Softcover. New York, Charta, 1st, 2006, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. Very clean, unmarked copy still in shrink wrap. 80 photographs in black and white. A collection of portraits from throughout the 1960's.
Hardcover. Marina del Rey, CA, Graystone Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover. Printing limited to 5000 copies. 113 pages. B&w and sepia photographs throughout. Sepia photo plate on front of ivory cloth cover. Light soiling and rubbing to back cover. Light edgewear to cover. Else a nice, clean copy. A collection of images by De Meyer of his wife Olga who was rumored to be the daughter of Edward VII.
Hardcover. Cambridge MA, The MIT Press, 1sr, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright gold foil dust wrapper, 476 pages. The artist Francis Picabia -- notorious dandy, bon vivant, painter, poet, filmmaker, and polemicist -- has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade -- Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history -- and naming them -- for the first time: Dada Drawing, Dada Painting, Dada Photography, Dada Abstraction, Dada Cinema, Dada Montage.Along the way, Baker describes a series of nearly forgotten objects and events, from the almost lunatic range of the Paris Dada "manifestations" to Picabia's polemical writings. Clean copy.
Hardcover. London, Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: None, 256 pages. Oversize hardcover with no dust jacket. Very clean, like new copy still in publishers shrink wrap. Large black and white & color photographs throughout. Tight copy. Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself. In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the photos, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947. In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.
Hardcover. New York, Thomas Y. Crowell & Co., 1st, 1905, Book: Good, Dust Jacket: None, B&w illustrations with comments pertaining to automobiles from Life magazine. Corner and edge wear and fade, otherwise, spotless and tight copy.
Hardcover. NY, Harper and Brothers, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, in original beige cloth with pictorial design to cover and title to spine in black. Classic humorous cartoons by the celebrated graphic illustrator. The author's 3rd book. 224 pages, 350 drawings, states first edition on copyright page. Mild darkening of spine. Otherwise a clean, very good copy.
Hardcover. Chicago, A.C. McClurg & Co., 1st, 1904, Book: Good, Dust Jacket: None, Hardcover, folio size, unpaginated, profusely illustrated in b&w by the author. A fictitious chronicle in newspaper prose with cartoon illustrations satirizing society in a small mid-west community. Corners and edges show wear. Interior clean.
Softcover. NY, Harry N. Abrams, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. 117 illustrations including 50 plates in full color. Clean, tight copy. Included here are paintings and descriptions of more than 100 diners from every part of the United States. The artist's own captions introduce each diner - many of which no longer exist - and describe their food specialties, their sometimes quirky histories, and their owners, managers, or patrons. In the first edition 50 paintings were reproduced in color; for this new, revised, and updated edition, there are 69 in color. The artist has selected forty recent paintings to replace earlier works, most of which were shown only in black and white. New reminiscences, new anecdotes, and new facts accompany the paintings. Written by Baeder in his inimitable, conversational style, these brief texts tell the reader much about diner history, fashions in food and popular architecture, and about the amiable, slightly nutty man who pursues diners obsessively, yet views them with a perception that rivals that of a connoisseur of haute cuisine.
Hardcover. D Giles Ltd, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. This is the first major publication in more than 30 years devoted to Duveneck, one of the most influential and widely respected late-nineteenth century American artists.Beloved to his students, Duveneck was lauded by many Gilded Age luminaries such as James Abbott McNeill Whistler and Henry James. Yet a century after his death, he is largely known only for asingle, brilliant painting, The Whistling Boy. By contextualizing his work in the artistic, cultural and social milieus of the time, this publication offers diverse perspectives on Duveneck's life, work, subjects and reputation. The essays span his beginnings as a painter of dark realism to his later impressionistic work and examine his significance as a printmaker and draftsman. The lavishly illustrated volume includes a chronology and selected bibliography. irst half of the book consists of essays which detail the artists uneven life. Numerous photos, drawings and a few great close ups. The second half of the book consists of the catalog. 128 catalog images, mostly paintings with some drawings and pastels. All in color.
Hardcover. New York, Riverhead Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover with dust jacket. Very clean, unmarked copy with very minor wear to dust jacket edges. This lavish full-color collection showcases more than a quarter century of Blitt's work: his wry and provocative New Yorker covers. Featuring the author's hand-scrawled annotations and self-deprecating witticisms, more than one hundred never-before-seen sketches and drafts.
Hardcover. Boston , David R. Godine , reprint , 1992, Book: Very Good, Dust Jacket: Very Good, 110 pages, hardcover. Color illustrated dust jacket with blue cloth covers. Extensive color and black and white illustrations though out. Illustrated end pages and flyleaves. (Originally published in 1984). Previous owner's notation on half-title page otherwise clean, minor wear to dust jacket.
