Art

Hardcover. New York , W. W. Norton & Company, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 202 pages, illustrated with 242 color and b&w plates, including a pullout poster in rear pocket. Early in the Depression, Diego Rivera was commissioned by Edsel Ford to create a series of murals in the gallery of the Detroit Institute of Arts, giant frescos whose theme would be America's industrial might. This volume studies the astonishing results and gives us a remarkably close look at Diego and his wife, Frida Kahlo.Rivera's Detroit Industry murals are one of this country's greatest treasures. In addition to providing full coverage and analysis of the murals, the book includes chapters on the murals' planning and antecedents, Rivera's working methods (which can be read as a primer on frescos), Diego and Frida's lives for their nine months in Detroit, and the public's dramatic response to the strong socialist/communist themes in the works.

Hardcover. Intercourse, Pennsylvania, Good Books, 1st, 1991, Book: Near Fine, Dust Jacket: Very Good, The furniture tradition of the Mennonites, Russian immigrants in North America. 231 pages illustrated with several maps and 241 (mostly color, some black/white) photographic illustrations. Book is in near fine condition, dust jacket is in very good condition with some signs of edge wear.

Hardcover. Los Angeles Times, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 208 pages. Profusely illustrated with the best work of one of the leading political cartoonists of the 20th century, Paul Conrad (1923-2010). This extraordinary retrospective collection, containing more than 300 cartoons, from 1963 to the present, displays the wit, strong opinion and skillful drawing that have won Conrad three Pulitzer prizes and numerous other awards for excellence in journalism. The cartoons, arranged by decade, represent the work of a man who has become a legend in cartooning and an institution in American journalism. The book is very good. The DJ has some light edge wear.

Hardcover. New York , Hudson Hills Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 453 pages, cloth binding, dj, new copy still in publisher's shrinkwrap. 381 color & 107 b/w illustrations, 453 pages, 9x12. Published in conjunction with the exhibition Claes Oldenburg: Printed Stuff, held at the Madison Art Center, Madison, Wisconsin, Apr. 27-July 27, 1997, and at other places.

Softcover. New York, Whitney Museum of American Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 110 pages, illustrated throughout color and b&w. Gray pictorial stiff wrappers. Light wear and rubbing to covers and spine, else a very nice. tight,. clean copy.

Hardcover. NY, Race Point Publishing, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages. Every August, tens of thousands of participants gather to celebrate artistic expression in Nevada's barren Black Rock Desert. This vastly inhospitable location, called the playa, is the site of Burning Man, where, within a 9-mile fence, artists called Burners create a temporary city devoted to art and participation. Braving extreme elements, over two hundred wildly ambitious works of art are created and intended to delight, provoke, involve, or amaze. In 2013, over 68,000 people attended - the highest number ever allowed on the playa. As Burning Man has created new context, new categories of art have emerged since its inception, including Art to Ride, Collaborative Art, and of course, Art to Burn. Burning Man: Art on Fire is an authorized collection of some of the most stunning examples of Burning Man art. Experience the amazing sculptures, art, stories, and interviews from the world's greatest gathering of artists. Get lost in a rich gallery of images showcasing the best examples of playa art with 170 photos. Interviews with the artists reveal not only their motivation to create art specifically for Burning Man, but they also illuminate the dramatic efforts it took to create their pieces. Featuring the incredible photography of long-time Burning Man photographers, Sidney Erthal and Scott London, an introduction from Burning Man founder Larry Harvey, and a foreword from Will Chase, this stunning gift book allows Burners and enthusiasts alike to have a piece of Burning Man with them all year around. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Baltimore, privately printed, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, Bound in black paper boards with titling in white and a photo reproduction on front cover. Photographs are reproduced on glossy white paper. SIGNED BY YOUNG on title page. Barbara Young is a psychiatrist and psychoanalyst who has been practicing in Baltimore for 65 years. Her second career as an art photographer began in 1979 and continues to this day. She is acknowledged as one of the earliest pioneers of color art photography. This book has come into being out of an intermingling of her two professions. The photographs are from her travels, Baltimore. friends and strangers, and more. Clean copy.

