Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Illustrated from black and white photographs, maps. An interesting history of Greenbelt, Maryland including the origins of Greenbelt, the ideology of its founders, and their struggle to create a cooperative planned community in the United States. Built in the 1930s on worn-out tobacco land between Baltimore and Washington, D.C., the planned community of Greenbelt, Maryland, was designed to provide homes for low-income families as well as jobs for its builders. In keeping with the spirit of the New Deal, the physical design of the town contributed to cooperation among its residents, and the government further encouraged cooperation by helping residents form business cooperatives and social organizations.Part of the *Creating the North American Landscape* series. Clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with yellow lettering. No dust jacket. 161 pages illustrated with 72 striking black-and-white photogravures by Berenice Abbott. Having spent most of the 1920s in Paris photographing such famous literati as James Joyce, Jean Cocteau and Andre Gide, Abbott returned to New York with the intention "to do in Manhattan what Atget did in Paris. " Throughout the 30s she captured New York "with a straightforward style that nodded toward 19th-century classicism while signaling a new sort of stripped-down modernism" (Roth, 100). Included here are her images of such artists as Isamu Noguchi, Edward Hopper, John Sloan and William Auerbach-Levy, each in their studios, along with numerous glimpses into the buildings, people and life of Greenwich Village. Text by Henry W. Lanier, editor, writer and son of renowned southern poet Sydney Lanier. Bright, clean copy.

New York, Knopf, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 174 pages. Black & white chapter illustrations by Emil Antonucci. Mild fading to spine of jacket.

Hardcover. NY, Skira, 1t, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. The never-before-published wardrobe of a timeless star, for lovers of fashion, photography and film history. Greta Garbo's influence over fashion has transcended time. Her dresses, suits, impeccably-tailored coats with a slightly masculine look and the indispensable accessories (shoes, bags, glasses, foulards) has created a style emulated, imitated, even occasionally reviled, but never fully examined. For the first time a catalogue of great glamour and a travelling exhibition detail this extraordinary wardrobe whose minimalism fits so well with current fashion trends. Edited by Stefania Ricci, the Director of Museo Salvatore Ferragamo in Florence, as the Divine Greta Garbo was a Ferragamo client from the 1920s until her death, and the founder of the Italian maison designed hundreds of original, classical, futuristic, hand-made shoes and sandals exclusively for her, most of them shown here for the first time. A stunning selection of black and white Garbo portraits by celebrated photographers completes the volume.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Boston, Houghton Mifflin, 1st , 1902, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth covers, 143 pages. Black & white pictures by Albert Levering. Tear to top of plate opposite page 24. Spine lettering faded. Some browning to pages. Otherwise clean.

Hardcover. Mineola NY, Calla/Dover Books, reprint, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, gilt-decorated green cloth. This Calla Edition of fairy tales by the Brothers Grimm is drawn from the mammoth collection first published in 1909 and illustrated by Arthur Rackham. His 40 full-color plates, plus innumerable black-and-white spot elements, get sensitive treatment in a design that retains the best features of the original, including the ornate gilt stamping on the cover.

Hardcover. Woodstock, VT, Countryman Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, SIGNED BY JACKSON ON HALF-TITLE PAGE. Black boards with cloth spine, color illustrated dust jacket. Slight rubbing to dust jacket, spine stiff and tight, crisp pages; a very clean, tight copy in great condition. Grootka, retired from the Detroit Police Department, returns as a mentor to Fang Mulheisen, and the two lives become dangerously entwined in a thirty-year-old unsolved case of rape and murder.

Hardcover. New York, Picador, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 421 pages. Minor dust jacket edge wear. Price blacked out. Minor stains on fore edge. Otherwise, a very clean and tight copy. Growing Up Fast tells the life stories of Shayla, Jessica, Amy, Colleen, Liz, and Sheri--six teen mothers whom Joanna Lipper first met in 1999 when they were enrolled at the Teen Parent Program in Pittsfield, Massachusetts. Less than a decade older than these teen parents, she was able to blend into the fabric of their lives and make a short documentary film about them. Over the course of the next four years she continued to earn their trust as they shared with her the daily reality of their lives and their experiences growing up in the economically depressed post-industrial landscape of Pittsfield, Massachusetts.

