Art

Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.

Hardcover. Smithsonian Institution / Victoria and Albert Museum, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Eighty-two watercolors and drawings selected from the extensive Searight Collection in London present a variety of 19th-century artists' encounters with the diverse cultures and dramatic lands of the fabled Ottoman Empire. Complementing the artworks are essays by experts in Middle Eastern studies elucidating the exchange of ideas and influences between East and West. Artists include Edward Lear, Luigi Meyer, David Roberts etc. 128 pages. Clean copy.

Softcover. Atglen, PA, Schiffer Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 160 pages. Softcover with light edgewear to paper wrappers. Clean, tight copy with black and white photographs throughout.

Hardcover. NY, Posters Auctions International, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 551 posters illustrated in color. Catalog for May 3 2009, sale no. xlviii. no dj issued.

Hardcover. Miami FL, Mad Cave Studios, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 206 pages in color. No dust jacket issued.

Hardcover. New York, Robert M. McBride & Company, 1st, 1945, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Paper on covers chipping lightly at corners, spine and edges. Clean, tight copy. Black and white and color illustations along with letters.

Hardcover. New York , Harrison House, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. 150 vintage black-and-white 1920s and 1930s Hollywood star portraits (many/most full-page) with accompanying descriptive captions. "This book lets us see, with dramatic impact, the artistry of the Hollywood studio photographers, whose portraits (reproduced by the millions as cheap fan photographs) of Crawford, Garbo, Cooper and the others both revolutionized photographic portraiture and, to an enormous extent, formed our vision of the great Hollywood faces." 292 pages. Small previous owner's stamp on front fly leaf otherwise clean.

Hardcover. London, Phaidon Press Limited, 1st Edition, 1967, Book: Very Good, Dust Jacket: Good, Text Volume - 450 pages. Hardcover. Blue cloth boards with gilt titles & gilt decorations to cover, spine. Frontis illustration, Parement Master and Workshop: Annunciation, Paris, in full color, tipped-in. Previous owner's signature to front flyleaf. Dust jacket with foxing, toning, now protected with plastic cover. Light foxing to edges. Otherwise very good, clean condition.Plate Volume - Hardcover, blue cloth boards with gilt titles & decorations. 845 plates, 12 full page, full color, tipped-in & beautifully presented. Dust jacket with light foxing, now protected with plastic cover. Light foxing to edges. Bright, clean copy.

Softcover. London, Academy Editions, 1st pbk, 1975, Book: Very Good, Dust Jacket: None, Softcover, 130 pages, 8 color plates, 114 b&w illustrations. Quentin Bell justifies his study of Victorian painters and graphic artists not as a revivalist, but as an historian who feels the need to "exhibit the evidence" of a period not adequately covered by others. The chapters are: the age of fragmentation; the Teutonic influence; hard-edged Pre-Raphaelism; Academy notes; low art; from Rossetti to Art Nouveau; the New English Art Club; Sickett & the post-impressionists. Bookplate on inside front cover, small stamp on front fly leaf, otherwise clean, bright copy.

Hardcover. New York, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Tight copy with minor wear to edges. Illustrated heavily by author. Previous owner's marking on half title page. The illustrator of "Gnomes" imaginatively captures his own heritage in a stunning visual recreation of his family, ranging from an eight-year-old cowherd in the 1600s up through the present day.

Softcover. NY, Assouline, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. The history of advertising is detailed here through five of the world's most influential figures in the field. Albert Davis Lasker, who changed the consumer habits of the American public with his campaigns for Palmolive, Kotex and Lucky Strike. Leo Burnett, who gave life to mythical characters such as the Marlboro man and the Green Giant. Marcel Bleustein-Blanchet, the Frenchman who earned a place at the side of the American giants. David Ogilvy, who brought British style to American advertising. And finally, Bill Bernbach, who invented a new style of advertising, inspiring unique and creative work for clients such as Levy's bread and Polaroid film. This book profiles these pioneers and illustrates the campaigns that made them authorities in the advertising world. Although The 5 Giants Of Advertising focuses primarily on these men, it also includes many others who created, animated and reformed this profession. This book is a tribute to all these great talents who have made history with their contributions to the advertising industry.