Softcover. NY, Adelson Galleries., 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover with heavy paper slipcase. Contains 15 loose 12x12" color plates and a folded sheet featuring a photo of the artist and a short essay by Warren Adelson. A 16th plate called for in the list of paintings is missing. Plates on heavy stock, bright and clean, slipcase shows wear.
Hardcover. NY, Rizzoli Electa, 1st thus, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. In remembrance of revered American artist Wayne Thiebaud who passed away in 2021 at the age of 101, the definitive monograph of Wayne Thiebaud's work is now available in a reformatted, accessibly priced edition, including his last paintings.This is the most comprehensive monograph to date on Wayne Thiebaud, with new works added, in a reformatted size. Spanning the length of his career from the 1950s to the present, the book has been made in close collaboration with the artist. Thiebaud selected the works himself, making the book an act of autobiography in a sense. At age 100, he looks back over his life and his work, rich with breakthroughs in painting and masterful individuality.
Softcover. New York, Multiples Inc & Lois and Michael K. Torf , 1st, 1980, Book: Very Good, Dust Jacket: None, 126 pages, paperback. Hundreds of b&w photographs documenting the personal belongings in LeWitt's living and working space in New York City in 1980. Fascinating look into the private life of one of the pioneers of minimal and conceptual art. Age toning to spine. Light rubbing, slight soiling, and mild age toning to wraps. Unmarked. Very scarce. A tight copy.
Softcover. PS Artbooks, reprint, 2025, Book: Very Good, Dust Jacket: None, Softcover, 100 pages in color. A facsimile reprint of the 1942 comic book featuring Captain Marvel himself (known today as Shazam) at the height of his popularity. Another Mac Raboy cover plus his 18-page Spy Smasher story! Dive back into the golden age of comics with this wonderful facsimile originally published by Fawcett Comics, newly restored. This 100-page blockbuster features Captain Marvel, Bulletman, Spy Smasher, Mr. Scarlet and Minute-Man in two-fisted wartime stories from 1942. Rediscover the Golden Age magic in all its original glory with Fawcett's top heroes together in one massive comic. Clean copy.
Softcover. San Francisco, Pomegranate, 1st pbk, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Collects the cat paintings that Kliban did for a series of calendars from 1977 through 1986. All in full color. Like new, clean.
Hardcover. Milwaukie, OR, Dark Horse Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 500 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Features 670 illustrations and photos. This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles.Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.
Hardcover. Great Britain, The Observer, 1st, 2006, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover. Color and b/w illustrations throughout. Decorative endpapers. In excellent shape. Binding tight, clean inside and out.
Softcover. Cincinnati OH, North Light Books, 6th pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, color illustrations throughout. In 17 projects, this book details literally every component of drawing the figure -- from choosing materials to creating a setting. Clean, bright copy.
Hardcover. NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. While sheets of paper are disappearing from our homes and offices, the medium is experiencing a renaissance in the worlds of art, design, and architecture. Suddenly, paper is everywhere--but not only in the old familiar places or forms. This fascinating book looks at every aspect of paper: its history, composition, production, application, and trade. Beginning with the anatomy of paper and its earliest forms, this book looks at paper as a symbol of political and economic importance and as a carrier of ideas, from literature to art, design, and music. It looks at the different surfaces, opacities, weights and volumes of paper and how it is used for printing, typography, graphics, and maps as well as a vehicle for origami, architecture, and fashion. Sumptuously illustrated with photographs and drawings, this book includes a variety of papers for readers to examine and feel, highlighting the sensual aspects of this seemingly ordinary product. Engaging, entertaining, and informative, this book contains a wealth of useful and surprising information on every printed, colored, and textured page
Softcover. Seattle, WA, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, 120 pages. Softcover. Very clean, unmarked copy. Arf Museum explores the unholy marriage of art and comics in a stunning array of rare masterpieces, guaranteed to make you "pop-eyed!" With 120 large-format and colorful pages, Arf is a treat for the senses, encompassing a rich treasure trove of images spanning the 19th, 20th, and 21st centuries. This iconoclastic tome showcases the gamut of artists, from celebrated innovators to forgotten geniuses.
Softcover. NY, André Emmerich Gallery, 1st, 1990, Softcover with deckle fore-edge. Oblong format. 12 full page images in color printed on rectos only, captions on versos. Exhibition April 26 - May 19, 1990 of 14 works (two of which were not illustrated). Laid in is a price list with works sold. Clean copy.
Softcover. Malmo, Sweden, Malmo Konsthall, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color illustrations. Text in English and Swedish. Essay by Susan Harris. This catalog was prepared to accompany the exhibition in Sweden at the Malmo Konsthall from September 3 to October 16, 1994. In this exhibition Nancy Spero printed her drawings directly on the walls to create the work.
