Hardcover. New York, Charles Scribner's Sons, 1st Edition, 1889, Book: Very Good, Dust Jacket: None, 83 pages. Hardcover. B/w illustrations by Reginald B. Birch. Brown cover boards with black, brown, and gilt design on spine and front cover board. Spine has some wear to top and bottom. Gutter split in a few places throughout, binding still good. Some light tanning to pages from age, a few spots/smudges throughout. In very good condition for its age.

Hardcover. New York, W. W. Norton & Company, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover. Full color and black & white illustrations. Remainder marks on top edge at spine. Light wear. Clean, unmarked copy.

Hardcover. Middlebury, VMSBA, 1st, 1887, Book: Fair, Dust Jacket: None, 414 pages. Features black & white illustrations. Leather covers, with some rubbing to edges. Spine strip missing. Clean, tight copy.

Hardcover. New York, Alfred A. Knopf, 1st, 1925, Book: Very Good, Dust Jacket: None, 192 pages, with 3 black and white plates. Minor cover edge wear and corners lightly bent. Previous owner's stamp on front and back flyleaf. Otherwise, a clean and tight copy.

Hardcover. NY, McGraw-Hill, 4th Ed., 1937, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on the spine, 454 pages, B&w diagrams, illustrations. This book provides a comprehensive guide to the construction of reinforced concrete structures, from design to implementation. It covers topics such as the properties of concrete and steel, the various forms of reinforcement, and the principles of beam and column design. A practical and informative resource for engineers and architects alike. Light marking to inside front cover, otherwise clean.

Hardcover. NY, Harcourt, Brace & Co., reprint, 1926, Book: Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 337 pages. In one of the true classics of twentieth-century political economy, R. H. Tawney addresses the question of how religion has affected social and economic practices. He tracks the influence of religious thought on capitalist economy and ideology since the Middle Ages, shedding light on the question of why Christianity continues to exert a unique role in the marketplace. In so doing, the book offers an incisive analysis of the morals and mores of contemporary Western culture. Religion and the Rise of Capitalism is more pertinent now than ever, as today the dividing line between the spheres of religion and secular business is shifting, blending ethical considerations with the motivations of the marketplace. By examining the period that saw the transition from medieval to modern theories of social organization, Tawney clarifies the most pressing problems of the end of the century. In tough, muscular, richly varied prose, he tells an absorbing and meaningful story. And in his new introduction, which may well be a classic in its own right, Adam Seligman details Tawney's background and the current status of academic thought on these issues, and he provides a comparative analysis of Tawney with Max Weber that will at once delight and inform readers. Based on his Holland Memorial Lectures, 1922. Hinge cracked at title page. front end papers with bookplate, old ink price.

Hardcover. Princeton, Princeton University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 575 pages. Hardcover. Illustrated with black & white photographs. Fading to dust jacket spine. Clean, tight copy.

Hardcover. Hampton, VA, Hampton Institute Press, 1st, 1927, Book: Very Good, Dust Jacket: Poor, Hardcover, dark blue cloth with gilt lettering on front cover and spine, 236 pages plus appendix. A scarce collection of traditional hymns, gospel, folk songs and "Songs of Tribulation" of the American Negro. An historical document of African-American culture and the history of slavery. Songs in musical score with lyrics. A tight, generally unmarked and clean volume with nice cloth and clear gilt, In a poor dust jacket with chipping and tape repairs. Name on front fly leaf otherwise clean.

Softcover. Ft., Texas Christian University, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 435 pages. INSCRIBED BY BONAZZI on the title page. This authorized biography by Robert Bonazzi, is based on John Howard Griffin's Journals from 1950-1980. Griffin was blinded in the South Seas during WWII, but regained sight in 1957, after which he wrote the classic Black Like Me. Bonazzi follows Griffin year by year after 1961, when Griffin toured the globe as a lecturer on human rights.

Hardcover. NY, The New Press , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover book with a bright dust jacket in a slipcase that also includes interview tapes. A startling first-person history of slavery. Using excerpts from the thousands of interviews conducted with ex-slaves in the 1930s by researchers working with the Federal Writers' Project, the astonishing audiotapes made available the only known recordings of people who actually experienced enslavement-recordings that had gathered dust in the Library of Congress until they were rendered audible for the first time specifically for this set. Two sixty-minute audiotapes: the first is original recordings of former slaves recorded in the 1930s, the second features dramatic readings by Esther Rolle, James Earl Jones and other black artists. Foreword by Robin D. G. Kelley.

Hardcover. Orangeburg SC, Sandlapper Publishing, 2nd pr., 1987, Book: Very Good, Dust Jacket: Good, Hardcover, 120 pages, b&w illustrations. The author documents the customs and lifestyles of a proud group of Sea Island blacks. Beginning with the first freedmen and their descendents, he reveals a colorful and provocative story, told in words of island natives and illustrated with photographs taken around the turn of the century. INSCRIBED BY DAISE on the half-title page. Clean copy with color fading to dust jacket spine and part of front cover.