Hardcover. Essex, Pequot Press, First Edition, 1971, Book: Very Good, Dust Jacket: Very Good, 69 pages. Hardcover. Gray cloth boards with gilt titles to spine. Black & white illustrations throughout. Frontis illustration, The Harpist, A Portrait of Miss Florence by Alphonse Jonghers, tipped-in & in full color. Dust jacket with same full color image on bright blue background. Dj has age related wear to edges. Clean, unmarked. A nice copy.

Softcover. Decatur IL, Illustrated Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 80 pages illustrated in color. Articles feature Neysa McMein, J.F. Kernan and Robert O. Reid.

Hardcover. NY, Thames & Hudson Ltd, 1st, 2005, Book: N, Hardcover, 256 pages. In 1936, the founder of Herman Miller Inc, D. J. De Pree, committed Herman Miller to 'modern' furniture, partly because he saw a moral dimension to Gilbert Rohde's clean designs, honest materials and lack of ornamentation. In 1984, a major impetus behind Bill Stumpf and Don Chadwick's Equa chair was a desire to give a reasonably priced, comfortable, good-looking chair to everybody in offices - not just the top bosses. These are just two examples of the best work done at Herman Miller. The company is concerned with larger issues of humanity, equality and bettering the world by creating great places to work through design, and has, perhaps more than any other company, revolutionized office systems and furniture in the workplace. This book is the most up-to-date compilation available of the design efforts and results from Herman Miller since its foundation, reflecting its most recent work, activities and products. But it goes beyond simply cataloguing the work of the famous design team; it shows design-related attitudes of HMI and provides examples of the benefits of creative thinking and problem-solving. Written in clear, engaging prose, Herman Miller is a must-read for anyone interested in design.

Paperback. np, Book: Good, Dust Jacket: None, Unpaginated. Delicate softcover in green wraps, with white spine. 9.5" x 15". Cover is faded with some rubbing. 18 prints on rice paper from the urns at the Mieu Temple in Vietnam. No date or publisher.

Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.

Hardcover. Taschen, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 352 pages. Paying homage to the American periodicals of the 1950s, 1960s, and 1970s that documented outrageous exploits, this hefty, comprehensive guide is packed full of colorful cover art, sumptuous sample spreads, and enlightening essays.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages. The International style of the late 1920's and 1930's is the focal point of this volume. Along with groundbreaking buildings, interior decoration, and furniture by international architects and designers such as Le Corbusier, Ludwig Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Alto, and Richard Neutra, is above all the work of the Italian avant-garde, including names like Giuseppe Terragne, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, that provides precise insight into the formative decade of Modernism. Text in English and Italian. Clean copy.

Hardcover. New York, William Morrow & Company, Inc., 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. History and analysis of the American artistic phenomenon of Superrealism. Contains 72 color plates and 68 black/white plates as well as notes on particular artists. Very good condition; no internal marks, slight wear on the edges of the dust jacket.

Hardcover. San Diego/NY, Harcourt Brace Jovanovich, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 274 pages, b&w photos. "A shy, bald, myopic, gay albino from an ethnic Pittsburgh suburb and a beautiful, convent-educated heiress from France: This is the story of Andry Warhol and 'the girl in Andy's soup,' Isabelle Collin Dufresne, also known as Ultra Violet. It is suggested that Dali, Dufresne's companion for five years, introduced her to Andy Warhol in 1963. 'Leave Dali', said Andy. 'He's too old'. Soon after, Isabelle metamorphosed into Ultra Violet becoming an intimate of Warhol's underground scene, here recollected. Clean copy.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. San Diego, Idea & Design Works/IDW, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Celebrating the centennial of cartoonist Milton Caniff's birth, IDW Publishing published a six-book series, collecting the entirety of Caniff's groundbreaking newspaper adventure strip Terry and the Pirates. The Sunday pages are reproduced in their original color, alongside the daily black-and-white strips. Volume One contains more than 800 consecutive strips, from the series' beginning in October 1934 through the end of 1936.

