Art

Softcover. UK, Watford Borough Council, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover. Original card covers. 12 b/w plates, essays, biography. Sir Hubert von Herkomer was a Bavarian-born British painter, pioneering film-director, and composer. Though a very successful portrait artist, especially of men, he is mainly remembered for his earlier works that took a realistic approach to the conditions of life of the poor. Clean copy.

Hardcover. Wahington DC, National Gallery of Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover,. Published to accompany an exhibition held at the National Gallery in Washington (and later at the Kunstmuseum Basel, Switzerland) and concentrating on the pivotal decade 1955-1965 when Johns produced his most famous works, this catalogue is filled with well-produced reproductions. Jasper Johns (born 1930) is an important American painter who is variously said to belong to the Minimalist, Pop Art or Neo-Dadaist schools. This catalogue presents paintings from the first decade of his creative output.

Hardcover. New York , Tekhne, 1st, 1960, Book: Very Good, Dust Jacket: None, 109 pages of text, 292 plates, almost all in b&w, some color. Blue cloth covers with gilt design. INSCRIBED BY ARCIPENKO on the page following the title. One page has been carefully excised and laid back in (plate #33-35). Otherwise clean, tight copy.

Softcover. New York, Rizzoli, 1st, 1993, Book: Very Good, Dust Jacket: None, 305 pages, illustrated throughout in color and b&w. Light edgewear and sun-fade to spine. Previous owner's signature on front end paper. Clean, tight copy. Briefly traces the career of this contemporary American architect and shows examples of his houses, apartment buildings, libraries, museums, schools, hotels, churches, and conference centers.

Softcover. NY, Rizzoli, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, large oblong format, 304 pages. Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many fields.Chip Kidd: Book One collects all of his book covers and designs for the first time, as well as hundreds of developmental sketches and concepts-annotated by Kidd and by many of the best-selling authors he's worked with over the years. The result is an important contribution to the design canon today as well as a visually dazzling (and often hilarious) insider's look at the design and publishing process.The book also showcases Kidd's work with comics and graphic novels, including his collaborations with leading artists and writers in the field. Featured are projects for DC Comics, including Batman and Superman, as well as Kidd's award-winning exploration of the art of Charles M. Schulz. Chip Kidd: Book One is sure to enthrall design aficionados, book lovers, pop-culture fanatics, comics fans, and design students. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Susquehanna University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. This volume pieces together three partial autobiographies of Eugene Zimmerman (1862-1935) as well as his sketches, notes, letters, and articles to produce a coherent life story of one of America's leading one-panel cartoonists. Illustrated.

Softcover. US, Top Shelf Productions, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 285 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers. As the NATO bombs fell on his hometown of Pancevo in 1999, Serbian cartoonist Aleksandar Zograf used his diary comics and e-mail to reach out to the world and offer a glimpse at the effects of the attacks. Over the weeks and months of the war, Zograf documented not only how the bombings shattered the lives of his friends and neighbors, but also how the routine of daily life remained unchanged. The most recent attacks on Pancevo's oil refinery are contrasted with the latest local soccer matches -- and American propaganda flyers are as likely to fall from the sky as American comics are to arrive in the mail.

Hardcover. New York, E.P. Dutton - New York, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, profusely illustrated throughout in full color. Large folio. Clean, unmarked copy with only minor wear to dust jacket. A stunning showcase of Erte"s graphics completed at the time of publication with an additional 27 graphics added since the first edition (Erte at Ninety). Erte was a leading light in the Art Deco style and this book belongs in the library of anyone with an interest in the genre.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. illustrated in b&w, some color. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. Clean copy.

Softcover. Seattle, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. Contributions by David B. returns with his second long story for Mome, the 30-page "Veiled Prophet"; R. Kikuo Johnson delivers a four-page biography of pioneering wildlife artist John James Audubon; Jeffrey Brown asks, "What Were They Thinking?"; Martin Cendreda traces a lifetime of regret in "La Brea Woman"; Sophie Crumb tells a true story of young love and heroin addiction in "Melanie & Billy"; Jonathan Bennett, the subject of this issue's feature interview, explores the concept of memory in "I Remember Crowning"; Paul Hornschemeier (Mother, Come Home) returns with "Life With Mr. Dangerous"; plus more all-new stories from Gabrielle Bell, Anders Nilsen, David Heatley, John Pham, and Kurt Wolfgang.

