Softcover. Woodstock, VT, Countryman Press, 1st, 1982, Book: Very Good, Dust Jacket: None, 47 pages. Softcover with paper wrappers and dust jacket. Black and white phtoographs throughout.

Softcover. New York, Grey Art Gallery and Study Center/NYU, 1st, 1979, Book: Very Good, Dust Jacket: None, 63 pages. Softcover. Illustrated with full color and black & white examples of works by Louis Comfort Tiffany. Light toning to edges. Gallery sheet with biographical information and list of other objects by Tiffany laid in. Clean, unmarked copy. Uncommon.

Hardcover. Boston, Little Brown , 1st US, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 1st published in the UK 1971.

Hardcover. New York, NBM Comics Lit, 1st, 2015, Book: Very Good, Dust Jacket: None, 80 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Black and white pictures throughout. Graphic novel in which famed early twentieth century actress Louise Brooks returns to her home town of Wichita, Kansas and gets involved in a murder mystery.

Hardcover. New York, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor edgewear. Renowned as the world's leading female fashion photographer from the 1930s to the 1960s, Louise Dahl-Wolfe (1895-1989) was acclaimed for her fashion photographs, still lifes, and portraits.This book is the first comprehensive retrospective on this important photographer. In addition to her fashion images, the 200 photographs gathered here include Louise Dahl-Wolfe's experimental color work and black-and-white portraits of such luminaries as Mae West, Cecil Beaton, Josephine Baker, Christian Dior, Orson Welles, Isamu Noguchi, and others. In sum, they evoke a glamorous and unforgettable era.

Hardcover. NY, The Macmillan Company, 1st Ltd. Ed., 1921, Book: Very Good, Dust Jacket: Very Good, Hardcover in a tan dust wrapper with black lettering, 111 pages. A tight, lovely first edition of Brown's first book, a study of the works of the just-deceased and little-known New England poet and essayist Guiney (1861-1920). The frontispiece, a head and shoulders wood engraving of a young woman (presumably Guiney) wearing a crown of laurels, is signed boldly in pencil just below the image by famed wood engraver TIMOTHY COLE (1852-1931). ALSO INSCRIBED BY AUTHOR BROWN on the front fly leaf. Number 11 of 100 special copies.

Hardcover. Baton Rouge, Louisiana State University Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Hardcover. Introduction by William Mills. French text rendered by James and Elisabeth Spohrer. Brown tweed with photo and blind stamped cover. Clear plastic cover not present. Numerous full page black & white photographs by Turner Browne, map of Louisiana highlighting the Cajun Country, text in English and French,

Hardcover. New York , Farrar Straus Giroux , 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, black cloth covers in a bright, unclipped dust jacket with minor edgewear to extremities. Previous owner's signature on front fly leaf otherwise clean, very good.

Hardcover. Seattle, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, large format, color throughout. From the very first cover of the very first issue of Love and Rockets in 1982, Gilbert and Jaime Hernandez have created artwork that has subverted, contradicted and celebrated the history of the comic book medium, inverting familiar tropes and creating some of the most iconic images in comics over the past three and a half decades, inviting fans and readers into their world. Amazingly, many of the covers created by Gilbert and Jaime Hernandez for the various iterations of Love and Rockets over the past 35 years have never been collected or have only been reprinted in black-and-white. Love and Rockets: The Covers rectifies this problem, presenting them without trade dress (logos, marketing hype, etc.), allowing the original cover illustrations to communicate on their own.

Hardcover. NY, Henry Holt, 1st , 1922, Book: Good, Dust Jacket: None, Hardcover, 310 page, illustrated by Gluyas Williams with black & white drawings and two-color illustration on front cloth cover. Benchley's 2nd book. Previous owner's bookplate front end paper. Mild wear.

Hardcover. New York, Blue Rider Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white illustrations and pictures throughout.

Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. The third in Gilbert Hernandez's line of original hardcovers featuring Love and Rockets' "Fritz" in her guise as a Z-movie actress (the first two were Chance in Hell and The Troublemakers) is a trippy thriller that stars Fritz in no fewer than three roles. A beautiful waitress (Fritz, of course) and her hospital nurse brother (also Fritz) visit their estranged father, a once successful but now retired writer (amazingly enough, also Fritz), in order to find out the true reason why their mother committed suicide. When dad's health fails, the siblings are then more concerned with the money he might leave them. The story weaves in and out of reality and hallucination and possibly back in forth in time, and to complicate things further, the sister is sexually obsessed with a mysterious man throughout the tale - or is it her brother (at one point posing as his sister so that he might gain his and her inheritance) that is so hot and bothered by this mystery stud? And that's only the tip of the iceberg. There's also a venture into ghost territory, with frauds bilking the gullible and Fritz's character(s) right in the middle. 120 pages of black-and-white comics

Hardcover. London, Faber & Faber, 1st, 2016, Book: Very Good, Dust Jacket: None, 72 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor wear to edges. Black and white illustrations throughout by Mezzo. From 'Crossroads Blues' to 'Sweet Home Chicago', 'Hellhound on My Trail' to 'Come On In My Kitchen', Robert Johnson wrote some of the most enduring and formative songs of the original blues era, songs that would go on to help shape the birth of rock 'n' roll in the 1960s. Beloved of Clapton, Dylan and the Stones, Robert Johnson remains one of the most iconic and mythologized figures in popular music (and the first of many to die at the age of 27). Born in the in the South in Mississippi, Johnson made his way to the urban North as a traveling musician, but it was only when he returned to the South that he recorded the twenty-nine songs, in two sessions, which would create his legacy. Exploring the stories and legends that surround his life and death -- his childhood, his womanizing, his pact with the devil at the crossroads -- Mezzo and DuPont have produced a fittingly creative and beautiful depiction of this most extraordinary life.

Softcover. NY, Stone Street Press, 1st , 1983, Book: Very Good, Dust Jacket: None, Softcover, black paper wrappers with illustrated label on front. SIGNED BY MCCORMICK on (C) page Lino cut Illustrations, calligraphy & translation by McCormick. Clean, bright copy.

Hardcover. Post Mills VT, Chelsea Green, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY HELEN NEARING on the title page. illustrated with black and white photographs covering the many years of Helen and Scott Nearing. Here for the first time, Helen Nearing writes about a relationship with the young Krishnamurti, and when she went to Scott Nearing at the age of 24, he was 45; and their move to Vermont in 1932. Then in 1953, their move to Maine. Helen's memoir of their life together and an inspiring testimony to the ideals they stood for: self-sufficiency, simplicity, social justice, and peace. Clean copy.

Hardcover. New York, Farrar, Strauss & Young, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Paper-covered pictorial boards with black cloth spine & same design dust jacket. A collection of b&w Osborn cartoons. Caustic, witty, and at times deadly serious, these scalpel drawings leave humanity naked and exposed, the result is a cartoonist"s version of a Morality Play. Clean copy.

Hardcover. NY, powerHouse Books, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with pastedown on front. The vibrant street life and people of New York City's Lower East Side and Upper West Side in the 1950s and 1960s are presented in this book of black-and-white photographs by Jonathan Brand. A census taker and later an advertising copywriter, Brand chronicled life as he encountered it on his walks through the city.The book offers 104 striking images of New Yorkers engaged in everyday pursuits, from the Bowery to Riverside Park, juice stands and barbershops to Theatre in the Streets.With an introduction by Julia Dolan, The Minor White Curator of Photography at the Portland Art Museum, Oregon, this is the first book from a photographer who developed his art alongside many of the best-known in his discipline. Brand's photographs capture the energy, odd juxtapositions and intimate moments of life in mid-century New York City. Clean copy.

