Art

Hardcover. London, James Clarke & Co., 1st, 1941, Book: Very Good, Dust Jacket: None, 92 pages, beige cloth covers. Hardcover with no dust jacket. Spine twisted slightly. Clean, tight copy.

Softcover. Paris, Nathan Image, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated. Approximately 175 pages, mostly color reproductions of Avery's storyboard drawings from his glory years at Warner Bros. and MGM. FRENCH TEXT. This lavishly illustrated reference is shot from the original storyboards of Avery's various cartoons shorts. These are annotated by Avery in pencil. For any fan of American cartoon shorts & Tex Avery in particular, this is an essential guide.

Hardcover. Koln, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 460 pages, without dust jacket, as issued. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.

Hardcover. New York, Frederick A. Stokes, 1st, 1939, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with red covers. Lightly soiled. Black and white wordless cartoons by Soglow.

Hardcover. London, William Heinemann , 1st, 1913, Book: Very Good, Dust Jacket: None, Green cloth, gilt lettering and design. Slightly darkened spine, minor spotting. Minor foxing to first few pages. 50 black & white caricatures.

Hardcover. London, Phaidon Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages. 120 plates and 106 B&W text illustrations. Portrait frontispiece. Light brown cloth cover. Foxing to edges. Otherwise, a clean, tight copy.

Hardcover. New York, W. W. Norton & Company, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Drawings by Will Eisner.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. This catalogue raisonne of Picasso's lithographic work contains 855 pieces with entries for every printed sheet as an individual work, including test and state printings, and unpublished sheets. Scholarly essays from various contributors. Light fraying to bottom spine cover.

Softcover. New Haven CT, Yale University Press;, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. An authoritative guide to the world's greatest typographers, spanning the history of printThis handsomely illustrated volume features a comprehensive listing of outstanding type designers from around the world, ranging from Johann Gutenberg (c. 1394-1468) to the present day. Arranged alphabetically by designer, the book features the work of more than 260 figures in type design, many of whom are among the field's most renowned--including Morris Fuller Benton, Matthew Carter, Adrian Frutiger, Claude Garamond, Eric Gill, Frederic W. Goudy, Bruce Rogers, and Hermann Zapf--as well as entries on lesser-known designers whose contributions to typography are substantial. Entries are illustrated by examples of the designers' work taken from posters, private press editions, magazine covers, book designs, and rare archival specimens. An A-Z of Type Designers also features eight essays by leading contemporary typographers Jonathan Barnbrook, Erik van Blokland, Clive Bruton, John Downer, John Hudson, Jean Francois Porchez, Erik Spiekermann, and Jeremy Tankard. These authors discuss different aspects of contemporary type design, including typeface revivals, font piracy, and designing fonts for corporate identities.

Hardcover. NY, Henry Holt , 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 738 pages, Illustrations. Notes. Bibliography. Index. Auguste Rodin (1840-1917) was arguably the world's greatest sculptor, known for such works as "The Thinker, The Kiss, The Hand of God" and dozens of others. Beautifully written and illustrated, "Rodin" is the definitive biography of a man whose influence on sculpture was as profound as Michelangelo's. Clean copy.

Hardcover. Chicago, University of Chicago Press , 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages of text, plus 125 numbered plates in b&w and color. Price-clipped dust jacket with minor wear.

Softcover. Berkeley CA, Print Mint, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 44 pages. An anthology comic. Cover art by R. Crumb. Sawney Beane bio. Let's Talk Sense About This Here Modern America, script and art by Robert Crumb; Crumb rants about America. Gilbert Shelton's Advanced Motoring Tips. Where Are They Now?, script and art by Kim Deitch; A reporter learns about a practical joker. A Couch in the Sun, script and art by Bill Griffith; biography of Henri Rousseau. Who Killed Lenny Bruce? article, art by Crumb. Goethe's Faust, script and art by Justin Green.

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Painters of Reality, titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism": the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century.Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario.

