Art

1968, Book: Very Good, Color art by Getz of an art gallery. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 385 pages. While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name the Chicagoan. Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles. He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory. Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the Chicagoan claimed to represent "a cultural, civilized, and vibrant" city "which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees." Urbane in aspiration and first published just sixteen months after the 1925 appearance of the New Yorker, it sought passionately to redeem the Windy City's unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest. Harris's substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s. The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features--and even one issue reprinted in its entirety.

Hardcover. Los Angeles, Bunker Hill Publishing Inc, 1st, 2006-11-13, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. In the 80 images throughout this book, Haas has forced Nature to do his bidding. Still, Haas's trees are portraits of Los Angeles in all its complexity and quirkiness, and his views of individual trees reveal much about their surroundings and the humans with whom they share their habitat.

Hardcover. US, Book Sales, rep, 1996-08-01, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket with small tear and light de-lamination to rear cover. Clean, tight copy. Portrays the remarkable work of one of the greatest glass designers and makers ever to work, Rene Lalique, including the best of his work and the continuing production of his atelier.

1965, Book: Very Good, Color art by Martin of leprechaun on bench at dawn waiting for St. Patrick's Day parade. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New Haven CT, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 292 pages. No dj issued. An insightful look at the dynamic relationship between modern art and modern urban life in 1920s Paris through the lens of Fernand Léger's masterpiece The City. With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theater, dance, film, and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes--including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amédée Ozenfant, Francis Picabia, and Theo van Doesburg--in relation to Léger. Featuring nearly 250 images of paintings, architectural designs, models, posters, set designs, and film stills and an anthology of relevant historical texts not previously published in English, this handsome volume conveys the spirit of experimentation of the 1920s. Scholars in the fields of art, architecture, and film history offer a deeper understanding of the relationship between art and the modern urban experience that defined this significant chapter in the history of modern art.

Hardcover. New Jersey, Mark Batty Publisher, 1st, 2005, Book: Very Good, Dust Jacket: None, Flexible pictorial boards. 190 pages. This extraordinary and innovative marketing campaign was the brainchild of Abbott Pharmaceutical Company. Over 170 different postcards from about 80 different countries were sent over the course of 14 years.

Hardcover. New York, Knopf, 4th pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Color and black and white illustrations. Orange and blue cloth covers with gilt lettering on spine. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Taschen, 1st thus, 2020, Book: Very Good, Dust Jacket: None, Hardcovers in a colorful slipcase. This Little Box of DC Comics set includes three hardcover comic books featuring iconic superheroes such as Batman, Superman, and Wonder Woman. Still in publisher's shrinkwrap.

Softcover. NY, Museum of Modern Art, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 136 pages. From the early 1960s through the early 70s, Pop Art swept the industrialized world. Iconoclastic, rebellious, and immediately popular, the new movement found its roots in an unprecedentedly prosperous consumer society. Encouraged by galleries and publishers who catered to a new collectors' market, many Pop artists were drawn to the creation of editions on paper and in multiples. 60 vibrant examples by such American icons as Andy Warhol and Roy Lichtenstein, and by such European artists as Richard Hamilton, Niki de Saint Phalle, Gerhard Richter, Eduardo Paolozzi, and Sigmar Polke, are organized according to the themes of mass media consumer culture, politics, erotica and more. All of the works included herein are from The Prints and Illustrated Books Collection at The Museum of Modern Art, New York, an exceptionally rich repository of such work.

Softcover. Berkeley CA, University of California Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 118 pages, illustrations in color. Clean, unmarked copy in excellent condition. In Telling Stories, David Kaufmann focuses on Philip Guston's controversial figurative paintings of the late 1960s and 1970s. He looks at the early critical reception of these works to see what the artist was actually doing and, at another level, to investigate the odd alchemy of artists and their audiences. Grounding his historical approach in careful readings of the paintings, Kaufmann pays close attention to Guston's intense and complicated relationship to Judaism. At the same time, by situating Guston in the context of the fashions of the New York art world, Kaufmann provides unique insight into the workings of that world at the moment when the strictures of artistic modernism began to fade.

Hardcover. New York, Rizzoli, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 338 pages. Hardcover with dust jacket. Light soiling to bottom corner text block, otherwise clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

1976, Book: Very Good, Color art by Getz of people fishing from steel-frame bridge. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Aperture, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 129 pages. Color photographs by Ethan Hoffman and text by Mark Holborn, Tatsumi Hijikata and Yukio Mishima and Kazuo Ohno. Includes a 12 page section on Ohno with numerous color photographs. Color cover photograph is of Ohno. Features work of several other Butohchoreographers/dancers.

Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This newest edition to the Best American Series--"A genuine salute to comics" (Houston Chronicle)--returns with a set of both established and up-and-coming contributors. Editor Lynda Barry and and brand new series editors Jessica Abel and Matt Madden--acclaimed cartoonists in their own right-- have sought out the best stories culled from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web to create this cutting-edge collection "perfect for newbies as well as fans"--The San Diego Union Tribune. This newest volume features luminaries like Chris Ware, Seth, and Alison Bechdel alongside Paul Pope's "Batman" and beloved daily cartoonists like Matt Groening.

Hardcover. Spain, Editorial Labor, 1st , 1955, Book: Very Good, Dust Jacket: None, Spanish editions. 1,080 pages. Black & white photos, drawings. Both with 3/4 leather, spine with gilt lettering. Vol I with stain to endpapers. Vol. II page 1029 with bottom corner crease. Both with browning to black leather spines, bottom edgewear.

Hardcover. Grand Rapids MI, Rizzoli for the Grand Rapids Art Museum, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 317 pages. illustrated throughout in color, some b/w., major scholarly exhibition catalogue on Perugino, known as Raphael's teacher. Contains 7 essays by 8 contributors and much reference material. Clean copy. PLEASE NOTE: Due to weight, domestic shipping only.

Hardcover. Seattle, Fantagraphics, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 712 pages. These superb stories from the nearly 20-year run of Love and Rockets define a world of Hispanic gang warfare, '80s California, punk rock, women wrestlers and the subtle battle to stay true to oneself. Hernandez's main characters are Maggie and Hopey, two adorable lesbian rockers who start out in a somewhat vague relationship and are then are separated by adventures both grand and demeaning. Maggie is a magnificent comics character, a tempestuous naif who wears her heart on her sleeve when she's not throwing it at a succession of bad boys who ignore her, even though Hopey is secretly the love of Maggie's life. Hopey, a mohawked imp, is more opaque, a symbol of the youthful rebellion of punk rock that all the characters are trying to return to in some way, even as real life sweeps them further away from their dreams. Maggie's weight gain over the years sends her self-esteem on a downward spiral, while Hopey goes on an endless tour with a band. Along the way, Hernandez gradually peels away the strip's early sci-fi trappings (dinosaurs and rocket ships) to create a devastatingly naturalistic world. Sharp b&w drawings capture the characters in minute detail with a wide range of emotions. Finally collected into one volume, these stories are among the greatest comics ever put to paper, and an essential piece of the literature of the punk movement.

Hardcover. New York, Madison Square Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 355 pages, illustrated throughout in color and b&w. SIGNED BY AUTHORS on half title page. Over 700 illustrations by 460 artists. Early masters such as Howard Pyle, Charles Dana Gibson, A. B. Frost.followed by Frederic Remington, Howard Chandler Christy, Maxfield Parrish, James Montgomery Flagg, John Held, Jr. , Norman Rockwell, Stevan Dohanos, Albert Dorne and more contemporarily, by Bernard Fuchs, Austin Briggs, Mark English, Bob Peak, Brad Holland and Milton Glaser. Light edgewear and rubbing to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.

Hardcover. New York , Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages, 91 illustrations in color and b&w. In a bright, clean dust jacket. Introduction by John A Williams. "The numerous large illustrations of Bearden's drawings, paintings, and collages from 1940 to the present, give depth to this portrait of an unusually fine American artist." 91 illustrations of the artist's work, including 46 in full color: one four-page spread over two folding pages, and one folding two-page spread. Chronology. List of exhibitions. Bibliography. Silver-blocked blue-cloth-covered boards with facsimile signature on front board. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, DC Comics, 1st, 2004, Foftcover, Continuing DC Comics' decades series devoted to the Caped Crusader, this volume looks at the Dark Knight's beginnings! Featuring Batman stories from BATMAN #7, 15, 20, 31, 37, 47, 48, 49, DETECTIVE COMICS #27, 33, 38, 49, 80, REAL FACT COMICS #5, STAR-SPANGLED COMICS #70, and WORLD'S FINEST COMICS #30, this volume includes Batman's first appearance and the debut of Robin, the first telling of his origin, and the debuts of the Joker, Two-Face, Catwoman and the Mad Hatter. 192 pages in color. Clean and bright but has a smoke odor.