Hardcover. New York, Farrar Straus Giroux, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Nice, almost new-looking condition. Black & white illustrations by Chorao. Hardbound, dust jacket. Author/illustrator's first book.

Hardcover. London, Andrew Melrose, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn, chipped dust jacket. With two double page color plates and 28 black and white illustrations, plus maps for endpapers, and frontispiece.

Hardcover. Madison WI, University of Wisconsin Press, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to the spine. "Cary Nelson performs an invaluable service to the reader by recovering the work of dozens of forgotten poets, especially women, blacks, and writers on the left, while making it clear that the texts we recover inevitably gain new meaning from their positioning within contemporary culture." Nicely illustrated in b&w and some color, mostly book jackets and title pages of books discussed. Some light pencil marking in margins.

Hardcover. NY, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 336 pages. Illustrated with black and white photos from the war in Vietnam and Indochina from the 1950s to 1975. Listing 135 photographers ( men & women ) from all sides of this conflict are recorded as missing or having been killed. A very emotional book and one of the better memorials to the war correspondents who died and who are still missing.

Hardcover. New York, Burns Archive Press, 1st Edition, 2003, Book: Very Good, Dust Jacket: None, 4 Volumes: (SIGNED) In slipcase. DOMESTIC SHIPPING ONLY. Slipcase still has original mylar wrap (See image).1845-1870 The Pioneer Era1871-1895 The Antiseptic Era1896-1920 The X-Ray Era1921-1945 The Serology EraLimited to 2,150 copies including a special cased edition of 1000 copies. Color, b/w and sepia illustrations throughout. Black, decorated cover boards in like new condition. Pages clean, binding tight, spines straight. Slipcase fine.

Hardcover. London/NY, Routledge, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 280 pages with index. Color and b&w illustrations. Why does art matter to us, and what makes it good? Why is the role of imagination so important in art? Illustrated with carefully chosen color and black-and-white plates of examples from Michaelangelo to Matisse and Poussin to Pollock, Revealing Art takes us on a compelling and provocative journey. Kieran explores some of the most important questions we can ask ourselves about art: how can art inspire us or disgust us? Is artistic judgement simply a matter of taste? Can art be immoral or obscene, and should it be censored? He brings such abstract issues to life with fascinating discussions of individual paintings, photographs and sculptures, such as Michelangelo's Pieta, Andres Serrano's Piss Christ and Francis Bacon's powerful paintings of the Pope. He also suggests some answers to problems that any one in an art gallery or museum is likely to ask themselves: what is a beautiful work of art? and can art really reveal something true about our own nature? Clean copy.

Hardcover. London, Routledge and Kegan Paul, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering on spine, pages. Black and white photos and one map. Includes footnotes, geographical note, list of local people, 2 appendices and index. "Shows how one backward village became a revolutionary bastion in the ten years after the revolution in the late 1940s." A ten years' history of one Chinese village, covering the period immediately before the setting up of the Chinese People's Republic, and based on village records and the authors' personal experiences living with the farmers.Owner's name on inside front cover, otherwise clean.

Hardcover. NY, Thames & Hudson, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 249 pages. Marking the fiftieth anniversary of the October 1956 Hungarian revolt against Soviet domination after World War II, this imposing volume contains powerful black-and-white photographs taken during the years preceding as well as the outbreak and crushing of the uprising by a German member of the international photojournalist cooperative Magnum. Introduced by Lessing's recollections and Hungarian French historian Francois Fejto's precis of the momentous events, the pictures appear in three chapters, "Communist Hungary," "The Revolution," and "The Failure." Hungarian novelist George Konrad's intense impressions of the time, during which he carried a rifle as a revolutionary young intellectual, follow the first chapter, and French political scientist Nicolas Bauquet's assessment of the revolt's impact on Western Europe's Communist parties, the USSR, and subsequent European history follows the third. Views of the cemetery in which the uprising's martyrs are now buried conclude the book elegiacally, and brief last words by Lessing and the director of Hungary's Institute 56 indicate who may forget what happened and why the rest of us should always remember. An extraordinary document.

Hardcover. Washington D.C., United States Government, 1st Edition, 1889, Book: Very Good, Dust Jacket: None, Volume 1: 666 pages. Volume 2: 875 pages.Volume 3: 883 pages.Volume 4: 869 pages. Volume 5: 881 pages.Volume 6: 1002 pages.Domestic shipping only.Hardcovers. Complete set. Light brown leather cover boards with decorative details, red, black, gilt, raised bands and title on spine, all still bright and without fading. Some agewear to covers, rubbing, light scratches, all usual shelfwear. Pages unmarked, tanning throughout from age. Binding excellent. Spines straight. Beautiful collector's set. DOMESTIC SHIPPING ONLY.

