Hardcover. Philadelphia, J. B. Lippincott, 2nd pr., 1926, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt and black decoration, 171 pages. Eight color illustrations by Marion Oldham. Endpapers drawing by Maria Kirk. Spine lightly faded. No dust jacket. Carrots is the nickname of a little boy named Fabian, and his delightful story was written by the famous Victorian Era children's writer Mrs. Molesworth. Molesworth was the pen name of Ennis Graham, who was favorably described as the Jane Austen of children's literature.

Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.

Hardcover. London, Oxford University Press, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover, 188 pages, b&w photos. An account by a Kenya African of his experiences in detention camps in the 1950s. Foreword by Margery Perham. In a lightly worn dust jacket.

Chicago, Judson, 1st, 1940, Book: Very Good, Dust Jacket: None, Decorated cloth covers with bold black title, 142 pages. Black & white illustrations by Charles H. Steinbacher. A collection of folk tales from Burma. No dust jacket.

Softcover. Lockport NY, Niagara County Historical Society, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, blue wrappers, 377 pages, black & white line drawings. Minor wear to covers, clean copy.

Hardcover. Taschen, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, 142 pages. In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations of A Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration: bursting with sumptuous colors of deep blues, reds, and gold leaf, and evoking all the magic of this legendary collection of Indo-Persian and Arabic folktales, compiled between the 8th and 13th centuries. However, publishers retreated from Nielsen's project in the financially strapped postwar climate, and the publication never happened. A rising star, Nielsen moved on to other work. This world heritage classic's spectacular pen, ink, and watercolor images remained under lock and key for 40 years. Published just once in the 1970s, the illustrations were rescued from oblivion after Nielsen's death in 1957 and are now held by the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles, the Art Institute of Chicago, and in two private collections. This publication is a unique compilation of fine art prints and stunning illustrations reproduced directly from Nielsen's original watercolors--the only complete set of his extraordinary drawings to have survived. The book features descriptions of all of the images and three generously illustrated essays on the making of this series, the origin of Nielsen's unique imagery, and a history of the tales. In addition, it shows many unpublished or rarely seen artworks by Nielsen and intricate black-and-white drawings Nielsen created for the original publication. Text in English, German and French. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Montreal, Montreal Museum of Fine Arts, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 638 pages. Hardcover with dust jacket. Small stain on fore edge of textblock. Otherwise, a very clean, unmarked copy with minor rubbing and edgewear to dust jacket. Small tear to top edge of rear dust jacket cover. A tight copy. Black & white and color illustrations throughout.

Hardcover. New York , Random House , 1st, 1937, Book: Good, Dust Jacket: None, Hardcover, black cloth spine and green paper-covered boards.A nice collection of b&w cartoons from The New Yorker. No dust jacket.

Hardcover. London, Reel Art Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. Includes 240 black and white and color photographs: . "Life as it unfolds in front of the camera is full of so much complexity, wonder and surprise that I find it unnecessary to create new realities. There is more pleasure, for me, in things as-they-are." - David Hurn - This volume is the first anthology dedicated to Hurn during one of his most iconic periods of the 1960s.

Hardcover. Portland, Paul E. Merrill, 1st, 1979, Book: Good, Dust Jacket: Good, 166 pages plus additional 28 page pamphlet laid-in. Hardcover. Both hardcover and pamphlet illustrated with full color and black & white photographs. Both book and pamphlet have musty odor. Dust jacket with wear and tape repaired tears along edges. Clean, unmarked pages.

Hardcover. Brattleboro VT, Stephen Daye Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white lettering on spine, b&w illustrations, 207 pages, including a bibliography. A history of skiing is reviewed from Prehistory, the Ski in Literature, Skiing Becomes Sport, and Competitions and Records; a world-wide discussion by each country and area follows, all continents represented; Norwegian skii equipment manufacture is mentioned; facilities, conditions and the sport standing in each country are evaluated. Previous owner's signature on front fly leaf, otherwise clean.

Hardcover. US, Soul Jazz Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 200 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to laminated cover boards. Color and black and white pictures throughout. The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity. A melting pot of races born of the 400-year slave trade--Africans, indigenous Americans and their French, Spanish, German, Dutch and English colonizers--the identity of the Caribbean stands at the intersection of tourism, colonialism and tropicality. This deluxe large-format volume features hundreds of fascinating and unique photographs that span 100 years of Caribbean history, culture, industry and more, as well as the subsequent diaspora of its people to America, England and elsewhere. The photographs show the many ways in which the region has been portrayed, from tropical backdrop of tourism and hedonism to colonial outpost and revolutionary threat in North America's own backyard.

