Hardcover. Munchen, Georg Muller , 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt design on front cover, gilt lettering on spine. 124 pages of text in German, followed by 248 b&w plates of portraits and scenes in India. One of a series of books on indigenous cultures by this publisher. Clean copy.

Hardcover. New York, W W Norton , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Hardcover with clear plastic dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. Takarajima Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 119 pages. The female nude has long been an important subject for photographer Gibson, but in earlier books, his nudes appeared as elements in sequences of all kinds of images. With Infanta, Gibson abandons the sequencing, presenting instead a collection of big, rather simplified black-and-white images. Like Lee Friedlander in his Nudes (1991), in middle age Gibson expresses an intense fascination with the bodies of young women. Whereas Friedlander used the camera to awkwardly describe specific details, Gibson uses his to idealize beautiful body fragments. Gibson's high-contrast, grainy printing style and abstract compositions have hardly changed in two decades. Alexandra Anderson-Spivy's accompanying essay perceptively responds to Gibson's work, but Mary Gaitskill's vulgar afterword (the memoir of a stripper) seems jarringly inappropriate to the idealism of the photographs.

Hardcover. NY, G. P. Putnams, reprint, nd, Book: Very Good, Dust Jacket: None, Two volume set in limp black leather covers with bright gilt decoration. 394, 411 pages. Hildegarde Ed. with ribbon markers.

Hardcover. Seattle, Fantagraphics Books, Revised Ed., 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 272 pages. The definitive retrospective of Dan DeCarlo, the great Archie Comics artist -- a fitting tribute to the life and art of one of the world's all-time best cartoonists, lavishly designed and now expanded with nearly 350 illustrations, including rare cartoons and strips, and of course, lots of those fabulous DeCarlo ladies!Dan DeCarlo worked mostly on wholesome all-American features like Archie's Girls Betty and Veronica and My Friend Irma, but he populated these innocent stories with his irresistibly attractive women. His unique blend of hilarious homespun humor and libido-sparking art made DeCarlo's work outshine the competition. Though best known as the definitive Archie Comics artist and creator of Josie and the Pussycats and Sabrina the Teenage Witch, DeCarlo also brought his unique style to dozens of other characters including Millie the Model, Big Boy, Batman, and The Simpsons.Fan, friend, and fellow cartoonist Bill Morrison has produced the ultimate book on this remarkable artist, lavishly designed with nearly 350 illustrations. Included are rare World War II-era cartoons, original Humorama pinups, seldom-seen newspaper strips, examples of his justly famous commercial comics work, and of course, lots and lots of those fabulous DeCarlo ladies! Full color and black-and-white illustrations and photographs throughout. First published in 2006 with 40 fewer pages, this is the new, revised and expanded edition. Clean, bright copy.

Hardcover. Hartford, CT, American Publishing Company, 1st Edition, 1870, Book: Good, Dust Jacket: None, 651 pages plus publisher's ads. Hardcover. Front and back hinges cracked, binding tight otherwise. Frontispieces with tissue guard. Tanning to edges. Pages clean with just a touch of tanning. Spine straight. Cover boards bound in black cloth, gilt title on spine and design on front cover board. Borders and decoration blind-stamped to front and back cover boards. Some agewear to boards: fraying/chipping at top and bottom of spine and corners, rubbing. "Being some account of the steamship Quaker City's pleasure excursion to Europe and the Holy Land; with descriptions of countries, nations, incidents and adventures, as they appeared to the author." Perfect for any collector's bookshelf.

Hardcover. NY, Harcourt Brace , 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated with 16 pages of black and white photographs, 338 pages. With wry humor and sharp observation, playwright Pifer elegantly mixes memory and research to reconstruct the world of his South African boyhood from 1933 to 1945. Pifer's father, an idealistic mining engineer in search of challenge and stability during the Depression, found it in Africa, but his earnest American egalitarianism soon put him in conflict with Afrikaner mine overseers, and his career under magnate Sir Ernest Oppenheimer stalled. The author deftly evokes his family--"my mother had the freedom of a disobedient daughter"--and the isolation of the desert town of Oranjemund. The book is even more resonant in its snapshots of mid-century Southern Africa: the still-simmering enmity between Afrikaners and the English; the ripples from Hitler's war in what prior to WW I had been the German territory of South West Africa (currently Namibia). Pifer's knowing account of the travails of servants--"the chasm that exists between white mistress and African maid"--still rings true today. Clean copy.

