Hardcover. Buffalo, N.Y., Prometheus Books, 1st, 1992, Book: Good, Dust Jacket: Very Good, 137 pages. Hardcover. INSCRIBED BY AUTHOR on title page and front fly leaf. Extensive b&w photography throughout. Foxing to top edge, otherwise clean, tight copy. Dancing Naked in the Material World, a unique and illuminating photo-documentary, allows us to look beyond the exotic, sometimes grimy surface of the world of striptease and into the lives of the women who perform there. The dancers, whose humanity and intelligence is graciously depicted in Marilyn Futterman's brilliant black-and-white photographs, describe in their own words how they feel about themselves, their marginal profession, and the men who support it. How does such a sexual, competitive occupation affect the self-esteem of these women? What are their fears, hopes, and ambitions?Futterman, after deciding to do a photographic series on strippers, became a waitress in one of the clubs in Atlanta, Georgia. Working with and interviewing the dancers enabled her to better understand their diverse and complex lives. She witnessed first-hand the strippers' working environment, the people met there, and the relationships between the women.

Hardcover. New York, Dodd, Mead & Company, 1st, 1927, Book: Very Good, Dust Jacket: None, 279 pages. Black cloth with green lettering and design. Light rubbing to front cover, spine and back cover. Light tanning to front end papers and slight foxing to back endpapers. light musty odor.

Hardcover. NY, Abelard-Schuman , 1st US, 1966, Book: Very Good, Dust Jacket: None, Hardcover, black cloth cover. No dust jacket. 171 pages, b&w illustrations. Clean copy.

Hardcover. NY, Grosset & Dunlap, 1st thus, 1956, Book: Very Good, Dust Jacket: None, Hardcover in laminated boards, 69 pages. Black & white and color illustrations by De Witt Whistler Jayne. Light wear to corners and spine.

Hardcover. New York , Harper and Brothers, reprint, 1958, Book: Good, Dust Jacket: Good, 64 pages, hardcover with laminated boards, illustrated in color and 2-colors by Hoff. Dust jacket with chipping, light wear, price-clipped. Very early edition but not a first printing, no black cloth spine, code on dust jacket rear No. 5963, rear flap has reviews of Little Bear, Harper Blue Ribbon sticker on spine.

Hardcover. NT, Harper & Brothers, 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers stamped in black and orange. 257 pages. When a Civil War veteran who had lost his leg in the fighting and who had been living in the poorhouse comes into an unexpected inheritance, he heads West towards Colorado - and takes 9 year old Danny and his dog with him. Illustrated with a glossy frontispiece and three internal plates by Rogers, The author was primarily known for being a great illustrator for Harper Brothers during the golden age of illustration. Stated first edition. Inscription on front fly leaf, otherwise clean.

Hardcover. Berlin, Argon, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 151 pages. Hardcover with dust jacket. Black and white photos throughout. GERMAN TEXT. Clean, tight copy.

Hardcover. Rome, Institut Suisse De Rome, 1st Edition, 1976, Book: Good, Dust Jacket: Good, 159 pages followed by 46 plates in black & white. Hardcover limited edition to 800 copies in German Text. White cloth boards with brick titles to spine. Previous owner's name to front flyleaf. Spotting, foxing to preliminary pages & edges. Dust jacket with light foxing, now protected with plastic cover. Plates detail fresco cycle of the Oratorio di San Giovanni Decollato in Rome commissioned by the Florentine confraternity of the Misericordia, related drawings & sculptures. Clean, unmarked copy.

Hardcover. NY, Harper and Row, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 244 pages. The author spent 6 weeks with a courageous and devoted group of black reporters from the Johannesburg Star. This book focuses on the dilemma of these men and women caught between the militant black community, the police who harass them mercilessly, and their white editors who, fearful of the truth and wary of government disapproval, sometimes refuse to print the stories the reporters risked their lives to get. Clean copy.

Hardcover. New York, Lovell, Coryell & Company, 1st, 1895, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth stamped in black and gilt. Cover shows some light wear but otherwise internally clean. Black & white illustrations by E.W. Kemble. An early American novel featuring Italian immigrants in New York by a respected journalist who was familiar with the people there. Clean copy.

Hardcover. London, Rodale Press, 1st thus, 1954, Book: Very Good, Dust Jacket: None, Hardcover, publisher's original cream and red pattern paper covered boards, gilt title and author lettering to the black cloth spine. 36 printed pages of text with monochrome illustrations throughout. A small (although not really a miniature) book containing an essay by James which was originally published in the Century Magazine in 1890. Illustrated with a portrait of Honore Daumier and 15 his caricatures. Mild foxing to endpapers otherwise clean.