Hardcover. Seattle, Fantagraphics, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 231 pages in color. Before focusing on tales of justice via superheroes under the Marvel banner, the publisher covered ground-level crime across a range of comics titles and true-crime magazines. Under the Timely imprint from 1947, and Atlas from 1951, up to eleven graphic series including Justice Comics, Official True Crime Cases, All-True Crime, Crime Cases, Crime Can't Win, Crime Must Lose, and Crime Exposed all muscled each other and competitors for space on the newsstands. For the first crime-themed volume in Fantagraphics' ongoing project to restore and resurrect pre-Marvel pulp classics, the Atlas Library has selected a book that debuted as the genre peaked, just before a Senate hearing and the institution of the Comics Code banned the use of the word "Crime" from even appearing in a comic's title. Escaping that fate, Police Action had a seven-issue run of violent and noir-ish morality plays, pitting the officers of the law against the forces of urban malevolence, and was produced by the cream of the Atlas freelance roster, including Joe Maneely, Robert Q. Sale, Gene Colan, Art Peddy, Mort Lawrence, Werner Roth and Bob Powell. Rounding the volume off, also presented is a post-Code one-shot, Police Badge #479, a snapshot of the industry's attempts to adapt to new strictures on the genre: here we view "our boys in blue" in the fight against rank corruption, highlighting the work of Don Heck and Joe Maneely. Clean, like new.

Hardcover. New York, Whittlesey House, 1st, 1940, Book: Good, Dust Jacket: None, 289 pages. Tan cloth covered boards with black ink spine title. Slight shelf-wear. Slight foxing on inside covers, otherwise, tight, clean copy. Profusely illustrated in b/w.

Softcover. Seattle, WA, Fantagraphics Books, 1st paperback, 1994, Book: Very Good, Dust Jacket: None, 129 pages. Softcover. B/w illustrations throughout. Wrapper very good. Binding tight. Pages clean and unmarked. A touch of soil (shelfwear) to edges.

Hardcover. NY, Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Francoise Mouly takes us behind the scenes at the New Yorker and reveals how the magazine creates its signature covers commenting on the most urgent political and cultural events of the day. She shows the shocking and hilarious sketches that didn't make the cut and explains how these are essential stages in the evolution of a cover that stands the test of time but retains its edge. Her book captures contemporary history--from the farce of Monica Lewinsky to the adventures of Michelle and Barack to nuclear meltdown in Japan--in images that are as acute as they are outrageous. More than that, it shows how the magazine that exemplifies journalistic excellence in America also dares to cultivate a sense of humor when grappling with complex moral and political issues.

New York, The Metropolitan Museum of Art, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 233 pages. Hardcover. Color and b/w illustrations throughout. Tan cloth cover boards, gilt title on spine. A light smudge to foreedge. Pages unmarked. Binding tight. Spine straight. Issued in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art, New York, October 1, 2002-January 5, 2003.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, illustrated in color. Bright, clean copy in similar dust jacket.

Hardcover. London, Collins, 1st U.K., 1960, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with dust jacket. The English Edition. Dust jacket w/ light edgewear chips. Price-clipped. Light soil on top of page block.

Softcover. Vanguard, 1st, 2008, Book: Very Good, Softcover, 208 pages. Fantastic reference for artists; great entertainment for fans. The work of Frank Frazetta--THE greatest heroic-fantasy artist of all time--has influenced generations of artists, fans, designers, and movie directors. Now more than 400 of his unforgettable images have been collected in Frazetta, The Definitive Reference. With essays by experts and collectors, this one-of-a-kind volume traces the entire arc of Frazettas career. From his early 1950s comics; to his breathtaking book covers featuring Tarzan, Pellucidar, King Kong, and John Carter of Mars; to his 1960s monster mags, including Creepy, Eerie, and Vampirella; to his major movie posters, including After the Fox, The Night They Raided Minsky's and Whats New Pussycat?; and, of course, his revolutionary Conan paintings--its all here. Frazetta - The Definitive Reference overflows with fantastic images, an index of every published Frazetta work and insightful commentary on this fantasy-art icon. Compiled by James A. Bond (no relation to the international spy). Edited by J. David Spurlock and Andrew Steven with a foreword by Frazetta close personal friend Dr. David Winiewicz.

Hardcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages illustrated in b&w. This volume of Craig's crime and horror work collects comics stories he wrote and drew for Vault of Horror, Shock SuspenStories, and Crime SuspenStories, as well as the complete collection of all his "Dateline" stories from Extra!. In our title story, a reporter stranded in a Louisiana bayou seeks shelter in a seemingly abandoned mansion, only to discover and fall in love with a beautiful woman living there. He wants to be with her, and she wants to be with him; there's only one way that can happen. Also: Craig's murder masterpiece, "Understudies," in which two lovers conspire to remove their respective spouses, in a twisted twist recalling The Postman Always Rings Twice and Double Indemnity; and his signature horror story "...All Through the House" (twice adapted to film - for 1972's Tales From the Crypt movie and HBO's 1989 Tales From the Crypt pilot episode). Plus, the debut of EC's enigmatic horror hostess, Drusilla, and a look at the work of EC artists Harry Harrison, Howard Larsen, Sheldon Moldoff (Moon Girl) as well. Thirty-one stories in all, with essays and commentary by EC experts. Introduction by Grand Master crime novelist Max Allan Collins. Clean copy.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Softcover. New York, Wm. H. Wise, 1st, 1930, Book: Very Good, Dust Jacket: None, Non-Paginated. Comic strips by Clare Briggs that originally appeared in the New York Herald-Tribune. This being one volume of a seven volume set. Light wear to cover corners and edges. Clean, tight copy. Pebbled flexible cloth covers. Clean.

Hardcover. NY, Vendome, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Beene by Beene is a journey through Geoffrey Beene's life in fashion, a 40-year exploration that was, by turns, visionary, witty, irreverent, iconic, and timeless. His work was of such powerful clarity, such complete complicity between form and function that it actually teaches us-as all works of art do-how to look. A defining American artist, Geoffrey Beene towers in his field.Pamela A. Parmal provides a chronological survey of Mr. Beene's career as a fashion designer and discusses the evolution of his work. Chapters focus on themes or influences-Woman, Body, Fabric, Comfort, Geometry, Sport, Culture-that were a constant source of inspiration to the designer. Beene won the attention and admiration of other artists, and here we see his work through the eyes of renowned photographers and illustrators, even filmmakers and choreographers.Geoffrey Beene died in September 2004, before this book could be published, but he was intimately involved with its creation, including the editing of the text, the photo selection, and the book design. The book itself is as tailored and soignee as Mr. Beene's couture, as it looks back at his long and distinguished career.

Softcover. Boston, Museum of Fine Arts, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 315 pages. Color illustrations. For nearly four decades in the sixteenth century, the careers of Venice's three greatest painters-, Titan, Tintoretto and Veronese, overlapped, producing mutual influences and bitter rivalries that changed art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In it, the three artists, brilliant, ambitious and fiercely competitive, vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. They also pioneered the use of easel painting, a newly portable format that led to unprecedented fame in their lifetimes. With more than 150 stunning examples by the three masters and their contemporaries, this volume elucidates the technical and aesthetic innovations that helped define the uniquely rich "Venetian style," as well as the social, political and economic context in which it flourished. Essays range from examinations of seminal new techniques to such crucial institutions as state commissions and the patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, Titian, Tintoretto, Veronese paints a vibrant human portrait--one brimming with savage rivalry, one-upmanship, humor and passion. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. London, Titan, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. Featuring four years worth of non-stop exhilarating, science fiction action-adventure as Flash battles a rogue's gallery of villainy to protect the innocent, the wronged and a bevy of beautiful women from the likes of Kang The Cruel, Queen Valker the Violent, giant birds, lizards, sea-beasts and rock men, as well as wolfmen and gas spiders!

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 56 pages illustrated in b&w by Falk. Clean, bright copy.