Hardcover. New York , Nan A. Talese, 1st US, 2014-11-11, Book: Very Good, Dust Jacket: Very Good, 430 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Woodbridge, Suffolk, Antique Collectors Club Dist, rep, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 455 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Topsfield MA, Salem House, 1st US, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Not paginated but approximately 200 pages. Illustrated throughout in color and b/w by author. Steadman's 'portraits of the Nixon Years, Vietnam and Watergate, and now Reagan years, Pearlygate and the 1988 Presidential Election are powerful, disturbing and above all, savagely funny.' Clean copy.

Softcover. NY, La Follia , 1st, 1939, Book: Fair, Dust Jacket: None, Softcover 8.25" x 11"; 175 pages. As well as being one of the best known voices of his time, Mr Caruso was also a talented hand at the art of caricature and this volume reproduces hundreds of them from the worlds of entertainment, music, and politics. 276 caricatures organized in five sections: Auto-caricatures, including family; Evolutions and Transformations; Composers and Conductors; Sketches of Some Operas; and Rulers of the World and Celebrities, with photo of the artist on cover in his role as Pagliacci. Includes facsimile and transcript of last letter sent by Caruso to the publisher, Marziale Sisca two days before he died, with English translation. Covers soiled, chipped. Backstrip gone, upper and lower covers are detached and upper cover is damaged.

Hardcover. New York , Metropolitan Books, 1st US, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 191 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. Over the past decade, Joe Sacco has increasingly turned to short-form comics journalism to report from conflict zones around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today. Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India's "untouchables" to the ordeal of Saharan refugees washed up on the shores of Malta. And in pieces never published before in the United States, Sacco confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history-the torture of detainees.

Softcover. US, Yale University Press with Joslyn Art Museum, Omaha, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to dust jacket, else a clean, tight copy. This beautiful book is the first full-length study of Degas`s Little Dancer Aged Fourteen, one of the most famous and beloved of all nineteenth-century sculptures. The book surveys the history, character, and significance of the sculpture, as well as its social context and the mixed reactions to it over the years.

Hardcover. Indianapolis IN, Eiteljorg Museum of American Indian and Western Art, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 212 pages with 129 color plates. Foreword by James K. Ballinger. Wonderful work by the Arizona artist who started his career as an illustrator in New York for magazines like the Saturday Evening Post. The subject is primarily the American Indian. Clean copy.

Hardcover. NY, Nostalgia Press], 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, A complete story reprinted as it originally appeared in the newspaper comic strips of 1938, b&w illustrations. No. 7 in the publisher's Golden Age of the Comics series. Dust jacket with chunk gone from front top edge.

Hardcover. China, Moko Press , 1st, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. SIGNED BY AUTHOR with illustration on title page. 34 of 500 printed. Extensive color illustrations throughout. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Birmingham UK, Washington Green Fine Art Publishing Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong,128 pages. Full color plates throughout. Clean, unmarked copy with only minor wear to dust jacket and slight rubbing on bottom spine of covers.

Hardcover. Conway NH, TMC Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 131 pages, illustrated throughout in color. SIGNED BY AUTHORS on title page. This is the story of what happens when big people decide to be kids again and they have tools and lumber. A beautifully written tale about building an elaborate two story treehouse in the Maine woods, Treehouse Chronicles is reflective and insightful, and carries the reader along as a dream is made real. We meet the author's family, and friends, and a squirrel with an attitude, and you will be captivated by this poignant and humorous story of process, a house is hung in the sky. Packed with over 180 spectacular photographs, evocative watercolors, and line drawings. Clean, tight copy.

Hardcover. NY, Random House, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, hundreds of b&w cartoons from the magazine's golden age. Tan cloth spine with blue boards. No lettering on spine. Clean copy, no dust jacket.