Philadelphia, Lippincott, 1st, 1943, Book: Very Good, Dust Jacket: Fair, Hardcover, 192 pages. Illustrated with black & white photos. Foreword by J. Edgar Hoover. Dust jacket with chunks gone from top and bottom front cover, closed tears, spine wear, fade.

Hardcover. Lausanne, Clairefontaine, 1st , 1956, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Black & white photos by Schuh printed in gravure. Documentary images of people in the Cartier-Bresson style. FRENCH TEXT by Fouchet. Nice condition. Schuh's early work as freelance photojournalist for several magazines, including "Paris Match" and "Life," led him throughout Europe and as far as Indonesia. In this work, Schuh presents the realities of daily life through a selection of his early photographs, including his two most famous: "Enfant javanais jouant" (a boy stretched out playing a game), and "Danseuses sacrees de Bali" (temple dancer), both taken in Indonesia in 1938-39.

Softcover. Santa Cruz CA, Kayak Press, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, original illustrated yellow wrappers. Profusely illustrated in black & white throughout. by Matta. In Spanish (the poet was born in Chile) with English versions on facing pages by Matthew Zion and Lennart Bruce. Printed on blue and pink paper and profusely illustrated. One of 800 copies.

Hardcover. New York, Publishers Company, 2nd edition, 1968, Book: Very Good, Dust Jacket: None, 5 volumes: 291, 291, 317, 304, and 306 pages. Light brown cloth covers, with silver and black titles, profusely illustrated with b&w plates. Slight rubbing to covers, small brown stain to spines of Theater and Civil War volumes, previous owner's embossed stamp to all title pages, ex-lib bookplates to all copyright pages, pages very crisp and unmarked, tight binding; overall, volumes are in clean, tight condition. NOTE: DUE TO WEIGHT AND SIZE, DOMESTIC SHIPPING ONLY.

Hardcover. New York, St. Martin's Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 209 pages, black cloth covers in a bright dust jacket.

Hardcover. NY, Knopf, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. With the same piercing intelligence as the bestselling Say it Loud!, Interracial Intimacies hits a nerve at the center of American society: race relations and our most intimate ties to each other. Analyzing the tremendous changes in the history of America's racial dynamics, Randall Kennedy challenges us to examine how prejudices and biases still fuel fears and inform our sexual, marital, and family choices. He takes us from the injustices of the slave era up to present-day battles over race matching adoption policies, which seek to pair children with adults of the same race. He tackles such subjects as the presence of sex in racial politics, the historic role of legal institutions in policing racial boundaries, and the real and imagined pleasures that have attended interracial intimacy. Clean copy.

Hardcover. NY, McGraw-Hill, 3rd pr., 1943, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. Illustrated with black and white photographs, diagrams, and a foldout chart. 242 pages, no markings.

Hardcover. Boston, Houghton Mifflin, 1st US, 2012, Book: Very Good, Dust Jacket: Very Good, 222 pages. Hardcover with dust jacket. Black & white illustrations throughout. Clean, tight copy.

Hardcover. Seattle, WA, Fantagraphics Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Black and white comics. Clean, unmarked copy with only minor wear to dust jacket. Invisible Ink unfolds like a detective story, alternating between past and present, as Griffith recreates the quotidian habits of suburban Levittown and the professional and cultural life of mid-century Manhattan in the 1950s and '60s as seen through his mother's and his own then-teenage eyes.

Hardcover. NY/Boston, Little Brown , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Sherlock Holmes comes to South Central Los Angeles. Only he's black, never finished high school, and can't seem to hold on to a regular job. Instead Isaiah Quintabe- or IQ, as he is known - spends his time and uses his formidable intelligence to help others. He's a loner and a high school dropout, his unassuming nature disguising a relentless determination and a fierce intelligence. He charges his clients whatever they can afford, which might be a set of tires or a homemade casserole. To get by, he's forced to take on clients that can pay. This time, it's a rap mogul whose life is in danger. The first book by this Japanese-American writer who grew up in the same kind of neighborhood as IQ, this was nominated for the Edgar for best first novel, for the Anthony Award, selected as one of the best books of the year by the NY Times and more. Clean copy.

