Art

Softcover. West Chester, PA, Chester County Historical Society, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. 3 plates and 16 B&W illustrations. Red pictorial cover with tear to spine and wear to edges. Frontispiece. Overall, a clean, tight copy.

Hardcover. NY, St. Martin's Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 495 pages, color and b&w photos. In a bright, unclipped dust jacket. Remainder dot on top edge.

Softcover. New Jersey, Princeton University Press, 1st, 1986, Book: Very Good, Dust Jacket: None, 299 pages. Softcover. Vibrant color and b/w illustrations throughout. Foxing on top edge, clean inside, binding tight. In very good condition.

Softcover. Scranton, PA, Whitney Museum of American Art, 1st, 1960, Book: Very Good, Dust Jacket: None, Exhibition catalog. Approx. 115 pages. 91 B&W and color prints. Red pictorial cover with slight wear around edges and spine. Black marks on front endpaper and flyleaf, binding glue also visible. Previous owner marking (Evergood) on spine. Overall, a clean, nice copy.

Hardcover. Pennsylvania, Schiffer Publishing Ltd., 1st, 1984, Book: Near Fine, Dust Jacket: Near Fine, 176 pages. Light green cloth cover with gilt lettering to spine, color illustrated dust jacket, decorated endpapers, over 250 large glossy photographs, 10 in color. Extremely light wear to dust jacket; a very tight, clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with light tanning to spine edge. Book is bound in textured brown boards with a gnome holding a lantern embossed in gilt on front. 212 pages, all in color, hundreds of illustrations, maps, and diagrams. First published in 1976 in the Netherlands titled Leven en werken van de Kabouter. Small inscription on front fly leaf otherwise a clean, tight copy.

Softcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. A quarterly anthology of literary comics. Contributors include Tim Hensley, Ray Fenwick, Paul Hornschemeier, Sophie Crumb, Jim Woodring, Kurt Wolfgang, others.

Hardcover. US, Fantagraphics Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 79 pages. Hardcover with no dust jacket. A graphic novel of the German artist's life, b&w art by author. Clean, tight copy.

Hardcover. NY, Thames & Hudson;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The best pages from the sensational photo magazine published in France in the 1920s and 1930s. Established in Paris in 1928, VU combined stunning photography with dynamic layouts and first-rate reporting, creating a revolution in journalism and setting the stage for future photo magazines like Life, Stern, and Paris Match. For a weekly magazine that only published 665 issues (21 March 1928 -- 5 June 1940) VU left behind a remarkable legacy as revealed in these pages. There are eight main chapters: Page layouts; Faces; Photo stories; Photomontages; The rise of Hitler; Sensation and spectacle; Image innovations; Covers and each is crammed with spreads and covers from the magazine and lots of them are big enough to read the stories and captions (assuming you know French). VU was created by publisher Lucien Vogel with editor Carlo Rim and art editor Alexander Liberman (who became US Vogue's art editor and later creative director of Conde Nast) as a general interest picture weekly, some years before Life and Look in the US and Picture Post in Britain. They all took advantage of developing technologies of the day like wire transmission of photos and rotogravure printing. VU was the first though to use photos in a very creative way, especially with cover montages created by Liberman, no doubt influenced by Russian magazines of the twenties designed Rodchenko, Tellingater, Lissitzky and Stepanova.

Hardcover. NY, Knopf, 1st, 1933, Book: Very Good, Dust Jacket: Poor, Hardcover, 90 pages. Humorous verse describing famous plays, illustrated with black and white drawings by Rea Irvin. Stated First Edition. Dust jacket is present but poor condition. Book itself is clean and bright.

Hardcover. NY, powerHouse Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrink wrap. Jean Patchett was both model and muse, a famous face from New York's vibrant midcentury popular culture and the most successful high-fashion model of her time.A small-town girl from rural Maryland, Patchett had no firm ambitions until a friend suggested she drop out of college and go to New York and become a model. Within a year Jean had left school, met model agent Eileen Ford, and begun a career that saw her photographed by the greatest photographers of her era, with more than 58 magazine covers over 14 years."A young American goddess in Paris couture," was Irving Penn's epitaph for the model he photographed for a classic series in Lima, Peru where, pushed past their limits, Patchett and Penn created passionate art with a possible passionate relationship as well. Penn would go on to create stunning images of Patchett forVogueand later, for a series of nudes he called "the major artistic experience of my life." Letters from Patchett to her family show a young woman in love with her life and eager to share the thrills and struggles of her career. Quotes from photographers Cecil Beaton, John Rawlings, William Helburn, Jerry Schatzberg, and Francesco Scavullo reflect their admiration for her technical skills as a model as well as her unique beauty. A work diary from 1951 allows us to see how-and with whom-she worked from day to day.