Hardcover. Gretna LA, Pelican Publishing Co., 2nd.pr., 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Set in South Carolina, this novel explores class distinctions in a black community.

NY, Farrar Straus Giroux, 2nd pr., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright price-clipped dust jacket. Color illustrations by Errol Le Cain. Previous owner's inscription front fly leaf. Three poems from Eliot's rollicking ode to felines, Old Possum's Book of Practical Cats, are gloriously and elegantly illustrated by Le Cain. ``Growltiger's Last Stand,'' ``Of the Awefull Battle of the Pekes and Pollicles,'' and ``The Song of the Jellicles'' spring to life with Le Cain's stylish paintings that match and extend each verse of the rich text. Sinister Siamese arranged in triangles represent Growltiger's foe ``armed with toasting forks and cruel carving knives''; chaos reigns as the Pugs and Poms ``Bark bark bark bark/ Bark bark BARK BARK/ Until you can hear them all over the Park''; suave black-and-white cats ``like to practice their airs and graces/ And wait for the Jellicle Moon to rise.'' The clean typeface and layout make Eliot's poetry take center stage framed by the wonderful illustrations.

Hardcover. New York , Random House , 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, 79 pages. INSCRIBED BY AUTHOR on front end paper, with signed poem laid in. Black cloth, gilt title to spine, no dust jacket. Clean, tight copy.

Hardcover. Boston, James R. Osgood, reprint, 1884, Book: Good, Dust Jacket: None, Hardcover, 439 pages. Mustard cloth with gilt and black decoration. Hinges cracked, spine cocked, shelfworn. Illustrated with a b&w frontispiece, text sketches throughout, no artist credit. Howard presents the story of a young girl living in the village of Plouvenec who works packing sardines. She falls in love with an artist while supplementing her income by modeling for artists in an artist colony.

Hardcover. Paris, Guide Conty, 2nd Ed., circa 1902, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped in black and gilt, now faded. A charming pocket-size travel guide to the Loire/Orleans region. 336 + 56 + 72 + IV pages. No date but presumed circa 1900. Lots of ads, illustrations, several fold-out maps. ALL IN FRENCH LANGUAGE. Nice condition.

Hardcover. New York, Harcourt Brace , 1st, 1928, Book: Very Good, Dust Jacket: None, 155 pages. Cloth boards. Illustrated with black & white drawings by Decie Merwin.

Hardcover. NY, Doubleday, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover in a worn dust jacket with light soil. 253 pages. INSCRIBED BY CONRAD on the front fly leaf (to publisher Paul Erikkson and his wife). Hailed as a classic when it was first published in 1954, this is the story of 5 days on a sodden old menhadener with a white captain and an all black crew, searching the sea for their livelihood and battling the sea for their lives. Musty odor.

Hardcover. London, Gibbings and Co., 2nd Ed., 1896, Book: Very Good, Dust Jacket: None, 341 pages. Hardcover with blue cloth covers with black and gilt design. An ex-library but aside from spine stickers and bookplate, a remarkably clean, tight copy. Doesn't appear to be a circulating copy. Tales of hunting throughout the world, but mostly in America, from snipe shooting to wolf coursing. Includes several fishing chapters; salmon in Japan, black and striped bass, grey mullet, brook trout and muskies, with a final chapter on artificial stocking of lakes and rivers.

Softcover. Burlington VT, The Horn Company, 2nd pr., 1980, Book: Very Good, Dust Jacket: None, Softcover, 75 pages, cream wrappers with black lettering, gun stock on cover. First published in 1975, this second edition has a glued binding that's not destined to last. All there and in good condition. Scarce reference.

Hardcover. NY, Harper & Row , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 383 pages. Illustrated with black & white plates. A vivid picture of French art and society in the revolutionary years of the mid-nineteenth century. Previous owners name at top of front endpaper. Clean, tight copy. Dust jacket spine faded.

