewear to paper wrappers. Illustrated color/Black and white plates by Fern Bissell Peat. Square 12mo. Very good, scarce.

Hardcover. New York, Harper & Brothers, 1st, 1948, Book: Good, Dust Jacket: Good, 93 pages. Hardcover with dust jacket. Black and white photographs throughout. Light fraying to covers. Dust jacket shows chipping and small tears.

Hardcover. London, The Bodley Head, 1st thus, 1929, Book: Good, Dust Jacket: Very Good, Hardcover, octavo, black cloth covered boards with elaborate gilt decoration, title and spine titles. 291 pages. Uncut edges. With twelve full page engravings, capitals and decorations by Frank C. Pape. The cover and spine gilt is bright. Clean copy.

Hardcover. NY, Dodd Mead, 1st thus, 1929, Book: Good, Dust Jacket: Very Good, Hardcover, octavo, black cloth covered boards with elaborate gilt decoration, title and spine titles. 291 pages. Uncut edges. With twelve full page engravings, capitals and decorations by Frank C. Pape. In a black paper dust jacket with light gray decoration, light edgewear. The cover gilt is bright but there is moderate flecking/discoloration to the black cloth in areas. Endpapers have some tanning, interior is clean and bright.

Hardcover. Philadelphia, J.B. Lippincott, 2nd, 1917, Book: Very Good, Dust Jacket: None, Hardcover, 88 pages. 3 color illustrations by Maria L. Kirk. Black & white pen drawings by Edmund H. Garrett. Back gutter cracked from hinge. Cloth covers with black illustration and lettering on front and spine.

Hardcover. New York, Viking Press, 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover, 46 pages. Illustrated with black & white drawings by William Pene Du Bois. Clean, tight copy. No dust jacket.

Hardcover. New York, Doubleday, Doran & Co., 1st, 1935, Book: Good, Dust Jacket: None, Hardbound, 100 pages. Numerous black & white photographs. Corners bumped & edgeworn. Soiling, scratches to covers. Lots of photos, and text describing the process of making movies in the 1930s, aimed at young readers.

Softcover. San Diego, Harcourt Brace,, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 839 pages, contains two glossy black and white plates sections. This major work, the result of years of careful study and analysis, places Wolfgang Amadeus Mozart's life and music in the context of the intellectual, political and artistic currents of eighteenth-century Europe. The result is a fresh interpretation of Mozart's genius, as Robert Gutman shows the great composer in a new light. With an informed and sensitive handling, Mozart emerges as an affectionate and generous man with family and friends, self-deprecating, witty, and winsome but also an austere moralist, incisive and purposeful. The major genres in which Mozart worked-chamber music, liturgical, theater and keyboard compositions, concertos, operas, symphonies, and oratorios-are unfolded to reveal a man of luminous intellect. Mozart is an extraordinary portrait of a man and his times and a brilliant distillation of musical thought.

Hardcover. London, Chapman & Hall, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, publisher's red and black marble-patterned cloth, lettered in gilt to spine. A collection of eleven short stories, some of which became inspirations for his novels. Frontispiece illustration of man falling off a bicycle, by Thomas Derrick. Clean, square copy.

Hardcover. NY, Junior Literary Guild, reprint, 1942, Book: Very Good, Dust Jacket: None, 69 pages. Hardcover with illustrated cloth, no dust jacket. Color and black & white illustrations by Dorothy P. Lathrop. Shows some wear and age.

Hardcover. Boston, Houghton Mifflin, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, 64 pages. Illustrated with color, black & white drawings by Albert Rutherston. Previous owner's inscription on half-title page. Foxing, browning to front pages. Cloth cover with minor stains, soil.

Hardcover. Boston, Little Brown, reprint, 1943, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth decorated in black and white, 139 pages, illustrated by Robert Lawson in two-colors and b&w. Short inscription on front fly leaf, otherwise clean. No dust jacket.

Hardcover. NY, Harper and Bros., 1st thus, 1915, Book: Very Good, Dust Jacket: None, 117 pages. Hardcover with no dust jacket. Black and white drawings by J.M. Conde. A Hollow Tree Story. Cover label illustration in color by Conde. ( balloon is also misspelled with one L) previous owner's inscription front fly leaf.