Softcover. Seattle, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. In the vein of the old underground comix like ZAP or Weirdo, author Joe Sacco promises that BUMF will go where it needs to go, and do what it needs to do." Though world-famous for his serious, journalistic books like Palestine, Safe Area Gorazde, and Footnotes in Gaza, Bumf promises to echo back to Sacco's earlier days as a satirist and underground cartoonist. Bumf is a project that Sacco has been working on in between larger projects like Footnotes in Gaza, indulging his love of satire and cartooning. Often puerile, disgusting, and beyond redemption, Sacco apologized in advance, saying he couldn't help himself. "They expect better things from me. They'll never put me on a stamp now

Hardcover. Princeton WI, Remco/Kitchen Sink Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 95 pages in color, black cloth covers, bright and unclipped dust jacket. Introduction by Art Spiegelman. Cliff Sterrett was one of the outstanding newspaper cartoon artists in the formative period of this 20th Century art: a skilled draftsman, borderline (and sometimes over the line) surrealist, and humorist.

Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.

Softcover. London, South Bank Centre, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. 83 pages, mostly color illustrations. A National Touring Exhibition organized by the Hayward Gallery, London for the Arts Council of England. Artists Include: Martin Boyce, Willie Doherty, Kendell Geers, Felix Gonzalez-Torres, Johan Grimonprez, Guillermo Kuitca, Maria Lindberg, Tracey Moffatt, Lucia Nogueira, Anri Sala, Ann-Sofi Siden, and Christopher Wool.

Softcover. Newport RI, The American Civilization Foundation, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 350 pages, color plates throughout. A collection of paintings from The National Museum of American Illustration featuring prominent artists of the the period. Many worked for the Saturday Evening Post: Stevan Dohanos, John Clymer, John Falter, George Hughes, Mead Schaeffer and others. Samples of their original paintings and a short profile on each. Like new.

Hardcover. San Diego, IDW Publishing, 3rd pr., 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, Presenting a deluxe hardcover collection of Chester Gould's timeless comic strip, Dick Tracy. The second volume of this multi-year project includes nearly 500 comic strips from May 1933 to January 1935. This special second volume also features an exclusive essay from Consulting Editor and longtime Tracy writer Max Allan Collins.

Softcover. Berkeley CA, University of California Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 272 pages. The prolific talents of painter Joan Brown (1938-1990) inform every page of this shining testament to a singular artist. For Brown, art was a means of self-revelation and self-investigation, a fact made abundantly clear by the autobiographical nature of her work. In the first book to fully explore Joan Brown's artistic career, Karen Tsujimoto provides an overview of Brown's life from her San Francisco childhood to her years as a mature artist and teacher. Jacquelynn Baas focuses on Brown's use of universal and personal symbolism by analyzing one of her most celebrated paintings, The Bride. Both authors make extensive use of interviews that let Joan Brown speak for herself about art and the creative process.

Proctor & Gamble, 1958, Book: Very Good, Dust Jacket: None, Look, Mom - Jimmy Ryan. Color art by Norman Rockwell, 10 1/4 X 13 1/2". very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Hardcover. New York, Rizzoli, reprint, 2011, Book: Very Good, Dust Jacket: Good, Hardcover, 248 pages. Extensive color photography throughout. Some shelf wear and minor tear to printed acetate dust jacket. Slight rubbing to top corner. Otherwise clean, tight copy. "This book showcases a wide range of styles by such fashion luminaries as Cassini, Chanel, Dior, Armani, and McQueen, among others. The beautiful fashions, photographed by such notable photographers as Patrick Demarchelier, Benno Graziani, Horst, Arthur Elgort, Milton Greene, David LaChapelle, and Irving Penn capture the effervescent spirit that is associated with the wedding dress. The Wedding Dress begins with an overview of the sumptuous wedding gown, chronicling its history from royal weddings to today's celebrities."