Softcover. Utica NY, Munson-Williams-Proctor Institute, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Illustrated in b&w and color. Published on the occasion of the multi-venue exhibition held from 1994-1996 featuring masterworks on paper by Copley, Kensett, Audubon, Blakelock, Bluemner, Storrs, Cadmus, Pollock, and many others. Clean copy.

Hardcover. Hermes Press, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 190 pages. When cartoonist Elzie Segar created Popeye, as a minor character ten years into the run of the Thimble Theatre strip in 1929, little did he know that the world's most famous sailor would still be around over ninety years later and still being offered as a Sunday feature.To celebrate Popeye, the character, the comic strip and his universe, a feature cartoonist Charles M. Schulz described as "perfect... consistent in drawing and humor," Hermes Press is publishing the definitive art monograph on the subject.This book features a comprehensive essay written by pop culture historian R.C. Harvey accompanied by over 350 illustrations of original strip and comic book art, animation art, illustrations, advertising art, products, the Robert Altman film, and everything Popeye. Every aspect of Popeye is explored, from Olive Oyl and Eugene the Jeep to Wimpy and Bluto. Clean, bright copy.

Hardcover. Berkeley CA, University of California Press/Dia Art Foundation, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages, b&w and color plates. Essays and interview with the artist, bibliography, pictorial boards. In publisher's shrinkwrap.

Hardcover. Lewes, DE, GILES, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. A very clean, unmarked copy. Like new still in publishers shrinkwrap. In addition to color plates of all works in the exhibition--nearly one hundred paintings, works on paper, and sculptures--this volume features essays by exhibition curators Douglas Dreishpoon and Tyler Cann, as well as poet and critic Raphael Rubinstein, and an illustrated chronology by academic and granddaughter of the artist Cary Cordova. From his early Abstract Expressionist-inspired paintings to his organic, anthropomorphic figure-ground compositions and later diagrammatical, hard-edged works, Imperfections by Chance charts the full range of Feeley's influential life and career.

Hardcover. Cologne, M. DuMont Schauberg, 2nd pr., 1961, Book: Very Good, Dust Jacket: Very Good, 428 pages, hardcover with dust jacket. Indexed, TEXT IN GERMAN. Illustrated with 41 color plates, 100 fullpage b/w plates. In-depth monograph on the life and work of Kandinsky. Mild edgewear to dust jacket spine. Scratch to rear dust jacket. Dust jacket front flap creased. Tape stains to front and rear flyleaf. Light bumping to spine. First major retrospective monograph. Unmarked. A bright and tight copy.

Hardcover. NY, Epic Comics, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardccover, 76 pages. color art by Frank Miller. The conclusion of Elektra by the master craftsman, Frank Miller, at the top of his game. No comic book collection is complete without it. This may be the best single work that Miller has done for Marvel. Written and with all line art by Miller, and with exquisite colors by Lynn Varley - Elektra Lives Again takes us back to the damaged life of Matt Murdock/Daredevil. Haunted now by the ghost (or is it?) of the woman he loves. Ballet level battles. Elegant panel work. Sharp story telling. Another textbook amalgam of American/European/Asian comics. Full number line, no dust jacket, clean copy.

Hardcover. San Francisco CA, California Academy of Sciences, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, an exhibition catalog with 43 color plates. Essays by Donald Hagerty, Dan Dixon, Ansel Adams, others. INSCRIBED BY DAN DIXON (the artist's son) on front fly leaf. Embossed white cloth covers in a matching slipcase. 8 page exhibition brochure listing 118 works is laid in.

Softcover. London, Tate Publishing, 1st UK, 2015, Book: Very Good, Dust Jacket: None, Softcover. VG+. Red and color pictorial wraps, French flaps, 272 pages., many color and BW illus. Issued in conjunction with a 2015-2016 exhibition of pop art from a variety of international artists and sources. With eight thematic and illustrated essays. The illustrated catalogue presents 162 specific pieces.

