Hardcover. New York, Wise-Parslow Company, Reprint, 1930, Book: Good, Dust Jacket: None, 96 pages. Hardcover. Full color and black & white illustrations by Alexander Key. Pages 15-51 with shallow bump to top right corner of pages. Front cover with 2 quarter size stains, standard wear. Clean, tight copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with black design, 310 pages. Color frontispiece illustration by N.C. Wyeth, numerous black line drawings by Andrew Wyeth throughout. A rare instance of father and son artists collaborating. Clean, bright copy. No dust jacket.

Hardcover. NY, E. P. Dutton & Co., 1st, 1940, Book: Good, Dust Jacket: None, Hardcover, red cloth covers stamped with black illustration and lettering. 670 pages illustrated with contemporary prints. Historical novel of the destruction of Charleston (symbol of an era) , with a man of destiny theme. Young Perry wants to be a gentleman; he is tutored by the man who eventually turns out to be his grandfather. He does newspaper work in Charleston, he does his bit in the Civil War; the siege of Charleston forms the local point for Northern hatred. Spine cloth worn at top and bottom, clean copy.

Hardcover. London , A. & C. Black, 1st, 1908, Book: Good, Dust Jacket: None, 16 color plates by Allan Stewart. Decorated gray cloth with top edge gilt. Covers show light wear, previous owner's inscription on front end paper. Small red mark in corner of front fly leaf.

Softcover. New York, Phaidon Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 316 pages. Softcvoer with vinyl wrappers. Black and white pictures throughout. This is the first visual history of China's Cultural Revolution (1966-1976) and includes the only complete set of surviving photographs to document the entire period. It is drawn from thousands of original negatives that were hidden for nearly 40 years by photographer Li Zhensheng, at great personal risk, and accompanied by his own personal story. Zhensheng brings to light in this historical record one of the most turbulent, controversial, and under-documented periods in modern history.

Hardcover. New York, Farrar, Straus and Giroux, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages. SIGNED BY AUTHOR on title page in black pen. Pages all near fine. White boards and black cloth spine with gilt lettering. Spine is very lightly toned at bottom and top edge. B/W pictorial dust jacket with photo of the poet on back. A few tiny fox spots, in acetate protector. Gold sticker "Winner of the Novel Prize in Literature" on front.

Softcover. Raleigh NC, TwoMorrows Publishing , 1st pbk, Book: Very Good, Dust Jacket: None, Paperback, 256 pages, illustrated in color. From the 1940s to the '70s, Reed Crandall brought a unique and masterful style to American comic art. Using an illustrator's approach on everything he touched, Crandall gained a reputation as the "artist's artist" through his skillful interpretations of Golden Age super-heroes Doll Man, The Ray, and Blackhawk (his signature character); horror and sci-fi for the legendary EC Comics line; Warren Publishing's Creepy, Eerie, and Blazing Combat; the THUNDER Agents and Edgar Rice Burroughs characters; and even Flash Gordon for King Features. Comic art historian Roger Hill has compiled a complete and extensive history of Crandall's life and career, from his early years and major successes, through his tragic decline and passing in 1982. This full-color softcover includes never-before-seen photos, a wealth of rare and unpublished artwork, and over eighty thousand words of insight into one of the true illustrators of the comics. Bookplate signed by Roger Hill laid in.

Softcover. NY, W. W. Norton & Company, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 348 pages. Reflections in Black, the first comprehensive history of black photographers, is a groundbreaking pictorial collection of African American life. Featuring the work of undisputed masters such as James VanDerZee, Gordon Parks, and Carrie Mae Weems among dozens of others, this book is a refutation of the gross caricature of black life that many mainstream photographers have manifested by continually emphasizing poverty over family, despair over hope. Nearly 600 images offer rich, moving glimpses of everyday black life, from slavery to the Great Migration to contemporary suburban life, including rare antebellum daguerrotypes, photojournalism of the civil rights era, and multimedia portraits of middle-class families. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Doubleday & Company, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, blue boards with black cloth spine. 469 pages. INSCRIBED BY NIZER on half-title page. Business card of Ben Bodne, owner of the Algonquin Hotel, stapled to title page. Otherwise a clean, tight copy. No dust jacket.

Hardcover. Berkeley, CA , University of California Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black and white illustrations throughout. This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s--one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period.

