Art

Hardcover. Seattle, Fantagrahics, 1st thus, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 202 pages. Book presented in both English and French in a collaboration between Fantagraphics and Editions de l'An 2. Preface by Thierry Smolderen. A. B. Frost born in 1851. An anthology of Frost's works Stuff and Nonsense (1884), The Bull Calf and Other Tales (1892), and Carlo (1913). Comics in B/W. Most have both English and French translations. No DJ (as issued).

1980, Color cartoon of wife taking photo of proud husband in his garden by Charles Saxon. 8 1/4 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1980, Book: Very Good, Color cartoon by Saul Steinberg. 8 1/2 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. New York, Tudor Publishing, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, 104 pages, 24 color and 76 b&w plates. The first 4 pages, including the paper wrapper, have a crease down the center. Otherwise a very good copy of this scarce book.

Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.

1918, Book: Very Good, Dust Jacket: None, Portrait of girl in Spring dress, art by Neysa McMein. 10 1/2 X 13 1/2", some chipping at edges, else very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1951, Book: Very Good, Color art of Washington in his boat crossing the Delaware River. Painting by Tom Lovell. 10 X 13", label shadoe not affecting art. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Princeton Architectral Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor wear to dust jacket edges. Otherwise tight copy. A collection of black and white, and color photographs from the Maresca collection housed at the Newark Musuem, featuring images from the 1920s through the 1960s.

1940, Book: Very Good, Dust Jacket: None, Boy beating rug, art by J.C. Leyendecker. 10 1/4 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1979, Book: Very Good, Color art of a cat by Saul Steinberg, 8 1/4 X 11", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."

Hardcover. NY, Stewart, Tabori & Chang, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages illustrated in color. A complete guide to using wood in the home offers practical information and hard knowledge about types of wood and their uses, as well as inspiration on the uses for wood, complete with a buying guide and 250 color photos.

Softcover. Washington, DC, Smithsonian Institution Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 148 pages, b&w illustrations throughout, 31 full-color plates. Previous price sticker on rear cover. Very light edge wear to wrappers. Else a very clean, tight copy.

Softcover. US, Poster Auctions International, 1st, 2015, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Hardcover. NY, Random House, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, hundreds of b&w cartoons from the magazine's golden age. Tan cloth spine with blue boards. No lettering on spine. Clean copy, no dust jacket.

NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright unclipped dust jacket. A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer--such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn--Resnick offers a unique method of charting the evolution of each movie star's career. Still like new in publisher's shrinkwrap. NOTE: Due to size and weight DOMESTIC SHIPPING ONLY.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 1989, Book: Very Good, Dust Jacket: None, 96 pages Softcover with light edgewear to paper wrappers. Black and white comic illustrations throughout. Tight copy.

Hardcover. NY, NBM, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Early b&w comic strips. Mutt and Jeff was the first successful daily comic strip; before it, the funnies were Sunday features. It debuted in 1907, however, as A. Mutt, limning the follies of lanky racetrack gambler Augustus Mutt. Diminutive sidekick Jeff appeared the following year to form a partnership that lasted until the strip's overdue demise in 1983. Mutt and Jeff was the first strip to essay weeks-long story lines, such as a trip to Mexico to join Pancho Villa's revolution. Compared to better-remembered strips of the era, Mutt and Jeff was crudely drawn, yet it captured the nation's fancy. Despite its significance in comics history, Mutt and Jeff is scantly regarded today. By the mid-1920s, Fisher handed creative duties over to ghosts to free up time for the playboy lifestyle that the strip's sizable revenues allowed him. Clean copy.

Softcover. Toronto , Dragon Lady Press, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 67 pages of b&w Mandrake newspaper strips from 1936-38. The Lost World and Princess Narda. Clean, very good.

Hardcover. New York, Taschen, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 416 pages, color illustrated, large format. This catalog raisonne brings together Velazquez's complete works--jaw-dropingly reproduced in extra-large format with a selection of delicious enlarged details--with insightful commentary on how his paintings give equal attention to all that they contain. To him, an old woman frying eggs or a buffoon was as important as a Pope or a King. For him, form was subservient to light and color; the brushstrokes were markers to help the viewers reconstruct each picture mentally--concepts adopted vehemently by the Impressionists. Velazquez's greatest talent was creating beauty from the grotesque, imbuing each subject with a human liveliness rarely seen on canvas. In its extensive detail and comparisons, Jose Lopez-Rey's book reveals the development of this vision. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Chicago, University of Chicago Press;, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lazlo Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution and its lasting impact. With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography.