Hardcover. Chicago, John C. Winston Company, 1st, 1938, Book: Very Good, Dust Jacket: None, Non-Paginated. Hardcover. SIGNED BY MAUD AND MISKA PETERSHAM ON HALF TITLE PAGE. Full color and black & white illustrations. Light wear to blue cloth covers. Clean, tight copy.

Softcover. New York, Pantheon, 1st, 2000, Book: Very Good, Dust Jacket: None, 136 pages. Softcover. Black and white comic. Light edgewear to wrappers. Meet David Boring: a nineteen-year-old security guard with a tortured inner life and an obsessive nature. When he meets the girl of his dreams, things begin to go awry: what seems too good to be true apparently is. And what seems truest in Boring's life is that, given the right set of circumstances (in this case, an orgiastic cascade of vengeance, humiliation and murder) the primal nature of humankind will come inexorably to the fore.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, bright blue covers stamped in black, 162 pages, illustrated with b&w photos. A classic account by the step-son of Amelia Earhart who travelled with renowned Captain Robert "Bob" Bartlett to Baffin Island in Arctic Canada.

Softcover. Munich London NY, Prestel, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 200 pages. One of the most widely acclaimed of all living artists, David Hockney has, in some ways, been the victim of his own popularity. Frequently interpreted as the lightweight expression of a colorful personality, his work is in fact characterized by an underlying seriousness of purpose. This emerges with particular clarity from the fresh appraisal of the artist's oeuvre offered in this book.Each of the volume's six chapters, broadly chronological in sequence, is introduced by an essay that examines in depth certain aspects of Hockney's artistic practice. The complexity of his seemingly straightforward imagery is further elucidated in the commentaries accompanying each of the sixty-three carefully selected color plates. These encompass the period from 1960 to 1993, from work produced during the artist's student days at the Royal College of Art in London to his most recent paintings, informed by his experience of designing for the stage and by his experiments with photo-collage and fax art. Included are paintings being illustrated for the first time and others that have rarely been reproduced in colour. Numerous black-and-white illustrations of related works provide important reference material. An illustrated chronology and a selected bibliography conclude this lucid, authoritative account of Hockney's development.

Hardcover. US, Nan A. Talese, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. London, Richard Cohen Books, 1st, 1996, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket. Monumental biography and critical study, 810 pages, 200+ photographs, 16 pages in color. Kevin Brownlow, a film editor in his own right and author of the seminal silent film trilogy initiated with The Parade's Gone By. . ., brings to Lean's biography an exhaustive knowledge of the art and the industry. The life and its biographer provide a landmark work on the cinema. Emerging from a childhood of nearly Dickensian darkness, David Lean found his great success as a director of the appropriately titled Great Expectations.There followed his legendary black-and-white films of the 1940s and his four-film movie collaboration with Noel Coward. Lean's 1955 film Summertime took him from England to the world of international moviemaking and the stunning series of spectacular color epics that would gain for his work twenty-seven Academy Awards and fifty-six Academy Award nominations. All are classics, including The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and A Passage to India. Ownership name on half-title page, otherwise clean.

Hardcover. Boston, Houghton, Mifflin and Company, reprint, 1891, Book: Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Front and rear hinges cracked and torn. Cover boards are worn and frayed. Gilt lettering on black stamped decoration on front. Previous owner's name on preliminary pages. Light soil.

Hardcover. NY, Henry Holt , 1st, 1908, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with red, black and white decoration. Humerous verse illustrated with 2-color cartoons by Henry Mayer.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover. 371 pages. Grey cloth with gilt decoration & gilt titles to spine. Previous owner's pen marks in small writing to back top title page, table of contents & bibliography. Signature to front endpaper. Black & white illustrations throughout. Dust jacket with toning & edgewear, small chips, now protected with a plastic cover. Light marginal foxing to top edge & front fly leaf. Otherwise, clean & unmarked.

Hardcover. Boston, Woodberry Society, 1st, 1912, Book: Very Good, Dust Jacket: None, Tan boards with black cloth spine, paper label on spine. One of only 300 printed.

Hardcover. New York, Holiday House, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Rounds. Dust jacket with rubbing, minor chipping.