Hardcover. New York , Pantheon, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages, b&w graphic novel drawn by Burns. No dj issued. Fusing the unsettling kitsch of EC horror comics, the storytelling sensibility of Euro-classics like Tintin, and the astute observations about young adults that made Black Hole so engrossing, Burns has turned out a haunting first chapter in what promises to be a spellbinder. The opening pages flip among the various realities of Doug, a young man recovering from a head injury of some kind with only a box of pills and some strawberry Pop-Tarts to speed his recovery. Flashbacks and dreams switch among various scenes: Doug and his hypocrite father; a wild party gone awry when Doug's crush object's crazy (but unseen) boyfriend goes on a rampage; and, most mysteriously, another world--found behind a hole in a brick wall--where dead cats live, worms weep, and a giant hive rules a grim city of deformed creatures. Burns's control of the story is masterful--the recurring imagery make it unclear just which is the reality and which is the dream. His sharply delineated art captures a grotesque yet sympathetic view of kids thrust far beyond a world that they can control or even understand.

Softcover. Pawtuxet Cove, RI, Dale Chihuly, 1st, 1982, Book: Very Good, Dust Jacket: None, 45 full page color reproductions. Beautiful catalog for exhibition traveling to Tucson Museum of Art, San Diego Museum of Art, and St. Louis Art Museum. Printed on Northwest Quintessence by Foremost Lithograph, Co. Slight wear on cover. All else in very good condition.

Hardcover. NY, Neue Galerie, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Foreword by Ronald S. Lauder. More than 160 works illustrated in color. 123 pages. Short closed tear to dust jacket in rear. Otherwise a clean, bright copy.

Hardcover. London, Sotheby's, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 84 pages. The catalogue for an auction of a group of the original drawings Blake did to illustrate Blair's poem "The Grave," in 1805. These drawings had been lost, were recently re-discovered and were auctioned by Sothebys. The catalogue is of 20 lots, and theis essay by Bialler surveys the history and scholarship surrounding the works.

Hardcover. New York , Museum of Modern Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages, 150 color and b&w illustrations. 4to, boards. New Exhibition also at the Tate Modern, London, the Los Angeles County Museum of Art, and the Salvador Dali Museum, St. Petersburg, FL.

Hardcover. New York, Thames and Hudson, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 280 pages. Black cloth covers with silver titles to spine, silver pictorial to front, silver dust jacket and slipcase with color illustration, 191 illustrations throughout. 1"x3" strip missing from upper right corner from front endpaper, slight rubbing to dust jacket and slipcase, clean covers, pages crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.

Softcover. NY, Bill Hodges Gallery, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Profusely illustrated with color plates and figures. Accompanied a 2009 gallery exhibition; Includes an artist chronology and list of exhibitions; One of 2000 copies in this edition. Clean copy.

Hardcover. London/NY, Prestel/DelMonico Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Richly illustrated and filled with detailed information about one of the leading artists of the 20th century, this is the first book to explore in depth the Saint Louis Art Museum's outstanding holdings of paintings by Max Beckmann-the largest collection of its kind in the world. One of the greatest German painters of the 20th century, Max Beckmann came to America in the mid-1940s and settled in St. Louis. There he met the retailer and collector Morton D. May. By the time May died, in 1983, he had amassed a comprehensive collection of Beckmann's oeuvre, most of which he bequeathed to the Saint Louis Art Museum (SLAM). The stunning breadth and power of Beckmann's work are explored in this volume, which examines all thirty-nine paintings in SLAM's collection. Featuring some of Beckmann's most celebrated images, this book offers fascinating insights into Beckmann's life and art-in particular his underappreciated early work and previously unexplored aspects of his final years in the United States.

Softcover. New York, Faber & Faber, 1st, 2002, Book: Very Good, Dust Jacket: None, 342 pages. Softcover. Light edgewear to wrappers otherwise Clean, unmarked copy in very good condition.

Hardcover. New York, Henry Holt and Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 252 pages. B&W and color animation throughout. Pictorial dust jacket, slight wear to covers, edges, and spine. Dust jacket price-clipped. Blue boards with gilt title to spine. Overall, a clean, tight copy.

Hardcover. Berkeley/Los Angeles, University of California Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 270 pages in color and b&w. The first major book to consider the life and work of Robert Arneson, A Troublesome Subject tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of Arneson's career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how Arneson's work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through Arneson's career-chronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post-1970 turn to self-portraiture. Clean, bright copy.

Hardcover. NY, Da Capo Press, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright yellow price-clipped dust jacket. Frontis portrait, 174 plates. All of the best drawings from Beardsley's later period, including the illustrations for "The Yellow Book", "The Savoy" and "The Rape of the Lock". Reprinted from the second London edition of 1911. Previous owner's initials on front fly leaf, otherwise clean.

Softcover. Hensonville NY, Black Dome Press, 1st, 1993, Book: Good, Dust Jacket: None, 199 pages. Softcover. Extensive b&w photography throughout. Some curling to dust jacket, otherwise clean, tight copy.