Hardcover. Chicago, IL, University of Chicago Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover with dust jacket. Minor foxing to front flyleaf. An otherwise clean, unmarked copy. Black and white photographs throughout. SIGNED BY AUTHOR ON FRONT FLYLEAF.

Hardcover. NY, E.P. Dutton & Co., 1st, 1946, Book: Very Good, Dust Jacket: Poor, Hardcover. Color and black & white illustrations by Fritz Kredel. Dust jacket poor with major chipping and several tears, especially at the spine.

Softcover. Berkleley, CA, Berkeley, CA, 1st wraps, 1989, Book: Very Good, Dust Jacket: None, 119 pages. Clean, tight copy. Color, black & white illustrations by Gahan Wilson. French fold flaps. Paperback.

Hardcover. Chicago, Rand McNally, 1st US, 1970, Book: Very Good, Dust Jacket: None, Black & white illustrations by Victor G. Ambrus. Boards show some minor wear and very light soiling. Hardbound. No dust jacket.

Paperback. Cinncinatti, American Book Co., 1st wraps, 1910, Book: Very Good, Dust Jacket: None, 40 page booklet. Black & white illustrations. Clean, tight copy with minor wear to paper wrappers. A selection of three chapters on Edmund Halley and comets and meteors from "Todd's New Astronomy".

Hardcover. NY, G.P. Putnam's Sons, 1st, 1874, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages. Fold-out frontis, b&w Illustrations, very nice, clean copy. Written by "two of its teachers." Includes "Fifty Cabin and Plantation Songs" arranged by Thomas P. Fenner. Illustrated with a four-fold engraved frontispiece, depicting several of the school's buildings as seen from the water, and many other engravings. An interesting account of the school, including a brief history of Virginia and of slavery and its aftermath in that state, and one of the earliest publications of slave music.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1883, Book: Very Good, Dust Jacket: None, Hardcover First Edition. 4 black & white illustrations, 1 diagram. Previous owner's name stamp on front fly leaf, blank prelim page otherwise clean. Brown cloth, black decoration on front, spine with gilt lettering. Publisher's ad. in rear for the "Leavenworth Case" by the same author. Set in Upstate New York, we follow a team of detectives and attorneys as they try to solve a murder. In the period preceding the advent of advanced forensics, the process is totally dependent on the skills and logic of the men tasked with bringing justice. Known as the "Mother of the Detective Novel," Green shaped the structure of the modern detective novel and gave it a distinctive American style. Light shelfwear, edgewear to cover edges. Opened roughly at page 433, otherwise very good.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1982, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. NY, Bloomsbury, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages with gray paper boards in a black slipcase, unpaginated. Illustrated with full page color plates. A gorgeous collection from one of the world's legendary photographers- capturing human hands in all their vitality. At the end of a session, photographer Eve Arnold always took a parting shot of the hands -and sometimes the feet- of her sitters, for luck and for her personal records. "Handbook with Footnotes brings together two hundred of these superb pictures. A photojournalist who traveled around the world, Eve Arnold also worked on the sets of more than 40 Hollywood movies. These photographs, therefore, which span her career, include such luminaries as Isabella Rossellini, Orson Welles, Marilyn Monroe, and Jimmy Stewart.

Hardcover. St. Louis MO, C.V. Mosby, 3rd Ed., 1912, Book: Very Good, Dust Jacket: None, Hardcover, 409 pages, revised and enlarged edition. B&w frontispiece, black cloth with gilt lettering on spine. Clean, tight copy.

Hardcover. NY, Holiday House, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with price-clipped dust jacket. Small closed tear to dust jacket. Black & white woodcut illustrations by the author.

NY, Doubleday & Co., 1st , 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 188 pages. New translation by Erik Haugaard. Color, black & white illustrations by Michael Foreman.

New York, McLoughlin Brothers, nd, Book: Good, Dust Jacket: None, Hardbound, 186 pages. Beige cloth boards, with color illustration of two children on front. Gold lettering front, black on spine. Color and b&w illustrations by May Audubon Post. Previous owner's inscription on front fly leaf, otherwise clean.