Cincinnati OH, Proctor and Gamble, 1917, Book: Very Good, Dust Jacket: None, B&w art by Jessie Wilcox Smith of sister washing little brother's face. Woman's World, May 1917. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Scribner, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Twenty-six New Yorker cartoonists take on aging, retirement, death and the Great Beyond. George Booth, Edward Koren, Marisa Acocella Marchetto (creator of Cancer Vixen) and Gahan Wilson are among those confronting the Reaper. Some cartoons in the book have previously appeared in the New Yorker, but most are originals. Contributors range in age from their 30s to the 90-year-old Frank Modell. Various cartoons deal with the shock of baby boomers as their old age looms: Roz Chast depicts the body with a mind of its own, aging despite its owner's wishes; J.B. Handelsman draws an executive telling an older worker that the company encourages certain employees to die. But many of the cartoons celebrate the continuing vitality of seniors, such as Lee Lorenz's female astronaut who will be the first Gray Panther to walk on the moon. The hooded Grim Reaper is a continuing presence, but many cartoons are set in heaven or hell. In the back of the book, most of the contributors say who they would like to meet in the Great Beyond. In this life-affirming collection, even death can't halt the momentum of the human comedy. Clean copy.

Hardcover. Geneva, Edito-Service, 1st English Ed., 1968, Book: Very Good, Dust Jacket: None, Hardcover, pebbled red cloth with gilt decoration and color label on front cover. Good general overview of painting in Western Europe during the later Medieval period. Illustrated in color and b&w. Clean copy.

Softcover. Canberra AU, National Portrait Gallery, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, color plates. Percy Leason was one of Max Meldrum's followers who painted over 30 'full blood' aborigines for 'The Last of the Victorian Aborigines' exhibition which he held at the Athenaeum Gallery (Melb) as part of Victoria's centennary celebrations (1934). This book documents these portraits and the politics that produced them. Clean copy.

Hardcover. NY, Pantheon, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. 1930's daily & Sunday strips by Floyd Gottfredson reproduced in color. 192 pages. Rear cover slightly bent in middle.

Softcover. Hong Kong, Christie's Inc., 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 204 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Clean, unmarked copy with only minor wear to boards. Hardcover, 128 pages with 120 color plates featuring the conceptual artist's graffiti-like images. Claw was the first famous graffiti artist who later expanded her work into the world of fashion.

Hardcover. New York , Praeger Publishers, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 172 pages, profusely illustrated with nearly 200 color and b&w plates of Nevelson's work. Dark blue cloth, pictorial dust jacket. Slight edgewear and rubbing to jacket, else a very nice, tight, clean copy.

Hardcover. New Haven CT, Yale University Press/Barnes Foundation, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a white cloth spine. This book offers a long-overdue reassessment of the career of the Parisian-born artist Marie Laurencin (1883-1956), who moved seamlessly between the Cubist avant-garde and lesbian literary and artistic circles, as well as the realms fashion, ballet, and decorative arts. Critical essays explore her early experiments with Cubism; her exile in Spain during World War I; her collaborative projects with major figures of her time such as Andre Mare, Serge Diaghilev, Francis Poulenc, and Andre Groult; and her role in the emergence of a "Sapphic modernity" in Paris in the 1920s. Along with more than 60 full-color plates, Laurencin's life and career are documented through an illustrated chronology and exhibition history, as well as an appendix charting her network of female patrons and associates. Laurencin became a fixture of the contemporary art scene in pre-World War I Paris, including as a muse and romantic partner of the poet Guillaume Apollinaire. She returned to the city after the war, having developed her signature style of diaphanous female figures in a blue-rose-gray palette. Laurencin's feminine yet sexually fluid aesthetic defined 1920s Paris, and her work as an artist and designer met with high demand, with commissions by Ballets Russes and Coco Chanel, among others. Her romantic relationships with women inspired homoerotic paintings that visualized the modern Sapphism of contemporary lesbian writers like Nathalie Clifford Barney. Indeed, one of Laurencin's final projects was to illustrate the poems of Sappho in 1950.

Hardcover. Milan, Charta/Deitch Projects, 1st, 2007-08-01, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 256 pages illustrated in color. Examines the development of early artistic notions rooted in self-fragmentation, a questioning of western rationality, and the refutation of capitalist ideals. With over a hundred works, this survey traces the link between Clemente's ink on paper works and conceptual photographs, heightened exponentially by the transferrence of both styles to canvas.

Softcover. US, Kitchen Sink Press, reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Hardcover. Taschen, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, 142 pages. In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations of A Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration: bursting with sumptuous colors of deep blues, reds, and gold leaf, and evoking all the magic of this legendary collection of Indo-Persian and Arabic folktales, compiled between the 8th and 13th centuries. However, publishers retreated from Nielsen's project in the financially strapped postwar climate, and the publication never happened. A rising star, Nielsen moved on to other work. This world heritage classic's spectacular pen, ink, and watercolor images remained under lock and key for 40 years. Published just once in the 1970s, the illustrations were rescued from oblivion after Nielsen's death in 1957 and are now held by the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles, the Art Institute of Chicago, and in two private collections. This publication is a unique compilation of fine art prints and stunning illustrations reproduced directly from Nielsen's original watercolors--the only complete set of his extraordinary drawings to have survived. The book features descriptions of all of the images and three generously illustrated essays on the making of this series, the origin of Nielsen's unique imagery, and a history of the tales. In addition, it shows many unpublished or rarely seen artworks by Nielsen and intricate black-and-white drawings Nielsen created for the original publication. Text in English, German and French. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Phoenix AZ, Phoenix Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, unpaginated (120 pages). Illustrated throughout in color. Light shelf-wear to illustrated boards with small rubbed of patch on front edge of front cover, else a clean, tight copy. Printed in conjunction with the exhibit held at The Phoenix Art Museum from, "April 21-August 19, 2007". The artists exhibited: Kim Deitch, Jerry Moriarty, Gary Panter, Ron Rege, Jr. and Seth.