New Jersey, Prentice-Hill, Inc., reprint, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 72 pages. Black & white illustrations by Victoria de Larrea. Light discoloration to top back panel of dust jacket. Library discard stamp inside front and back cover. Otherwise very good.

Hardcover. New York, Random House, First Edition, 2010, Book: Very Good, Dust Jacket: Very Good, 218 pages. Hardcover. Blue & black cloth boards with gilt titles to spine. Bright, full color illustration to dust jacket with gold printed decoration & titles. Very clean & unmarked copy.

Hardcover. Chicago, Big Table, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 60 pages. Illustrated with black & white photographs. Some spotting to black cloth covers. Unclipped dust jacket shows fading to spine and some light soil, rubbing to paper. Scarce in hardcover. Clean, tight copy.

Hardcover. NY, Simon & Schuster, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages. Black & white drawings by Richard Amundsen. Light soil to rear of dust jacket..

Hardcover. NY, Macmillan, 1st thus, 1938, Book: Good, Dust Jacket: None, 280 pages. Hardcover. Light pencil markings throughout. Ex-library copy with all usual stampings and markings. Light soiling to cover board edges., two abrasions on rear fore edge. Retro printed graphic to cover and spine, printed in black & wine. Toning to pages throughout.

Hardcover. Detroit, MI, Wayne State University Press, 1st, 1964, Book: Good, Dust Jacket: Good, Hardcover, 196 pages. B&w illustrations throughout. Black cloth, silver lettering to front cover and spine. A nice copy, in a worn dust jacket with protective mylar cover. Small piece missing from lower right corner of dust jacket, minor tears. Slight staining to edges.

Hardcover. New York, Dodd Mead , reprint , 1902, Book: Good, Dust Jacket: None, Hardcover. 227 pages. Green cloth covers with gold lettering and decoration by Margaret Armstrong. Rubbing to spine, corners. Top edge gilt. Frontispiece portrait of the author. First published in 1899, this is a 1902 printing. Clean.

Hardcover. San Francisco, Chronicle Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, More than 200 illustrations in color and in black & white. 224 pages. Analyzes in detail Scottish architect Charles Rennie Macintosh's greatest work, the Glasgow School of Art, with commentaries discussing the school's place in the development of architecture. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY SIS on copyright page with bird sketch. Madlenka has a brand-new soccer ball and aspirations to be a soccer star. As she dribbles it around her urban neighborhood, she encounters plenty of opponents willing to play with her: A mailbox, a dog, and a parking meter. She plays with a group of cats at the local park with a tree acting as a goal, of which she easily scores. Goal!! The crowd goes wild! She meets of with Cleopatra who also wants to play. "Are you ready?" Madlenka asks and off they go. The author's thin black line illustrations give a an overhead perspective of the soccer field surrounded by tall buildings as other neighborhood children come to join the game.In the back of the book, Sis gives a history lesson about the early versions of soccer along with how soccer is pronounced by countries all over the world because "The whole world wants to play soccer!"

Hardcover. New York, Harper & Brothers, 1st Edition, 1952, Book: Very Good, Dust Jacket: Fair, 151 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, has some agewear with chipping about the edges and fading (see image). Boards are bound in pink cloth, black title on spine and front cover board. Some tanning to edges and pages (see image), doesn't affect text or illustrations. In great shape. A charming children's book, early Maurice Sendak illustrations. Great for a collector.

Hardcover. Mount Vernon NY, The Limited Editions Club, 1st yhus, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover very good in glassine dust-wrapper and slipcase. Illustrated with gravures from Eechings by Sigmund Abeles and #1370/2,000 copies signed by him. Introduction by Shirley Ann Grau. Quarter black morocco spine decorated in gilt over gray striped cloth, clean copy.

Boston, Houghton Mifflin, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover. 93 pages. Black & white illustrations by Bill Sokol. Ex-library with usual markings and stamping. Library bookplate front end paper and residue from paper pasted onto rear endpaper. Residue from library label on dust jacket spine. Otherwise very good.

