Hardcover. New York, Rizzoli International Publications, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 352 pages. Hardcover. Extensive color photographs throughout. Silver gilt titles on spine. Reminder mark to bottom edge, otherwise clean, unmarked copy with only minor wear to dust jacket. This exceptional album features over two hundred images by the most important modern and contemporary photographers, including David Bailey, Henry Clarke, Patrick Demarchelier, Karl Lagerfeld, Annie Leibovitz, Helmut Newton, David Sims, Bert Stern, Juergen Teller, Mario Testino, and Bruce Weber. This book features images from iconic Vuitton advertising campaigns from the 20s through to the present, with magazine editorials from publications including Vogue, Harpers Bazaar, Interview, and others.
Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.
Hardcover. NY, Land's End Press, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover, 1968 stated on both the cover and copyright pages. 13 x 9.5 inches, black cloth with gilt design and lettering to the cover and spine. 288 pages. Wrapped in a worn and chipped dust-jacket with a nude illustration in black and white covering the lower 2/5 of the cover. This book provides a selection of Rops' graphics with notes on his life by Lee Revens. Felicien Rops (1833 1898) was a prominent figure in 19th-century Belgium. His art is characterized by satirical, demonic, and erotic themes, often challenging societal norms and hypocrisy. Rops works hold a mirror to contemporary society, exposing its repressive standards and moral contradictions. His art oscillates between sensuality, death, and satanism, making him a key figure in the late 19th-century decadent movement. No markings.
Hardcover. NY, Prestel, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with yellow band, 248 pages. This beautiful book focuses on the distinctive and expressive power of Jackson Pollock's figurative paintings, drawings, and prints; a rarely studied aspect of his artistic career. Jackson Pollock's name has become synonymous with the abstract drip paintings that he famously created on the floor of his studio. Before these paintings, from the 1930s to the late 1940s, Pollock created figurative works, studying at one time under the painter Thomas Hart Benton and with the Mexican muralists Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Pollock took up figuration again after his famous drip paintings. This book starts with the early decades and also treats Pollock's re-adoption of the figuration after his renowned abstract paintings. The Figurative Pollock features 100 paintings and works on paper. From rolling landscapes to experiments in non-Western totemic painting to sketches and drawings fueled by Jungian analysis, the enormous range of Pollock's early and late work is presented here. Brimming with confidence and a sense of freedom, distinct yet so easily related to Pollock's most famous oeuvre, these works contribute to an understanding of how the artist found his voice.
Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 123 pages. Softcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. London , Thames and Hudson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Light fraying, small tape repair on spine, to dust jacket. Color pictures throughout. Adhesive residue on back cover.
Hardcover. NY, Harper Design, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 176 pages illustrated in color. Caroline Cox presents the various incarnations of the stiletto since its invention as a fantasy shoe brought to life by the flair and skill of shoemakers Vivier, Perugia, Ferragamo, and Jourdan in the early 1950s. Assertively modern, stilettos released women from the utilitarian wartime fashion of the 1940s, offering streamlined sophistication and glamour to women the world over. As the decade progressed the heel became saucier and higher, worn by starlets like Marilyn Monroe and Jayne Mansfield. By the end of the 1950s the heel was being worn by "bad girls" and had become a weapon of female power. The 1970s took the stiletto's associations with sex and death and turned it into a fetish object, eulogized by artists Allen Jones and Eric Stanton. 1980s power dressers brought the stiletto back into the fashion arena, and today heels designed by Manolo Blahnik, Christian Louboutin, Jimmy Choo, and Gina are the badge of celebrity status and fashion savvy. Mild wear to dust jacket, clean copy.
Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 168 pages. In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Topffer, Gustave Dore, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images--satirical images in particular--were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.
Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black & white illustrations throughout on every page. 11" high X 8" wide, 448 pages. The perfect tribute to the world's favorite dirty old man. It spans the years 1982 to 1989, a period when the artist was comfortably ensconced in rural California, raising his young daughter Sophie, who appears throughout this volume. But Crumb was still Crumb, declaring in one drawing, above a lovingly rendered tree, "As I get older I get more twisted, convoluted, depraved, cynical, embittered, self-centered, jaded, debauched, ruthless, greedy, conceited, set-in-my-ways, long-winded, absent-minded, prejudiced, closed-minded, misanthropic, nervous..." To prove this self-flagellating analysis he fills the pages with his signature perversions (in country settings), scathing social commentary, cruel self-portraits, experimental cubism... and some lovely sylvan landscape. His mastery of the Rapidograph pen is at its zenith here in his 40s, Clean, still in publisher's shrinkwrap.
Softcover. NY, Heavy Metal, 1st US, 1977, Book: Very Good, Dust Jacket: None, Softcover, color and b&w illustrations by Moebius. mild soil, rubbing to covers. Otherwise a clean, bright copy.
Hardcover. Boston, Gambit, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Fine in heavy cloth covered boards with a blue and gilt title block on the spine and a gilt facsimile of N.C. Wyeth's signature on the front board. In a very good+ unclipped dust jacket although lightly soiled at the folds. 6 1/2 x 9 1/2", 858 pages, stated 1st edition. A fascinating insight into Wyeth's life, interspersed with photos and color reproductions.
Hardcover. NY, Villard Books, 1st, 1995, Book: Very Good, Dust Jacket: None, Oblong 6-5/8 inches high by 8-3/4 inches wide. Hardcover, bound in color pictorial white boards. [140] unnumbered pages, with full-page illustrations of Edward Koren's cartoons. Clean copy.
Softcover. Edinburgh, Luath Press Ltd, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Color and b&w illustrations. In 1923 Charles and Margaret Mackintosh escaped Britain for France.Monsieur Mackintosh is the only book available on Mackintosh's years in France. With reproductions of 40 of his French paintings alongside photographs of the actual locations today, and images from the period 1923-1927, this is a comprehensive and pictorial account. Written in close collaboration with experts from Glasgow University, the National Gallery of Modern Art and the Glasgow School of Art, and edited by Professor Pamela Robertson, author and leading expert on Mackintosh, Monsieur Mackintosh includes new research and is written with the French and English translations side-by-side. Published to coincide with and accompany a major exhibition of Mackintosh's work in France Monsieur Mackintosh contains more than 250 images reproduced in full colour throughout.
Hardcover. Princeton WI, Kitchen Sink Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Light musty odor.
Hardcover. NY, Pantheon, 1st, 2004, Book: Very Good, Dust Jacket: None, Tall vertically oblong folio (14 1/2" ) board book. Speigelman addresses his personal experiences in New York during the attack on the twin towers as he, his wife and daughter walked in New York. He decided on this large format, almost elephant folio sized, board book in his unique graphic illustrated style. A unique attempt at coming to grips with the tragic and frightening events of nine eleven. DUE TO SIZE, DOMESTIC SHIPPING ONLY.
Hardcover. London, Little, Brown UK , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, lavishly illustrated in color. This is a truly exceptional collection of drawings from one of our most revered cultural commentators. Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.
Hardcover. New York , Norton, 1st US, 2009, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 98 pages. 13 graphic interpretations of Dylan's lyrics illustrated in color by various artists. No dust jacket issued. Clean, bright copy.
Softcover. NY, Kouros Gallery, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color with 12 of the artist's paintings. Essay by David Moos, poem by James McCorkle. Clean copy.
Softcover. Toronto CA, McClelland and Stewart, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 264 pages, 125 color, 135 black & white. Published in conjunction with an exhibition. "A major study of the artistic traditions of Canada's Native peoples and of their place in the cultures and belief systems in which they originated. Here, for the first time, is Native Canadian work from museums and private collections around the world. The works, and the essays that describe their contexts, bring to life the spiritual and aesthetic identity of the craftspeople and their societies. From richly ornamented costumes displaying the wealth of their owners to practical techologies that enabled the peoples to thrive in their environments, these treasures reflect Native life at the time of contact with Europeans." Clean copy.