New York, Delacorte Press, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages. Color and black & white illustrations by Patrick James Lynch. Dust jacket is protected by a mylar cover. A great collection of folktales from England & Wales, filled with boggarts, hobgoblins & other creatures.

Hardcover. NY, Lippincott & Crowell, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 241 pages, b&w illustrations. A scrapbook of baseball nostalgia which, in well-chosen words and rare photographs, traces the evolution of our national game.' Includes sections on the Abner Doubleday/Cooperstown controversy, ball parks, superstitions, black history, and more.

Hardcover. New York, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 307 pages. Black & white photography. Minor wear to dust jacket, else a very nice, tight copy.

New York, Hyperion, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 122 pages. Black & white chapter illustrations by Kate Kiesler. "Ehrlich ventures confidently into new terrain in her eloquent and affecting debut children's novel. [Her] prose, as pristine and spare as her snow-covered landscape, portrays the quiet drama of the changing seasons -- in both their consistency and unpredictability -- as well as a family attuned to nature's every nuance." --Publisher's Weekly, starred review. Clean copy

Hardcover. NY, Rinehart & Co., 1933, Book: Very Good, Dust Jacket: Fair, Hardcover in a bright dust jacket with half the spine missing, Blue cloth with silver and black eagle on cover and silver and black lettering. Black lettering on spine. Pictorial endpapers. Illustrated in b&w and 3-colors by Charles Child. Biographical rhyming verse: Columbus to Woodrow Wilson, some generic categories. Name on page opposite half-title, otherwise clean.

Hardcover. NY, Vanguard Press, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, green cloth, spine stamped in black and gilt, gilt faded. 165 pages, 20 Native American myths. Emdossed stamp on title page, otherwise clean, very good. Uncommon title.

Hardcover. NY, Garden City Publishing Co., 1st, 1945, Book: Good, Dust Jacket: None, Hardcover, pictorial boards with a green cloth spine. An alphabet and number book illustrated in reds and blacks, with dashes of yellow and blue. Illustrated by Nerman. Spine has fraying to top and bottom of spine. Pencil name inside front cover otherwise clean.

Hardcover. NY, Oxford University Press, 1st, 1947, Hardcover, green cloth boards with illustrated paper label on front board and gilt lettering on spine. Illustrated throughout in color and black-and-white by Tudor, with her signature floral wreaths, dreamy landscapes, and playful children. SIGNED BY TUDOR on front flyleaf under her endpapers illustration. A bright, clean copy with a crease to front dust jacket flap, mild soil to rear panel. With Tasha Tudor's label on inside rear cover - indicating this copy was purchased at her outlet on Rt.1 , Contoocook, New Hampshire where she sold autographed books and Christmas cards.

Hardcover. NewYork, Oxford University Press, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black lettering. Features 40 full-page etchings of Civil War scenes with commentary on opposite page.

Hardcover. NY, Garland Publishing, reprint, 1978, Book: Very Good, Hardcover, orange cloth with black lettering on spine, 467 pages. Facsimile of the original 1687 edition. From the 'British Philosophers and Theologians of the 17th and 18th Century' series, edited by Rene Wellek. Name on front fly leaf otherwise clean.

Hardcover. Boston, Houghton Mifflin , 1st, 1900, Book: Very Good, Hardcover, green cloth stamped in black on front cover, gilt lettering on spine. Rear cover with light discoloration. Clean copy.

Hardcover. NY, The Macmillan Company, 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, black cloth boards with red lettering and gilt decoration; b&w plates, frontis. Pulitzer Prize-winning sequel to A Son of the Middle Border continues the author's autobiographical theme and deals with Garland's marriage and later career. This sensitive study of individuals, their relationships, and the colorful drama that made up their daily lives offers a glimpse into pioneer life in 19th-century mid-America. Small bookplate on inside front cover. Clean, bright copy.

Hardcover. Boston, Little Brown, 1st, 1924, Book: Very Good, Dust Jacket: None, Hardcover, 296 pages. Black cloth with color label on front, spine lettering faded. Five color plates and endpaper illustration by Elizabeth Shippen Green Elliott. Clean, tight copy.

Hardcover. NY, Garland Publishing, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black lettering on spine, 253 pages. A Garland Series, British Philosophers and Theologians of the 17th and 18th Centuries. A facsimile reprint of the 1655 London edition. Name on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan, BC Ed., 1956, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers stamped in black, 120 pages, B&w illustrations by Bice. A Weekly Reader Book Club Edition. Paper tanning, otherwise a tight, clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in black and white with a collie and her pup on the cover. 36 pages, 4 color plates by W.T. Smedley. Story told from a dog's perspective. Light fading to spine, otherwise clean.