Softcover. Oxford UK, Blackwell, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 630 pages. This is an account of 110 years of turbulence and change. At the offset there were not one, but two revolutions: by intent the first was egalitarian, the second - Bonaparte's - authoritarian. The tension between the two characterized the period and shaped the Republic that in the end emerged from the ruins of the Ancien Regime. Clean copy.

Hardcover. Boston, Roberts Brothers, 1st, 1892, Book: Good, Dust Jacket: None, Hardcover, brown cloth stamped in silver, 143 pages. Black & white illustrations by various artists, including Harriet Roosevelt Richards and E. H. Garrett. Tear to middle of front end paper. Lower part of front hinge cracked. Spine frayed at top & bottom and corners worn.

Hardcover. New York, McGraw-Hill, 1st US, 1967, Book: Good, Dust Jacket: None, Hardcover. Black & white and color illustrations by Edward Ardizzone. Mild soiling to covers. Rubbing to corners. No dust jacket.

Softcover. Columbia SC, S.C. Department of Archives and History, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, b&w illustrations. Clean copy.

Hardcover. Roma, Paolo Buggiani, 1st, 1974, Book: Very Good, Dust Jacket: None, Non-paginated. Full color handpainted covers, with cutout window exposing image of Paolo Buggiani. Illustrated with black & white photographs. Brief text in English. Light wear to covers. Clean, unmarked copy.

Hardcover. New York, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Unpaginated. Color and black & white photography. British artist Long ( Walking in Circles ) takes nature treks--in England's Lake District, the Sahara, Japan, Nepal--and creates site-specific works along the way. He fashions a mud circle in the river Avon, traces a line of snow near a temple in Kyoto and erects a circle of stones on a Swiss mountainside. The spare, deeply meditative photographs that he took en route sometimes call to mind prehistoric British megalithic monuments or Native American earthworks, as if he wants to tune in on planetary patterns of energy. At other times Long simply records what he sees, providing dramatic vistas of Iceland's vast rolling hills, Bolivia's high plateau, Washington's forests and Mount Everest's calm majesty. His images, poetic captions and unobstrusive siteworks reflect an artist who is at once traveler, nature-lover and adventurer.

Hardcover. Koln GR, Taschen, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, 464 pages. Original publisher's faux wood boards, lettered orange at the spine and front cover. Copiously illustrated in color and black and white throughout. Text in English, German and French. Many photographs By Julius Shulman. Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume.

Indianapolis, Bobbs-Merrill, reprint, 1920, Book: Very Good, Dust Jacket: Good, Hardover in a worn dust jacket. Illustrated black & white "Hoosier Pictures" by Will Vawter. 188 pages. Previous owner's signature front end-paper. Dust jacket with chunk gone from top edge. Chips to bottom edges. Scarce in dust jacket,

Hardcover. New York, Doubleday, Doran & Company, Inc., First Edition, 1940, Book: Very Good, Dust Jacket: Good, Hardcover, 239 pages. Tan cloth boards with black titles & horse decorative illustration to spine. Light scuff mark bottom rear edge. Green top edge. Toning throughout. Original dust jacket with moderate wear to edges, light toning, now protected with a plastic cover. Pages untrimmed. Clean, unmarked copy.

Hardcover. NY, Books of Wonder, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. First published in 1916, this handsome new edition of a much-loved classic features all twelve of John R. Neill's original color plates as well as his nearly one hundred black-and-white drawings. Afterword by Peter Glassman.

Hardcover. Denver CO, Sundance Limited, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 416 pages illustrated in color and b&w. Handsomely done history of the Rio Grande written by an outstanding railroad author. The book covers the railroad from the very beginnings of the Denver & Rio Grande in 1870 though to the 1970s, as well as its subsidiaries, the Western Pacific, and associated railroads. Illustrated throughout with black and white photographs. With numerous maps, rosters, gradient profiles, timetable, locomotive dispositions and extensive bibliography. 416 pages with index. Note: the cover of the standard 1974 edition shows a Rio Grande diesel; the cover of this Special Limited Edition shows two steam locomotives. The Limited Edition includes many color photos and has a reprint of a "Denver and Rio Grande" pamphlet from 1881 covering grades, distances and elevations in a rear pocket. States Special Limited Edition, but no number, signature or limitation given. Clean copy.

Hardcover. Oxford, Clarendon Press, First Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 356 pages. Hardcover with illustrated endpapers. Black cloth covered boards with gilt titles to spine. Dust jacket with light sunfade to bottom edge. Illustrations in bw throughout. Clean & unmarked copy.