Hardcover. New Rochelle NY, Arlington House, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. This large volume has much of the background and comic art that made the series so popular. It dealt with Depression under which Daddy Warbucks was wealthy and Annie survived with her dog Sandy. Strips run July 1, 1935, to Dec. 25, 1945. Introduction by Al Capp.

Hardcover. UK, PS Artbooks, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. American Comics Group. June/July 1950 - January 1951 Issues 11-15. Foreword by Paul Di Filippo.

Dallas, Taylor Publishing, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, like new in a bright, unclipped dust jacket. Color and b&w illustrations. The lives, artistry and imagination of the 13 comic book artists who are members of one or both of the Jack Kirby Hall of Fame and the Will Eisner Hall of Fame. Inc. Eisner & Kirby; Jack Cole; Walt Kelly; Alex Toth; Steve Ditko; Carl barks etc.

Hardcover. NY, Praeger Publishers, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 116 pages, 90 illustrations, 4 in color. INSCRIBED BY BAUR on the front fly leaf. Clean copy.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover. A collection of over 250 b&w cartoons from 'The New Yorker' dealing with the humorous side of artists & sculptors. Bright red dust jacket.

Hardcover. Washington DC, Cooper Hewitt, Smithsonian Design Museum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home.

Hardcover. New York, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket and plastic covering in very good condition. Brown cloth book marred a little by flakes of yellow paint on back cover. 274 pages, 379 illustrations (20 tipped-in color).

Hardcover. Chihuly Workshop, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Chihuly: On Fire encompasses four decades of his breathtaking work in an extensive, illustrated chronology with 177 illustrations, including 166 full-color plates and a comprehensive essay by art historian and acclaimed author, Henry Adams. This publication will take you on a visual journey through the artist's most important series: Cylinders, Baskets, Seaforms, Macchia, Soft Cylinders, Persians, Venetians, Putti, Ikebana, Jerusalem Cylinders, Rotolo and many more. Clean copy.

Hardcover. Boston, Houghton Mifflin Harcourt, 4th printing, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 327 pages, illustrated throughout in color and b&w. Light shelf-wear to illustrated boards, else a clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 320 pages. Like new in publisher's shrink-wrap. Jan Lievens (1607-1674) was one of the most fascinating and enigmatic Dutch artists of the 17th century. Daring and innovative as a painter, printmaker, and draftsman, he created powerful character studies, genre scenes, landscapes, formal portraits, and religious and allegorical images that were widely praised and valued during his lifetime. This beautiful book, the first overview of the full range of Lievens' career, features more than 50 paintings-many of them newly discovered in private collections-and more than 75 prints and drawings, providing a reassessment of his place in the history of art.

Hardcover. New York, E.P. Dutton & Company, 1st, 1922, Book: Good, Dust Jacket: None, Hardcover, 141 pages. 33 B&W illustrations. No dust jacket. Pages uncut. Blue cloth. In good condition. Articles included in this tribute include: Julian Alden Weir, by Duncan Phillips; Weir The Painter, by Emil Carlsen; Weir, by Royal Cortissoz; Reminiscences of Weir, by Childe Hassam; The Tile Club, by J.B. Millet; Weir The Fisherman, by H. de Raasloff; A Letter, from Augustus Vincent Tack; A Letter from C.E.S. Wood; Lists of Paintings, which is 17 pages long, and lists paintings chronologically, and lists dimensions and owner. One of 712 copies with eight extra illustrations which were published by Phillips Publications as Publication No. 1.

Hardcover. NY, Workman Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Pictorial boards, 150 pages illustrated in color. Design is all around you. And whether you realize it or not, you are already a designer. In Go, renowned graphic designer Chip Kidd explains not just the elements of design, including form, line, color, scale, typography, and more, but most important, how to use those elements in creative ways. Like putting the word "go" on a stop sign, Go is all about shaking things up.Kidd writes about scale: When a picture looks good small, don't stop there--see how it looks when it's really small. Or really big. He explains the difference between vertical lines and horizontal lines. The effect of cropping a picture to make it beautiful--or, cropping it even more to make it mysterious and compelling. How different colors signify different moods. The art of typography, including serifs and sans serifs, kerning and leading. The book ends with ten hands-on design projects for kids. Clean copy.

Hardcover. NY, Scholastic Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.

Hardcover. US, PS Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, Volume 1. 256 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. Hingham, MA, Pierce Galleries, 1st, 1980, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 253 pages. b&w illustrations and color plates throughout. Documents Tarbell's journey from being labeled "just a Boston painter" to being one of the most sought-after, outspoken, teachers in the country. Black leatherette, gilt lettering to spine and front cover. In mint condition. Looks brand new.

