Softcover. Berkeley CA, Bijou Publishing Empire, 1st, 1970, Book: Good, Dust Jacket: None, Softcover in pictorial wraps, 50 cents cover price, 32 pages, some pages with wear, mild wrinkles, cover starting to split at spine top 2 inches. Cover art by Crumb, inside stories by Jay Lynch, R. Crunb, Justin Green, Jay Kinney.
Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.
Hardcover. Hong Kong, Christie's Inc., 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.
Softcover. South Hadley MA, Mount Holyoke College, 1st, 1984, Book: Very Good, Softcover, 56 pages. Many black and white photos, exhibition checklist, glossary, index, notes, bibliography. Published in conjunction with an exhibition of copper jewelry, sculptures, vessels, musical instruments, stools and other African decorative arts. Mild rubbing to wrappers, clean copy.
Hardcover. NY, Museum of Modern Art, 2nd Ed., 1938, Book: Very Good, Dust Jacket: None, Hardcover, quarterbound in burgundy cloth and gray paper with black titles. 116 pages with b&w illustrations throughout. Revised second edition. 69 b/w illustrations + 9 text figures, bibliography, index of artists. One of the handsomest of the early MoMA catalogues This revised edition (1938) was limited to 2,000 copies. No dust jacket. Clean.
Hardcover. Chicago, Rand McNally & Co., 1st, 1917, Book: Good, Dust Jacket: None, Hardcover, 104 pages + 3 plates (7 photos of the artist); 113 editorial cartoons in text. Tribute by John T. McCutcheon; biographical sketch by Henry J. Smith; appreciation by Charles H. Dennis. Posthumously published collection. Luther joined the staff of The Chicago Daily News after working as a cartoonist in Australia. Shelf wear, hinges cracked, clean internally. Previous owner's inscription, name on front endpapers. Mild soil to covers.
Hardcover. New York, Oxford University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 243 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor shelf-wear to dust jacket.
Softcover. Antwerp, Bernard Blondeel, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, b&w and color illustrations. Exhibition catalog of sculptures and drawings. Clean copy.
Hardcover. NY, Phaidon Press, 1st, 2008, Book: Very Good, Dust Jacket: None, This slip-cased, oversized book, weighing 20 pounds and containing over 2000 illustrations, summarizes the life and work of the most important modern architect of the 20th century: the legendary, controversial, and confrontational Le Corbusier. Le Corbusier was not exclusively an architect but an artist (painter and sculptor), urbanist, author, furniture designer, world traveler, and media figure. What is most impressive in this volume are the huge-scale photographs drawn from the Le Corbusier archives at the Fondation Le Corbusier in France. These photographs are personal, professional, indicative, anecdotal, illustrative, and symbolic of the entire saga of Le Corbusier's life and career over 60 years. They make this book an absolute gold mine for anyone wanting to understand and steep themselves in the spirit and character of this greatest modern architect of the last century. The written material is also first-rate: Jean-Louis Cohen, France's best-known historian of modern architecture, contributes an informative introduction, and Tim Benton, a well-known British architectural historian, writes opening texts for individual chapters. Recommended for architecture and art libraries as well as public libraries with serious art collections.--Peter S. Kaufman, Boston Architectural Ctr. NOTE; DUE TO SIZE AND WEIGHT THIS VOLUME CANNOT BE SHIPPED OUTSIDE THE U.S.
Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.
Softcover. Pasadena, CA, Pasadena Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 135 pages. Exhibition catalog. Mostly black-and-white illustrations, with a few color illustrations. Light shelf-wear, scratching, and edge-wear on covers. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work.
Hardcover. NY, New York Review Comics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 280 pages. Before Charles Johnson found fame as a novelist and won the National Book Award for Middle Passage in 1991, he was a cartoonist, and a very good one. Taught via correspondence course by the comics editor Lawrence Lariar, mentored by the New Yorker cartoonist Charles Barsotti, and inspired by the call of the poet Amiri Baraka to celebrate and depict Black life in America, Johnson crafted some of the fiercest and funniest cartoons of the twentieth century. Clean copy.