Hardcover. London, Frederick Muller Limited, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. White cover with gilt lettering to spine, color illustrated dust jacket, 32 pages of 87 color plates of stain glass in England. Light wear to dust jacket; overall a clean, tight copy.

Hardcover. Oslo, Aschehoug & Co., 2nd Ed., 1996, Book: Very Good, Dust Jacket: Good, Large hardcover in a bright dust jacket with light edgewear. Foreword by Donald Kuspit. Illustrated throughout in color with reproductions of the paintings plus many close-up details. 11" square, 346 pages with approximately 130 color and 65 b&w illustrations. Translated by Francesca M. Nichols. Old Master Existensialism: Odd Nerdrum's Paintings: Nerdrum paints isolated figures ensconced in their isolation. His style is at once completely modern with aspects of the surreal subtlety evident, yet he is reminiscent of the old masters for his superb draftsmanship and the dark earth colors he uses. There are 3 short tears repairs to rear dj panel, taped on reverse. Otherwise a bright, clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Published in association with the National Museum of American Art, Smithsonian Institution.With 103 illustrations including 44 plates in full color. Includes bibliiographical references and index.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover. Excellent copy of the First Edition, First Printing of this graphic novel in which Daniel Clowes presents scenes from the life of an awkward, crabby non-hero named Wilson. 77 pages, illustrated. No dust jacket issued.

Hardcover. Charlottesville VA, University Press of Virginia, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 553 pages, 348 full-page portraits in b&w. Includes a catalogue of 3,800 silhouettes by the artist. Very good in a crisp, unclipped dust jacket. Auguste Edouart was the most prolific silhouettist ever to work in this country. Arriving from France in 1839, he traveled throughout the United States contracting enough projects in six years to fill over fifty albums; at the same time he created a biographical record of the most famous Americans of the period. This volume contains the most, and the best, of Edouard's silhouettes every to appear under a single cover.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 311 pages, color illustrations. Jean Strouse captures the dramas, mysteries, intrigues, and tragedies surrounding John Singer Sargent's portraits of the Wertheimer family. Her account looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career...and at the intersections of all these lives with the sparkle and strife of the Edwardian age. In commissioning this grand series of paintings, Asher Wertheimer, an eminent London art dealer of German-Jewish descent, became Sargent's greatest private patron and close friend. The Wertheimers worked with Rothschilds and royals, plutocrats and dukes--as did Sargent. Asher left most of his Sargent portraits to the National Gallery in London, a gift that elicited censure as well as praise: it was a new thing for a family of Jews to appear alongside the Anglo-Saxon aristocrats and dignitaries painted by earlier masters. Strouse's account, set primarily in England around the turn of the twentieth century, takes in the declining fortunes of the British aristocracy and the dramatic rise of new power and wealth on both sides of the Atlantic. Clean, bright copy.

Hardcover. Boston, Bulfinch/Little Brown, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages in an unclipped dust jacket that has fading to spine. Shows paintings, murals, frescoes, and art objects produced by the Bloomsbury Group and briefly traces the group's origins and aims. Over two hundred illustrations in color. Some of the artists included, Duncan Grant, Vanessa Bell, Roger Fry, and more.

Hardcover. West Plains MO, Russ Cochran, 1st, 1982, Book: Very Good, Hardcover Very Good+ Two volume set in a slipcase. Volumes entitled: Weird Science-Fantasy No. 23-29 and Incredible Science Fiction No. 30-33. Black and white reproductions of the comics with color reproductions of the covers. Featuring tales by Frank Frazetta, Wally Wood, Al Williamson, Reed Crandall, and Joe Orlando.

Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.

Hardcover. NY, McGraw-Hill, 1st, 1952, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, price-clipped dust jacket. 197 pages with b&w illustrations. Light shelf wear. Clean copy.

Hardcover. NY, Rizzoli, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 672 pages. Published in conjunction with the opening of the new Saatchi Gallery in London, one of today's most important institutions collecting and exhibiting contemporary art, this mammoth book is the most comprehensive volume on contemporary sculpture. The title itself refers to H. G. Wells's eponymous novel which envisioned the future and was a surprisingly accurate prophecy reflecting the author's own time. That book inspired Stanley Kubrick's film 2001: A Space Odyssey, in which a great monolith is an iconic but enigmatic sculptural presence. This new book opens with an enormous, standing monolithic Styrofoam sculpture of a videocassette of 2001 and, like the Wells book, seeks to explore how sculpture will evolve in the coming decades. Clean, bright copy.

Hardcover. New York , W. W. Norton & Company, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 202 pages, illustrated with 242 color and b&w plates, including a pullout poster in rear pocket. Early in the Depression, Diego Rivera was commissioned by Edsel Ford to create a series of murals in the gallery of the Detroit Institute of Arts, giant frescos whose theme would be America's industrial might. This volume studies the astonishing results and gives us a remarkably close look at Diego and his wife, Frida Kahlo.Rivera's Detroit Industry murals are one of this country's greatest treasures. In addition to providing full coverage and analysis of the murals, the book includes chapters on the murals' planning and antecedents, Rivera's working methods (which can be read as a primer on frescos), Diego and Frida's lives for their nine months in Detroit, and the public's dramatic response to the strong socialist/communist themes in the works.

Hardcover. Intercourse, Pennsylvania, Good Books, 1st, 1991, Book: Near Fine, Dust Jacket: Very Good, The furniture tradition of the Mennonites, Russian immigrants in North America. 231 pages illustrated with several maps and 241 (mostly color, some black/white) photographic illustrations. Book is in near fine condition, dust jacket is in very good condition with some signs of edge wear.

Hardcover. Los Angeles Times, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 208 pages. Profusely illustrated with the best work of one of the leading political cartoonists of the 20th century, Paul Conrad (1923-2010). This extraordinary retrospective collection, containing more than 300 cartoons, from 1963 to the present, displays the wit, strong opinion and skillful drawing that have won Conrad three Pulitzer prizes and numerous other awards for excellence in journalism. The cartoons, arranged by decade, represent the work of a man who has become a legend in cartooning and an institution in American journalism. The book is very good. The DJ has some light edge wear.

Hardcover. New York , Hudson Hills Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 453 pages, cloth binding, dj, new copy still in publisher's shrinkwrap. 381 color & 107 b/w illustrations, 453 pages, 9x12. Published in conjunction with the exhibition Claes Oldenburg: Printed Stuff, held at the Madison Art Center, Madison, Wisconsin, Apr. 27-July 27, 1997, and at other places.

Softcover. New York, Whitney Museum of American Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 110 pages, illustrated throughout color and b&w. Gray pictorial stiff wrappers. Light wear and rubbing to covers and spine, else a very nice. tight,. clean copy.