Softcover. Princeton NJ, Princeton University Press, 2nd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 255 pages. Color and black and white illustrations throughout. Second paperback printing. Bright and clean. Hans Holbein the Younger (1497/8-1543), one of the most versatile and admired painters of the Northern Renaissance, trained under his father in Augsburg and then worked for leading patrons in Switzerland before settling in England as Court Painter to Henry VIII. To commemorate the five-hundredth anniversary of the artist's birth, Oskar Batschmann and Pascal Griener offer this richly illustrated book the first comprehensive monograph on the artist to appear in more than forty years which is a major advance in our understanding of Holbein's contribution to European art.

Hardcover. Washington DC, Smithsonian, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Washington. DC, Smithsonian, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 75 portraits of artists in black & white and color by Namuth. 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Hardcover. London, England, Adam & Charles Black, 1st Larger Size Edition, 1909, Book: Good, Dust Jacket: None, 204 pages. Hardcover. Color illustrations throughout. Top edge gilt. Deckled edges. Previous owner's book plate and pen marks on front endpapers. Front hinge cracked, binding still good. Red decorated cover boards, gilt title on spine (faded). Pages have some foxing and tanning from age. Illustrations still very vivid and in excellent condition. Artist memoir and beautiful look at her life in England, painted by her own hand. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Frederick A. Stokes Company, 1st, 1939, Book: Very Good, Dust Jacket: None, 54 pages. Hardcover with dust jacket. Black & white illustrations by Dorothy P. Lathrop. Shows some wear and age.

Softcover. New York, Penguin Books, 1st, 1990, Book: Very Good, Dust Jacket: None, 96 pages. Large-format softcover. Black and white art by Burns throughout. Light edgewear to paper wrappers.

Hardcover. London, Polygon, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 347 pages. Hardcover with dust jacket. Clean, tight copy. Harlem, 1969, and the vibrant community around 125th Street is rife with creative innovation. Troubled genius Donny Hathaway, bandleader King Curtis, and Miles Davis and his visionary wife Betty Mabry are reinventing black music. Jimi Hendrix is staging a benefit concert in support of the Biafran famine victims, and helping him behind the scenes is flamboyant indie label owner and heroin kingpin, Fat Jack Taylor. The Apollo Theater is bringing the best of soul music to the crowded streets, and at the height of a blistering summer Harlem plays host to Black Woodstock, a series of free concerts starring Sly and the Family Stone, Stevie Wonder and Nina Simone.Meanwhile, a city-wide raid has led to the arrest of twenty-one members of the Black Panther Party - and ultimately to one of the most controversial trials of the era - and a heroin epidemic is spiralling out of control. Young people are dying on the streets of Harlem faster than the body count in Vietnam.Stuart Cosgrove's critically acclaimed trilogy began with Detroit 67 and was followed by Memphis 68, which won the Penderyn Prize for Music Book of the Year in 2018. Harlem 69 brings his epic story of sixties soul to its triumphant conclusion.

Hardcover. New York, Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover. 120 pages. Introduction by Robin D. G. Kelley. Color photography of Alice Attie. Rubbing, light edgewear to dust jacket.

Hardcover. Naperville IL, Sourcebooks MediaFusion, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 502 pages, b&w illustrations. For three decades after World War I, Harlem was the site of burgeoning racial and cultural awareness and ambitions among African Americans. In the opening section of this book, Wintz provides the historical context for what became known as the Harlem Renaissance. In separate sections devoted to poetry, music, politics, art, and the phenomenon of the New Negro, contributors profile many of the era's major figures, including Langston Hughes, Zora Neale Hurston, Bessie Smith, Ethel Waters, Josephine Baker, W. E. B. DuBois, Paul Robeson, A. Phillip Randolph, and Marcus Garvey. The essays place the Harlem Renaissance in the broader context of an awakening of black culture throughout the U.S. The book contains references to the accompanying CD, which offers 60 minutes of music, poetry, interviews, performances, and speeches, giving voice to the vibrant life of Harlem. Photographs, drawings, book covers, and posters add to the richness of this collection. A fabulous resource on the Harlem Renaissance.

