Art

Softcover. NY, Farrar, Straus and Giroux, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover. A collection of drawings by Tomi Ungerer on the themes of men, women, and sex. Unpaginated [112 pages]; 109 full-page b&w illustrations; 9.25 x 12.25 inches. Previous owner's inscription on front endpaper, otherwise clean.

Hardcover. Washington DC, National Gallery of Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 296 pages, color plates throughout. Exhibition catalog, five scholarly essays. In publisher's shrinkwrap.

Hardcover. New York, Knopf, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Introduction by Arthur C. Danto. 196 color and b/w illustrations, 56 of which first appeared in The New Yorker.

Softcover. Seattle, WA, Fantagraphics, 1st, 2003, Book: Very Good, Dust Jacket: None, 120 pages. Light edgewear to wrappers. Color comics throughout. This volume finds Herriman flowering into the peak of his inventiveness, liberated at last from the constraints of his syndicate's chosen format. Gorgeous cartoons are augmented by rare bonus materials. This volume is one in a long-term plan to chronologically reprint the entirety of the 28-year run of Krazy Kat's breathtaking Sunday page, most of which has not seen print since originally running in newspapers 75 years ago. Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.

Softcover. Chicago, Playboy Press, 1997, Book: Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Faye Resnick on cover, '3001: The Final Odyssey' by Arthur C. Clarke, Clint Eastwood interview, 20 questions for Michael Jordan, article on Don King, Miss March Jennifer Mariam and more.

Hardcover. NY, Posters Auctions International, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 592 posters illustrated in color. Catalog for Nov. 13, 2005, Sale No. XLI. No dj issued.

Hardcover. Paris, Flammarion, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, folio. This original, illustrated monograph recounts haute couture designer Jean Patous charmed life and career during the apex of 20th-century glamour, and is drawn from extensive research into previously unpublished family archives. 250 color plates. Remainder dot on bottom edge otherwise tight, clean copy.

Softcover. New York, Penguin Books, 1st, 1990, Book: Very Good, Dust Jacket: None, 96 pages. Large-format softcover. Black and white art by Burns throughout. Light edgewear to paper wrappers.

Hardcover. NY, Holt, Rinehart and Winston, 1st US, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 231 pages, richly illustrated, primarily in color. This book is filled with gorgeous color illustrations. 1486 species illustrated, nomenclature edited by Douglas Kent. Clean copy.

Hardcover. NY, Vendome Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Beene by Beene is a journey through Geoffrey Beene's life in fashion, a 40-year exploration that was, by turns, visionary, witty, irreverent, iconic, and timeless. His work was of such powerful clarity, such complete complicity between form and function that it actually teaches us-as all works of art do-how to look. A defining American artist, Geoffrey Beene towers in his field.Pamela A. Parmal provides a chronological survey of Mr. Beene's career as a fashion designer and discusses the evolution of his work. Chapters focus on themes or influences-Woman, Body, Fabric, Comfort, Geometry, Sport, Culture-that were a constant source of inspiration to the designer. Beene won the attention and admiration of other artists, and here we see his work through the eyes of renowned photographers and illustrators, even filmmakers and choreographers.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum's permanent collection.

Softcover. US, BOOM! Studios, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, graphic novel Illustrated throughout in color. Light edgewear to wrappers, else a clean, tight copy.

Softcover. Woodbury NY, Barron's , 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, color illustrations. English language edition. Paintings of France and Holland by Dutch artist, Johan Barthold Jongkind [1819-1891]. A volume in the series, 'Les Carnets de dessins'. Clean copy.

Softcover. Overlook Books, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. The adorable squash-shaped character was so popular it immediately spawned the largest merchandising craze in the nation's history. In the words of Life magazine, the nation was "Shmoo-struck." The Short Life and Happy Times of the Shmoo collects, for the first time in one volume, Capp's essential comic strips about the Shmoo. This is Al Capp and his incisive social criticism at its best.