Hardcover. Buffalo NY, William S. Hein, reprint, 1995, Book: Very Good, Dust Jacket: None, Hardcover, tan buckram with black spine lettering. This is a reprint of the first English translation from the Latin, originally published in 1925 by The Clarendon Press. 946 pages. Name on front fly leaf, otherwise clean. PLEASE NOTE: DUE TO WEIGHT DOMESTIC SHIPPING ONLY.

Hardcover. New York, Farrar, Straus & Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, 177 pages. Black cloth, silver lettering to spine. Top edge cosmetic stain. Slight wear and small tears to dust jacket, minor foxing to top edge, else a very nice, tight copy. At the open we have 22 people, some Biblical while some are clearly not even representative, literally dragging God, not quite dead, through various roads, countryside, and towns in order to reach the plot in which He will be buried. Of course, it does not matter that He is dead when they reach their destination. The novel is one of Barthelme's more powerful tales and, as always, full of humor. One cannot read this without thinking that the Monty Python crew was somewhat influenced by this work, philosophically as well as from a creative standpoint. The one surprising footnote to this work is that it is a rather easy read,

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. Cleveland, World Publishing, 1st thus, 1946, Hardcover in black cloth. "Deadline at Dawn", a "Tower Mystery", was made into a film by RKO Radio Pictures, starring Susan Hayward, Bill Williams and Paul Lukas. Book is illustrated with black and white photographs from film. Black cloth with green titling on spine, green illustration on front, end papers and title page illustrated with black and white photographs, four pages of black and white photographs in text, as well as several black and white line drawings of clocks. 220 pages. Text pages have tanning due to the cheap paper. Lacks dust jacket.

Hardcover. New York, Robert M. McBride & Company, 1st, 1945, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Paper on covers chipping lightly at corners, spine and edges. Clean, tight copy. Black and white and color illustations along with letters.

London, MacDonald, 1st UK, 1952, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with yellow lettering on spine. Classic period detective novel involving three apparently unlinked sudden accidental deaths. No dust jacket, name on front leaf otherwise clean, very good.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. NY, William Morrow & Company, 1st, 1938, Book: Good, Hardcover, Black boards with green lettering, no dust jacket, 310 pages. Mild shelf wear, no markings. Clean, tight copy.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1982, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. NY/London, Faber & Faber, 1st, 2011, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 304 pages. This is the first of two titles by the Manic Street Preachers' bassist and lyricist, Nicky Wire. For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from "Generation Terrorists" through "Holy Bible" and right up to last year's remarkable album, "Postcards from a Young Man". Edited down from over 1,000 of Wire's personal polaroid's and with accompanying text by the man himself, "Death of The Polaroid" promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.

Hardcover. NY/London, Faber & Faber, 1st, 2011, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 304 pages. This is the first of two titles by the Manic Street Preachers' bassist and lyricist, Nicky Wire. For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from "Generation Terrorists" through "Holy Bible" and right up to last year's remarkable album, "Postcards from a Young Man". Edited down from over 1,000 of Wire's personal polaroid's and with accompanying text by the man himself, "Death of The Polaroid" promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 308 pages. In 1987 Dirk Reinartz set out on his sad itinerary: Dachau, Auschwitz, Ravensbruck, Treblinka. The list goes on. Seven years later he compiled this series of 200 black-and-white photographs of the 24 ruins of the death camps. In 279 chilly, gray photographs taken at 25 different Nazi concentration camps, Reinartz successfully portrays the very purpose--death--of these horrific places. In the photographs, no figure intrudes on the stark emptiness and brutal orderliness of the camps' architecture. The photographs are carefully composed, and their tonal range deliberately compressed, so that there is no brightness in them, only shades of gray. Nor is there any shred of sentiment, only emptiness and silence. In his text, Krockow contrasts the truth of the pictures and the superficial, "amusement park" ambiance that greets actual visitors to the camps today. He meditates as well on the failings of the human mind that allowed the power to kill to go unchecked. Disturbing photographs, thoughtful text. Clean copy.

Hardcover. New York , Boni & Liveright, Limited, 1925, Book: Good, Dust Jacket: None, 2 volume set. Translated by John Payne, illustrated by Clara Tice. Edition limited to 2000 copies. This is number 85. 374 + 355 pages. Light wear and sun-fade to black cloth covers. Binding on both volumes is a little shaken but still intact. There is a small hole close to the fore-edge on rear cover of volume 2. Overall a nice set in good condition.