Hardcover. New York , Smithsonian/ Abrams, 5th pr., 1986, Book: Very Good, Dust Jacket: Very Good, 336 pages illustrated in color and b&w. Clean, bright copy. Large, oversize folio in a very good, unclipped dust jacket.

softcover. Madrid, Museo Nacional Centro de Arte Reina Sofia, 1st, 1992, Book: Very Good, Dust Jacket: None, 156 pages. Softcover with light fading to spine. Edgewear to corners, wrappers. Color pictures throughout. SPANISH TEXT.

Hardcover. NY, DC Comics, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Collects stories from classic Spirit adventures in which a murdered detective fights crime from beyond the grave. July 1947-December 1947. Color art by Eisner. Still in publisher's shrinkwrap.

Softcover. New York, Harcourt Brace Jovanovich, 1st Edition, 1980, Book: Very Good, Dust Jacket: None, Nonpaginated. Softcover. B/w illustrations throughout. Wrapper clean and very good. Pages clean and unmarked. Binding tight. Edges have a touch of tanning from age.

Hardcover. New York, Hudson Hills Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages, illustrated with 247 plates, 37 in color. In publisher's shrinkwrap. Nobel Prize-winner Heaney introduces a volume that richly reflects every aspect of Hadzi's career, from intimate studio photographs to large architectural commissions. Hadzi's works in bronze and stone are powerfully abstract and expressionist, yet involved with the past as a literary and aesthetic source.

Hardcover. New Haven, CT, Yale University Press. , 1st , 1929, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated in black & white, 5 color plates. 487 pages + 646 photos, 16 plates in rear. Previous owner's inscription, bookplate on front pastedown. End papers tanned.

Hardcover. Taschen, 1st thus, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover. On November 18, 1928, the world's most famous Mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney's and Ub Iwerks's most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin.With unlimited access to Disney's vast historical collections as well as public and private collections, the authors bring Mickey's success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free.Extensive archival research sheds new light on little-known chapters of Mickey's career, the origins of the Mickey Mouse Club, and his use as a patriotic icon during World War II. Along the way, we encounter the work of all major Mickey artists in both film and comics, including such greats as Ub Iwerks, Win Smith, Ferdinand Horvath, Fred Moore, Floyd Gottfredson, Carl Barks, Manuel Gonzales, Paul Murry, Romano Scarpa, Giorgio Cavazzano, Byron Erickson, and Cesar Ferioli.Mickey Mouse has left an indelible mark on everyday culture as well as high art, becoming a favored subject for Pop artists such as Andy Warhol, Keith Haring, and Roy Lichtenstein.

Softcover. Berkeley CA, Last Gasp, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover First Edition. The Winter, 1986-87 issue of this comics series created by Robert Crumb, his wife Aline, and others; this issue features a wonderful, full color cover by Crumb, and contributors such as Mark Zingarelli, Kim Deitch, Stephen Calt, Frank Stack, S.Clay Wilson, Penny Moran, a superb, five page story by Robert Crumb, entitled Mother Hulda, and a wonderful letter from Harvey Pekar; this copy is very good plus in stapled wrappers .

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 349 pages, color illustrations throughout. DVD included. Representing Jean-Paul Goude's life and work from the late 1960s up to the present, the book spans Goude's years at Esquire; his revolutionary work with Grace Jones, his videos for MTV and for Azzedine Alaia; his advertising work for Chanel, and more. With text and images by Goude himself, So Far So Goude is the definitive book on the work of an extraordinarily innovative, talented and unorthodox man. With more than 350 illustrations in full color, this book is a fascinating reference for anyone interested in fashion illustration, photography, and all other avenues of commercial design and advertising.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Hardcover. UK, PS Artbooks, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, unpaginated. Color comics from the 1940s, all by Basil Wolverton, featuring Space Patrol and Spacehawk. Clean, like new.