Hardcover. East Windsor, NJ, Vanguard Classics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 176 pages. Like new in publisher's shrink-wrap. Vampirella, Weird Science, Dejah Thoris: This deluxe edition comes with a bonus 16-page folio and slipcase. Vampirella, Weird Science, Dejah Thoris... No one renders exotic women better than Frazetta, the World s greatest Fantasy artist. Until now, only the most ardent collectors possessed the elusive grail items from the short period of Frazetta s early-1960s Men's magazine and risque paperback illustrations. Often selling for hundreds of dollars each, these rare publications bridged Frazetta's exodus from traditional comics work, to his now-legendary Conan, John Carter of Mars and Death Dealer oil paintings. Now, in an affordable volume, Vanguard expands their authorized line of Frazetta books with this, the most complete collection ever, of rare, vintage, Sensuous Frazetta.

Softcover. NY, Harcourt Brace & Co., 1st, Book: Very Good, Dust Jacket: None, Softcover, 154 pages. Illustrated with color plates on book jacket art by Minor. Clean copy.

Hardcover. Insight Editions, 1st, 2008, Book: N, Hardcover, 14 pages. From the demented pages of MAD Magazine comes a depraved and uproarious look at contemporary politics' juiciest scandals. Revel in the salacious animation of our fearless leaders' most embarrassing moments. Hunt with Dick Cheney, learn how to spell with Dan Quayle, take speech lessons with George W. Bush, and find out why Alfred E. Neuman is running for President...again and again and again. Mad About Politics: A Pop-Up Book spares nothing at the expense of our elected officials, highlighting the unbearable truth about who's in charge. With precise pop-up ingenuity American power players have never looked so enjoyably foolish. If you're wondering who to vote for on Election Day let MAD About Politics give you some pointers. Suitable for the sardonic this tome of asinine political parody will have anyone with a sense of humor rolling in the aisles.

1901, Two color art of party with woman descending stairs by George Gibbs. 11 X 15", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Adieu Saigon covers a varied range of imagery from Saigon, where Depardon photographed two wars and, on visits as recent as 2014, the unrecognizable, globalized city now called Ho Chi Minh. Depardon's work bears witness to a city in transition.

Hardcover. NY, DC Comics, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. These are the stories that catapulted Superman into the spotlight as one of the world's premier heroes of fiction. These volumes feature his earliest adventures in Action Comics when the full extent of his powers was still developing and his foes were often bank robbers and crooked politicians. Still in publisher's shrinkwrap.

Hardcover. Sydney AUS, Murdoch Books, reprint, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. A history book, a reference book, and a snapshot of where Danish design is now. Photographs by Dorte Krogh. First published by Gyldendalske Boghandel 2006.

Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.

Softcover. San Francisco, Rip Off Press, 1st pr., 1977, Book: Very Good, Dust Jacket: None, Softcover, 52 pages including semi-glossy color covers and b/w interior. Saddle-stapled wraps, 75 cent cover price. Fat Freddy's Cat first appeared in "underground comix" in 1969 in various underground newspapers, usually under Shelton's Fabulous Furry Freak Brothers comic strip. This is one of the five small collections of those strips. Clean, bright copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 311 pages, color illustrations. Jean Strouse captures the dramas, mysteries, intrigues, and tragedies surrounding John Singer Sargent's portraits of the Wertheimer family. Her account looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career...and at the intersections of all these lives with the sparkle and strife of the Edwardian age. In commissioning this grand series of paintings, Asher Wertheimer, an eminent London art dealer of German-Jewish descent, became Sargent's greatest private patron and close friend. The Wertheimers worked with Rothschilds and royals, plutocrats and dukes--as did Sargent. Asher left most of his Sargent portraits to the National Gallery in London, a gift that elicited censure as well as praise: it was a new thing for a family of Jews to appear alongside the Anglo-Saxon aristocrats and dignitaries painted by earlier masters. Strouse's account, set primarily in England around the turn of the twentieth century, takes in the declining fortunes of the British aristocracy and the dramatic rise of new power and wealth on both sides of the Atlantic. Clean, bright copy.

Softcover. New York, Pocket Books, 1st wraps, 1983, Book: Very Good, Dust Jacket: None, Softcover, SIGNED BY ROWENA MORRILL 26 color reproductions of her fantasy art. Paperback edition.

Hardcover. Saratoga Springs NY, Tang Teaching Museum & Art Gallery at Skidmore College,, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 208 pages. What, exactly, is a "teaching museum"? Everything is Connected answers that question by tracing the ideas and people behind the creation of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. The book also explores the many ways the museum has realized its mission as an interdisciplinary space for the creation of new knowledge since opening in 2000. Through deep research and stunning photography, Everything is Connected shows the exhibitions and public programs that make the Tang a national leader among college and university museums. Clean copy in shrinkwrap.