Hardcover. Exton PA, Schiffer, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages. Black and white and color photos throughout. A detailed history and survey of decoy making and the decoy makers of the Canadian Maritime region, including Nova Scotia, Prince Edward Island, and New Brunswick, documenting styles found in the various regions of those areas, as well as notable makers, etc. Bright, unclipped dust jacket.

Hardcover. Exton PA, Schiffer Publishing, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 271 pages. Black and white and color photos throughout. A history and study of the making and use of duck decoys along the Mississippi flyway, looking at makers in regions such as Canada, Wisconsin, Minnesota, Michigan, Ohio, Indiana, Illinois, Iowa, Missouri, Mississippi and Louisiana.

Hardcover. University Press of Mississippi,, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 260 pages, b&w illustrations. Former New York Times correspondent John N. Herbers (1923-2017), who covered the civil rights movement for more than a decade, has produced Deep South Dispatch: Memoir of a Civil Rights Journalist, a compelling story of national and historical significance. Born in the South during a time of entrenched racial segregation, Herbers witnessed a succession of landmark civil rights uprisings that rocked the country, the world, and his own conscience. Herbers's retrospective is a timely and critical illumination on America's current racial dilemmas and ongoing quest for justice.Herbers's reporting began in 1951, when he covered the brutal execution of Willie McGee, a black man convicted for the rape of a white housewife, and the 1955 trial for the murder of Emmett Till, a black teenager killed for allegedly whistling at a white woman. Clean copy.

Hardcover. Philadelphia, Macrae Smith Company, 1st thus, 1929, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with bright blue, green and gilt design to front cover and spine. Romance of America's History series. Stated First Edition. Includes 8 color plates by N.C. Wyeth, Frank E. Schoonover, Stanley Arthurs and Charles Hargens. Many b&w drawings in text by various artists. Includes chapters by Washington Irving, Herman Melville, Jack London, J.F. Cooper, et al. Woodcut engraved endpapers, color frontis, 506 pages. Clean copy.

Hardcover. Philadelphia, Macrae Smith Company, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, 506 pages, illustrated throughout in color and black & white. Gilt titles and decorations on black cloth board, minor edge wear and rubbing, otherwise, very clean and bright copy.

Hardcover. Philadelphia, Macrae Smith Company, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, 506 pages, illustrated throughout in color and black & white. Gilt titles and decorations on black cloth board, minor edge wear and rubbing, otherwise, very clean and bright copy.

Hardcover. NY, Harper & Brothers, 1st, 1941, Book: Very Good, Dust Jacket: Good, Previous owner's signature front paste-down. Color and black & white illustrations by Fritz Kredel. Dust jacket shows wear, chipping, tape repair. Hardbound.

Hardcover. London, Faber and Faber Ltd., 1st, 1949, Book: Good, Dust Jacket: None, 435 pages. Hardcover. 256 black & white illustrations and 12 tipped-in full color plates. Fading to spine and along cover edges. No dust jacket. Clean, unmarked copy.

Hardcover. New York, E. P. Dutton, 1st, 1941, Book: Good, Dust Jacket: Good, 335 pages. Hardcover with price-clipped dust jacket. Black & white illustrations by Lockwood. Review copy with laid in slip. Edgewear. Dust jacket with soiling, chipping, large chunk missing from top of spine, small chunk from bottom. Brodart cover. Rust residue from metal paperclip on half title page.

Hardcover. NY, Harcourt, Brace and Company, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped with black lettering. Illustrated with b&w photographs and drawings. Fine text for children on the principles of democracy. First printing with "I" on copyright page. "Review Copy" stamped on front fly leaf, otherwise clean.

Softcover. Amsterdam, Stedelijk Museum, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 128 pages, text in English by Rudi Fuchs and Jan Hein Sassen. Exhibition catalog for a 2001 Amsterdam retrospective. A very good copy in tall bound wrappers in very good photo-illustrated dustwrapper. Black-and-white and color reproductions of photography and art by Dennis Hopper.

Softcover. New York, Dover Publications, 1st, 1978, Book: Very Good, Dust Jacket: None, 119 pages. Softcover. Light edgewear to wrappers. Black and white pictures throughout.

Hardcover. New York, Harper and Brothers, reprint, 1899, Book: Very Good, Dust Jacket: None, 256 pages. Hardcover with no dust jacket. Previous owner's gift inscription on front end paper. Black & white illustrations by W. A. Rogers. Cover has some light soiling, gilt lettering and decoration.

Hardcover. France, Editions du ChIne, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 167 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black & white and color photographs throughout.