Hardcover. Montreal, Drawn and Quarterly, reprint, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 48 pages in color by Clowes. Teen outcast Andy is an orphaned nobody with only one friend, the obnoxious-but loyal-Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can, and as he learns the extent of his new powers, he discovers a terrible and seductive gadget-a hideous compliment to his seething rage-that forever changes everything. The Death-Ray utilizes the classic staples of the superhero genre-origin, costume, ray gun, sidekick, fight scene-and reconfigures them in a story that is anything but morally simplistic. With subtle comedy, deft mastery, and an obvious affection for the bold pop-art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche. Originally published as a paperback in Eightball #23 in 2004, here beautifully reproduced on heavy stock with new end paper illustrations and a new cover.

Hardcover. New Haven CONNECTICUT, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, illustrated with 103 color and 262 b&w plates. Still in publisher's shrinkwrap. Anne Vallayer-Coster (1744-1818) was one of the most talented still-life painters of the French school. Her exquisite paintings, today located in some of the world's finest museums, were admired and collected by many of her contemporaries, including Marie Antoinette, who became the artist's most important patron.

Hardcover. NY, Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 311 pages, 394 illustrations including 41 tipped-in color plates. Small previous owner's embossed mark on title page, otherwise like new in a bright dust jacket. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Alexandria VA, Art Service International / Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 263 pages. Comprehensive treatment of Grandma Moses, her life, work, significance, and with a Catalogue of her work. Illustrated in color. Designed for a major traveling exhibition of Moses' work, the hardcover copies were distributed by Yale. Clean copy.

Softcover. Firenze Italy, Glittering Images, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 157 pages, illustrated in color and b&w, photographs and artwork featuring bondage and fetishes. Pictorial color wraps in very good condition. For adults only. English, French, Italian text.

Softcover. Gloucester MA, Rockport Publishers, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Sex sells. It?s one of the oldest and most effective tricks in the book. The challenge for graphic designers, however, is to incorporate sexuality into their work in ways that are classy rather than coarse, sensual rather than smutty, provocative rather than pornographic. This arresting volume shows how top graphic designers have leveraged the universal notion of sex to create attention-grabbing yet high-quality artistic work. Covering every medium, from print to the Web, Sex Graphics showcases images that incorporate sex in ways that range from subtle to clever to shocking. Some images hint at the act of sex itself; others flirt with humorous stereotypes. Some exude romantic overtones, and others, erotic ones. Some speak to adults, others to teens.

Hardcover. London, Thames & Hudson, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. 106 illustrations 97 in color. Still in shrinkwrap. The first exploration of the art that Georgia O'Keeffe retained for her personal collection, including works that have never been publicly exhibited. Georgia O'Keeffe was one of America's preeminent artists and one of the first to experiment with abstract form, though she never abandoned her deep response to and observation of nature. An enormously popular artist, she became identified and respected as an independent American spirit through both her art and her life. At the time of her death in 1986, Georgia O'Keeffe owned more than half of the approximately 2,000 works she had produced during the eighty years she was active as an artist: some 400 works in oil, charcoal, pastel, pencil, and watercolor, as well as more than 700 sketches. For various reasons, she had always kept a portion of her art out of the public eye and these works were not published, exhibited, or available for purchase during her lifetime. Among the works that had been exhibited and sold over the years, some were repurchased by O'Keeffe as they became available. This book explores for the first time the significance of O'Keeffe's collection of her own work. Approximately 75 seminal works, dating from about 1910 through the 1960s and reproduced in full color, document the range and quality of the art that O'Keeffe either chose to retain in her estate or consciously distributed to institutions in her lifetime and as bequests.

Softcover. NY, Watson-Guptill, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. A detailed resource on the comics and collectibles inspired by the classic character provides close-up photography and information on everything Batman, from the history of the character's graphic design to sixteen new pages of obscure memorabilia. Chip Kidd, who also wrote a neat "Batman Animated" coffee able book on the well-loved and critically acclaimed "Batman: The Animated Series" that debuted in 1992, turns here to the hobby (and serious business, for some) of collecting. He includes his own childhood remembrances of Bat-items, as well as wonderfully quirky photography. This book, full-color throughout, is not a "guide" to the collectibles, as it does not include price values or manufacturers (it does give the year and dimensions for each piece pictured). Plus, there is an editorial comment on the Andy Warhol Batman piece that's got a bit of an attitude. Clean copy.