Softcover. New York, Four Walls Eight Windows, 1st, 1993, Book: Very Good, Dust Jacket: None, 300 pages. Softcover with light edgewear to wrappers. Black and white pictures throughout.
Softcover. NY, Italian American Museum, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 24 pages illustrated in color. Selections of the artists work featuring paintings inspired by Pompeii. Interview by Maria Cocchiarelli. INSCRIBED BY BOTH THE ARTIST AND COCCHIARELLI on the title page.
Hardcover. NY, Vertigo/DC Comics, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Graphic novel, 158 pages, art by Danijel Zezelj. Alik is a former Soviet soldier who has relocated to Coney Island only to become a gangland enforcer. He's haunted by memories of his past, and the only thing that soothes his angst is booze, heroin and his lover, the prostitute Marina. But as much as Alik encourages her to break away from the ganglord who owns her, Marina can't because of her daughter, who never leads the ganglord's side. So Alik comes up with a desperate plan to save all three of them, and in doing so, he'll find he's destined to repeat the past over and over again, including a past or two he might not even be aware he has, in a story that flashes from present- day run down Coney Island to the Russia of 10 years ago during the Second Chechen War to turn of the 20th century Coney Island, when the area was at its peak amusement park glory and wonder.
Hardcover. New York, Chartwell Books, reprint, 2015, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color, black and white pictures throughout. Despite the fact that she's famous now, Wonder Woman had humble beginnings among a slew of other female super heroes that had their inception in the 1940s, but were seen very little after then. Created during World War II to foil Axis plots and defeat Nazis, she still fights to this day for truth, honor, and the little guy. Wonder Woman: The War Years (1941-1945) details how she used her super speed, strength, and Golden Lasso of Truth during World War II to bring peace and justice to a turbulent world.
Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Andy Warhol (1928-1987) remains an icon of the 20th century and a leading figure in the Pop Art movement. He also was an obsessive collector of things large and small, ordinary and quirky. Since 1994, The Andy Warhol Museum has studied and safeguarded the artist's archive encompassing hundreds of thousands of these objects, at turns strange, amusing, and poignant. From this array, many of these items have been researched and described in this book for the first time. For the myriad fans of Warhol and his quixotic world, as well as those who never understood the artist before, this volume is essential and unforgettable. Written by Matt Wrbican, the foremost authority on Warhol's personal collection, A is for Archive features curated selections from this collection, shedding light on the artist's work and motivations, as well as on his personality and private life. The volume is organized alphabetically, honoring Warhol's own use of a whimsical alphabetical structure: "A is for Autograph" (a selection of signed objects, many of which influenced his most popular works), "F is for Fashion" (featuring his collections of cowboy boots, neckties, and jackets), "S is for Stamp" (works of art by Warhol and others relating to stamps and mailed items), and "Z is for Zombie" (a grouping of photographs and ephemera of Warhol in various disguises: drag, robot, zombie, clown). The book also features an insightful essay by renowned art critic and Warhol biographer Blake Gopnik.
Hardcover. Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's shrink-wrap. 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships. Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades
Softcover. Lebanon NJ, Vanguard, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, b&w illustrations throughout. A study of the art of cartoonist Wally Wood. It includes Wood's "Fireball XL-5" designs as well as production art for his unfinished collaboration with "Fritz the Cat", "Wizards", "Lord of the Rings", and "Cool World" film-maker Ralph Bakshi. There is an interview with Wood, along with insights from his closest colleagues; Mad Associate Publisher Joe Orlando; "Star Wars" and EC artist, Al Williamson; and more. Clean copy.