Hardcover. New York, Harper & Row , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Mel Furukawa. Dust jacket shows minor wear and chipping. Laid-in: Slip showing this a review copy.

Hardcover. NY, Henry Holt, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. 249 pages. Black and red striped dust jacket with light edgewear. A clean, tight copy.

Hardcover. NY, St. Martin's Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 330 pages, b&w illustrations. Paris in the 1920s was bursting with talent in the worlds of art, design and literature. The city was at the forefront of everything new and exciting; there was no censorship; life and love were there for the taking. At its center was the gorgeous, seductive English socialite Nancy Cunard, scion of the famous shipping line. Her lovers were legion, but this book focuses on five of the most significant and a lifelong friendship. Her affairs with acclaimed writers Ezra Pound, Aldous Huxley, Michael Arlen and Louis Aragon were passionate and tempestuous, as was her romance with black jazz pianist Henry Crowder. Her friendship with the famous Irish novelist George Moore, her mother's lover and a man falsely rumored to be Nancy's father, was the longest-lasting of her life. Cunard's early years were ones of great wealth but also emotional deprivation. Her mother Lady Cunard, the American heiress Maud Alice Burke (who later changed her name to Emerald) became a reigning London hostess; Nancy, from an early age, was given to promiscuity and heavy drinking and preferred a life in the arts to one in the social sphere into which she had been born. Highly intelligent, a gifted poet and widely read, she founded a small press that published Samuel Beckett among others. A muse to many, she was also a courageous crusader against racism and fascism. She left Paris in 1933, at the end of its most glittering years and remained unafraid to live life on the edge until her death in 1965. Remainder dot top edge otherwise clean.

Hardcover. New York, Harcourt Brace, 1st, 1927, Book: Good, Dust Jacket: None, Hardcover. 88 pages. Black silhouette illustrations by Decie Merwin. Rubbing to spine, corners. Spine faded.

Hardcover. Washington.DC, Smithsonian, 1st , 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, light green cloth with black lettering, in a bright dust jacket with light edgewear, chipping, 297 pages. Rear dj lists to Wild Horse Mesa. Embossed stamp to half title page, otherwise clean.

Hardcover. Baltimore, MD, Butternut & Blue, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 335 pages. Hardcover. b/w illustrations throughout. Blue cover boards, black title and design on spine and covers. Dust jacket is unclipped, some scratches/rubbing to back cover, otherwise excellent.

Hardcover. NY, William Morrow, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, lavishly illustrated with examples of Sendak's work, illustrated endpapers. Bound in black cloth with gold lettering. The bestselling author of the wildly imaginative "Wicked Years" presents a magical visual tribute to the art of the legendary Maurice Sendak. SIGNED BY MAGUIRE on title page.

Hardcover. Boston, Lee and Shepard, 1st, 1904, Book: Good, Dust Jacket: None, 332 pages. Hardcover. Previous owners name on front endpaper. Black & white illustrations by Charles Copeland. Titles on cover and spine in gilt. Fading to spine with beginning of fraying at top and bottom. Clean, unmarked text.Phillips Exeter Series.

Hardcover. Chicago, Swallow Press, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 86 pages. Collection of 116 black-and-white & 26 color plates showing the satirical political cartoonist at his best. Introduction by Jessica Mitford. Bright, clean cop in a price-clipped dust jacket.