1976, Book: Very Good, Color cartoon of holiday icons ready to feast by Saul Steinberg. 8 1/2 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Lubbock, Texas, Texas Tech University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 374 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. Each chronological section covers the full range of men's clothing by category, including suits and evening wear, outerwear, sportswear, accessories, sleepwear, swimwear, underwear, and grooming. Documenting the panorama of men's dress with 650 illustrations.

1976, Book: Very Good, Color art by Andre Francois, 8 1/4 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1940, Book: Very Good, Dust Jacket: None, Female chemistry student, art by John Hyde Phillips. 10 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. San Francisco, Rip Off Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 28 pages, $2 cover price. B&w art by Gilbert Shelton. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. The third in Gilbert Hernandez's line of original hardcovers featuring Love and Rockets' "Fritz" in her guise as a Z-movie actress (the first two were Chance in Hell and The Troublemakers) is a trippy thriller that stars Fritz in no fewer than three roles. A beautiful waitress (Fritz, of course) and her hospital nurse brother (also Fritz) visit their estranged father, a once successful but now retired writer (amazingly enough, also Fritz), in order to find out the true reason why their mother committed suicide. When dad's health fails, the siblings are then more concerned with the money he might leave them. The story weaves in and out of reality and hallucination and possibly back in forth in time, and to complicate things further, the sister is sexually obsessed with a mysterious man throughout the tale - or is it her brother (at one point posing as his sister so that he might gain his and her inheritance) that is so hot and bothered by this mystery stud? And that's only the tip of the iceberg. There's also a venture into ghost territory, with frauds bilking the gullible and Fritz's character(s) right in the middle. 120 pages of black-and-white comics

1931, Book: Very Good, Dust Jacket: None, College man playing accordion, art by John Sheridan. 8 X 11", light wear, mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1925, Two-color art of boys shooting marbles while an older gentleman looks on. Painting by J. C. Leyendecker. 10 X 13", small chip at top corner not affecting image. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Harper and Brothers, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a b&w cartoon featuring the Toonerville Trolley gang. Blue cloth spine. Clean and sharp. No credits, commentary or date but undoubtedly reprinted from his syndicated strip Toonerville Folks. There is an ink inscription on the front fly leaf dated 1922. In great overall condition, now protected by an acetate dust jacket.

Hardcover. Secaucus NJ, Poplar Books, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, blue cloth covers in a bright dust jacket. Thick, heavy book, 527 pages, 1580 illustrations including 60 in color, bibliography, concordances, index and list of owners. This book contains complete title-catalog of all paintings and the most comprehensive catalog of the watercolors ever published including over 1500 items in public and private collections. Catalog Raisonne. NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Santa Fe NM, Museum of New Mexico Press, 2nd pr, 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps. Foreword by George Kubler. Profusely illustrated in color and black and white. 127 pages. 81 artists interpret this masterpiece of 19th century Spanish Franciscan architecture. Map of Taos laid in. Clean copy.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Color photographs throughout. This combination of portraiture, still-life and landscape photography mirrors the eclectic influences and materials which Ghesquiere synthesizes in his collections a bold, unconventional flow whereby innovation unceasingly rejuvenates tradition.

Hardcover. NY, Albert & Charles Boni , 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, original light gray cloth hardcover with gilt & green lettering on the spine and the front cover. 340 pages, 8 b&w plates including frontis self-portrait. No dust jacket, otherwise a clean, tight copy.

Hardcover. NY, Harry N. Abrams, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages with 338 illustrations, including 278 plates in full color. Large heavy folio. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. Boston, Houghton Mifflin , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 290 pages, illustrated in b&w and reddish tones by Bechdel. In a bright, unclipped dust jacket. Alison Bechdel's Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel's own (serially monogamous) adult love life. And, finally, back to Mother -- to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.

Hardcover. NY, NBM, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This is the classic strip Bringing Up Father which became the second longest comic strip of the 20th Century. Now, for the first time, Forever Nuts presents all the dailies of the first two years of this classic comic strip, many of which have not been reprinted since they first appeared over 90 years ago. Discover why McManus became known as one of the greats in the field. Clean copy.