Softcover. London, Unicorn Press Ltd, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Many color illustrations and photographs throughout. Artist David Shillinglaw is as comfortable in the street as in the studio, as likely to paint on found objects as on canvas, as interested in tiny hand-made artist's books as in large-scale public murals. His mural in the Olympic Park in East London is the longest mural ever commissioned in Great Britain, while his brilliantly inventive creations enliven construction hoardings throughout London's changing cityscape. The Dance of 1000 Faces is the first book to gather a significant number of Shillinglaw's works. It presents his art in full color in all its many forms: not only paintings and murals, but journals drawings, sketches, and more. It reveals Shillinglaw's particular genius for depictions--and distortions--of the human face, grimacing and grinning, shifting and shaping as it becomes no one and everyone at once.
Softcover. Seattle, Fantagraphics, 2nd pr., 2022, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. Crumb's white-bearded sage-cum-charlatan lives again in this comprehensive collection which ranges from the charming early '70s stories to the controversial '90s stories from Hup!, co-starring Devil-Girl. Clean, bright copy.
Hardcover. New York, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs spanning over 30 years. Tight copy.
Hardcover. Chicago, Ivan R. Dee, reprint, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. Illustrated with black & white portraits and paintings. When Peter Paul Rubens died in 1640 he left an indestructible reputation as one of the world's great painters. In every sense Baroque, his paintings have a wonderful fluidity, a powerful sensuality, a beauty and richness of color and texture. His prolific output included some 1,300 paintings (compare this with Leonardo's twenty and Vermeer's thirty-six) as well as books of engravings, architectural drawings, and sketches. He also left a beautiful young wife, a vast personal fortune, a palatial house in Antwerp, and collections of old masters, antiquities, precious stones, and silver work. Clean copy.
Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 255 pages, profusely illustrated. Wordless books - stories from the early part of the twentieth century told in black-and-white woodcuts - were imaginatively illustrated, powerful, and iconic, and as relevant to the world of today as they were when they were first published. Covers the period of 1918 through 1951, and includes the works of: Helena Bocho akova-Dittrichova, William Gropper, Milt Gross, Laurence Hyde, Frans Masereel, Otto Nuckel, Giacomo Patri, e.o plauen, Istvan Szegedi-Szuts, Myron Waldman, and Lynd Ward.
Hardcover. New York, William Farquhar Payson, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers with black titles, 141 pages. Foreword by Walter Lippmann. A selection of his editorial cartoons which appeared in The World newspaper. Each drawing has a page of text opposite, giving background and context to the cartoon. Light shelf wear, clean interior.
Hardcover. Boston Ma., Houghton Mifflin Co., 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 525 pages, b&w illustrations. Green cloth, gilt titles to front and spine. Light wear and rubbing to edges and spine of pictorial dust jacket, else a very nice, tight copy.
Hardcover. NY, powerHouse Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrink wrap. Jean Patchett was both model and muse, a famous face from New York's vibrant midcentury popular culture and the most successful high-fashion model of her time. A small-town girl from rural Maryland, Patchett had no firm ambitions until a friend suggested she drop out of college and go to New York and become a model. Within a year Jean had left school, met model agent Eileen Ford, and begun a career that saw her photographed by the greatest photographers of her era, with more than 58 magazine covers over 14 years. "A young American goddess in Paris couture," was Irving Penn's epitaph for the model he photographed for a classic series in Lima, Peru where, pushed past their limits, Patchett and Penn created passionate art with a possible passionate relationship as well. Penn would go on to create stunning images of Patchett forVogueand later, for a series of nudes he called "the major artistic experience of my life." Letters from Patchett to her family show a young woman in love with her life and eager to share the thrills and struggles of her career. Quotes from photographers Cecil Beaton, John Rawlings, William Helburn, Jerry Schatzberg, and Francesco Scavullo reflect their admiration for her technical skills as a model as well as her unique beauty. A work diary from 1951 allows us to see how-and with whom-she worked from day to day.
Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 90 full color plates. In this vivid and engaging book, Arpad Kovacs explores the social, symbolic, scientific, and aesthetic approaches to a subject that has been of continuous interest to photographers across the centuries.
Softcover. New York, Metropolitan Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 165 pages, illustrated in b&w and color. INSCRIBED BY MARGARET & RAYMOND (HOROWITZ) TO JOHN WILMERDING, art historian and author. Also laid in is the business card of JOHN K. HOWAT - curator of this exhibition at the Metropolitan. Tight, clean copy.
Softcover. Acoustic Learning, 2022, Book: Very Good, Dust Jacket: None, Softcover, oblong format. A reprinting of the daily strips from 1955. B&w throughout. Kidnappers from the 20th century raid Moo to steal King Guz for an unspeakable biological experiment! Other stories include a prehistoric fishing trip gone wrong-and Ooola's adventure with the legendary Helen of Troy! Clean copy.
Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."
Softcover. New York, Christie's Houston, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover auction catalog, 435 pages, b&w and color illustrations. Light edge wear to wrappers. Else a clean, tight copy.
Wales, Westmorland Gazette, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, oblong green cloth covers, 80 lovely pen line drawings of the North Wales countryside with an Introduction by the artist. All text hand-lettered. Small printing, lacks dust jacket. Previous owner's inscription on front fly leaf.
Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum's permanent collection.
Hardcover. Paris, Zodiaque, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 407 pages plus index. Color and b&w gravure plates, plans of medieval churches of France. French text. A clean, tight copy in a bright dust jacket.
Hardcover. New Haven CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 328 pages, 267 b&w and color illustrations. "The only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. In detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock, the authors take the reader through the layers of a painting, from canvas or panel to varnish, in clear, readable language, de-mystifying the world of the conservator for art historians, dealers, collectors, or curators." Clean, bright copy.
Hardcover. New York, Bulfinch, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Very clean copy still in publishers shrink-wrap. Remainder mark to textblock. Hockney's Pictures is the first definitive "retrospective" to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolors, prints, and photography, including new and published works. The pieces, presented thematically, are selected and organized by David Hockney himself, and track Hockney's lifelong experiments in ways of looking and depicting. With 325 illustrations, accompanied by extensive quotes from the artist himself that illuminate the passionate thinking behind the work, Hockney's Pictures is destined to become a classic.
Softcover. Fairfield CT, Cartoonist Profiles, 1982, Book: Very Good, Dust Jacket: None, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on the annual editorial cartoonist convention, Al Hirschfeld, comic strip balloons by Jack Markow, Karl Hubenthal, British cartoonist Clive Collins, editorial cartoonist Mike Keefe, others.
Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. Known for his cool, clean, comics-inspired pictorial language, Julian Opie has been one of the leading figures in contemporary British art since the early 1980s. Equally at home in museum settings--like Tate Modern, the ICA Boston and MCA Chicago, where he has mounted recent one-person exhibitions and projects--and in collaboration with mainstream rock bands like Blur and U2, his work crosses media and genres with quiet, computer-assisted abandon. In the early days, Opie transgressed the boundaries between painting and sculpture by applying paint to the everyday articles he used in his steel objects. More recently he has experimented with digital technologies in the applied arts. Now, he is probably best-known for his hypnotically low-tech moving images generated by LCD and LED technologies. This volume assembles a representative collection of portraits, half-length figures and new works that draw from the motifs of baroque portraiture.
 "\"Golden\" Twenties, The: Art and Literature in the Weimar Republicby: Schrader, Barbel and Jurgen Schebera")
 "Monumenta: A Biennial Exhibition of Outdoor Sculpture, Newport, Rhode Island, August 17 - October 13, 1974 by: Sam Hunter (Ed.)")
 "R. Crumb Sketchbook. Volume 4: Dec. 1982-Dec, 1989by: Crumb, Robert")
 "Quality Time; Parenting Progeny and Pets by: Edward Koren")