Softcover. Seattle, Fantagraphics, 2nd pr., 2022, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. Crumb's white-bearded sage-cum-charlatan lives again in this comprehensive collection which ranges from the charming early '70s stories to the controversial '90s stories from Hup!, co-starring Devil-Girl. Clean, bright copy.
Hardcover. Los Angeles, CA, Getty Research Institute, 1st, 2008, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Color photographs throughout. California Video presents the first comprehensive survey of the history of video art in California. Since the late 1960s
Hardcover. New York, Cowles Magazines Inc., 1st, 1952, Book: Very Good, Dust Jacket: None, 240 pages, hardcover. Red cloth stamped gilt, with a cutout front panel around the phrase "Annual 1953." Tastefully illustrated in color and b&w, with cutouts, fold outs, booklets, etc. By the editor of the short-lived Flair; one of the more visually inventive magazines ever conceived. Designed by and with many drawings by Federico Pallavicini. Fading and slight edgewear to boards, milld tear to front panel at cutout. Rubbing and slight staining to boards as well. Fading to text block edges. Slight cocking to spine. Unmarked. A tight copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Boston, Houghton Mifflin, 4th pr., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Bechdel's celebrated autobiography in the form of a graphic novel. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family baby-sitter. When Alison comes out as homosexual herself in late adolescence, the denouement is swift, graphic, and redemptive. Interweaving between childhood memories, college life and present day, and through narrative that is equally heartbreaking and fiercely funny, Alison looks back on her complex relationship with her father and finds they had more in common than she ever knew. Clean copy.
Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 255 pages, profusely illustrated. Wordless books - stories from the early part of the twentieth century told in black-and-white woodcuts - were imaginatively illustrated, powerful, and iconic, and as relevant to the world of today as they were when they were first published. Covers the period of 1918 through 1951, and includes the works of: Helena Bocho akova-Dittrichova, William Gropper, Milt Gross, Laurence Hyde, Frans Masereel, Otto Nuckel, Giacomo Patri, e.o plauen, Istvan Szegedi-Szuts, Myron Waldman, and Lynd Ward.
Hardcover. New York, Disney Editions, 1st, 2009, Book: Very Good, 272 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor wear to edges. With an introduction by John Lasseter-and very little else in the way of words-this second book in The Artist Series lavishly showcases the most brilliant animation created by such luminaries as Ub Iwerks, Norm Ferguson, Ben Sharpsteen, Hamilton Luske, Dick Huemer, Grim Natwick, Art Babbitt, Fred Moore, Bill Tytla, Frank Thomas, Ollie Johnston, Milt Kahl, Marc Davis, John Lounsbery, Ward Kimball, Eric Larson, Les Clark, Wolfgang Reitherman, John Sibley, Bill Justice, Clyde Geronimi, Ted Berman, Glen Keane, Andreas Deja, Eric Goldberg, Mark Henn and Tony Bancroft.
Hardcover. London, The Library Association, 1st, 1970, Book: Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Black and white illustrations throughout. Ex-Lib with usually markings and stamping on end papers, copyright, etc. Light edgewear to cover boards, fray on spine and corners, otherwise good copy.
Softcover. San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. Hypnotic flowering vines, black-and-white Op Art odysseys, and seas of patriotic warships are just some of the beautiful, strange, and fantastic patterns that have adorned the walls of homes the world over. In the tradition of best-seller Fabulous Fabrics of the 50s, this home decor reference book entertains while it inspires with flawless reproductions of 150 classic and unique wallpapers; many of which are drawn from the collections of the Cooper-Hewitt, National Design Museum, Smithsonian Institution. Covering every decade of the century, Off the Wall celebrates robust pattern and detail in all their manifestations. Lively text and captions help to capture the designers, trends, and world events relevant to each piece, and the broader evolution of the genre, from a 1948 mural of rural America, replete with plump livestock and ripening fields, to the boldly colored abstractions produced in the 1950s by Herman Miller for MOMA. A useful resource for collectors, designers, decorators, and artists, Off the Wall is a colorful and captivating tribute to a widely appreciated medium. Clean copy.