Softcover. New York, NY, National Academy of Design, 1st, 1985?, Book: Very Good, Dust Jacket: None, Exhibition catalog. 95 pages. B&W and color illustrations throughout. Introduction By Annette Blaugrund. Red pictorial cover with wear to spine and slight soiling to covers. Overall, a clean, tight copy.

Hardcover. NY, Bobbs-Merrill, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 529 pages. Material for this novel based on the life of Amedeo Modigliani is based on letters, family papers and interviews with the Modigliani family by the author. Clean copy.

Hardcover. NY, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 224 pages. The Dakota is arguably the best-known residential address in the world, home to dozens of New York City's most famous artists, performers, and successful executives. The rare sale of an apartment there, usually at jaw-dropping prices, is newsworthy, as is the financial and architectural health of the building itself, a landmark in every sense of the word.The first true luxury apartment house built in New York City, more than 130 years ago, the Dakota is still the gold standard against which all other apartment buildings are weighed. Historian Andrew Alpern tells the fascinating story of how the Dakota came to be, how Singer sewing magnate Edward Clark dared to build an apartment building luxurious enough to coax the city's wealthy from their mansions downtown for ultra-modern living on what was then the swamplands of the Upper West Side. Redrawn plans of the entire building, published here for the first time, show how Clark created apartments glamorous enough that they made living under a shared roof as acceptable in Manhattan as it already was in Europe's grand capitals, forever revolutionizing apartment life in New York City.

Softcover. St. Louis MO , Daniel Zimmer , 1st, Book: Very Good, Dust Jacket: None, 112 pages. Softcover. Extensive color illustrations by J. C. Leyendecker throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New York, Viking Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 372 pages. Introduction by John Rothenstein. Green cloth covers, gilt titles to spine, b&w illustrated dust jacket with bold yellow titles, 502 b&w plates, with accompanying appendix of notes on plates. Clean covers, light rubbing to dust jacket, price-clipped, previous owner's signature to front endpaper, slight foxing to preview pages, pages crisp and otherwise unmarked; overall, a very clean, tight copy in great condition.

Softcover. Boston, Museum of Fine Arts, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 315 pages. Color illustrations. For nearly four decades in the sixteenth century, the careers of Venice's three greatest painters-, Titan, Tintoretto and Veronese, overlapped, producing mutual influences and bitter rivalries that changed art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In it, the three artists, brilliant, ambitious and fiercely competitive, vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. They also pioneered the use of easel painting, a newly portable format that led to unprecedented fame in their lifetimes. With more than 150 stunning examples by the three masters and their contemporaries, this volume elucidates the technical and aesthetic innovations that helped define the uniquely rich "Venetian style," as well as the social, political and economic context in which it flourished. Essays range from examinations of seminal new techniques to such crucial institutions as state commissions and the patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, Titian, Tintoretto, Veronese paints a vibrant human portrait--one brimming with savage rivalry, one-upmanship, humor and passion. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, St. Martin's Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 495 pages, color and b&w photos. In a bright, unclipped dust jacket. Remainder dot on top edge.

Hardcover. Neshannock PA , Hermes Press, Reprint , 2015, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Imagine waking up in 1939 and reading the first Phantom Sunday strip in the newspaper. Now, for the first time, these rare Phantom Sundays are being collected in their full size in an archival reprint of the first six Phantom stories! The stories for these Sundays was created by Lee Falk with artwork by Ray Moore in a half page format, so this reprint is faithful to the originals and reproduces every detail of these Sundays as seen in Sunday sections of newspapers. These Sunday pages have the same look and feel of the originals only now they're collected in a high quality art book format that will last forever.

Hardcover. New Haven, Yale University Press, reprint, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 625 pages, 700 b&w plates. Light edgewear to dust jacket, small tear; previous price sticker on front flap. Foxing to top edge. Else a clean, tight copy.

Softcover. Prestel, 1st, 2009, Flexible card covers, 200 pages. Illustrated in color and b&w.Henry Moore is most celebrated for his monumental outdoor sculptures in many major cities around the world. Lesser known are the sculptor's plaster pieces, which represent an important stage in the development of his work leading up to the final bronze sculptures. Moore's sculptures are presented alongside a generous selection of his drawings and carvings made during the last decades of his life. Commentary by leading scholars from the Henry Moore Foundation offers Moore's audience a deeper understanding of the artist's approach to his work and the evolution of his world view.