Hardcover. NY, Abrams, 1st, 2004, Book: Very Good, Dust Jacket: None, 128 pages, pictorial boards. A lighthearted exploration of pop culture's fascination with gag and practical joke novelty items celebrates the history of the industry, exploring the originality, if tastelessness, of such items as the Whoopee Cushion, the artificial ink spot, and the rubber chicken.

Hardcover. London, The Bodley Head, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a in a bright dust jacket except for a sliver of fading to fore-edge, oblong format, unpaginated, illustrated with 52 full color cartoons. Foreword by Mark Boxer. Small owner's stamp on front fly leaf with bottom corner clipped. Uncommon in hardcover.

Softcover. NY, Poster Auctions International, 1st, 2001, Book: Very Good, Dust Jacket: None, 223 pages in illustrated wrappers. Catalogue raisonne with color plates throughout.

Hardcover. London, Frances Lincoln, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 10 x 12", 304 pages. Over 300 color plates. A comprehensive document of the talent and artistry that went into the design and making of European fashion images from the second half of the sixteenth century to the first half of the twentieth century. No dust jacket issued.

Softcover. New York, Four Walls Eight Windows, 1st, 1993, Book: Very Good, Dust Jacket: None, 300 pages. Softcover with light edgewear to wrappers. Black and white pictures throughout.

Softcover. NY, DC Comics, 1970, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 32 pages, 15 cents cover price. Mild wear.

Hardcover. NY, Artabras Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. A review of all the Batman comics features 224 covers, ranging from the first issue of Detective Comics in 1939 to the mid-1950s.

Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."

Softcover. Milwaukee, Kitchen Sink Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 28 pages including semi-glossy color covers, with b/w interior. Stories include: Cubist Be Bop Comics; Girls Birls Girls strip (where a woman is reduced to legs and vagina); Remember 'Keep on Truckin'?'; The Many Faces of R, Crumb; Fuzzy the Bunny in 'Nut Factory Blues," etc. Stated first printing; conforms to points listed in Kennedy. Saddle stapled comic book. Light shelfwear.

Hardcover. NY, Rizzoli International, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in white. 192 pages, illustrated throughout in color. This Brant Foundation exhibition partially restages three of the artist's critical early shows, including an exhibition of the artist's paintings and drawings of heads at Robert Miller Gallery; his most important canvases from Gagosian Gallery's 1982 show in Los Angeles; and Basquiat's solo show at Fun Gallery in the East Village. Buchhart also considers in-depth the artist's so-called stretcher bar paintings, in which the normally hidden wooden supports for stretched canvases are exposed, works that have yet to be explored at length by scholars.

Hardcover. Museum of New Mexico Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. Featuring eighty-two vintage postcards published beginning at the turn of the century, Postcards of the Night traces American cultural life as it was transformed by industrial strength and shifting demographics. The nation increasingly was growing more educated, upwardly mobile, and urban, and the nighttime postcard popularized this modernism for ordinary consumption. Coalitions of city planners and urban developers, politicians and the media utilized the picture postcard to strategize the role of the individual in the rise of the city. It was the birth of leisure and of travel, the new tourist city to which the postcard needed forcefully to speak, in ways that were equal part artifice and art.

1965, Book: Very Good, Color art of patio overlooking vacation coastline by Szanton, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, graphic novel Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. UK, ACC Editions, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial bpards. Felicity Green brought a new, original voice and look to the fashion pages of the '60s' Daily Mirror. For the first time in newspaper history she created fashion pages designed to appeal to both sexes as the circulation soared to more than 5 million copies a day. Great pictures, great photographers, top designers, top models - Felicity made these Swinging '60s fashion stories FUN! bringing the glamor and style of glossy magazines to the Mirror. These award-winning pages broke the fashion mould and captured the stellar time when London fashion conquered the world. Under Felicity Green's by-line comes stories of the stars of the '60s - they're all talking in this original book: Mary Quant, Barbara Hulanicki, Vidal Sassoon, Twiggy, Terry O'Neill, and a sparkling foreword by Barbara Hulanicki, of Biba fame, tells the story of a fashion collaboration/friendship whose gingham dress made fashion history. Still in publisher's shrinkwrap.