Hardcover. Boston, John F, Jewett, 1st, 1849, Book: Very Good, Dust Jacket: None, Hardcover, 264 pages. Bound in blind-stamped brown cloth, gilt-pictorial black morocco spine. frontispiece view and two plates with tissue guards; plates foxed. Otherwise clean, tight copy.

NY, Oxford University Press. , 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket, 85 pages. Black & white illustrations by J. Paget-Fredericks. Dust jacket price clipped. Dust jacket with closed tears, chips, small chunks gone from top & bottom of back cover.

Hardcover. Hanover NH, University Press of New England, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 161 pages. Carousing at the Black Dog Inn, Charles recounts to a friend the recent events of his life - "an endless soap opera" now centered on his chance meeting with hitchhiker William Cutshall, who weaves a tale of intrigue about his attempt to find his missing son. Connolly structures this novel as a kind of My Dinner with Andre, a nonstop conversation during which Charlie spins the tale of William Cutshall and Garth interrupts with observations, questions, and rebuttals. Surreal and darkly comic, A Great Place to Die can overwhelm at times, but Sean Connolly's faultless prose and offbeat characters keep things moving along until the end.

Hardcover. Boston, Roberts Brothers, 1st, 1881, Book: Good, Dust Jacket: None, Hardcover, gray-green cloth with gilt. silver and black decoration to front board and spine. 238 pages profusely illustrated in b&w by various illustrators. Endpapers feature a map of the Island of Guernsey with the author's previous books opposite. Susan Coolidge is the pen name of Sarah Chauncey Woolsey (1835-1905) American author of children's books. Previous owner's name on blank prelim page, hinge cracked at front, binding a little shaken. Lettering on spine faded.

Hardcover. Boston, Houghton Mifflin, 3rd Ed., 1891, Book: Good, Dust Jacket: None, Hardcover, 3/4 leather over marbled boards, ribbed spine with gilt lettering. Frontispiece with tissue guard. Marbled endpapers with gilt pattern. Black and white plates and illustrations. 349 pages. Front cover starting to split from spine but still holding. Mild edgewear to covers, bookplate on inside front cover, otherwise clean copy.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 185 pages. Young, beautiful, and fearfully abused, Mona was the kind of girl even a hard man like Dillon couldn't bring himself to use. But when Mona told him about the vicious aunt who had turned her into something little better than a prostitute--and about the money the old lady has stashed away--Dillon found it surprisingly easy to kill for her.

Hardcover. NY, Random House, 1st, 2016, Book: Very Good, Hardcover in a bright, unclipped dust jacket. 1941. The City of Light is dark and silent at night. But in Paris and in the farmhouses, barns, and churches of the French countryside, small groups of ordinary men and women are determined to take down the occupying forces of Adolf Hitler. Mathieu, a leader of the French Resistance, leads one such cell, helping downed British airmen escape back to England. Alan Furst's suspenseful, fast-paced thriller captures this dangerous time as no one ever has before. He brings Paris and occupied France to life, along with courageous citizens who outmaneuver collaborators, informers, blackmailers, and spies, risking everything to fulfill perilous clandestine missions.

Hardcover. Boston, The Peabody Museum / Little Brown and Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages. 168 full-page black-and-white illustrations and 16 color plates. Light sun-fade to dust jacket spine and flaps, as well as minor chipping along edges and wear along spine. Otherwise, clean, tight copy. This handsome book is the first full study of American marine painting ever published. In it are drawn together representative works by more than sixty painters from Colonial times to the present, including such diverse figures as John Smibert, John Quidor, John Marin, Albert Bierstadt, Geroge Bellows, Thomas Chambers, and Andrew Wyeth. Mr. Wilmerding discusses the development of these artists' concern with marine subjects, the influences (both native and European) on their styles and approaches, and the meaning of their achievement for American art in general.

Hardcover. NY, Harper & Brothers, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with pictorial design of girl on a horse stamped in white and black. 153 pages illustrated with 5 b&w plates by Lucius Hitchcock. Twain's historical fiction novel, partially written from the point of view of Buffalo Bill's favorite horse, Soldier Boy. This novel was first published in two installments in August and September 1906 in 'Harper's Magazine'. Twain's daughter Susy Clemens, who died in 1896 at age 24 of spinal meningitis, is understood to be the inspiration for lead character Cathy Alison. When Twain provided the story to Harper's, he included a photograph of Susy for the illustrator to use for Cathy. Spine is lightly faded, otherwise a bright, clean copy.