Hardcover. Kampen GR, teNeues, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 304 pages, cloth over boards, stamped spine and cover. 300 duotone photographs by Erwitt. Photographic master Elliott Erwitt has created many noteworthy portraits of womankind over the years. In Regarding Women he presents us with an exceptional collection composed (almost) exclusively of black-and-white female portraits. This volume is Erwitt's evocative personal tribute to female strength, intelligence, and beauty. The archival material spans several generations, with many images not previously published or rarely seen before. Conveying respect, admiration, and sometimes awe, these photographs portray all the complex elements that make up the feminine nature, whether formidable and tenacious, or occasionally capricious and coy. Through capturing their many varied facets the photographer shares his insights into how all kinds of women make their way into -- not to mention their mark on -- the world. In these pages, readers will find romance and glamor, touches of sensuality, as well as much affection. Of course, there are also those disarming flashes of candid everyday humor that are so quintessentially Erwitt. Text in English, German, French, Spanish and Italian.

Hardcover. New York, Charles Scribner's Sons, 1st Edition, 1889, Book: Very Good, Dust Jacket: None, 83 pages. Hardcover. B/w illustrations by Reginald B. Birch. Brown cover boards with black, brown, and gilt design on spine and front cover board. Spine has some wear to top and bottom. Gutter split in a few places throughout, binding still good. Some light tanning to pages from age, a few spots/smudges throughout. In very good condition for its age.

Hardcover. New York, W. W. Norton & Company, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover. Full color and black & white illustrations. Remainder marks on top edge at spine. Light wear. Clean, unmarked copy.

Hardcover. Middlebury, VMSBA, 1st, 1887, Book: Fair, Dust Jacket: None, 414 pages. Features black & white illustrations. Leather covers, with some rubbing to edges. Spine strip missing. Clean, tight copy.

Hardcover. New York, Alfred A. Knopf, 1st, 1925, Book: Very Good, Dust Jacket: None, 192 pages, with 3 black and white plates. Minor cover edge wear and corners lightly bent. Previous owner's stamp on front and back flyleaf. Otherwise, a clean and tight copy.

Hardcover. NY, McGraw-Hill, 4th Ed., 1937, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on the spine, 454 pages, B&w diagrams, illustrations. This book provides a comprehensive guide to the construction of reinforced concrete structures, from design to implementation. It covers topics such as the properties of concrete and steel, the various forms of reinforcement, and the principles of beam and column design. A practical and informative resource for engineers and architects alike. Light marking to inside front cover, otherwise clean.

Hardcover. NY, Harcourt, Brace & Co., reprint, 1926, Book: Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 337 pages. In one of the true classics of twentieth-century political economy, R. H. Tawney addresses the question of how religion has affected social and economic practices. He tracks the influence of religious thought on capitalist economy and ideology since the Middle Ages, shedding light on the question of why Christianity continues to exert a unique role in the marketplace. In so doing, the book offers an incisive analysis of the morals and mores of contemporary Western culture. Religion and the Rise of Capitalism is more pertinent now than ever, as today the dividing line between the spheres of religion and secular business is shifting, blending ethical considerations with the motivations of the marketplace. By examining the period that saw the transition from medieval to modern theories of social organization, Tawney clarifies the most pressing problems of the end of the century. In tough, muscular, richly varied prose, he tells an absorbing and meaningful story. And in his new introduction, which may well be a classic in its own right, Adam Seligman details Tawney's background and the current status of academic thought on these issues, and he provides a comparative analysis of Tawney with Max Weber that will at once delight and inform readers. Based on his Holland Memorial Lectures, 1922. Hinge cracked at title page. front end papers with bookplate, old ink price.

Hardcover. Princeton, Princeton University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 575 pages. Hardcover. Illustrated with black & white photographs. Fading to dust jacket spine. Clean, tight copy.

Hardcover. Hampton, VA, Hampton Institute Press, 1st, 1927, Book: Very Good, Dust Jacket: Poor, Hardcover, dark blue cloth with gilt lettering on front cover and spine, 236 pages plus appendix. A scarce collection of traditional hymns, gospel, folk songs and "Songs of Tribulation" of the American Negro. An historical document of African-American culture and the history of slavery. Songs in musical score with lyrics. A tight, generally unmarked and clean volume with nice cloth and clear gilt, In a poor dust jacket with chipping and tape repairs. Name on front fly leaf otherwise clean.