Hardcover. NY, powerHouse Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrink wrap. Jean Patchett was both model and muse, a famous face from New York's vibrant midcentury popular culture and the most successful high-fashion model of her time. A small-town girl from rural Maryland, Patchett had no firm ambitions until a friend suggested she drop out of college and go to New York and become a model. Within a year Jean had left school, met model agent Eileen Ford, and begun a career that saw her photographed by the greatest photographers of her era, with more than 58 magazine covers over 14 years. "A young American goddess in Paris couture," was Irving Penn's epitaph for the model he photographed for a classic series in Lima, Peru where, pushed past their limits, Patchett and Penn created passionate art with a possible passionate relationship as well. Penn would go on to create stunning images of Patchett forVogueand later, for a series of nudes he called "the major artistic experience of my life." Letters from Patchett to her family show a young woman in love with her life and eager to share the thrills and struggles of her career. Quotes from photographers Cecil Beaton, John Rawlings, William Helburn, Jerry Schatzberg, and Francesco Scavullo reflect their admiration for her technical skills as a model as well as her unique beauty. A work diary from 1951 allows us to see how-and with whom-she worked from day to day.
Hardcover. New Delhi, India, Lustre Press, Roli Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Stunningly photographed, this album offers a rarely seen view of the snow-clad peaks, mysterious lakes, massive glaciers, and fascinating people of the Himalayas.
Softcover. NY, Hudson Hills Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 192 pages illustrated in color and b&w. INSCRIBED to previous owners and SIGNED BY RICHARD AXSOM & FRANK STELLA on the front fly leaf. Clean, bright copy.
Softcover. Acoustic Learning, 2022, Book: Very Good, Dust Jacket: None, Softcover, oblong format. A reprinting of the daily strips from 1955. B&w throughout. Kidnappers from the 20th century raid Moo to steal King Guz for an unspeakable biological experiment! Other stories include a prehistoric fishing trip gone wrong-and Ooola's adventure with the legendary Helen of Troy! Clean copy.
Hardcover. Kent, OH, The Kent State University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 348 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Conrad Wise Chapman (1842-1910) is unique among Civil War artists: he painted and sketched while on duty as a Confederate soldier who served in three theaters of the war. Chapman's first-hand knowledge is evident in his work. Ben Bassham has written both a critical study of Chapman's art and a biography, incorporating Chapman's correspondence and Civil War memoirs.
Wales, Westmorland Gazette, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, oblong green cloth covers, 80 lovely pen line drawings of the North Wales countryside with an Introduction by the artist. All text hand-lettered. Small printing, lacks dust jacket. Previous owner's inscription on front fly leaf.
Hardcover. Seattle, WA, Fantagraphics, 1st, 2017, Book: Very Good, Dust Jacket: None, 380 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. To Laugh That We May Not Weep is a sweeping career retrospective, reprinting -often for the first time in 60 or 70 years- over 800 of Young's timeless, charming, and devastating cartoons and illustrations, many reproduced from original artwork, to create a fresh new portrait of this towering figure in the worlds of cartooning and politics.
Hardcover. NY, Something Else Press , 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket that's price-clipped. White cloth with green top edge. With the business card tucked into glassine envelope to front end paper. A selection by Odenburg and Emmett Williams of texts, graphic materials and photos from 1961-62. Includes photographs by Robert R. McElroy. Clean copy.
Hardcover. New Haven CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 328 pages, 267 b&w and color illustrations. "The only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. In detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock, the authors take the reader through the layers of a painting, from canvas or panel to varnish, in clear, readable language, de-mystifying the world of the conservator for art historians, dealers, collectors, or curators." Clean, bright copy.
Hardcover. London, Philip Wilson Publishers, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, color and other plates, chronology, catalogue, bibliography, index. Approx. size 11" by 9". Small tape repair to verso of rear panel otherwise excellent condition. Ford Madox Brown had already pioneered a style of painting which came to be known as Pre-Raphaelite before the Pre-Raphaelite Brotherhood was founded in 1848. His beautifully observed landscapes anticipated the open-air effects of the Impressionists. His art was anti-academic, rejecting easy solutions, prettiness, and conventional Victorian formulae. He depicted children without sentimentality and poor people without condescension. This major monograph provides a general introduction to Brown's art based on new research; all of his important paintings are included, and each one is illustrated and described.