Hardcover. New York, Dryden Press, 1st, 1945, Book: Good, Dust Jacket: Good, 114 pages. Hardcover. Illustrated with 66 black & white photographs. Previous owner has carefully glued-in additional black & white photographic images of related Chinese bronzes to preliminary pages front and rear, and to a few random pages. Dust jacket with chipping along edges - jacket now protected with clear plastic cover.

NY, Farrar, Straus and Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a very worn, chipped dust jacket, 312 pages. This autobiography details the struggle of a young Negroe's struggle to rise from a Knoxville slum to reach the ministry in the first half of the 20th century.

Hardcover. NY, The Century Co., 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in black, 486 pages, b&w photos by the author. A journal with bits of history of the West Indies in the early 20th century. It also covers some of the older history of the islands. There are some pictures of the ruins of Christophe's palace of Sans Souci, and of Cuba's new presidential palace. Bookplate and name on front endpapers otherwise clean.

Hardcover. Racine, WI, Whitman Publishing, 1st, 1935, Book: Very Good, Dust Jacket: None, Pictorial boards, 40 pages. Color, black & white illustrations by the staff of the Walt Disney Studios. Previous owner's inscription on front paste-down endpaper. Tanning to pages. Color illustrations on front and back of paper covered boards. Light edgewear to bottom edges, corners. 4" separation of back spine paper.

Hardcover. London/NY, Phaidon, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, square format. Original photo-illustrated cover and spine, back cover black cloth, with white and black lettering on cover and spine. Contains nine hundred and thirty-seven photographs selected by Capa's brother Cornell Capa and Richard Whelan, Capa's biographer. The chronologically arranged photographs constitute a documentation of twenty-two years (1932-1954) of Capa's work, featuring many catastrophic and dramatic events with brief commentaries. Risking his life over and over again Robert Capa is considered the greatest combat and adventure photographer in history. He was the cofounder of Magnum Photos in 1947, an international photographic cooperative, and was awarded the Medal of Freedom by Dwight D. Eisenhower in 1947 for his work recording World War II. No dust jacket issued. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Softcover. New York, Christie's, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover. Non-Paginated. Illustrated with full color and black & white photographs. Clean, tight copy.

Softcover. NY, St Martin's Press, 3rd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, 9 3/4 " - 12" tall. Foreword by Ntozake Shange. 91 full-page plates in black-and-white by Robert Mapplethorpe; from the inside of the front cover: "Mapplethorpe's exquisitely printed pictures of both gay and straight males are explicit and erotic. In their use of flattering lights and lavish deep-toned printing, they openly declare their bold belief in the esthetic equality of the male as model. But Mapplethorpe's pictures ironically confirm the Kenneth Clark doctrine: despite their smart, gleaming finish, they hail the body divine in the most traditional manner--with the sexes swapped." Clean copy

Hardcover. Palm Springs CA, Palm Springs Art Museum, 1st, 2009, Hardcover, white boards with b&w photograph and black lettering. 263 pages with b&w photos throughout. No dust jacket, as issued. Catalogue from the exhibition held January to April 2009 in Palm Springs, June to September in Tucson, and Fall 2010 in San Jose. With an essay by Daniell Cornell.

Hardcover. Schirmer/Mosel, reprint, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 108 pages. A classic, indeed perhaps the best of the Mapplethorpe books. And for many most certainly the most typical Mapplethorpe, now available once again thanks to this re-edition. The Black Book, first published in 1986, presents 96 formally stringent and highly erotic nudes, all of them photographs of black men, either as full figures, or staged as details, as fragments of their bodies. Stylized as classical statues or provocatively in all their presence and sensuous radiance. Black-and-white photography was Mapplethorpe's preferred medium. And his obsessive aesthetics was based on completely mastering it, as this enabled him to visualize any number of tonal gradations and penetrate deep into the very pores of the gleaming black skin. It is a method that reached a climax in these images. The Black Book, Mapplethorpe s homage to the black male body, has always been one of the most important visual contributions to the discussion on beauty, sensuality, and sexuality in photography.

Hardcover. New York, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 585 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Black & white photographs throughout.

Hardcover. Oxford, Basil Blackwell, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with faded gilt lettering on spine. 191 pages, b&w frontis. of Hawker. Small name stamp on front fly leaf, otherwise clean copy.

Hardcover. London / NY, Nister / Dutton, Unknown, N.D., Book: Very Good, Dust Jacket: None, Hardcover, 6 brilliant chromolith plates + 80 Black & white drawings. 3 color and gilt illustrated cover. All edges red. Small town library bookplate, envelope in rear. Previous owner's inscription dated 1897. Very Attractive Copy.

Kansas City, Sheed Andrews and McMeel, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Color and black & white photos and Illustrations. Clean, tight copy. Dust jacket has small chip missing on front bottom.

Hardcover. Pantheon, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. Numerous black & white and sepia illustrations, a few in color. Details Rodchenko's art, photography and domestic design work in the context of a transformative period in Russian society.