Softcover. Ft., Texas Christian University, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 435 pages. INSCRIBED BY BONAZZI on the title page. This authorized biography by Robert Bonazzi, is based on John Howard Griffin's Journals from 1950-1980. Griffin was blinded in the South Seas during WWII, but regained sight in 1957, after which he wrote the classic Black Like Me. Bonazzi follows Griffin year by year after 1961, when Griffin toured the globe as a lecturer on human rights.

Hardcover. NY, The New Press , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover book with a bright dust jacket in a slipcase that also includes interview tapes. A startling first-person history of slavery. Using excerpts from the thousands of interviews conducted with ex-slaves in the 1930s by researchers working with the Federal Writers' Project, the astonishing audiotapes made available the only known recordings of people who actually experienced enslavement-recordings that had gathered dust in the Library of Congress until they were rendered audible for the first time specifically for this set. Two sixty-minute audiotapes: the first is original recordings of former slaves recorded in the 1930s, the second features dramatic readings by Esther Rolle, James Earl Jones and other black artists. Foreword by Robin D. G. Kelley.

Hardcover. Orangeburg SC, Sandlapper Publishing, 2nd pr., 1987, Book: Very Good, Dust Jacket: Good, Hardcover, 120 pages, b&w illustrations. The author documents the customs and lifestyles of a proud group of Sea Island blacks. Beginning with the first freedmen and their descendents, he reveals a colorful and provocative story, told in words of island natives and illustrated with photographs taken around the turn of the century. INSCRIBED BY DAISE on the half-title page. Clean copy with color fading to dust jacket spine and part of front cover.

Hardcover. New York, Farrar Straus Giroux, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Nice, almost new-looking condition. Black & white illustrations by Chorao. Hardbound, dust jacket. Author/illustrator's first book.

Hardcover. London, Andrew Melrose, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn, chipped dust jacket. With two double page color plates and 28 black and white illustrations, plus maps for endpapers, and frontispiece.

Hardcover. Madison WI, University of Wisconsin Press, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to the spine. "Cary Nelson performs an invaluable service to the reader by recovering the work of dozens of forgotten poets, especially women, blacks, and writers on the left, while making it clear that the texts we recover inevitably gain new meaning from their positioning within contemporary culture." Nicely illustrated in b&w and some color, mostly book jackets and title pages of books discussed. Some light pencil marking in margins.

Hardcover. NY, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 336 pages. Illustrated with black and white photos from the war in Vietnam and Indochina from the 1950s to 1975. Listing 135 photographers ( men & women ) from all sides of this conflict are recorded as missing or having been killed. A very emotional book and one of the better memorials to the war correspondents who died and who are still missing.

Hardcover. New York, Burns Archive Press, 1st Edition, 2003, Book: Very Good, Dust Jacket: None, 4 Volumes: (SIGNED) In slipcase. DOMESTIC SHIPPING ONLY. Slipcase still has original mylar wrap (See image).1845-1870 The Pioneer Era1871-1895 The Antiseptic Era1896-1920 The X-Ray Era1921-1945 The Serology EraLimited to 2,150 copies including a special cased edition of 1000 copies. Color, b/w and sepia illustrations throughout. Black, decorated cover boards in like new condition. Pages clean, binding tight, spines straight. Slipcase fine.

Hardcover. London/NY, Routledge, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 280 pages with index. Color and b&w illustrations. Why does art matter to us, and what makes it good? Why is the role of imagination so important in art? Illustrated with carefully chosen color and black-and-white plates of examples from Michaelangelo to Matisse and Poussin to Pollock, Revealing Art takes us on a compelling and provocative journey. Kieran explores some of the most important questions we can ask ourselves about art: how can art inspire us or disgust us? Is artistic judgement simply a matter of taste? Can art be immoral or obscene, and should it be censored? He brings such abstract issues to life with fascinating discussions of individual paintings, photographs and sculptures, such as Michelangelo's Pieta, Andres Serrano's Piss Christ and Francis Bacon's powerful paintings of the Pope. He also suggests some answers to problems that any one in an art gallery or museum is likely to ask themselves: what is a beautiful work of art? and can art really reveal something true about our own nature? Clean copy.