Hardcover. New Haven, CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book includes a general discussion of Van der Heyden's work, entries on 40 of his paintings, illustrations of about 100 of his paintings, as well as supplemental drawings and prints. Focusing mainly on the bustling city of Amsterdam, he also recorded other Dutch, Flemish, and German cities with a brilliant palette and exceptionally detailed technique. Often innovative in his composition, he was the first artist to create imaginary scenes by rearranging existing city views and known buildings.
Softcover. Williamstown MA, Williams College Museum of Art , 1st, 1992, Book: Very Good, Softcover, Catalogue of the exhibition, based on Marguerite Yorcenar's essay "Antigone, or the Choice from Fires". Contains an interview with Smith, exhibition list, and select bibliography. 88 pages, b&w, some color illustrations. Clean copy.
Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Alongside more than 172 of his drawings, cartoons, and caricatures--and in prose as spirited and wickedly pointed as his artwork--Edward Sorel gives us an unforgettable self-portrait: his poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at age eight; his time as a student at New York's famed High School of Music and Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast, which became the hottest design group of the 1960s; his two marriages and four children; and his many friends in New York's art and literary circles.
Hardcover. Canada, Disney Editions, 1st, 2017, Book: Very Good, Dust Jacket: None, There are nine flip books inside this box that pays tribute to Disney's early animators. Legendary animators Ub Iwerks, Norm Ferguson, Billl Tytla, Ham Luske, Art Babbitt, Grim Gatwick, Freddie Moore, Hal King, and John Sibley are featured in this special set. Each flipbook features a scene from an animated Disney feature in its original line-drawn form, having been selected from among a wide range of films for great movement and classic characters.
Hardcover. Seattle, University of Washington Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 113 pages, b&w illustrations. When architects create a landscape or building, when artists depict a landscape, and when poets write of nature, they recreate certain aesthetic elements observed in nature. Jay Appleton asserts in an insightful analysis that these aesthetic values in landscape are not found in an elevated philosophy of aesthetics or in a culturally bound artistic symbolism but in the biological and behavioral needs that we share with other animals. Thus, the aesthetics of landscape may be approached through other areas of human experience and science, especially the natural and behavioral sciences. They are expressed in symbolism drawn from a primal habitat in which all animals seek survival. Clean copy.
Softcover. NY, Dover, reprint, 1969, Book: Very Good, Dust Jacket: None, Softcover, Bright purple cover. A collection of cartoon stories, reproduced unabridged from an original 1892 publication. Plus seven picture stories from issues of Life Magazine, 1921-22. Clean copy.
Softcover. Tokyo/NY, Kodansha USA, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, Softcover with a dust jacket, 152 pages. Highlights over 130 outstanding examples from the vast holdings of the Victoria and Albert Museum in London. Strikingly original and sumptuously colored, the ukiyo-e in these pages recapture the spirit of the period in which they were created. Here can be found the glamorous courtesans of the Yoshiwara pleasure quarters, the flamboyant vigor of kabuki theater, and the diversities of the Japanese landscape. Clean copy
Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 440 pages, colo and b&w illustrations. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.
Hardcover. New York, Abrams ComicArts, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Very minor wear to top edge of dust jacket. An otherwise very clean, unmarked, tight copy. Throughout his 25-year career, alternative cartoonist/screenwriter Daniel Clowes has always been ahead of artistic and cultural movements. Clowes has been praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times-bestselling creator. It includes all of Clowes's best-known illustrations as well as rare and previously unpublished work, all reproduced from the original art.
Softcover. NY, Museum Of Modern Art (MOMA), 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, hefty 480 page exhibition catalog illustrated in color. Published in conjunction with the exhibition "Henri Matisse A Retrospective" at The Museum of Modern Art, New York, September 24, 1992-January 12, 1993. Bookplate on inside front cover, otherwise clean. Lavishly produced in oversize format, here is the complete illustrated catalogue of a landmark new exhibition devoted to the artist--the largest ever assembled. Includes biographical notes, a chronology, and introductions to each major period of Matisse's career. 320 colorplates reproduce every painting and cutout in the exhibition; 92 black-and-white plates illustrate the sculptures, drawings, and prints. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white illustrations throughout. At the age of 21, Gene Deitch discovered The Record Changer, a jazz fan magazine. Every jazz swinger in the '40s was called a "cat," so Gene Deitch created a cartoon feature titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951. Deitch's stylistically virtuoso images exquisitely embodied the essence of the 1950s hipster, and was a visual paean to the joy of collecting records and appreciating jazz. The Cat on a Hot Thin Groove collects all of Deitch's Record Changer work in one gorgeous, coffee-table art book, with commentary and reminiscences by Deitch himself.