NY, Harper & Brothers, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with stamped colored cover illustration of a winter mountain scene framed by a holly leaf wreath. Top edge gilt. Thick card pages all have pictorial borders in soft pale yellow and black by Remington. Remington end papers, tissue covered frontis and two additional full page Remington plates. Christmas story featuring Lin McLean. Beautiful illustrated book. 92 numbered pages. Some rubbing/flecking to red cloth, especially spine and rear cover. Otherwise clean.

Hardcover. London, W.H. Allen, 1st UK, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. Illustrated in black and white and in color with 249 photographic plates. Imaginative, artistic photography and stunning b&w photographs of luminaries such as Greta Garbo, Gary Cooper, Therese Duncan, The Sandburgs, Katherine Cornell, Gallant Fox and countless more. This is the first UK printing. Dust jacket price-clipped otherwise clean.

Hardcover. NY, Frederick A. Stokes, 1st, 1890, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. 60 black & white illustrations by H.A. Ogden. Bright gilt decorated cover with 3-color decoration. Previous owner's inscription on prelim page. Otherwise a clean, tight copy.

Hardcover. NY, Grosset & Dunlap, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unpaginated (about 100 pages), Introduction by Adlai E. Stevenson III. Illustrated from black and white photographs, cartoons by Al Capp, Pletcher, Dobbins, and Justus. INSCRIBED BY HUMPHREYon the front fly leaf. Dust jacket price-clipped, light edge wear, otherwise a clean, tight copy.

Garden City, NY, 1st, 1962, Book: Very Good, Dust Jacket: Good, Black & white illustrations by the author. Dust jacket with edgewear, chipping, and light soil. Illustrated endpapers. First book written by the notable illustrator, who went on to create the Rosy Cole children's series. A delightful tale of romance and culture in the city.

hardcover. Boston, Little Brown, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Susan Perl. Light edgewear and rubbing to dust jacket. Review slip laid in.

Hardcover. New York, G. K. Hall & Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 319 pages. Hardcover with dust jacket. Minor dust jacket edge wear, otherwise, spotless and tight copy.

Hardcover. NY, Macmillan, reprint, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 257 pages. Later printing. Bound in black cloth boards with paper titles present to the spine and front board. Stuart Chase was an American economist and engineer trained at MIT. His writings covered topics as diverse as general semantics and physical economy. His hybrid background of engineering and economics places him in the same philosophical camp as R. Buckminster Fuller. Chase's thought was shaped by Henry George, Thorstein Veblen and Fabian socialism. Chase spent his early political career supporting "a wide range of reform causes: the single tax, women's suffrage, birth control and socialism." Chase's early books The Tragedy of Waste (1925) and Your Money's Worth (1928) were notable for their criticism of corporate advertising and their advocacy of consumer protection. Although not a Marxist, Chase admired the planned economy of the Soviet Union, being impressed with it after a 1927 visit. Chase stated that "The Russians, in a time of peace, have answered the question of what an economic system is for." It has been suggested that he was the originator of the expression a New Deal, which became identified with the economic programs of American president Franklin Delano Roosevelt. Inscription on front fly leaf, otherwise clean.

Hardcover. NY, Harper & Brothers, 1st, 1891, Hardcover, original decorative blue cloth stamped in gilt, with a paper black and white oval cameo laid on front board. First edition. A cornerstone collection of 24 New England regional tales, including the ghost stories "A Gentle Ghost", "The Twelfth Guest," and "A Village Lear". Spine gilt lightly faded otherwise a clean, tight copy.

Hardcover. Dublin, The Cuala Press, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, one of 425 copies, publisher's device vignette by T. Sturge Moore on title page, minor offsetting to endpapers, else unmarked internally, publisher's cloth-backed blue boards, paper label on spine is chipped, black lettering to upper cover, blue endpapers, spine and extremities slightly toned, else very good. One of 425 copies, printed at the Cuala Press, with the date misprinted as 'MCMXXVIV' on the title page (as noted by Wade). The Cuala Press originally started out as the Dun Emer Press in 1903, founded by Evelyn Gleeson. Influenced by the Gaelic revival occurring in Ireland, it promoted Ireland's cultural heritage, while at the same time training women to work in a useful trade. Eventually the two sisters of W.B. Yeats took over the press, continuing Gleeson's work, and renaming it The Cuala Press in 1908. No dust wrapper, as issued. There is some tanning/foxing to last 8 pages including colophon.

Hardcover. NY, Thomas Y. Crowell, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in black. 135 pages illustrated by H.C. Millard. Wonderful drawings of prehistoric creatures, many full page on beige color background. Scarce. Light stains to cover, inscription on front fly leaf, otherwise clean.