Hardcover. London, Routledge and Kegan Paul, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering on spine, pages. Black and white photos and one map. Includes footnotes, geographical note, list of local people, 2 appendices and index. "Shows how one backward village became a revolutionary bastion in the ten years after the revolution in the late 1940s." A ten years' history of one Chinese village, covering the period immediately before the setting up of the Chinese People's Republic, and based on village records and the authors' personal experiences living with the farmers.Owner's name on inside front cover, otherwise clean.

Hardcover. NY, Thames & Hudson, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 249 pages. Marking the fiftieth anniversary of the October 1956 Hungarian revolt against Soviet domination after World War II, this imposing volume contains powerful black-and-white photographs taken during the years preceding as well as the outbreak and crushing of the uprising by a German member of the international photojournalist cooperative Magnum. Introduced by Lessing's recollections and Hungarian French historian Francois Fejto's precis of the momentous events, the pictures appear in three chapters, "Communist Hungary," "The Revolution," and "The Failure." Hungarian novelist George Konrad's intense impressions of the time, during which he carried a rifle as a revolutionary young intellectual, follow the first chapter, and French political scientist Nicolas Bauquet's assessment of the revolt's impact on Western Europe's Communist parties, the USSR, and subsequent European history follows the third. Views of the cemetery in which the uprising's martyrs are now buried conclude the book elegiacally, and brief last words by Lessing and the director of Hungary's Institute 56 indicate who may forget what happened and why the rest of us should always remember. An extraordinary document.

Hardcover. Washington D.C., United States Government, 1st Edition, 1889, Book: Very Good, Dust Jacket: None, Volume 1: 666 pages. Volume 2: 875 pages.Volume 3: 883 pages.Volume 4: 869 pages. Volume 5: 881 pages.Volume 6: 1002 pages.Domestic shipping only.Hardcovers. Complete set. Light brown leather cover boards with decorative details, red, black, gilt, raised bands and title on spine, all still bright and without fading. Some agewear to covers, rubbing, light scratches, all usual shelfwear. Pages unmarked, tanning throughout from age. Binding excellent. Spines straight. Beautiful collector's set. DOMESTIC SHIPPING ONLY.

Softcover. Oxford UK, Blackwell, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 630 pages. This is an account of 110 years of turbulence and change. At the offset there were not one, but two revolutions: by intent the first was egalitarian, the second - Bonaparte's - authoritarian. The tension between the two characterized the period and shaped the Republic that in the end emerged from the ruins of the Ancien Regime. Clean copy.

Hardcover. Boston, Roberts Brothers, 1st, 1892, Book: Good, Dust Jacket: None, Hardcover, brown cloth stamped in silver, 143 pages. Black & white illustrations by various artists, including Harriet Roosevelt Richards and E. H. Garrett. Tear to middle of front end paper. Lower part of front hinge cracked. Spine frayed at top & bottom and corners worn.

Hardcover. New York, McGraw-Hill, 1st US, 1967, Book: Good, Dust Jacket: None, Hardcover. Black & white and color illustrations by Edward Ardizzone. Mild soiling to covers. Rubbing to corners. No dust jacket.

Softcover. Columbia SC, S.C. Department of Archives and History, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, b&w illustrations. Clean copy.

Hardcover. Roma, Paolo Buggiani, 1st, 1974, Book: Very Good, Dust Jacket: None, Non-paginated. Full color handpainted covers, with cutout window exposing image of Paolo Buggiani. Illustrated with black & white photographs. Brief text in English. Light wear to covers. Clean, unmarked copy.

Hardcover. New York, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Unpaginated. Color and black & white photography. British artist Long ( Walking in Circles ) takes nature treks--in England's Lake District, the Sahara, Japan, Nepal--and creates site-specific works along the way. He fashions a mud circle in the river Avon, traces a line of snow near a temple in Kyoto and erects a circle of stones on a Swiss mountainside. The spare, deeply meditative photographs that he took en route sometimes call to mind prehistoric British megalithic monuments or Native American earthworks, as if he wants to tune in on planetary patterns of energy. At other times Long simply records what he sees, providing dramatic vistas of Iceland's vast rolling hills, Bolivia's high plateau, Washington's forests and Mount Everest's calm majesty. His images, poetic captions and unobstrusive siteworks reflect an artist who is at once traveler, nature-lover and adventurer.