Hardcover. NY, Taschen, reprint, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 416 pages in color. In June of 1938, Action Comics debuted with a new kind of comic book character on its cover: a costumed man with two identities, who possessed extraordinary strength and powers-a man able to protect the public when ordinary measures would not do. He was not the first super hero, but the Man of Steel would become the prototype for all super heroes thereafter.Superman's story, and those of Batman, Wonder Woman, and hundreds of other DC Comics characters, are all told in The Golden Age of DC Comics. The single most comprehensive book on the subject, this volume traces the company's first decades, from its pulp origins up to the comic book burnings of the McCarthy '50s in more than 400 pages bursting with comics, art, comics, photographs, and more comics. Also included is an exclusive interview with legendary artist Joe Kubert. Expanded from the Eisner Award-winning XL book, 75 Years of DC Comics, TASCHEN's series on DC Comics explores the origins of comics' most enduring legends and the behind-the-scenes, era by era. In a reader-friendly size, the books feature updated essays by author Paul Levitz and thousands of covers and interiors, original illustrations, photographs, film stills, and collectibles to bring the story lines, the characters, and their creators to vibrant life.Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Seattle, Sasquatch Books, 1st, 2002, Book: Very Good, Dust Jacket: None, 216 pages. Hardcover no dust jacket. Color drawings. Clean, unmarked copy with only minor wear to covers.

Hardcover. Kent, U.K., Midas Books, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, 407 pages, with b&w illustrations throughout. Very slight foxing on top edge and minor edge wear, otherwise, very clean and tight copy.

Hardcover. NY, Robert M. McBride & Company, 1st, 1945, Book: Very Good, Dust Jacket: Fair, Hardcover, pictorial boards in a worn, chipped dust jacket, 128 pages. A collection of his b&w cartoons, Foreword by Frank Sullivan. Mild stain to dj, interior clean.

Softcover. San Francosco, San Francisco Comic Book Company, 1st, 1971, Book: Good, Softcover, October 1971 First edition, first printing 50 cents original price. Mr. Natural (Fred Natural) is a comic book character created and drawn by 1960s counterculture and underground comix artist Robert Crumb. Mr. Natural #2 : "A Gurl in Hotpants" (with Flakey Foont), "Sittin' Around the Kitchen Table" (with Flakey Foont), "The Girlfriend" (with Flakey Foont), "Have you seen 'um lately?", "I am the greatest! Make way! Make Way!" (with the Snoid), "On the Bum Again, part two". Ccorner creases, mild wear.

Hardcover. Germany, Daab, 1st, 2012, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap.. The Label Book of Clothing Culture presents over 40 TOP labels within the fashion business which are among the very best in the world. Great names such as Barbour and Brioni stand next to numerous 'Hidden Champions' of clothing culture. But this extraordinary coffee-table book is about much more than mere fashion, it also presents craftsmanship and history, style and quality; it highlights those companies that have committed themselves to this tradition with heart and soul. The editor and enthusiastic art collector, Dr. Dr. Thomas Rusche, knows what he is talking about, since it is he that coined the term 'clothing culture.' He shares his knowledge of the true champions of the business and provides interesting background information about the companies presented here.

Hardcover. New York , George Braziller , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, illustrated throughout with 65 plates in full color. Clean, unmarked copy with only minor wear to dust jacket. This volume gathers together all the extant pastels of Eugene Delacroix (1798-1862), the leader of the French Romantic movement in painting, the greatest colorist and the most versatile master of the first half of the nineteenth century. These beautiful pastels, housed in collections from London to Los Angeles to Cairo, are rarely exhibited due to their fragility.

Softcover. UK, PS Art Books, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover. Another iconic 52 page facsimile comic book reprinted to match the quality when first produced in 1947. Cover art by Alex Schomburg. The Beasts of Dr. Krafte starring Tygra. The Man-Killer on Mars text story starring Lance Lewis by Edward Hasset. Lance Lewis story. Fighting Yank story, art by Ken Battefield. Jefferson Jones story, art by Hal Sherman. Flash in the Pan text story by Charles S. Strong. The Death Boat starring Don Davis, art by Leonard Sansone. Clean, like new.

Softcover. London, Knockabout, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 128 pages illustrated in color. Photos, art, 28 pages of new stories. Clean, bright copy.