Hardcover. Washington DC, Decatur House Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, blue-gray cloth with gilt lettering, 100 pages of text, plus 48 pages with 107 b&w illustrations. Includes the essay: The Problem of Francesco Traini; and two particular studies: A Madonna, and An Illuminated Inferno and Trecento painting in Pisa. Edited and with Introduction by Hayden B. J. Maginnis. Mild musty odor, otherwise a clean, bright copy.

Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. Written and Illustrated by Andrice Arp, Gabrielle Bell, Jonathan Bennett, Jeffrey Brown, Sophie Crumb, David Heatley, Paul Hornschemeier, Anders Nilsen, John Pham and Kurt Wolfgang. Designed by Jordan Crane. A quarterly anthology of literary comics.

Hardcover. New York , W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 271 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. New York, Crown Publishers, 1st, 1942, Book: Very Good, Dust Jacket: Good, Hardcover, 112 pages. 75 b&w illustrations and 8 plates in full color. Red cloth, gilt lettering to spine and front cover, edges lightly worn. Pictorial dust jacket, spine and back cover slightly stained and worn, otherwise a very nice, tight and well preserved copy.

Hardcover. NY, Doubleday & Company/MOMA, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 228 pages illustrated in b&w, some color. Although falling well short of a definitive biography, this treatment of Rodin is chronologically sound, contains some evocative photographs, and a good bibliography, and serves as a solid point of departure for the student of monumental sculpture, and of turn-of-the-20th century French art. Biographical Outline, Selected Bibliography, List of Illustrations, and Index; [Notes] at the end of most topics. Clean copy.

Hardcover. Nelson-Atkins Museum, 1st, 2011, Hardcover, 252 pages. Clarence King's Survey, undertaken between 1867 and 1872, covered a vast swath of terrain, from the border of California eastward to the edge of the Great Plains. It was the first survey to include a full-time photographer--Timothy O'Sullivan--who produced about 450 finished photographs in large-format and smaller-format stereographs. O'Sullivan's images convey a distinct individual quality of perception, at once direct and laconic, as well as a perfect union of objective fact and personal interpretation. As such, O'Sullivan remains the most admired, studied, and debated photographer who worked on the great western surveys of the 19th century. The volume also includes an essential catalogue raisonne of O'Sullivan's King Survey work.

Hardcover. Antwerp/Paris, Fonds Mercador/Alpin Michel, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages, color and b&w illustrations. Slipcased. Text in Dutch. Original illustrated dustjacket over white quarter paper and black cloth with gilt-stamped lettering on spine and initials on cover. Black illustrated endpapers. Two frontispieces, a Masereel woodcut and 1923 self-portrait woodcut. Sound monograph profusely illustrated with 284 mostly b/w Masereel woodcuts and drawings, two fold-outs and 7 color plates. Includes indices with Masereel's published artwork, partly with b/w thumbnail reproductions and list of illustrations.

Hardcover. New York, Tudor Publishing Co., reprint, 1960, Book: Very Good, Dust Jacket: Good, Hardcover, 308 pages, b&w illustrations throughout. Yellow cloth with red title on spine. Pictorial tan dust jacket with light wear to edges and spine and some sunfading to back cover. Overall a tight, clean copy.

Hardcover. NY, Museum of Modern Art, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright yellow dust jacket with fading to spine. 170 pages, 16 color, 99 b&w illustrations. One of the standard exhibitions on this artist. Great plates, lengthy bibliography and list of exhibitions, index. Main essay written by Thomas B. Hess. Clean copy.

Hardcover. NY, Dodd Mead, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 140 b&w cartoons by Barsotti, most from The New Yorker, some published here for the first time. Dust jacket with minor edgewear, unclipped.

Softcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover. Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New York, Bounty Books, reprint, 1969, Book: Very Good, Dust Jacket: Good, Hardcover, 204 pages, illustrated throughout in b&w. Yellow cloth with gilt title to spine, light wear to edges and small stain to upper corner of front cover. Yellow pictorial dust jacket with slight wear to edges and upper edge of spine torn and chipped. Overall a nice, tight copy.

Hardcover. London, Jonathan Cape, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover in a bright, pictorial boards. Approximately 100 pages of cartoon strips in black and white. Paper tanning slightly, clean copy.

Hardcover. NY, Harcourt Brace, 1st, 1945, Book: Very Good, Dust Jacket: Good, Hardcover, wartime cartoon book showing the life of the enlistee (as a dog). One of the early Freeman efforts. Dust jacket edge worn, soiled, price-clipped.