Hardcover. Koln GR, Taschen, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, 464 pages. Original publisher's faux wood boards, lettered orange at the spine and front cover. Copiously illustrated in color and black and white throughout. Text in English, German and French. Many photographs By Julius Shulman. Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume.

Indianapolis, Bobbs-Merrill, reprint, 1920, Book: Very Good, Dust Jacket: Good, Hardover in a worn dust jacket. Illustrated black & white "Hoosier Pictures" by Will Vawter. 188 pages. Previous owner's signature front end-paper. Dust jacket with chunk gone from top edge. Chips to bottom edges. Scarce in dust jacket,

Hardcover. New York, Doubleday, Doran & Company, Inc., First Edition, 1940, Book: Very Good, Dust Jacket: Good, Hardcover, 239 pages. Tan cloth boards with black titles & horse decorative illustration to spine. Light scuff mark bottom rear edge. Green top edge. Toning throughout. Original dust jacket with moderate wear to edges, light toning, now protected with a plastic cover. Pages untrimmed. Clean, unmarked copy.

Hardcover. NY, Books of Wonder, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. First published in 1916, this handsome new edition of a much-loved classic features all twelve of John R. Neill's original color plates as well as his nearly one hundred black-and-white drawings. Afterword by Peter Glassman.

Hardcover. Denver CO, Sundance Limited, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 416 pages illustrated in color and b&w. Handsomely done history of the Rio Grande written by an outstanding railroad author. The book covers the railroad from the very beginnings of the Denver & Rio Grande in 1870 though to the 1970s, as well as its subsidiaries, the Western Pacific, and associated railroads. Illustrated throughout with black and white photographs. With numerous maps, rosters, gradient profiles, timetable, locomotive dispositions and extensive bibliography. 416 pages with index. Note: the cover of the standard 1974 edition shows a Rio Grande diesel; the cover of this Special Limited Edition shows two steam locomotives. The Limited Edition includes many color photos and has a reprint of a "Denver and Rio Grande" pamphlet from 1881 covering grades, distances and elevations in a rear pocket. States Special Limited Edition, but no number, signature or limitation given. Clean copy.

Hardcover. Oxford, Clarendon Press, First Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 356 pages. Hardcover with illustrated endpapers. Black cloth covered boards with gilt titles to spine. Dust jacket with light sunfade to bottom edge. Illustrations in bw throughout. Clean & unmarked copy.

Hardcover. New York, Dryden Press, 1st, 1945, Book: Good, Dust Jacket: Good, 114 pages. Hardcover. Illustrated with 66 black & white photographs. Previous owner has carefully glued-in additional black & white photographic images of related Chinese bronzes to preliminary pages front and rear, and to a few random pages. Dust jacket with chipping along edges - jacket now protected with clear plastic cover.

NY, Farrar, Straus and Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a very worn, chipped dust jacket, 312 pages. This autobiography details the struggle of a young Negroe's struggle to rise from a Knoxville slum to reach the ministry in the first half of the 20th century.

Hardcover. NY, The Century Co., 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in black, 486 pages, b&w photos by the author. A journal with bits of history of the West Indies in the early 20th century. It also covers some of the older history of the islands. There are some pictures of the ruins of Christophe's palace of Sans Souci, and of Cuba's new presidential palace. Bookplate and name on front endpapers otherwise clean.

Hardcover. Racine, WI, Whitman Publishing, 1st, 1935, Book: Very Good, Dust Jacket: None, Pictorial boards, 40 pages. Color, black & white illustrations by the staff of the Walt Disney Studios. Previous owner's inscription on front paste-down endpaper. Tanning to pages. Color illustrations on front and back of paper covered boards. Light edgewear to bottom edges, corners. 4" separation of back spine paper.

Hardcover. London/NY, Phaidon, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, square format. Original photo-illustrated cover and spine, back cover black cloth, with white and black lettering on cover and spine. Contains nine hundred and thirty-seven photographs selected by Capa's brother Cornell Capa and Richard Whelan, Capa's biographer. The chronologically arranged photographs constitute a documentation of twenty-two years (1932-1954) of Capa's work, featuring many catastrophic and dramatic events with brief commentaries. Risking his life over and over again Robert Capa is considered the greatest combat and adventure photographer in history. He was the cofounder of Magnum Photos in 1947, an international photographic cooperative, and was awarded the Medal of Freedom by Dwight D. Eisenhower in 1947 for his work recording World War II. No dust jacket issued. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.