Hardcover. NY, Harry N. Abrams, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 354 illustrations, including 205 color plates. Name, date on front fly leaf, otherwise clean, bright copy. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, McGraw-Hill, 1st, 1952, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, price-clipped dust jacket. 197 pages with b&w illustrations. Light shelf wear. Clean copy.

Softcover. New York, The Arts Publisher, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 174 pages illustrated throughout in color and b&w. Black pictorial stiff wrappers with light wear and sun to covers. Light waviness due to moisture to upper edge of front cover, but not to pages. Overall a very nice, tight, clean copy. Adolph Gottlieb (1903-1974) was one of the leaders of the New York School of Abstract Expressionism. This beautiful volume is the only one that covers the full scope of Gottlieb's acheivement, including 124 of his finest paintings, sculptures, and works on paper.

Hardcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 334 pages. Spanning his renunciation of the Salon in 1834 until his large retrospective at the crucial 1855 Universal Exposition, this book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres. It demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. While enjoying the benefits of his affiliation with the Academy, the artist also pursued certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself from the embattled world of artistic officialdom.

Hardcover. London, Tate Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy. Includes an insightful essay and more than 150 full-color reproductions of Heartfield's work.

Softcover. Pittsfield MA, The Berkshire Museum, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 70 pages. Profusely illustrated in color and b&w. Clean copy.

Softcover. Flagstaff, Ariz., Nothland Press, 1st, June 1980, Book: Very Good, Dust Jacket: None, Softcover, 149 pages, b&w and color photographs. Light edge wear, rubbing to wrappers. Else a clean, tight copy.

Hardcover. NY, Harry N. Abrams , 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Large hardcover volume in a bright dust jacket, 240 pages. The author and illustrator gives his special imaginative touch to the most famous animal story through more than two hundred full-color paintings and a lively text. This is the larger first US printing, not the 1992 reprint in a smaller format. Clean, like new.

Hardcover. Paris, Les Belles Lettres , 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 211 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout. FRENCH TEXT.

Softcover. University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 228 pages, b&w illustrations. Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. In Art in Mind, Ernst van Alphen probes this idea of art as a commanding force with the capacity to shape our intellect and intervene in our lives. Rather than interpreting art as merely a reflection of our social experience or a product of history, van Alphen here argues that art is a historical agent, or a cultural creator, that propels thought and experience forward.Examining a broad range of works, van Alphen--a renowned art historian and cultural theorist--demonstrates how art serves a socially constructive function by actually experimenting with the parameters of thought. Employing work from artists as diverse as Picasso, Watteau, Francis Bacon, Marlene Dumas, and Matthew Barney, he shows how art confronts its viewers with the "pain points" of cultural experience-genocide, sexuality, diaspora, and transcultural identity-and thereby transforms the ways in which human existence is conceived. Clean, like new.

Softcover. New York, Associated American Artists, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover with blue wraps. Unpaginated. Compiled and edited by Sylvan Cole, Jr., 2 b&w frontispieces, 66 b&w plates, errata slip laid in. A clean, tight copy.

Softcover. Burlington VT, BCA Center, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 80 page exhibition catalog illustrated in color. SIGNED BY ARTIST on the title page. Text includes the artist's remarks and essays by Courtney Lynch and Jasminr Parsia. Related postcard and brochure laid in. For more than five decades, Stromeyer has created sculptures whose graphic forms, saturated colors, and complex, balanced compositions seem to defy steel's material limits. Despite the weight of their materials and construction--including welded, cold-bent, half-ton steel plates--many of Stromeyer's sculptures play with space and perception; they seem to defy gravity, appearing to float and extend upwards effortlessly in the landscape. Very Good plus.