NY, Viking, 4th pr., 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 594 pages, b&w illustrations. Of the great figure in twentieth-century American history perhaps none is more complex and controversial than Malcolm X. Constantly rewriting his own story, he became a criminal, a minister, a leader, and an icon, all before being felled by assassins' bullets at age thirty-nine. Through his tireless work and countless speeches he empowered hundreds of thousands of black Americans to create better lives and stronger communities while establishing the template for the self-actualized, independent African American man. In death he became a broad symbol of both resistance and reconciliation for millions around the world. Manning Marable's new biography of Malcolm is a stunning achievement. Filled with new information and shocking revelations that go beyond the Autobiography, Malcolm X unfolds a sweeping story of race and class in America, from the rise of Marcus Garvey and the Ku Klux Klan to the struggles of the civil rights movement in the fifties and sixties. Reaching into Malcolm's troubled youth, it traces a path from his parents' activism through his own engagement with the Nation of Islam, charting his astronomical rise in the world of Black Nationalism and culminating in the never-before-told true story of his assassination.

Softcover. Iowa City, University of Iowa, 1st, 1999, Book: Near Fine, Dust Jacket: None, Softcover, 115 pages, b&w illustrations. Paper wraps. Table of contents with black and white copies of Malevich's sketches and art work. Partial quote from the forward by Stephen Prokopoff "As the work of the principal theoretician of the extraordinary modernist development that occurred in Russia during the first quarter of the twentieth century, Malevich's writings provide an important entry to the understanding of its artistic production and to the thought that animated it."

Softcover. Iowa City, University of Iowa, 1st, 1999, Book: Near Fine, Dust Jacket: None, Softcover, 115 pages, b&w illustrations. Paper wraps. Table of contents with black and white copies of Malevich's sketches and art work. Partial quote from the forward by Stephen Prokopoff "As the work of the principal theoretician of the extraordinary modernist development that occurred in Russia during the first quarter of the twentieth century, Malevich's writings provide an important entry to the understanding of its artistic production and to the thought that animated it."

Hardcover. London, Hutchinson, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, Black cloth covers with silver titles, silver metallic dust jacket with black graphic illustration and black titles, acetate protective covering to dust jacket. Slight rubbing to dust jacket, covers and pages clean, crisp and unmarked; a very clean, tight copy. Adopted off the streets as a child by a policeman's family, NYC policewoman Kathleen Mallory had never shaken the wild nature of her youth, and when her adoptive father is murdered during a series of stabbings, she is driven to find the truth. A first novel.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "method" acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983. In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.

Hardcover. NY, Studio / Viking Press, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in an edgeworn, unclipped dust jacket. Oblong format. A collection of 90 black and white photographs commissioned by IBM "on man's continuing dialogue with machines." DOMESTIC SHIPPING ONLY.

Hardcover. NY, The Viking Press, 1st, 1971, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 116 pages with b&w images by Bresson. Oblong format. A collection of 90 black and white photographs commissioned by IBM "on man's continuing dialogue with machines." Clean copy.

Hardcover. New York, Random House, First Edition, 2008, Book: Very Good, Dust Jacket: Very Good, 354 pages. Hardcover. Black cloth boards with gilt titles to spine. Black & white illustrations throughout. Dust jacket with only light marginal wear. Clean & unmarked.

Softcover. New York, Delano Greenidge Editions, 1st, 2000, Book: Very Good, Dust Jacket: None, 104 pages. Softcover. Black and white photographs. Light edgewear to wrappers. May Ray's iconic black and white photographs, originally published in Paris and New York in 1934. Introduction in English with French, German, Spanish, and Italian translations. Includes bibliography.

Softcover. Boston MA, Little, Brown and Company, reprint, 1999, Book: Very Good, Dust Jacket: None, 319 pages, paperback. Man Ray's extraordinary autobiography, which reveals the entertaining life and times of the remarkable artist. Color and black-and-white illustrations throughout. Mild rubbing and edgewear to wraps. Lower fore edge corner slightly creased. Light pen mark to front flyleaf. A bright and tight copy.

Hardcover. Boston, Godine, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Mary Azarian. Light edgewear to price-clipped dust jacket. SIGNED BY AZARIAN. A man who had been unhappy as a child finds after he has grown up that he is happy living alone in his cabin in the New England woods.