Softcover. New York, David McKay Company, 1st, 1950, Book: Good, Dust Jacket: None, 48 pages. Softcover with paper wrappers. Color and b&w illustrations throughout. Paper wrapper disconnected from stapled booklet. Paper wrappers show creases and light soil. Adhesive residue on top fore corner.

Hardcover. Museum of New Mexico Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. Featuring eighty-two vintage postcards published beginning at the turn of the century, Postcards of the Night traces American cultural life as it was transformed by industrial strength and shifting demographics. The nation increasingly was growing more educated, upwardly mobile, and urban, and the nighttime postcard popularized this modernism for ordinary consumption. Coalitions of city planners and urban developers, politicians and the media utilized the picture postcard to strategize the role of the individual in the rise of the city. It was the birth of leisure and of travel, the new tourist city to which the postcard needed forcefully to speak, in ways that were equal part artifice and art.

Hardcover. New York, George Braziller, 1st, 1987, Book: Near Fine, Dust Jacket: None, Hardcover, 44 pages of watercolors. Beautiful large sketchbook illustrating the works of the great Maurice Prendegrast. In association with the Metropolitan Museum of Art in New York where the Lehman Prendegrast collection resides. As new in original slipcase. Half white cloth binding over black leatherette boards. This sketchbook, kept primarily between 1895 and 1897, is an exquisite example of the working technique of a great American artist. In it, Prendergast experiments with pattern, shadow, and foliage, using the beautiful Boston Public Garden as his studio. The 88 pages of watercolors, pen and ink, and pencil drawings focus on the colorfully dressed women and children in the park, with glimpses of Victorian Boston outside. The sketchbook reproduced here in facsimile and handsomely boxed recalls his years of study in Paris, yet foreshadows his bold mature style.

Softcover. Chicago, Playboy Press, 1997, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear to bottom of rear cover 10 pages in rear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Claudia Schiffer on cover. Full of beautiful women as always including supermodels.Highlights: Lynn Thomas as Miss May, Donald Trump Article, Saul Bellow interview, 20 Questions for Lucy Lawless, and more.

Hardcover. CA, Pomegranate Art Books, 1st, 1994, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with moveable parts. Based on Maxfield Parrish's paintings. Clean, tight copy.

Softcover. Seattle, Fantagraphics Books, 1st thus, 1991, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. B&w comic strips from 1933.

Hardcover. Flagstaff, AZ, Northland Press, revised, 1984, Book: Good, Dust Jacket: Good, Hardcover, 107 pages. B&W and color plates. Illustrates beautifully the contemporary Southwest on canvas with vibrancy and refreshing perspective. Light blue pictorial cloth, silver lettering to spine. Dust jacket with minor wrinkles and smudges. Dust jacket folded off-center, otherwise a nice, clean and tight copy. "This comprehensive, expanded volume on Stefan and his work contains forty full-color reproductions of oils along with numerous black-and-white drawings, a panorama of the Southwest and a tribute to a fine painter."

Hardcover. Indiana University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 475 pages. Rembrandt's stunning religious prints stand as evidence of the Dutch master's extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the 70 religious prints through detailed background information on the artist's career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt's etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints? modest, intimate, fragile objects?are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. Clean copy.

Hardcover. US, Prestel Pub, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 218 pages. Hardcover with dust jacket. Clean, tight copy. Color prints throughout. Minor wear on corners. Hokusai was one of the great masters of the Japanese woodblock print. His exquisite compositions and dynamic use of colour set him apart from other printmakers, and his unequalled genius influenced both Japanese and a whole generation of Western artists. This book reproduces the artist's finest works in plates that convey the full variety of his invention, each of which is provided with an informative commentary. In his introduction, Hokusai expert Matthi Forrer traces the artist's career and defines his place in relation to his contemporaries and to the history of Japanese art. Examining all genres of the artist's prolific output - including images of city life, maritime scenes, landscapes, views of Mount Fuji, bird and flower illustrations, literary scenes, waterfalls and bridges - "Hokusai: Prints and Drawings" provides a detailed account of the artist's genius.