Softcover. Paris, G. San Lazzaro, 1st, 1939, Book: Very Good, Dust Jacket: None, Softcover. Folio; magazine; 64 pages, with black and white illustrations. Several essays. B&w plates throughout. FRENCH TEXT. Spine paper chipping.
Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. Known for his cool, clean, comics-inspired pictorial language, Julian Opie has been one of the leading figures in contemporary British art since the early 1980s. Equally at home in museum settings--like Tate Modern, the ICA Boston and MCA Chicago, where he has mounted recent one-person exhibitions and projects--and in collaboration with mainstream rock bands like Blur and U2, his work crosses media and genres with quiet, computer-assisted abandon. In the early days, Opie transgressed the boundaries between painting and sculpture by applying paint to the everyday articles he used in his steel objects. More recently he has experimented with digital technologies in the applied arts. Now, he is probably best-known for his hypnotically low-tech moving images generated by LCD and LED technologies. This volume assembles a representative collection of portraits, half-length figures and new works that draw from the motifs of baroque portraiture.
Hardcover. New York, DC Comics, 1st, 2010, Book: Very Good, Hardcover, 352 pages, a visual history of the DC comics line from the 30s to the present, color illustrations throughout. No dj issued. In a bright, very good slipcase.
Hardcover. Beverly Hills CA, Petersen Galleries, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, the original softcover catalog, bound in faux-leather boards with gilt lettering. 124 pages. 40 color plates, plus numerous black and white photographs. Published in conjunction with the exhibition, October 30 through November 28, 1981. Great reference on the topic and much information on some lesser-known artists. Small ink price on front fly leaf, otherwise clean and bright.
Hardcover. San Francisco, CA, Fraenkel Gallery, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. In the early 2000s, Richard Misrach (born 1949) began a series titled On the Beach, a body of work that traveled extensively and has been highly influential. These color photographs deal with the human figure seen at a distance, on an unspecified beach or in the water, observed from an unsettling and difficult-to-identify point of view located high above. Misrach has continued this work, while vast changes in photographic technology over the intervening decade have caused a shift in approach, both conceptually and technically. Untitled is an artist book based on two photographs: the one made by Misrach and the other made concurrently, at the time of exposure, by the subjects of his photograph. The extreme detail explored in this work concisely summates both the artist's concerns and the ubiquity of digital technology as we are portrayed and portray ourselves.
Hardcover. Boston, David R. Godine, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, 188 pages illustrated in color. Long before television and the internet, entertainment was often a performance at the local grange or Town Hall. Since there wasn't much money for costumes or props, the plays relied on all-purpose scenic backdrops - painted canvases of local scenes and interest. And they were often glorious. Many of these minor masterpieces of vernacular art still survive and are presented in all their glory in this richly illustrated book celebrating the colorful and memorable painted curtains that graced the stages of countless New England towns. A remarkable team of conservators from "Curtains Without Borders" has overcome a century of dirt, damage, and neglect to restore hundreds of these historic theater curtains. This book presents exquisite photographs of these enormous pieces of art that have been hidden away and neglected for too long. Bump to top corner, causing mild crease to pages. Otherwise bright and clean.