Softcover. New Haven CT, Yale University Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, stiff card wrappers firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

Hardcover. London, Patrick Hardy, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 48 pages Illustrated with Ardizzone Christmas Cards in black/brown/blue & white. Very nice, clean condition. Hardbound, dust jacket.

Hardcover. The Monacelli Press , 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Roy Lichtenstein in His Studio is a portfolio of vivid and engaging photographs by Laurie Lambrecht, who was an administrative assistant to Lichtenstein for three years. She and the artist worked together daily, and the bond between them is evident in the photographs. Lichtenstein is shown working on two major series, Reflections and The Interiors. He is completely absorbed, oblivious to the camera, as he mounts ladders, assembles colors, composes, and steps back to consider the effect. In her essay Dorothy Lichtenstein, wife of the artist, recalls the collegial atmosphere of the studios in New York and Southampton in the early 1990s, a time of extraordinary productivity. Edward Robinson, an associate curator at the Los Angeles County Museum of Art, describes Lambrecht's process and approach.

Hardcover. New York , Knopf, 1st, 1925, Book: Good, Dust Jacket: None, Hardcover, decorated boards, yellow cloth spine with green lettering. Preface by Carl Van Vechten, color frontispiece, b&w caricatures throughout by the artist: Stravinsky, Picasso, Willa Cather, Jack Dempsey, Mary Pickford, Ed Wynn, Babe Ruth ,Will Rogers, Eugene O'Neill, Paul Whiteman, Lillian Gish, Fanny Brice, many more famous personalities of the day. Some light foxing to some pages. Good plus. Clean.

Softcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.

Softcover. NY, Perigee Book, reprint, 1983, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. B&w cartoons that satirize the efforts of owners to discipline their pet dogs and pokes fun at the behavior of dogs. Mild shelf wear, clean copy.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 263 pages,16 BW illus., 16 color plates. Takes us into the mind of American abstract painter Ethel Schwabacher (1903-1984). "Comparable to such important literary journals as those of Virginia Woolf and Anais Nin, Schwabacher's record will become a valuable resource for research into the creative process as well as the art history and theory of our time." Clean copy.

Hardcover. London```, Konemann UK Ltd, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, 2 VOLUME SET. 920 pages. Oversize hardcovers. Both volumes very clean and unmarked. Only minor wear to dust jacket edges. In a unique collection of hundreds of photographs, 150 Years of Photo Journalism gives a visual record of the years 1850 - 1918, the last and greatest period of European dominance of the world in culture, science and weapons of destruction. VERY HEAVY- extra charges for overseas shippimg.

Hardcover. Boston, Houghton Mifflin, 1st, 1976, Book: Very Good, Dust Jacket: Good, 324 pages, illustrations throughout. Minor corner bump and dust jacket edge wear and fade, otherwise, very clean and tight copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Ithaca NY, Cornell University Press, 1st, 2005, Book: Near Fine, Dust Jacket: None, Softcover, 304 pages. Like new in publishers shrink-wrap. This ambitious collection treating the Italian Fascists appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini"s Italy. With contributions by art historians.

Softcover. New York , Guggenheim Museum, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 285 pages, b&w and color plates. Art checklist laid in. Half-inch tear at top of spine. Light marking to bottom edge. Else a clean, tight copy.

Hardcover. Paris, Zodiaque, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 374 pages plus index. Color, b&w gravure photographs, plans of churches, cathedrals, abbeys and monasteries in England. Text in French. Ribbon marker.

Hardcover. San Francisco, Chronicle Books, 2nd printing, 2010-06-23, Book: Very Good, Dust Jacket: Very Good, 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Created by McSweeney's in celebration of their 11th anniversary, this book showcases the independent literary publisher's award-winning art and design across all its activities, including McSweeney's books, quarterly journals, Wholphin DVDs, and The Believer magazine. Hundreds of images - from napkin sketches to final objects - offer insights into McSweeney's creative process, and a narrative history in interviews explores the incidental, accidental, and deliberate ways they have helped transform the visual experience of reading. hundreds of photos and illustrations, and interviews with the staff and writers and artists such as Rick Moody, Sarah Vowell, John Hodgeman, Lawrence Weschler, Michael Chabon, Chris Ware, Ben Katchor, Charles Burns, and many more.