Hardcover. Richmond, Va., Candela Books, 1st, 2010, Book: Good, Dust Jacket: None, 100 pages. Hardcover. Extensive b&w photography throughout. Tipped in plate on front cover. Small stain to front cover, otherwise clean, tight copy. Working primarily from the 1940s through the early 1960s, the American photographer Gita Lenz (1910-2011) made documents of New York street life that won her early recognition and inclusion in two group shows curated by Edward Steichen for The Museum of Modern Art, a three-person show at the Brooklyn Museum and numerous articles and features in photography magazines of the time. Equally given to inflecting her portraiture with hints of social realism one on hand, and surrealism on the other, and also influenced by her close friend Aaron Siskind, Lenz produced abstract compositions, city still lifes, surreal still lifes and intimate portraits. She receded from view in the 1960s as financial demands impeded her practice, but in 2002, a chance meeting with photographer Gordon Stettinius led to the retrieval of this small but charming body of work, and the publication of this superbly printed first monograph.

Hardcover. Rome , Compagnia Edizioni Internazionali, Reprint , 1968, Book: Very Good, Dust Jacket: Very Good, 173 pages. Hardcover. Numerous full color illustrations. Illustrated flyleaves and endpapers. INSCRIBED BY AUTHOR on frontispiece. Gray and white dust jacket with full color illustration on the front. Light edgewear and foxing on top edge.

Hardcover. NY, Rizzoli, 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 139 illustrations, 122 in color. Clean copy.

Softcover. San Francisco, Rip Off Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 48 pages, 75 cents cover price. B&w art by Shelton, Sheridan, Foolbert Sturgeon (Frank Stack), Richards, Bill Griffith, R. Diggs (Harry Driggs) & Justin Green. Clean copy.

Hardcover. New York, Harper Design, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 251 pages. Hardcover. Extensive color photographs throughout. Silver gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket. A stunning anthology of the work of visionary stylist Lori Goldstein, whose interpretations of fashion and beauty have produced some of the most groundbreaking and iconic images in fashion and popular culture.Lori Goldstein: Style Is Instinct publishes for the first time in book form the work of one of the world's most highly regarded stylists. With a foreword by Steven Meisel, it features more than eighty astounding images that she created in collaboration with the world's finest photographers--including Annie Leibovitz, Mario Testino, Bruce Weber, Meisel, and many others--for fashion editorials, renowned advertising campaigns, and award-winning music videos. This striking volume captures Goldstein's personal credo, which has come to define her work--"everything goes with anything"--and displays her signature style, from her unique way of mixing and matching print and color to how she uses clothes to create images that go beyond glamour to the metaphysical, spiritual, and natural worlds.Four distinctive chapters--"The Sickness," "The Divine," "Harmonious Discord," and "Pop"--present these imaginative realms in alluring visual detail, accompanied by numerous personal anecdotes that provide insight into Goldstein's process of styling and her creative power, as well as the worlds of fashion, celebrity, and advertising. They highlight her talent for pushing beyond the edge of convention to create moments of individuality that transcend the norm as well as influence and transform our views on fashion, beauty, and popular culture. The publication of this extraordinary collection is a landmark in fashion and image making.

Softcover. Rochester NY, Visual Studies Workshop Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 199 pages, paperback. Fictions and the fictions of theory from acclaimed theorist of film. With a foreword by Annette Michelson. Mild rubbing and edgewear to wraps. Light bumping to spine. Previous owner's signature to front endpapers. Scarce. A clean and tight copy.

Hardcover. London/NY, Hamlyn, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, black cloth with silver lettering, 96 pages, Illustrated profusely with 59 black-and-white and 40 color illustrations. Clean copy.

NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 240 pages. For more than 30 years, Brian Dowling's studio was the birthplace of some of the most remarkable fashion photography ever created. In his Islington darkroom, using specialist analog equipment, Dowling shepherded amazing images from negative to paper captured by the likes of Anton Corbijn and Nick Knight. Dowling's BDI studio was also responsible for a number of technical innovations in color photography, paving the way for many of today's digital effects. This tribute to Dowling includes extensive interviews, commentary, testimonials from his clients, and numerous examples of iconic haute couture photographs that passed through his hands. In addition, a series of photographs specially commissioned for this volume demonstrate Dowling's groundbreaking techniques: cross-processing, masking, filtering, layering light, and color fades. Dowling's hands-on achievements and alchemic talents are showcased in this beautiful ode to fashion photography.

Softcover. London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. 224 pages, b&w illustrations. Provides new Latin American-centric scholarship, not only about surrealism's impact on the region but also about the region's impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of 'primitivism,' and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II.

Hardcover. Ithaca, NY, Cornell University Press/Phaidon, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover. Dust jacket unclipped. Gilt title on spine. B/w illustrations throughout. Some agewear to dust jacket, but no rips and still shiny. Previous owner inscription on title page. A touch of foxing to back pages, but doesn't affect text. In very good condition.