Hardcover. New York, Asia Society/Creative Time, 1st, 2005, Book: Very Good, Dust Jacket: None, 24 pages. Hardcover with no dust jacket. Accordion binding. Very clean, unmarked copy with only minor edgewear. Commissioned to celebrate the 150th anniversary of Central Park, Cai's Light Cycle fireworks display lit the New York sky with a circle of explosions on a September night in 2003. This 24-page accordion book documents it all from planning to performance, executed by the famous Grucci fireworks family. Separating the book's hardbound cloth covers reveals a continuous folded sheet with reproductions of Cai's gunpowder drawings (made by burning scant gunpowder on paper) on one side and photographs of the event and text on the other. In an interview, the artist compares his drawings to "love-making" and explains some technical aspects of his displays, such as a computer chip in each explosive shell.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, B&w illustration of kids taking off riding the horse-drawn grocery wagon. Art by W.L. Jacobs. Approx. 13 X 10". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Chicago, Art Institute of Chicago, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This catalogue presents 59 masterful Italian drawings from the late 15th, 16th, and 17th centuries: working drawings, preparatory sketches, and finished compositions that have been added in recent years to the private collection of Jean and Steven Goldman. In her essays, Jean Goldman assesses the collection within the context of Mannerism and the role of drawing in the business of art. She and Nicolas Schwed coauthor detailed entries on the works' attributions, subjects, and functions, complete with documentation including provenance, bibliography, exhibition history, and comparative illustrations. The catalogue presents the work of more than forty artists, some of whom, such as Giorgio Vasari and Pietro da Cortona, were major figures, and others who were virtually unknown. Together, these magnificent works trace the rise and evolution of Mannerism in Italy.
Softcover. Berlin GR, Stiftung Weimarer Klassik, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 148 pages, very richly illustrated with color illustrations depicting Friedrich Neitzsche. German text. Clean copy.
NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Black farmer helping automobile riders by filling their overheated radiator with a jug of water. Art by John A. Coughlin. Approx. 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New Haven, CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 289 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Klein surveys the history of Matisse's portraits and their sitters, with attention to the details of the financial transaction or other agreement that caused the painting to be made. An analysis of Matisse's self-portraits is also provided. Klein works chronologically, detailing the artist's developing style, but remains attached to his biography as well, with many quotes about Matisse or his works from contemporary sources. This volume is well illustrated with b&w and color plates.
Hardcover. Seattle, Fantagraphics, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 130 pages, b&w comic art by Hernandez. Ten years in the making (and torn from the pages of the legendary Love and Rockets), Jaime Hernandez's graphic novel skillfully weaves two generations of his beloved characters into a satisfying story of love - both young and middle-aged. Life Drawing darts primarily between the youthful Tonta and the venerable Maggie. Tonta has a crush on her art teacher, Ray, as well as an axe to grind with an older woman in the neighbourhood. When Tonta finds that the woman, Maggie, is married to Ray, things get complicated. And Tonta does not handle complications well. Life Drawing showcases Hernandez's brilliant talent for character, weaving relationships, rejections, infidelities, and adventures. Clean copy.
Hardcover. London, Titan Books , 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. In his own words, this is the life of Joe Simon, one of the most important figures in comics history, and half of the famous creative team Simon and Kirby. Joe Simon co-created Captain America, and was the first editor in chief of Marvel Comics (where he hired Stan Lee for his first job in comics).
 "Cartoons by Bradley: Cartoonist of the Chicago Daily News with a Biographical Sketch and an Appreciation by: Bradley, Luther D.")
 "Fetish: Fashion, Sex & Powerby: Steele, Vallerie")
 "Le Corbusier Le Grandby: Jean-Louis Cohen (Editor), Tim Benton (Contributor)")
 "Claes Oldenburg: Object into Monumentby: Haskell, Barbara")
 "Off the Wall: Wonderful Wall Coverings of the Twentieth Centuryby: Gideon Bosker / Lena Lencek")
![[MAGAZINE] SCULPTURE XXth CENTURY. A MAGAZINE OF ART. NO. 1 IInd YEAR, No. 1. EDITION IN FRENCHby: [Georges Duthuit | Kandinksky | Erwin Blumenfeld | et al.](http://www.browsingisarousing.com/images-books/399518.jpg "[MAGAZINE] SCULPTURE XXth CENTURY. A MAGAZINE OF ART. NO. 1 IInd YEAR, No. 1. EDITION IN FRENCHby: [Georges Duthuit | Kandinksky | Erwin Blumenfeld | et al.")
 "Richard Misrach: 11.21.11 5:40 PMby: Misrach, Richard (Photographer)")
 "ORIG VINTAGE MAGAZINE AD: Kool-Aid Thirst Quenchers with Kool-Aid Kid skatingby: N/A")
 "Life Drawingby: Jaime Hernandez")