Hardcover. Montreal?, Bedrick/Blackie, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover. Color illustrations by Pauline Baynes. Shows some very minor wear, but really, almost new-looking. Laminated boards, no dust jacket issued.

Hardcover. Lincoln NE, University of Nebraska Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 167 pages. A previously unpublished photo series by Irwin Klein of northern New Mexican counterculture communes from 1967-1971 blended with modern essays on the topic. Dropouts, renegades, utopians. Children of the urban middle class and old beatniks living alone, as couples, in families, or as groups in the small Nuevomexicano towns. When photographer Irwin Klein began visiting northern New Mexico in the mid-1960s, he found these self-proclaimed New Settlers and many others in the back country between Santa Fe and Taos. His black-and-white photographs captured the life of the countercultures transition to a social movement. Clean copy.

Hardcover. New York, NYU Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 308 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edge wear to dust jacket. Black and white illustrations throughout. Tight copy

Hardcover. New York, NYU Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 308 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edge wear to dust jacket. Black and white illustrations throughout. Tight copy

Softcover. New York, St. Martins, 1st, 1982, Book: Very Good, Dust Jacket: None, 127 pages. Softcover with light edge wear to paper wrappers. Black and white line cartoons throughout by author. Clean, tight copy.

Hardcover. Philadelphia, University of Pennsylvania, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 177 pages of text followed by black & white examples of the illustration work of Isaac Cruikshank. Dust jacket worn with small tears along edges. Clean, tight copy.

Hardcover. Cambridge MA, Harvard University Press, 1st thus., 1972, Two hardcover volumes in bright dust jackets. Folio. [4], v-xl, [2], 1-547, [3]; [7], 548-916 pp. Black cloth with silver lettering on the spine. Illustrated with a facsimile frontispiece portrait of Isaac Newton, taken from the 1726 edition of Newton's Principia. Also illustrated with 67 in-text diagrams, from the original editions. Facsimile half-title, title, and text pages as well, all taken from the first three published editions of Newton's Principia. Assembled and edited by Alexandre Koyre and I. Bernard Cohen with the assistance of Anne Whitman. This edition of Isaac Newton's Principia is the first edition that enables the reader to see at a glance the stages of evolution of the work from the completion of the manuscript draft of the first edition in 1685 to the publication of the third edition, authorized by Newton, in 1726. A series of appendices provides additional material on the development of the Principia; the contributions of Roger Cotes and of Henry Pemberton; drafts of Newton's preface to the third edition; a bibliography of the Principia, describing in detail the three substantive editions and all the known subsequent editions; an index of names mentioned in the third edition; and a complete table of contents of the third edition. Previous owner's name on front fly leaf of both volumes. Otherwise a bright, clean set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. East Sussex, UK, Ammonite Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Over 180 black & white photographs. Isabella Bird was one of the 19th century's most remarkable women explorers. Her global travels and subsequent books made her famous, and led to her becoming one of the first female members of the Royal Geographical Society in 1891. This book celebrates her achievements of Isabella Bird with a beautiful pictorial record of her last great journey through China in the closing years of the 19th century, with supporting text by travel photography expert Debbie Ireland. The highlight of her visit was journeying by boat and sedan chair to make a major tour of the valley of the Yangtze River and much beyond, right up to the border with Tibet.

Hardcover. NY, Harcourt Brace Janovich, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black & white illustrations by David McPhail. Dj with small closed tear.

Hardcover. NY, Macmillan, 1st, 1924, Book: Very Good, Dust Jacket: None, Hardcover, 265 pages. Brick-red cloth with black decoration, color and b/w plates by Wilfred Jones. Previous owner's inscription on half-title page, otherwise clean.

Hardcover. New York, Harcourt, Brace and Company, 1st US, 1925, Book: Very Good, Dust Jacket: None, 372 pages. Hardcover. Illustrated with black & white photographs and one map. Blue cloth covers with darkened spine. Clean, tight copy.

Hardcover. New York , Albert & Charles Boni, reprint, 1924, Book: Good, Dust Jacket: None, Hardcover, 274 pages, from the Pequod Uniform Edition. Melville's autograph has been cut out of an unknown document and pasted on the title page. This book came from the library of Alvah Bessie, one of the Hollywood 10 blacklisted in the 1950s. Another volume from this same set has Bessie's ownership signature (dated 1926) and is offered here with the title above. Pictures available. Books show light wear and gilt titles on spine have faded.