Hardcover. New York, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Tight, clean copy with Illustrated heavily by author. Previous owner's marking on half title page. The illustrator of "Gnomes" imaginatively captures his own heritage in a stunning visual recreation of his family, ranging from an eight-year-old cowherd in the 1600s up through the present day. Color throughout.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Vignette of newlywed couple peeking out from coach door. Not credited. Approx. 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Simon & Schuster, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 143 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Yellowing and wear to dust jacket edges. A collection of ghoulish cartoons conducts an irreverent tour of such American institutions as teenage dating, Las Vegas, automobiles, New England Calvinism, and witchcraft by Gahan Wilson.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Woman rider on horseback with collie running beside her as they pass convertible automobile in park. Beautiful painting by Frank Craig. Approx. 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. London, Titan Comics, 1st, 2016, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. From the very beginning in 1934, these are the original adventures of the famous comic strip detective - collected in full for the very first time! Mandrake is a master of hypnosis, whose ability causes his opponents to encounter wild illusions, giving the heroes the upper hand in a fight. His enemies cover a broad spectrum, including gangsters, mad scientists, alien creatures, and characters from other adventures. His greatest ally is Lothar, "Prince of the Seven Nations" who gave up his crown to join Mandrake in his globe-trotting adventures. They are accompanied by the beautiful Narda, princess of a European nation and Mandrake's romantic interest.
Softcover. Washington DC, Corcoran Gallery of Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in b&w, some color. Clean copy.
Softcover. Ithaca NY, Cornell University Press, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 324 pages. An illustrated history of the theory and practice of perspective, looking at key texts from the Renaissance to the present. Fifty-six b&w plates. Appendix: Mathematics and Perspective. References. Index. Crease to front cover, Clean copy.
Hardcover. London, V&A Publications, 1st, 2007, Book: Very Good, Dust Jacket: Good, 224 pages. Hardcover with dust jacket. Soiling and wear to dust jacket edges. Light yellowing to inside pages. Small tears to dust jacket rear. An otherwise tight copy. 97 color plates, 80 black and white illustrations. In 1947, Christian Dior?s ?New Look? was greeted with both shock and delight, making headlines around the world. Accompanying the exhibition opening at the Victoria and Albert Museum in September 2007, this lavish book focuses on Parisian and British couture between 1947 and 1957, the decade Dior hailed as fashion?s ?golden age.? The ?New Look? symbolized a new femininity. The full skirts and hourglass silhouettes were considered highly decadent, synonymous with luxury and prosperity, in marked contrast to the austerity of the WWII years. Nevertheless, the ?New Look? caught the public imagination and ushered in a period of remarkable creativity. The Golden Age of Couture features stunning gowns and exquisite tailoring from Dior as well as from such designers as Balenciaga, Balmain, and Givenchy, along with evocative photographs by the likes of Richard Avedon and Cecil Beaton.
Softcover. NY, Harry N. Abrams, 2nd pr., 1981, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. 117 illustrations including 50 plates in full color. Clean, tight copy. Included here are paintings and descriptions of more than 100 diners from every part of the United States. The artist's own captions introduce each diner - many of which no longer exist - and describe their food specialties, their sometimes quirky histories, and their owners, managers, or patrons. In the first edition 50 paintings were reproduced in color; for this new, revised, and updated edition, there are 69 in color. The artist has selected forty recent paintings to replace earlier works, most of which were shown only in black and white. New reminiscences, new anecdotes, and new facts accompany the paintings. Written by Baeder in his inimitable, conversational style, these brief texts tell the reader much about diner history, fashions in food and popular architecture, and about the amiable, slightly nutty man who pursues diners obsessively, yet views them with a perception that rivals that of a connoisseur of haute cuisine.
 "Dinersby: Baeder, John")
 "Frank Duveneck: American Masterby: Aronson, Julie (Editor), and Burns, Sarah (Contributions by), and Dombrowski, Andre (Contributions by)")
 "The Art Of Ogden M. Pleissner by: Bergh , Peter")
 "America's Greatest Comics No. 3by: Otto Binder, Mac Raboy et al.")
 "You Are the Ref: 50 Years of Paul Trevillion's Cult Classic Comic Stripby: Hills (Editor), David, Giles Richards (Editor)")
 "The Figure Drawing Workbook: A Step-by-Step Guide to Drawing the Human Figureby: Raynes, John")
 "Frankenthaler: Paintings on Paperby: André Emmerich Gallery")
 "Alexander Liberman: Painting and Sculpture 1950-1970by: Alexander Liderman")
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