Softcover. San Francisco, Rip Off Press, 1st pr., 1977, Book: Very Good, Dust Jacket: None, Softcover, 52 pages including semi-glossy color covers and b/w interior. Saddle-stapled wraps, 75 cent cover price. Fat Freddy's Cat first appeared in "underground comix" in 1969 in various underground newspapers, usually under Shelton's Fabulous Furry Freak Brothers comic strip. This is one of the five small collections of those strips. Clean, bright copy.

1967, Book: Very Good, Color art of moving deck chairs on ocean liner by Martin, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 284 pages. Clean, unmarked copy with only minor wear to dust jacket. Rachelle Bergstein brings readers along on a unique and delightful romp through the history of shoes, the women who wear them, and the profound impact they have on our lives. Women from the Ankle Down includes interviews and cameos with influential figures ranging from Lisa Mayock of Vena Cava to Oscar Award-winning costume designer Patrizia van Brandenstein, from Doc Martens historian Martin Roach to Fashion Institute of Technology museum director Valerie Steele; from Marilyn Monroe and Jane Fonda to Salvador Ferragamo and Christian Dior; from Judy Garland to Wonder Woman.

Hardcover. NY, Abbeville Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover. 168 pages. Profusely illustrated with color plates including many gatefolds. In a bright, unclipped dust jacket.

1967, Book: Very Good, Color art of hockey game by Birnbaum, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Los Angeles, Bunker Hill Publishing Inc, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. In the 80 images throughout this book, Haas has forced Nature to do his bidding. Still, Haas's trees are portraits of Los Angeles in all its complexity and quirkiness, and his views of individual trees reveal much about their surroundings and the humans with whom they share their habitat.

Softcover. Atlanta, The High Museum of Art, 1st, 1972, Book: Good, Dust Jacket: None, 135 pages. Foreword by Gudmund Vigtel. Illustrated in B&W. Some surface wear to covers. Internally clean. Overall tight copy.

1964, Book: Very Good, Color cartoon by Steig of old maid frowning at pollinating bees. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Riverhead , 1st, 2001-11-12, Book: Very Good, Dust Jacket: Very Good, 198 pages. Clean, unmarked copy with only minor wear to dust jacket. Filled with fame, fortune, tragedy, excess, betrayal, and salvation, a powerful glimpse into the life of Picasso and his first family, as told by his granddaughter, reveals his controlling ways and alcoholism that led to the destruction of their family and how she learned to come to terms with the blessings and curses of the Picasso legacy.

Hardcover. New York, Abbeville Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 496 pages. Hardcover with dust jacket in slipcase. A very clean, unmarked copy with only minor wear to slipcase edges. A tight copy. Color illustrations throughout.

1964, Book: Very Good, Color art of bright city lights behind construction rig. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. Faint crease down center. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Boston, Davis Godine, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 188 pages. Hardcover with dust jacket with only light wear. Clean tight copy. Color pictures throughout. Fine art and fine bookmaking meet in this full color selection of 77 books from Europe and the Americas. The authors select, and comment upon, the "best of both worlds": books whose pages reveal the best graphic work of the past century; artwork from the hands of masters as diverse as Braque, Calder, Dine, Hockney, Mapplethorpe, Matisse, Maillol, Picasso, Oldenburg and Rivers-coupled with memorable texts orchestrated by the best designers, printers, and binders.

Hardcover. New York, Whitney Museum of American Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 270 pages, 171 color illustrations, 22 in b/w.; contains two essays, catalogue, reference material. generously illustrated, many are full-page, most all in color. Size: Folio - over 12" - 15" tall.

Hardcover. New York, Da Capo Press, Reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover. (Library of American Art Series) 1971 reprint of the original 1926 edition. 110 pages. b&w illustrations. Brown cloth, gilt lettering to spine and front cover. Light wear and unfortunate paper-clip impressions to upper edge of some pages. Still a nice, tight copy.

Hardcover. Boom Sudios, reprint, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Color aty by Tony Parker. No dj issued. Volume 2 only of 6.

Winston Salem NC, R.J. Reynolds Tobacco Co., 1933, Book: Very Good, Dust Jacket: None, Art "Tea at The Ritz", photographed at the Ritz-Carlon, New York. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.