Hardcover. New York, Pantheon Books, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 55 pages, illustrated with b&w photos by the author, very clean, tight copy, small taped tears to dust jacket.

Hardcover. London, Phaidon, 1st, 1963, Book: Good, Dust Jacket: Fair, Part III of Pope-Hennessy's Introduction to Italian Sculpture. 3 Volumes - Plate Volume - non-paginated. Illustrated with black & white plates. Bump at top of spine. Dust jacket age darkened, wear along edges. Clean, tight copy. Text Volume - 126 pages. Black & white illustrations. Bottom right corner bumped. Dust jacket age darkened, wear along edges. Clean, tight copy. Catalogue Volume - 183 pages. Dust jacket age darkened, wear along edges. Clean, tight copy.

Hardcover. NY, Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover. Beautiful copy of this detailed study of the American illustrator. Color, black & white plates. 206 pages. In a bight, unclipped dust jacket.

Hardcover. Albuquerque, University of New Mexico Press, First Edition, 1969, Book: Very Good, Dust Jacket: Very Good, 419 pages. Hardcover with photographs, illustrations of woodcuts, engravings in bw. Brown cloth boards & black titles to spine. Light marginal foxing to top edge. Dust jacket with toning to spine & light wear to edges. Clean & tight copy.

Hardcover. Boston, Little, Brown, and Co., reprint, 1902, Book: Very Good, Dust Jacket: None, Hardcover, 325 pages plus publisher's ads, 5 b&w plates. Fully bound in forest green. Text and picture on front cover. Black and gilt decorated spine. Clean copy.

Hardcover. San Marcos CA, Green Tiger Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color and black and white illustrations by classic illustrators of the past selected by Cooper Edens. Dust jacket with mild edgewear. Clean copy.

Hardcover. Indianapolis IN, Bobbs Merrill, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover. 191 pages. SIGNED BY AUTHOR on title page. Black & white illustrations by Gerald McCann. Edgewear, corners rubbed. Dust jacket with edgewear, chipping, closed tear to front cover. Clear plastic protective cover.

Hardcover. Boston, Lothrop Publishing Company, 1st, 1901, Book: Good, Dust Jacket: None, Hardcover. Black & white illustrations by Will Crawford. 353 pages. Dark blue cloth cover with gilt title and printed illustration, both slightly scratched. Minor scuffing to corners and top and bottom spine. Insides clean and undamaged.

Hardcover. Boston, Little Brown, reprint, 1916, Book: Very Good, Dust Jacket: None, Hardcover with decorated cover, 284 pages. Black & white illustrations by C. W. Ashley. Previous owner's bookplate on front end paper. Corners and spine rubbed.

Softcover. Charlottesville VA, University of Virginia Library, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, b&w photos throughout. This is a history of African-American public school education in Henrico County, Virginia. Introductory essay by William A. Link. Author documented his work (as a field agent for the General Education Board) being an amateur photographer. Davis' photographs are organized by subject (Events, People, Demonstration Farming, etc.). Limited to 3.000 copies. Clean.

Hardcover. NY, George Braziller, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, yellow cloth covers with Pollock's signature stamped in black. 125 pages in color and b&w. About 20 pages of text by noted poet and playwright O'Hara, followed by over 80 reproductions, 16 in color. Clean copy.

Hardcover. NY, Knopf, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Black & white illustrations by Norman Eyolfson. The trouble starts when Jacob Two-Two's father brings home a little green lizard from abroad. Unfortunately, the little lizard grows into a huge dinosaur, as fat as an elephant, as tall as a giraffe, and with a huge appetite. When Dippy is threatened, he and Jacob take to the road.

Hardcover. New Haven, Yale University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 146 pages of text followed by large section of black & white photographic illustrations. Hardcover. Previous owners name at top right corner of front endpaper. Dust jacket worn, with chipping along edges, fading to spine. Clean, tight copy.

Hardcover. New York, Crown, 1st, 1966, Book: Very Good, Dust Jacket: Good, 220 pages. Cloth boards. Illustrated with black & white photographs. Dust jacket missing chunk at top of spine and on back top edge - now protected with clear plastic cover.