Hardcover. Washington DC, Brassey's, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 301 pages, b&w illustrations. INSCRIBED BY AUTHOR opposite title page. The 369th became one of the few U.S. units that American commanding general John J. Pershing agreed to let serve under French command. Donning French uniforms and taking up French rifles, the men of the 369th fought valiantly alongside French Moroccans and held one of the widest sectors on the Western Front. The entire regiment was awarded the Croix de Guerre, the French government's highest military honor. Clean copy.

Hardcover. Washington DC, Brassey's , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, b&w illustrations, 293 pages. INSCRIBED BY HARRIS on the title page.

Hardcover. Washington DC, Brassey's , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, b&w illustrations, 293 pages. The 369th became one of the few U.S. units that American commanding general John J. Pershing agreed to let serve under French command. Donning French uniforms and taking up French rifles, the men of the 369th fought valiantly alongside French Moroccans and held one of the widest sectors on the Western Front. The entire regiment was awarded the Croix de Guerre, the French government's highest military honor. Clean copy.

Hardcover. Chicago, University of Chicago Press , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Photographer Camilo Jose Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood's urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing--some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration. Woven throughout the images is Vergara's own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.

Hardcover. NY, Harper & Bros, 1868, Book: Good, Dust Jacket: None, 864 pages, b&w engravings throughout. 3/4 black calf leather over pebble grain cloth covered boards. Rubbing to the leather. Subjects: Lookout Mountain & How We Won It, John Bull in Abyssinia, Among the Andes of Peru and Bolivia, Fashions in Guinea, Chinese Embassy to Foreign Powers, Explorations in Lower California, Shooting Stars and Meteors, Fish Culture In America, many other articles. Hinges cracked, library bookplate on inside front cover, otherwise a clean, tight copy.

Softcover. Schiffer, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Harrison Fisher: Defining the American Beauty is the largest picturial guide to this popular artist ever produced. Nearly 450 color and black and white reproductions of his magazine covers and book illustrations document this important artist's career. Harrison Fisher enjoyed incomparable fame from 1905 to 1920, achieving celebrity status and holding the enviable position of national beauty judge. Fisher portrayed the American woman as an outgoing, lively personality, wealthy and healthy. She rode horses, played tennis, and motored in the new automobiles while holding court for admiring men. Fisher's portrayals of such beauties added market value to dozens of novels as well as hundreds of magazines which clamored for his art on both their covers and inside pages. With Fisher's work extremely hot on the collectibles market, new and seasoned buyers alike will benefit from the advice of antiques dealer and Price Guide author Bruce Magnotti.

Hardcover. Providence RI, Matrix, 1st, 1980, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated with numerous color plates. Square folio, yellow-lettered gray cloth in a matching cloth slipcase with inset pictorial lab. Profusely illustrated with reproductions of color photographs by Harry Morey Callahan (1912-1999), considered one of the great innovators of modern American photography. One b/w photograph of Callahan. "This monograph offers us a rare privilege and opportunity. It introduces us to a large body of previous uncollected, unpublished, and even unexhibited imagery by a master photographer. And it lets us see how a sensibility best known for a methodical and consistent exploration of the potentials of black and white photography has responded to the coloristic possibilities of the same medium." Foreword by Jonathan Williams, afterword by A. D. Coleman. Includes chronology and bibliography. Includes selected bibliography and chronology. Light crease to first 3 pages proceeding title page, otherwise a clean bright copy. Mild fade to top of slipcase. DOMESTIC SHIPPING ONLY.

Hardcover. US, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 32 pages. Like new in publisher's shrink-wrap. Harry Callahan was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. One of Callahan's favorite themes was the repeating pattern, whether in multiple reeds reflected on a lake's surface or the rows of windows on a building's facade. While lesser known than some of his other work, Callahan's collages demonstrate an intense interest in and profound understanding of the process of photographic seeing. His collages are rigorous yet playful explorations of a visual world created in his studio. The subject is either faces cut from magazines or rectangles cut from black or white paper. Callahan then photographed the collages pinned to his studio wall on his 8x10-inch view camera, one leading to the next to create this never before published series.