Hardcover. UK, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 232 pages. The question "What is American art?" might conjure the hyperrealism of Raphaelle Peale and William Harnett, the bold graphic style of Stuart Davis and Jacob Lawrence, or the Precisionist forms of Charles Sheeler. Little known, however, is that such notions of American art are significantly owed to a Russian Jewish immigrant named Edith Halpert. The founder of the Downtown Gallery in New York, Halpert shaped an identity for American art, declaring that its thrilling heterogeneity and democratic values were what most distinguished it from the European avant-garde. For forty-plus years, Halpert's gallery brought recognition and market success to now-legendary American artists--among them Arthur Dove, Marsden Hartley, and Georgia O'Keeffe, in addition to the artists mentioned above. She relentlessly championed nonwhite, female, and unknown artists and was a formative advisor in the shaping of many of the nation's most celebrated art museums and collections, from San Francisco to Boston. Not content with those achievements, she also pioneered the appreciation and collecting of American folk art. Richly illustrated with works that passed through her groundbreaking gallery, this book tells the extraordinary and largely overlooked story of her career and legacy. The artists Halpert launched into the American canon are household names--and this book compellingly argues that hers should be, as well. In publisher's shrinkwrap.

Hardcover. Chicago, Haase-Mumm Publishing, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. #174 of 1, 000 copies signed by author. Biography and critical study of John Barber (1893-1965), American artist and contributor to the radical magazine The Masses. 16 color and 109 b&w plates. Bibliography and index.

Hardcover. UK, PS Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Collects January 1940 to April 1940, Issues 1-4.

Hardcover. US, PS Publishing, 1st, 2012-04-01, Book: Very Good, Dust Jacket: None, Volume 2. 256 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 316 pages, b&w illustrations. The history, theoretical frameworks, methodology, and pedagogy of the new field of visual culture; current debates and the possibility for future consensus. In recent years, visual culture has emerged as a growing and important interdisciplinary field of study. Visual culture regards images as central to the representation of meaning in the world. It encompasses "high" art without an assumption of its higher status. But despite the current proliferation of studies and programs in visual culture, there seems to be no consensus within the field itself as to its scope and objectives, definitions, and methods. In Visual Culture, Margaret Dikovitskaya offers an overview of this new area of study in order to reconcile its diverse theoretical positions and understand its potential for further research. Clean copy. Uncommon in the hardcover.

Hardcover. New York, E.P. Dutton & Company, 1st, 1922, Book: Good, Dust Jacket: None, Hardcover, 141 pages. 33 B&W illustrations. No dust jacket. Pages uncut. Blue cloth. In good condition. Articles included in this tribute include: Julian Alden Weir, by Duncan Phillips; Weir The Painter, by Emil Carlsen; Weir, by Royal Cortissoz; Reminiscences of Weir, by Childe Hassam; The Tile Club, by J.B. Millet; Weir The Fisherman, by H. de Raasloff; A Letter, from Augustus Vincent Tack; A Letter from C.E.S. Wood; Lists of Paintings, which is 17 pages long, and lists paintings chronologically, and lists dimensions and owner. One of 712 copies with eight extra illustrations which were published by Phillips Publications as Publication No. 1.

Softcover. NY, Princeton Architectural Press, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, illustrated in three colors throughout. Clean copy.

Hardcover. Birmingham UK, Washington Green Fine Art Publishing Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong,128 pages. Full color plates throughout. Clean, unmarked copy with only minor wear to dust jacket and slight rubbing on bottom spine of covers.

Softcover. Philadelphia Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover 215 pages. Many illustrations, 78 in full color. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC September 22, 1996-January 26, 1997 and the Philadelphia Museum of Art, Philadelphia PA March 2-May 11, 1997. Still in publisher's shrinkwrap.

Softcover. Washington, D.C., Smithsonian Institution Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover in very good condition. Catalog of exhibition at the Hirshorn Museum and Sculpture Garden in Washington D.C., Aug. 5-Oct. 3, 1982. 87 pages., illustrations., bibliography, index. Tight, clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. As this fourth volume begins, Prince Valiant, haunted by Aleta, seeks Merlin's wise counsel. This brief episode segues into one of Hal Foster's patented epics, "The Long Voyage to Thule," which ran for seven straight months and featured Valiant's return to his birthplace and reunion with his father. Of course, Foster's astonishingly detailed and evocative depictions of Val's homeland contribute greatly to this sprawling epic. After a series of shorter adventures including "The Seductress," "The Call of the Sea," and "The Jealous Cripple," Val finally decides he can stand it no more and sets out to find his long-lost love. Long-time fans know that his quest will eventually be successful, but Foster throws so many obstacles in the way of true love that the saga "The Winning of Aleta" would end up stretching a full year and a half, well into the next volume.