Hardcover. New York, NY, Frederick A. Praeger , 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 195 pages. 182 black-and-white illustrations. Quarto Format. Plates; Chronology; Bibliography. Foreword by Jacques Lipchitz.

Hardcover. Monte Carlo, Andre Sauret, 1st, 1965, Book: Good, Dust Jacket: Good, Hardcover, red cloth covered boards with embossed illustration. 172 pages. 76 black and white photographs. Introduction by Jacques Prevert. 4 original color illustrations and jacket design by Marc Chagall. Text in French. There is some water damage to rear cover and a tan stain to bottom rear of dust jacket. Interior clean, great circus photographs. DOMESTIC SHIPPING ONLY.

Hardcover. Zurich, Scalo, 1st , 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 335 pages. Illustrated black & white photographs, and some full color illustrations. Clean, bright copy. "This book is the first comprehensive monograph on the Swiss photographer, filmmaker, and painter Jakob Tuggener (1904-1988). The main themes of Tuggener's oeuvre were work in the factory, life in the countryside, and society events such as the magnificent New Year's Eve balls at the Palace Hotel in St. Moritz. At the time of his death, Tuggener left an overwhelming and practically untouched trove of work, consisting of thousands of prints, over twenty silent films, and hundreds of drawings, watercolors and oil paintings.

NY, Charles Scribner's Sons, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover. Light edgewear and soil to the dust jacket. Black & white illustrations by Gail Owens. A Parisian mongrel successfully leads a double life until both of his "owners" enter him in the same dog show. Clean copy.

Hardcover. Germany, Hatje Cantz, reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 480 pages. Hardcover with dust jacket with slip case. Clean, unmarked copy with only minor wear to dust jacket. Color/ Black and white pictures throughout. Like new in publisher's shrink-wrap. Coinciding with renewed interest in James Ensor, this catalogue raisonne comes as an essential and definitive volume for Ensor buffs and all serious libraries of modern art. A legend in his own lifetime, Ensor (1860-1949) was--alongside Vincent van Gogh and Edvard Munch--a fearless independent whose work led directly to the development of German Expressionism and French Surrealism. Ensor achieved fame as the "painter of masks," and for his bizarre still lifes and grotesque carnival scenes, in harsh, contrasting, brilliant colors, evolving out of the traditional Flemish dance of death. Now, the reader can explore the Belgian painter's oeuvre thoroughly, in this opulently illustrated, full-color, slipcased catalogue raisonne. A comprehensive illustrated chronology offers additional details about the artist's life and work, and forms an integral part of this splendid, highly valuable contribution to art historical research, ensuring the legacy of a great artist who continues to inspire contemporary art.

Hardcover. Germany, Hatje Cantz, reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 480 pages. Hardcover with dust jacket with slip case. Clean, unmarked copy with only minor wear to dust jacket. Color/ Black and white pictures throughout. Coinciding with renewed interest in James Ensor, this catalogue raisonne comes as an essential and definitive volume for Ensor buffs and all serious libraries of modern art. A legend in his own lifetime, Ensor (1860-1949) was--alongside Vincent van Gogh and Edvard Munch--a fearless independent whose work led directly to the development of German Expressionism and French Surrealism. Ensor achieved fame as the "painter of masks," and for his bizarre still lifes and grotesque carnival scenes, in harsh, contrasting, brilliant colors, evolving out of the traditional Flemish dance of death. Now, the reader can explore the Belgian painter's oeuvre thoroughly, in this opulently illustrated, full-color, slipcased catalogue raisonne. A comprehensive illustrated chronology offers additional details about the artist's life and work, and forms an integral part of this splendid, highly valuable contribution to art historical research, ensuring the legacy of a great artist who continues to inspire contemporary art.

Hardcover. Los Angeles, CA, St. Ann's Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Limited to 200 copies. Presented here are the many black and white photographs of American icons and imagery that are thematically connected by Fee's obsession with the decline and destruction of the America that he knew as a young man: we see his series of New York imagery, including the Chrysler building and the Brooklyn Bridge; pictures of the crumbling Penn State penitentiary; Beat inspired series of photographs of the American road; a distinctive and unique series of nude imagery; as well as his innovative collaborations with multimedia artist George Herms.