Hardcover. NY, Race Point Publishing, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages. Every August, tens of thousands of participants gather to celebrate artistic expression in Nevada's barren Black Rock Desert. This vastly inhospitable location, called the playa, is the site of Burning Man, where, within a 9-mile fence, artists called Burners create a temporary city devoted to art and participation. Braving extreme elements, over two hundred wildly ambitious works of art are created and intended to delight, provoke, involve, or amaze. In 2013, over 68,000 people attended - the highest number ever allowed on the playa. As Burning Man has created new context, new categories of art have emerged since its inception, including Art to Ride, Collaborative Art, and of course, Art to Burn. Burning Man: Art on Fire is an authorized collection of some of the most stunning examples of Burning Man art. Experience the amazing sculptures, art, stories, and interviews from the world's greatest gathering of artists. Get lost in a rich gallery of images showcasing the best examples of playa art with 170 photos. Interviews with the artists reveal not only their motivation to create art specifically for Burning Man, but they also illuminate the dramatic efforts it took to create their pieces. Featuring the incredible photography of long-time Burning Man photographers, Sidney Erthal and Scott London, an introduction from Burning Man founder Larry Harvey, and a foreword from Will Chase, this stunning gift book allows Burners and enthusiasts alike to have a piece of Burning Man with them all year around. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Baltimore, privately printed, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, Bound in black paper boards with titling in white and a photo reproduction on front cover. Photographs are reproduced on glossy white paper. SIGNED BY YOUNG on title page. Barbara Young is a psychiatrist and psychoanalyst who has been practicing in Baltimore for 65 years. Her second career as an art photographer began in 1979 and continues to this day. She is acknowledged as one of the earliest pioneers of color art photography. This book has come into being out of an intermingling of her two professions. The photographs are from her travels, Baltimore. friends and strangers, and more. Clean copy.

Hardcover. New York , Pantheon, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages, b&w graphic novel drawn by Burns. No dj issued. Fusing the unsettling kitsch of EC horror comics, the storytelling sensibility of Euro-classics like Tintin, and the astute observations about young adults that made Black Hole so engrossing, Burns has turned out a haunting first chapter in what promises to be a spellbinder. The opening pages flip among the various realities of Doug, a young man recovering from a head injury of some kind with only a box of pills and some strawberry Pop-Tarts to speed his recovery. Flashbacks and dreams switch among various scenes: Doug and his hypocrite father; a wild party gone awry when Doug's crush object's crazy (but unseen) boyfriend goes on a rampage; and, most mysteriously, another world--found behind a hole in a brick wall--where dead cats live, worms weep, and a giant hive rules a grim city of deformed creatures. Burns's control of the story is masterful--the recurring imagery make it unclear just which is the reality and which is the dream. His sharply delineated art captures a grotesque yet sympathetic view of kids thrust far beyond a world that they can control or even understand.

Softcover. Pawtuxet Cove, RI, Dale Chihuly, 1st, 1982, Book: Very Good, Dust Jacket: None, 45 full page color reproductions. Beautiful catalog for exhibition traveling to Tucson Museum of Art, San Diego Museum of Art, and St. Louis Art Museum. Printed on Northwest Quintessence by Foremost Lithograph, Co. Slight wear on cover. All else in very good condition.

Hardcover. NY, Neue Galerie, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Foreword by Ronald S. Lauder. More than 160 works illustrated in color. 123 pages. Short closed tear to dust jacket in rear. Otherwise a clean, bright copy.

Hardcover. London, Sotheby's, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 84 pages. The catalogue for an auction of a group of the original drawings Blake did to illustrate Blair's poem "The Grave," in 1805. These drawings had been lost, were recently re-discovered and were auctioned by Sothebys. The catalogue is of 20 lots, and theis essay by Bialler surveys the history and scholarship surrounding the works.

Hardcover. New York , Museum of Modern Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages, 150 color and b&w illustrations. 4to, boards. New Exhibition also at the Tate Modern, London, the Los Angeles County Museum of Art, and the Salvador Dali Museum, St. Petersburg, FL.

Hardcover. New York, Thames and Hudson, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 280 pages. Black cloth covers with silver titles to spine, silver pictorial to front, silver dust jacket and slipcase with color illustration, 191 illustrations throughout. 1"x3" strip missing from upper right corner from front endpaper, slight rubbing to dust jacket and slipcase, clean covers, pages crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.

Softcover. NY, Bill Hodges Gallery, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Profusely illustrated with color plates and figures. Accompanied a 2009 gallery exhibition; Includes an artist chronology and list of exhibitions; One of 2000 copies in this edition. Clean copy.